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fowl-leaf · 3 months
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valentines day reblog :3
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Lumos <3s you!
1/3 silly lil color experiments
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fowl-leaf · 3 months
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「 commission 」 illustration for zyhgar 📚💫
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fowl-leaf · 3 months
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it's worth it!
quick warmup doodle
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fowl-leaf · 3 months
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Good news, fellow artists! Nightshade has finally been released by the UChicago team! If you aren't aware of what Nightshade is, it's a tool that helps poison AI datasets so that the model "sees" something different from what an image actually depicts. It's the same team that released Glaze, which helps protect art against style mimicry (aka those finetuned models that try to rip off a specific artist). As they show in their paper, even a hundred poisoned concepts make a huge difference.
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(Reminder that glazing your art is more important than nighshading it, as they mention in their tweets above, so when you're uploading your art, try to glaze it at the very least.)
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fowl-leaf · 4 months
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my 2023 summary of art!
Template:here
still not consistently posting anywhere, but I like doing these. they're fun there's a lot of things i would've liked to include but had to exclude, due to not being shareable on this account. maybe i'll have more stuff next year!
this is long, so details under the cut
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JANUARY silly lizard oc i generally dont do much single line hatching, so it was nice to fiddle with it this time
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FEBRUARY the wittle scrunkly lizard last time i drew this one, they were an lps shitpost, so its nice to like draw them normally lol
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MARCH herman is running out of time glasses axolotl but make him neon idk
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APRIL fancy calico i honestly dont know whats up with the clothes, i just kinda drew whatever tbh
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MAY yippie!! toontown oc! was playing ttcc w/shard and co, this is the character i ended up making i also got covid around april-march iirc so i was feeling horrid for a while (and the remaining symptoms didnt clear up till like june)
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JUNE an oc i got years ago but didnt have the confidence to draw for a while lmao anyways i like her colors and shape, she's fun
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JULY mandatory artfight posting this was one of the last ones i did! ocs belong to pookapooka and they were so fun to paint
idk if ill be doing artfight again tbh. ive been doing it consistently since sun vs moon but its honestly felt less fun ever since the tiktok invasion`and how ppls behavior has changed, and especially since the whole ownership thing that happened mid fight this year. (not interested in any of the alternatives ive seen either bc they have the same issues, notably worse issues, or are not furry friendly) but tbh that might just be me being disenchanted with online art spaces due to the intensifying shittification of basically everything, fucking rip
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AUGUST ring but hes going to jail (again but for real this time) the staxie monthly prompt was barbie mugshots but i . . . i did this with ring and lumos and promptly forgor to do this with cakes and ale like i was planning to lmfao im actually gonna watch the barbie movie tonight, renting it so i can watch it on the big tv (didnt watch in theaters bc expensive (movie tickets are generally 15-25 bucks in my area (compared to the 5-10 in my aunt's area (renting is cheaper per person)), and they changed the chairs to these weird uncomfy pleather recliners that make my skin crawl to "justify the price raise" + i hate sitting for more than an hour i need water, bathroom, stretch, and snack breaks))
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SEPTEMBER ganache went over the hedge was very busy w/projects so i did little casual art this was inspired by me comparing the over the hedge version of supermarket by ben folds (upbeat & high energy) vs the one by the clash (melancholy + commercial-induced agony) ever since then i cant stop thinking abt how much the lemon demon guy's voice sounds like the fucking clash guy sdjkhfkjsd also over the hedge was one of my favorite movies as a kid and i watched it at least 10 times before we had to return the dvd to netflix. i also regularly played the flash games on the site until i forgot about it after finding out about miniclip + notdoppler from other kids and decided to use those for flash games instead bc more options lol
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OCTOBER dta img for a new oc i got, funny long neck budgie thingy busy w/projects again so little casual art had to use old mini tablet bc previous tablet was completely unusable fucking rip
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NOVEMBER ganache + cactus pony, they want to know if you have any bubblegum. do you? busy w/projects again so little casual art doodle i made in heavypaint (one of the old layerless versions, i bought a lisence for it a while ago.) i got a new tablet on black friday since the mini tablet was horrible + my broken tablet was making me work very slow
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DECEMBER ring in the void (this is lore accurate) or as nic put it, "fucked up twilight sparkle" lol busy w/projects + gifts so little casual art i actually sketched this w/the mini tablet, but didnt finish it up till getting the new tablet
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for reading this far, you get to see amogus.
i would've put amogus whisper on the chart but decided against it since im not done with that one yet lmao
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fowl-leaf · 6 months
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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
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If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
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Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
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You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
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fowl-leaf · 8 months
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Surrealist Paintings by Rob Gonsalves
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fowl-leaf · 8 months
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Looking at your recent commissions, those backgrounds are soo pretty!! Do you have any tips for backgrounds? I always struggle with them :>
aAA many many thanks!!
backgrounds can absolutely be a struggle but they don't have to be! they just require a little more creative planning~!
whether it be a commission or a personal drawing, if I'm building an elaborate art piece i focus on establishing the background First.
the background is the stage for your character! planning the background first will make it easier to tailor the character's actions and how they interact with the environment around them.
planning the background first can be the difference between your character standing awkwardly front and center with the setting going on behind them, or actually participating in their environment.
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if i'm super stumped for background ideas, i browse stock image sites to get inspiration. sometimes it helps to doodle on an image to generate some ideas - kinda like you're playing with JPEGs like dolls.
that said - while i'm pinpointing WHAT i want to draw, i keep the ideas loose. i don't want to focus on the itty-bitty details until i've got the overall aesthetic and layout in mind, as i might get inspired to add something in later!
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THUMBNAILING
if you're planning a big piece it can be helpful to break it down into something bite-sized before you go all in and start lining or painting. these are "thumbnails" - fast little sketches that establish the scene in a way that doesn't consume a lot of time or effort. it's also great as a little perspective exercise as a treat.
here i decided i want to draw a character walking home in a back alley street. with these photo references in mind, i can plan a layout and how the character will act in the scene. is this a candid shot? are they posing cutely? are they looking down at us in a tense way? there are many ideas to be had!
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after you've chosen the layout / vibe for your idea, you can scale up your thumbnail to your preferred canvas size and start fleshing out the details. be sure to keep referring to your reference images to get additional ideas, such as storefronts, items, props etc!
3D MODELS
If you're trying to create a unique environment that photo references simply cannot help you visualize, 3D models exist! This gives you that ability to rotate / scale things for better visualization. Clip Studio has a vast catalogue of 3D models to download For Free that you can fiddle around with. i know there are many 3D builder sites out there as well, though i've never made use of them so i'm afraid i cannot recommend any off the top of my head. hell, you can even use the Sims game to design a setting and go from there!
also if anyone is going to come into my house and say 3D models are cheating: they are not. using a 3D model to better grasp an angle or get a better idea for perspective is not cheating. using 3D models to help plan the environment in your art is not cheating. they are no different than brushes; these are tools made to HELP YOU. use them!
PERSPECTIVE
perspective and angles can make a HUGE difference in the art piece. there's nothing wrong with static long shots! if that's what you want to draw, do it!! there's no right and wrong here!
but if you're finding your work to be a little robotic and stiff, slap an angle in there. consider an overhead view. these same techniques are applied to photography and film! nothing wrong with wide shots, but every once in a while it can help to throw in a dutch angle.
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if there is one note i'd like to leave off on, it's that your backgrounds do not have to be 100% accurate-to-life to be Good. unless realism is something you're really striving for in your style, don't feel compelled to nitpick every brick and leaf in your art. us artists can tend to over-prune our work until our art looks a little bare and soulless. flaws can give your work character, and that's often a lot more appealing than how accurate the scale ratio between background building A and building B are [again, unless you WANT to go for that realistic look then you can fuss over those details all you like].
i hope this helped a little! MY APOLOGIES FOR MAKING IT SO LONG AH
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fowl-leaf · 9 months
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Take a leap
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fowl-leaf · 10 months
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cat
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fowl-leaf · 10 months
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fowl-leaf · 10 months
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First of many batches of artfight posts!
Characters featured belong to Xenryft, ZipZap, and @nicthechameleon
This year I'm mostly doing traditional stuff instead since I wanna use dip pen more, and my new brush pen! (first one is digital lol)
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fowl-leaf · 10 months
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Some more pen doodles
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fowl-leaf · 10 months
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Automatic pen doodles
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fowl-leaf · 10 months
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Your art is beautiful!! What is your illustration process like? Also how long have you been an artist for?
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Thank you! My process is usually something like the following: sketch w/ primary refs > flats > base shading > refinement > details
I've been doing art since I was like four years old but it was never really a big thing for me until around 18 when I decided I wanted to freelance. I felt a bit behind back then but I just grinded a lot after I made the decision.
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fowl-leaf · 10 months
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team vampires! lets go!! https://artfight.net/~FowlLeaf still need to upload some guys
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fowl-leaf · 11 months
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「 GREENER BRIGHTER WORLD 」 🌱
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