Tumgik
#(also I'm glad the focus isn't on romance but I am still very much an arson shipper - their dynamic is beyond lovely)
capybaraonabicycle · 7 months
Text
Just rewatched Wayward Guide and gosh I had forgotten how much adore Madison and Desmond!
Tumblr media
them ❤️❤️
also Olivia is the most beautiful human (totally human, yeah, human's the right word) in all of Connor Creek and I cannot believe I didn't even remember her that well. Just look at her:
Tumblr media Tumblr media Tumblr media Tumblr media
Perfect precious raw-meat-loving bean ❤️ (I still haven't understood though whether she is leading a double life or Riley is just her twin or ....friend? I'm pretty sure it doesn't get explained either. maybe in the podcast? I need to relisten to that one next)
(btw you can watch this for free on youtube. just saying. it's the perfect time now, it's spooky season!🐺)
7 notes · View notes
meraki-yao · 3 months
Note
thank you so much for your reply <3 i think grief is a good word to describe what i'm feeling. it might sound silly to some but the book has been one of my favourites since 2019 and the 'what could have been?' aspect of the movie's promotion devastates me bc the crew and the fans deserved more. i think im also a bit terrified of ppl moving on from rwrb to nick's other projects meanwhile i can't (and don't want to) do it, ugh it's just a mess of weird feelings and sadness and longing for something we've never had. not to mention how some people already talk about his new projects being upgrades from rwrb. that hurts me on so many levels bc henry is a complex and beautiful character, rwrb is a wonderful story and i genuinely think that even with all the changes they created something amazing.
Glad I could help <3
It's not silly at all. I'm in a similar position: if you've followed my blog you might have seen this but long story short my irl life is a bit fucked up and I was really, really depressed. (still kinda am) July and August, waiting and watching RWRB release became the happiest I've been since January 2022, and in the following months RWRB and the fandom (well, and my sister) nearly became my sole reason for hanging on. So trust me when I say I get the feeling.
I understand your fear, and I'd be lying if I say I wasn't afraid that the rwrb tag will be full of George instead of Alex and Henry, but please remember that liking something new doesn't necessarily always lead to leaving the previous fandom: I know for a fact that me and a couple of my mutuals are going do both. We're gonna be happy to watch M&G (personally not interested in the idea of you but the same applies) but we're still going to make RWRB content. M&G will be a great show but it won't have nearly the same emotional weight to me as RWRB. It's been five months, so those of us who hang around and are active are active for a good reason.
As for the comments about "upgrade", that's ridiculous and a very surface-level assessment. One of my best friends is studying to become an actress and we talk about acting often. Here's the thing: there isn't a thing called "easy" acting. Every genre of acting has its own challenges: for comedy many times you need to sacrifice your personal dignity; Sci-fi blockbusters you need to interact with nothing and make it look believable; even for things like kid shows you need to be hyperactive so the kids can focus and find it entertaining, which can be so draining. M&G is a historical thriller, TIOY is a romance, and RWRB is a rom-com. These are three different film genres, and each set out to achieve different things. For example in terms of relationships: TIOY needs to make the romance believable, RWRB needs to make the romance believe, funny, and be a fair representation of a queer relationship, and for M&G if history serves there's no "true love" relationship at all. You're right: Henry's a complex and beautiful character, and Nick clearly put all his heart into him. But you cannot take Henry's layers of grief, love, fear, and self-esteem, and say it is lesser than Geroge's cold ambition. Funnily enough, while Henry is so careful with his power as the prince, George rose to the same if not a higher level of power and abused it so badly, that it caused his assassination and downfall. A well-written character is ultimately, a human being, and there isn't truly a human being who's "easy to be". So don't listen to those haters.
I'm all ears if you still want to talk <3
12 notes · View notes
gabetheunknown · 6 months
Note
Hello, Gabe.
I've been reading your Geraskier fics on AO3 and enjoying them a lot. Especially Dandelion Kisses.
Now, I'm on the third installment of Improper use of Witcher signs, and in one of the notes, you state that you're asexual and I'm curious. It's definitely not meant to be judgmental or mean. I'm just genuinely interested.
An asexual who writes smut. I've seen other asexuals do the same thing, and I'm just puzzled. Is it a wish to expand your horizons in writing, stretching your abilities? Or is being asexual not being completely disinterested in sex, just not with others?
Does smut "Do anything" for you when you read or write it.
Again, I'm just curious, since I would probably label myself as overly sexual.... I write and read because it turns me on. I guess I'm just trying to understand a bit more about asexuality. I realize you cannot speak for everyone.
I hope this question isn't too much. If so, I apologize and you can just ignore it....
Hello there Anon! Aah 💕 I'm so glad you're enjoying my fanfictions!
Ooh, some good questions! I hope I can answer them and that my answers make sense lmao. Also I can never keep things short, sorry in advance.
These questions are not too much for me and I'm actually very open 💕 to anyone reading this TW talking about sexuality/asexuality under the cut. Also this might not apply to someone else, purely talking about my experiences.
I have been writing smut ever since I first found out what fanfiction is. Which was when I was about 15 or 16 years old, the perfect age to figure out what it all means, the whole romantic or sexual world.
After a lot of 'fucking around and finding out' it was only years later that I realized I am on the asexual spectrum. In my environment (and honestly, I feel like this is the case in a lot of environments) talking about sexual feelings wasn't really normal. Still I wanted to talk about it, so I was actually being viewed as someone who was obsessed with sex. But I wasn't. I never had sex, and if I did (because of the want to 'be perceived as normal') it didn't really do anything for me.
When I say years later, I mean I am currently 28 and with my first partner who I can discuss these things with in a healthy way. And I am actually more intimate with him than I have ever been with anyone else. Intimicy and sex are also two different things for me. Like the touch of skin, just cuddling and being close to each other or leaving kisses on bare shoulders, without actually doing the do. *chefs kiss *
The funny thing is, writing smut doesn't do very much for me, so I can turn something off in my mind and just... write whatever the fuck I want? xd
Reading smut does do something for me. Always has. And the more I learn about myself, the more I think it's because I am not involved. My body, my being, my brain is not involved, I'm merely fantasizing about fictional characters doing the dirty and that's so different for me. The moment I include myself, I want to roll myself up in a blanket for at least 3 hours, but I do get excited if I can focus on a fictional character's feelings. Or my partner for instance.
I am the biggest sucker for romance though. I'm the sappiest motherfucker you'll ever meet. And I also start kicking my feet when I think about my fictional characters having a romantic moment and I absolutely love writing/reading/watching those.
My relationship with writing smut still manages to surprise even me, and that's why I sometimes add the 'anyways I'm asexual' tag because I can casually write a nasty threesome between three men while having a conversation with my boyfriend about what's for dinner. And I think that's so funny.
I usually just say I'm on the asexual spectrum, because sometimes I think I'm demisexual, sometimes I think I'm aegosexual (it's worth it looking this one up, it made me feel very seen)
Hopefully I answered your questions 💕💕 I hope you have a good day!
9 notes · View notes
trashlie · 1 year
Note
kousuke.exe not only stopped working but was unable to process the input and was glitching and malfunctioning the entire night lmaooo sigh. i want to remain hopeful that this night will spark at least some kind of change in him despite yui doing yui things… but we'll see.
speaking of yu jing, do you think rand has assured her some kind of protection from yui once the article comes out? yu jing must be aware of how risky all this is. is she prepared for when yui seeks her revenge? idk maybe i'm overthinking this because i'm from a country where journalists get killed all the time, but i still wonder what makes yu jing so brave. what is, to her, worth making an enemy of yui? is it really just righteousness? i'm lowkey really scared for her tbh but ahh i can't wait til we get to the article.
aahhh i'm glad the romance is giving you everything you want!!! it may not be my personal focus but i do enjoy the romance in ily a lot. slowly learning about all the ways shinae and nol are delicately interwoven has been a delight. it adds so much to the story and i can see their romance blooming into something very beautiful! and please, i'm looking forward to you talking about them in more detail when/if you have the time <3
…..actually, thinking about it, maybe "devotion" wasn't the word i was looking for 😅 sorry, i'm not a native speaker so i wasn't aware the religious connotations were so strong. but i really like your interpretation, and it was very kind of you to not dismiss it! i guess i was looking for something stronger and more emotional than "loyalty". because to me, shinae's actions read not only as "you were a good friend to me so i'll be a good friend to you", but also as "you mean a lot to me and i don't want to lose you". idk if there is even a word that captures this?
and not to get too analytical but i find it interesting to compare nol to minhyuk in that aspect. maybe you will disagree but imo shinae's actions aren't necessarily romantic. i believe she'd be just as affected and do the same things if it was minhyuk, who is similarly meaningful to her. except with nol, there is a different layer to it. there is the soulmateism she isn't aware of (yet), but she IS aware of her heart thumping and not being able to hold his gaze, there's also the change in his behavior, and her attraction to rand which she still has to unpack (it's not just for comedic effect it's obvious she's projecting lol) and i cannot wait for her to do the math and realize what's happening lmao it will likely take her some time but that's fine. she'll get there 👍 and yes yes yes after everything these two (and kousuke too) have been through all i want is a happy ending whatever that may look like 🥺 and therapy for all of them. maybe they can get a group discount /j
-lil anon 😼
That is a REALLY good point about Yujing. It's partly why I do believe this piece she's working on started with her friend at the root - it HAS to be worth risking her career and potentially life. Yujing surely knows the risks she's taking. I remember at the beginning of 151 she tells her friend that what she's working on might take several years, but that it's something her friend would be very interested in. If Manli is the friend Yujing has that was sa'd, then it would give her a reason to chase the story, I think. Once she finds out Nol pled guilty, though, she calls her mysterious contact and the story that once was seemed like it would take years suddenly has only the amount of time as Nol's sentencing.
Isn't that interesting? I still am not entirely sure what to make of it. Clearly everyone expected Nol to plead not guilty, for the trial proceedings to take place, for Shinae to give her testimony. Also something that stands out to me - Meg was told her testimony wasn't needed, that it wouldn't matter if she testified anyway because it'd get thrown out and before Nol could get much more out of her, Yui appeared. Not so subtle, right?
That's a small tangent lol but the point is: yes, I think that this is an important story to Yujing, not just for her journalistic integrity, but for something more personal. Vindication for a friend? For multiple friends? Because while I don't know if Yujing is aware of the full extent of how Yui has raised Kousuke, I think she knows enough to sense otherwise. She was disappointed to find that Kousuke hadn't changed, much like Nol is disappointed he hasn't changed - in a way, they've been rooting for him to come to the conclusion we have, right? They've been waiting for him to really comprehend the full scope of his life the who his mother is.
Another interesting thing is that Yui absolutely tries to play her tricks with Yujing, to put on that maternal mask, but Yujing doesn't even bother entertaining her. Also, that day that she was interviewing Nol, Yujing wrapped up with Yui's entrance. She definitely has an inkling that Yui's presence would compromise Nol's responses and make him uncomfortable, and she could probably deduce that was exactly what Yui was hoping for, to meddle more than she already had.
And that comes to another point about Yui. She notes that what she's doing with Nol is below her paygrade and she's doing it as a favor to Rand, but I have to wonder if it wasn't rather self-serving. Nol's drug-related charges link right back to Yui, and we have enough to deduce that this isn't the first time Yui has provided such drugs. If you haven't read this post yet, please do! It poses an interesting link between Kousuke's college incident and Yui providing drugs.
All this to say: I think the story must be very important to Yujing for her to tackle it, knowing who Yui Hirahara is and what she's capable of. But it also leaves us wondering what kind of protection can Rand even provide? He couldn't protect Nol. He couldn't protect Kousuke, though perhaps he was just too late. He can't even really do much to protect himself. And the way the judge managing Nol's case just so happened to retire? We know she pulled some kind of strings, intimidated someone, something. She has so much power and we don't even know the extent of it all. So. What kind of protection can Rand even afford her?
But yes, I do worry about the outcome of this story, even though I also look forward to it. It feels like it will end up being a bombshell in a lot of ways. I also wonder about how the setting of ILY plays into this. In the past, quimchee has referred to it as the United States of Korea - not quite Korea, definitely not America, but as the story has unfolded and characters have gone to and from America, England, Ireland, Japan, does that mean we definitively are set in Korea - and if yes are we following Korean laws? Libel and slander in Korea are a big deal - you could sue someone for running a story defaming you, even if they reported the truth! And again, with the contacts Yui seems to have, I have to wonder what her reach is.
I guess that's what makes Yujing seem like such a cool and formidable character. I want to know what she knows lol i want to know what her angle is. Also while I'm talking about her, here's something interesting I just noticed. Yujing spoke of Kousuke and Nol with familiarity when she interrupted their fancy meal. She said that it was a surprise to see them getting along enough to eat because the atmosphere would be hostile whenever they were in the same room together. There's also that history between her and Nol and her dog Senator. It raises some questions - when has Yujing been around them together? Especially because of the way Yui played dumb about her; it could be an act altogether, asking if they went to university together full well knowing it's so.
Also one other thing while I'm on this subject lol. The morning that Yujing saw on the news Nol pleaded guilty, she was going through a news story about an altercation between Nol and Kousuke. Without knowing the angle of her story, I wasn't sure what this had to do with what she's working on - sure the framing of Nol as a bad person plays into it, but also - during his interview with Yujing, before it got cut off, he says to her "It's not the first time the truth has been twisted in the media to fit a narrative". Is he speaking about that article, the one that frames him as the aggressor? Is that the one Kousuke has that fabricated memory of? Ahhhhhhh the more I think about what Yujing is working on the more desperate I become to read it!
and please, i'm looking forward to you talking about them in more detail when/if you have the time <3
This will definitely be coming hopefully soon! It's just something that's been on my mind as I reread lol. Like you said, it's very delicately woven! For me, there's something about watching two characters really come to matter to each other; it's not something I feel like I'm good at writing myself, but it's something that just really gets to me. I'm definitely ILY for the story and learning about their pasts, and seeing what will come of everyone, but the possibility of romance is just the icing on the cake, tbh! I really enjoy scenes where we get to see Shinae be honest, and we tend to get those when Nol is involved lol. (But also while looking at some earlier chapters I got weirdly emotional re-reading Yujing and Shinae's first meeting at the mall, when she helped pick out clothes that flatter her and Shinae asked if it was weird or wrong to favor comfort over style and Yujing reassured her it's not. idk it was a nice little moment, Shinae deserves all the reassurance!)
But I definitely get what you mean! I think devotion DOES work - frankly I'm not a particularly religious person I think of devotion as lol one of those foundations for a lasting marriage/partnership lmao. And I don't think it necessarily needs to be seen as a romantic thing, either! I just enjoy the religious imagery of it because it makes it feel somehow... idk, transcendent? Since right, it's a stronger word that loyalty is! And I do agree that her devotion, her dedication, her insistence on being there itself is not inherently romantic, which is what I love about it!
Idk how to explain this so please bare with me lol. It's like... to me romance isn't a raging forest fire, because eventually that kind of fire will just. Burn up and one day all that will be left is ash. It burns hot and strong and it's passionate, until there's nothing left. But a steady burning flame? Something that isn't so extreme, isn't so magnificent? But it's steady and constant, it's reassuring. You can trust it to continue. Sure a candle will eventually burn itself out but it's not like that wildfire that just burns and consumes until there's nothing left.
So when it comes to romance and things that seem otherwise mundane, I love it SO MUCH. Because I think it really plays into that narrative of how do you even define platonic vs romantic love? Shinae could very well have the most platonic feelings about Nol and still want to sit by his bed and keep watch over him, to make sure he's okay, to make sure he doesn't go out of her sight again. She absolutely would do the same thing for Minhyuk, someone we know is one of the most important people to her outside of her family. She did it as much as she could for her father when he was in that same position, too.
there is the soulmateism she isn't aware of (yet), but she IS aware of her heart thumping and not being able to hold his gaze, there's also the change in his behavior, and her attraction to rand which she still has to unpack (it's not just for comedic effect it's obvious she's projecting lol) and i cannot wait for her to do the math and realize what's happening lmao
THE BIG DUMB SMILE THAT GREW ON MY FACE WHILE READING IT because that's it THAT'S EXACTLY IT lol that's why it just GETS to me! Because she WOULD do this for any other person she loves, anyone else who is important to her, but this isn't any other person, it's him, and it's the way she can't hold his gaze, it's their tendency to lean towards each other (metaphorically or literally), it's the way he's let his defenses down a little more than she's used to, it's the way he's acting on something she once upon a time thought he was and told him not to but now she's not so concerned about crossing that line. In fact, that's BEEN going on! She went from telling him not to be too familiar with her lest he make his girlfriend mad at him waaaaaaay back before the formal to LMAO holding his dumb hands because it brings her comfort so she assumes it will do the same for him. It's all those little things!!!!!!!!
I, too, am waiting for her to have that realization that this version of Nol, this side of him he's shown her, that intensity, is SO much like Rand LMAO. I fully agree - that was not simply for comedic affect LMAO that was a little seed planted (although, hands down, the conversation Nol and Kousuke have following that is one of my FAVORITE scenes. There's something about the way Nol is just. Talking to Kousuke like maybe they don't hate each other and maybe they aren't at each others' throats all the time, casually noting that sure he finds Dieter's mom hot but is he going to SAY so and Kousuke just like PLEASE SHUT UP THIS IS SO UNCOMFORTABLE such a FUNNY scene lmao).
BUT ANYWAY YEAH IT'S EXACTLY THAT!!!!!!! I love love that isn't grand and overstated. Like, that's fine and I definitely can enjoy a really grand gesture, they're fun to read! But I love the kind of love that blooms from a seed that was planted long ago and maybe you didn't even realize you were nurturing it but eventually it grows and will bloom and that bud has grown and it may not have completely unfurled itself but. In time!!! Soon!!!!! It's the "calling insistently to check up on you and worrying even when i'm told you're okay because i want to hear it for myself". It's the "defending you even when you aren't around to see it because it's not an act i put on you are special and i don't like it when people mistreat you." It's the way!!! Her acts of care!!!! Linger even after she's gone!!!!! It's the way he always seems to reel from whatever mark she's left - her hands bunching up his coat, the earbud she returns to him, the stupid chicken nugget hand holding. AAAAAAAHHHHHHHHHHHHHHHH all these little moments that could just as easily remain platonic, except they're stirring something up!!!!!
That they are each people who aren't good at receiving care from others but end up doing exactly that for each other! And how they receive that concern and care! Nol always seems SO affected by the times she pays attention to him, when she notices things. The medicine she bought him!!!!!!! Because he is a person who deserves to be taken care of!!!! When no one else but Nana does that. ;A; Like alfkjakfjkjaf lmao see I'm accidentally going on the tangent already but that's! Exactly what I love about them. That, as you put it, they are so delicately woven, it's been happening all along but NOW we can see that tapestry they've been weaving. We can see exactly how they've affected each other in a way that's led to these flirty little fingers dancing, to this additional layer atop something that could be otherwise so platonic. It could be Minhyuk and she'd still be asleep at the side of his bed, but it's not, it's Nol, and that makes all the difference.
;A;!!!!!!!!!!!!!!!!!!!!!!!!!!
GROUP DISCOUNT THERAPY FOR ALL!!!!!!!!! lmao I really do look forward to the end even though I HATE things ending and I tend to hold off finishing them as long as I can lmao because I get sad but ILY is special because I DO hope as many characters can get the happy endings they deserve, can find the comforting peace they need. I think everyone will always carry some kind of baggage, but bagage isn't as heavy if you can share it with someone, if someone can lighten the load. I mean that very platonically, too - I just want to see these characters find some kind of peace and have someone who understands, who gives them that space.
But I definitely want them all to get therapy LMAO PLS
18 notes · View notes
Text
Tumblr media Tumblr media
Oshi no Ko is one of the two series that I regularly followed this season. A lot of my close friends love this series, praise it for how great and suspenseful it is, and it also provided great criticism of the idol and acting industry. Not the first series to do that of course, but it still did an amazing job at it according to them.
But I've decided to hold off from reading the manga and just watch the anime to see if it's interesting enough to make me pick up the manga.
(This is a review post from an anime-only watcher, please note that these thoughts are formed based on the anime only and not the manga. This is also just me articulating my thoughts about Oshi no Ko, so please take it with a grain of salt.)
If you ask what show I generally recommend between the two shows I watched this season, I would recommend Oshi no Ko first and foremost because the other series I watched was just a personal favorite of mine, not a series that's "objectively good".
So, does that mean Oshi no Ko is objectively a good series? So far, I think so. I have only watched the anime, and Season 1 of Oshi no Ko feels more like a setup season than anything, but I think it was pretty good. Be alarmed that it has a lot of sensitive topics to deal with such as teenage pregnancy, cyberbullying, suicide, and stuff like that, and I have a feeling that there will be more sensitive topics to come in the future. So, this is recommended for people who can handle such topics with a clear head.
It's worth noting that the first episode has more than an hour in length, so get comfy before start jumping in. It's also more of a setup to the plotline. I think the series succeeded in making me care for Ai in such a short amount of time. I'm a fan of how they handled the whole "character is dead but their existence is so relevant to the plot that they will still haunt the narrative long after their death" thing. The way how Ai still haunts the plot and the entire narrative even though she's no longer in the story anymore is pretty good.
Maybe because I am still kinda annoyed at how Tantei wa Mou, Shindeiru handled such a plotline (I only watched the anime), where the series just kept on lingering on flashbacks about the dead main heroine, and in the end, she ended up being brought back but in another character's body and didn't actually die. What intrigued me about watching that series in the first place was how they handled a main character who died and kept haunting the narrative, and how other characters coped with that. But yeah, Tantei was Mou Shindeiru didn't do that part very well and the main heroine who actually had died somehow is not dead, and that feels like a cop-out. Glad Oshi no Ko isn't like that and handled that aspect pretty well.
But if I have to admit something, I don't feel too invested in Oshi no Ko even after I finished watching the anime. Is it because Ai is no longer there? I'm not sure. The characters are all great but I don't have as strong feelings about them. For the record, Akane is my most favorite character (other than Ai) and I think her arc was pretty great, but after that's done she never appears again until the last episode and my strong feelings about her slowly fade away. Kana is also pretty good and while I do like her character arc, I also feel just "okay" about her. Mem-cho doesn't get to appear much as I hoped, we get to know a bit of her but then she gets sidelined. Ruby unfortunately doesn't get many moments to shine until late in the story (and even then the focus of the later half is still Kana) compared to her big brother. Aqua is a strange character, I like him but that's about it.
I'm also not too crazy about the romance subplot happening between Aqua & Kana, and Aqua & Akane. I'm rooting for Akane and all, but the romance aspects still feel kind of forced. It's my major gripe of the series so far, to be honest. I am never a fan of the love triangle/harem plot. I can excuse it if it's good/reasonable enough for me, but so far the love triangle between Aqua and Kana + Akane has been very forced. Aqua is too focused on the revenge plot to even think about such a relationship. Akane and Kana being set to perform together in one stage play (possibly alongside Aqua too) just adds fuel to the fire. I probably can overlook how forced it is if it's not one of the primary focuses of the show, but it IS, sometimes it's kind of shoved to my face, so...yeah.
I feel like I'm more into the series when it's focusing on industry criticism (the Ai arc, Kana acting arc, and the Reality Dating Show arc) than the idol arc happening near the end.
I still think the first season hasn't even covered the best parts of the series--it feels more like a setup season than anything. I heard the upcoming arc in season 2 is going to be great, so looking forward to that. All that said, the anime, unfortunately, doesn't convince me enough to pick up the source material, but some of my friends tell me to read the manga so...I guess I'll try.
So, Oshi no Ko is great. Maybe it's a show that you'll enjoy too just like most people did. I'm just not too hooked on it as much as my friends are...not yet, at least. Maybe when season 2 is released and finally adapts some great moments like how people anticipate it, that's probably when I can get excited and invested in it. I still recommend you to watch this show more than the other show that I watched this season. Just be mindful that this series will frequently handle sensitive topics, so you better approach with a clear head.
2 notes · View notes
sansaorgana · 4 months
Note
so, I was never interested in the hunger games when the movies first released (and I'm not a big book reader, so i didn't know it was a book first). But mainly because it was advertised to me as a love triangle teen romance.
and I'm so mad that that's how it was advertised. because, because of you reblogging so many gif sets and ppl talking about the prequel movie, I actually sat down to watch them and they're so good? It's so much more than a frivolous teen love triangle. Like, the love story isn't the main plot of the story at all and it was still so heavily marketed as such where I live. Like, there was even "Team Peeta vs. Team Gale" stuff.
anyways, you're one of the reasons i gave it a chance, and i really enjoyed the movies, so thank you!
hi, sweetheart! this message made me blush a little, I feel like an influencer now 😅
I was a huge fan of The Hunger Games when I was about 14. I've read the books and went to the cinema to see the first and second movie but with time I grew out of it (and other YA stuff) and I haven't even watched last two movies until now. I had to rewatch the first movie for my master thesis and I decided to watch them all this time. I'm also planning to watch the prequel soon 🐍🦅
I get what you mean when you talk about the love triangle. The thing I hate the most about YA is the amount of love. And yes, The Hunger Games are more than romance but still the amount of it is annoying to me, especially now when I'm older. Like, Katniss is a teenager trying to survive under a regime, she's fighting for her life, she is forced to murder other children and she's taking care of her family. I really feel like the trope of her being in a love triangle is not needed there at all... Especially that she is portrayed as a type of girl who suually doesn't get lots of attention from the boys but of course she suddenly has to choose between two. 🙄 I also don't ship her with Peeta for lots of reasons and I do like Gale which is an unpopular opinion but it's not like I think she should be with him either; not after everything that has happened at least. I'm not asexual or aromantic but I do believe love is overrated and I am sick of romantic relationships being literally everywhere. Sometimes when I watch older war movies, I am surprised how none of the subplots are romantic, meanwhile nowadays almost everything has to have some romance and it's bleeeeh if you ask me 😅
However, the books and movies are more than this love triangle anyway but a huge part of social media and the fandom shallowed the plot to the "team Gale" vs "team Peeta" and it's sad tbh.
Long story short; I am not a fan of YA anymore, I am way too old to relate to it but The Hunger Games are really good for the books and movies of that genre. I wish the discourse in the fandom was focusing less on the romance between Katniss and Peeta and focus more on the depths of some characters like President Snow, President Coin, Plutarch or Gale himself who has a very interesting trope but it's being overlooked because of the hatred that a huge part of the fandom holds for him.
By the way, I am a bit scared of watching the prequel because President Snow is my favourite character and I am scared to see him being portrayed by another actor but also I don't like the story (from the trailers at least)... Once again they gave him some *heartbreaking romance* story that was supposed to turn him cruel or whatever and in my opinion this is making his character shallow instead of giving him depth. Like, can we already stop making everything about romantic love? 🙄
I am sorry for the very long reply and I am glad that you enjoyed the movies. It also makes me happy that I was the person who introduced you to this fandom. Sometimes blogging on Tumblr feels like I am posting to the void and like no one even cares but such messages always make my day 🌞
1 note · View note
lovecolibri · 9 months
Note
SaL anon here friend, overjoyed and obsessed with everything about the RWRB movie!! Obviously there's a lot I wish we'd seen, and this absolutely deserved to be a 4-6 episode mini series because it didn't give us much breathing room, but if I think about what we did see there isn't a single scene I would take out or exchange for another. Like if 2 hours was all they were allowed to show (I know you have an extended version somewhere Matthew Lopez, we are begging) I can't imagine them spending those 2 hours any better than the way they did. And given they couldn't tell every facet of the story in that time I'm glad they chose to just focus on the love story and do that well. The book will always be iconic in its own way but its not a bad thing that the movie struck out on its own to tell the story its way with the medium they had. I even can't be to mad about some of the missing lines since the movie had its own incredible dialogue (which of course includes every Zahra line).
I still think I'll keep Neptune as a song choice for now, but strictly applied to the one shot of Henry just floating in the water because ugh, that combined with his face right before he went in just broke me. But I can see so many other songs for this movie that are much happier and more hopeful because that's really what we got in the end, a fun, sweet, and amazing love story that I will be rewatching 15 more times. Cheers friend, we absolutely won 🪅🎉🪅🎉!!
Hello my friend! I'm back from my Tumblr post limit induced exile, followed by a quick trip out of town to meet my week old nephew (who is absolutely perfect).
I am still, as I re-read the book, mourning moments we missed that I just KNOW this cast would have performed perfectly, HOWEVER, thanks to the movie, it's very easy to hear/picture the cast while reading which was an unexpected delight I discovered (I usually still have "book" versions of characters in my head as I read, even if there is a movie, but this is proving to be an exception). This story and this cast really did deserve to be a mini series but Matthew Lopez did a great job with the 2 hour time limit distilling it down to it's essence: a love story. (But also, LOTR taught us that you can make a 3hr movie and people will still watch it in droves so like, why stop at 2 hours when 20-30 extra minutes would have made a HUGE difference in depth and clarity? ANYWAY)
Zahra was an icon in the book and she was an icon in the movie and every scene she was in was solid gold! TZP and NG sold THE FUCK out of every moment! It was FUN, it was PAINFUL, it was HILARIOUS, it was soft and gentle and intimate and fucking earnest in it's expression of this love story. This is WHY people love romantic books and movies! Because in a world that loves to mock anyone and anything for expressing true emotions outside of Anger and Lust, it's soothing to see people allowed to be earnest about Love, and Fear, and Heartache, and Romance, and Intimacy, and Desire, and Hope, and Joy and, and, and, and.
One of my favorite lines from National Treasure is "People don't really talk that way you know?" "I know, but they think that way." And to me, that's what I love about romantic books and movies! I think that way, with all the earnestness my soul can manage and it's so refreshing to see/read characters being able to do that and not be mocked mercilessly for it by the people around them. Not to soapbox too hard, but the amount of people calling this movie (and the book) "cringe" even in an vaguely affectionate way always rubs me the wrong way because it always seems to be the label put on things that are uninhibitedly joyful, and emotional, and romantic, and FREE to be that way, and also, typically, genres made by and loved by women or seen/derided as "effeminate". And consequently "cringe" and a waste of time, and a "lesser" form of art. This movie isn't perfect and of course there's more from the book that I wanted to see. But it's exactly what it said it would be. It's a romantic comedy! It's fun/funny, light, and enjoyable! There are stakes but you know love is going to win because how could it not? It gets you invested but not *worried* or stressed it's not going to work out or someone isn't going to make it, or will end up miserable because going in, you know the story is, at it's heart, a love story with a happy ending that is trying to make you relax and laugh for a bit. And in that regard, it's done perfectly.
Okay, soapbox done. I didn't sleep much so sorry not sorry if it's an incomprehensible mess. ANYWAY. Since this was more focused on the love story rather than the angst, Neptune doesn't fit as well as we thought it might, though you are ABSOLUTELY correct that it's perfect for the lake scene. I can't wait to hear your thoughts and which song we're going to talk about because there are SO many good options in the happier/hopeful catalog! I can't wait to turn this movie into my new "sick day/comfort watch" fave because it's just so full of heart and fun. Cheers bestie, we got a good one!
1 note · View note
lettersfromcats · 9 months
Text
August movies!!
hi doreen !!!
ive decided to watch at least one film a day this month for no reason, but i have been having fun. since i don't use letterbox to give proper reviews i thought it'd be fun to start documenting my thoughts on each one for the month :) (ratings based on intuition alone) (this will take a while/ in progress)
-the cabin in the woods: 6/10 i really wanted to like this cause i liked the vibes and it seemed right up my alley- i love a horror comedy; but i found myself really bored halfway through. i do like the premise but i think the characters were a bit too archetype-y for me, which i get is the point. i still found it enjoyable and i would watch it again- just probably with other people, i think it's a group watch film.
-the virgin suicides: 9/10 i'm using this to work through some of my watchlist and this was on there for a while, we talked about watching it and i was not disappointed. the exploration of grief from the peripherals really struck me as well as the depiction of girlhood. i understand the criticism of the girls stories being told by the boys but to me the film seemed very self-aware and deliberate in that depiction (and i do love an unreliable narrator). the utter foreboding that hung over the mystical haze of memory throughout the film was enchanting and i mean the cinematography and soundtrack, impeccable. i can't move on without mentioning the symbolism of the elm trees, it's as if a literary technique was designed specifically to get me to like a film. the elm in itself has such interesting mythos and history which maybe wasn't deliberate beyond the obvious symbols in the film, but still is really interesting, for example, in norse mythology, the first woman was made from an elm and in america elms became a symbol of war and liberation during the revolution.
-girl, interrupted: 10/10 started with simon and garfunkle and still got better. incredible performances from any lesbians idea of a stacked cast and jared leto dies at war so win-win. the depictions of illness while i can't say are flawless, never feel like the intentions are wholly mocking- (though i obviously can't speak for everyone) and are devastating when brought to focus. and there's a homoerotic friendship so i was always gonna like it.
-purple hearts: 0/10 i dont even want to talk about it, i was watching it ironically and i couldn't even bring myself to have fun. the politics are beyond confused and seem to boil down to a centrist mush of love everyone despite their flaws (racism) and war's okay if the soldiers are big pouty white men. the romance was even rushed i don't know how anyone enjoyed it.
-the lighthouse: 8/10 exactly my type of artsy bullshit, robert pattinson and willam defoe shine in this weird, gross, claustrophobic, anxious masterpiece and i was having a great time. so much and so little happened but the delirious descent into madness was wonderful and a little bit gay so score.
-saw: 10/10 i finally watched it and as i predicted am obsessed, i just love a horror that is just a little ridiculous. i want to keep billy in a cage and feed him carrot sticks, (is he an animatronic or a puppet? how does he cycle???) jigsaws motivations make no sense and honestly good from him, i'd go batshit crazy if i were him too. the editing is so 2000s i can't stop thinking about it. the bathroom trap is where i want to go when i die. the horror was a lot less visceral than i was expecting; i think the contained nature of the traps really just creates such tension, especially between the characters stuck together, which is so compelling to me. the reverse bear trap is crazy i love it and what lesbian horror fan isn't a little in love with amanda. im so glad i hadn't had the twist spoiled for me because oh my god. also score slapped: hello zepp.
-old: 4/10 so silly i think more rich people should pay out of pocket to make bad films unintentionally. i watched with my siblings and i love nothing more than tearing apart this sort of thing with a captive audience who have to find me funny or be bored.
-extra ordinary: 8/10 i didn't know this was Irish until it started and what a pleasant surprise it all was. such a fun watch i really enjoyed it. the supernatural elements were the good side of corny and the romance was cheesy but heartfelt, with quintessentially irish humour just a really easy to watch, fun little film.
-piggy: 7/10 i really enjoyed this despite the not-great dub i was watching. i like how the bullied girl revenge trope was subverted and saras character felt very real, her reactions to events came off as very genuine and the suspension throughout is pulled off really well. i do get the criticisms of it being a drawn-out short cause i did find it a little slow at times but not having seen the short i didn't find the plot at all diminished. i liked the aspect of detachment from the killings emphasized by none of them being on camera while the emotional impact remained as well as the almost haunting presence of the killer and his intentions.
-the florida project: 9/10 another one that's been collecting dust on my watchlist for a while now i was absolutely enchanted by every aspect of it. the honest depiction of childhood and a very american poverty was striking. the gorgeous use of colours brought the vibrance of childhood back even in the dilapidated americana of it all. the acting really shone, willam defoe slayed of course but the kids are what make it special. and that final shot.
-we're all going to the worlds fair: 8/10 such an interesting film, nothing has ever quite captured the echoing loneliness that existence on the internet can create like this before. i loved the aspect of the accidental acting in search of connection, to me the lead-caseys-personal experience reads as completely honest without necessarily pointing to the spooky aspects being beyond her own mind. the film's atmosphere remains evenly eerie throughout, actually spooking me a little at times. the incredible, universal isolation of each character was really well portrayed with no conversations taking place without some barrier (a screen, a door) and i loved the framing of the fair itself, especially in contrast to the bleak monotonous world of empty snowed-in woodland and soulless frosty towns that casey occupies. the lead actress did such a good job portraying casey and her shifting identity and breakdowns. the director's transness cannot be ignored and the film as an allegory for dysphoria works so well. all this set to the droning instrumentals of alex g creates such a foreboding ambiance i couldn't help but love. definitely one of my favourite watches so far.
-shiva baby: 8/10 oh boy so stressful but also really fun. im starting to really like rachel sennott, looking forward to seeing more of her in stuff soon; speaking of bottoms looks like it's gonna be so good.
-red, white and royal blue: look, we know this is not my kind of thing, i get why people like it but for me this one especially with the indescribably weird political message is just not good, i didn't like the book and i don't like the film. gay people should have cheesy bad films though so its fine.
-when harry met sally: 9/10 this is one of those films i always thought i'd get round to eventually and i was suprised how much i liked it. really really cute, made me believe in love again or something. meg ryans hair was stunning also.
-marry my dead body: 7/10 i definitely enjoyed watching this but if i was being haunted by a twink drastic things would happen and they would not be good. i liked the characters well enough and the mafia(?) plot was fun, action sequences were okay and i'll be charmed by most ghost plots plus a kooky grandparent? great film recipe.
-juno: 10/10 knew i'd love this and boy did i! everything about it was just so charming, the dialogue and mannerisms of the characters (except jason batemans who was so so scary), the soundtrack, the aesthetics and did i mention the soundtrack!!!!!!!!!!!!!!!!!!!!! i love kimya dawson so much. just a wonderful little film.
-submarine: 8/10 i'm a fan of richard ayode but i think this is his only directorial work of his i've seen and i have to say i really enjoyed it. the cinematography was really cool, i liked the use of symmetry and colour, especially the assigning a colour to each character, that's my shit; stand-out shot for me was the dream sequence over the dam drain thing- i love a water motif used to represent inner turmoil of a character- olivers basically kendall roy if logan was welsh instead of scottish. i know people love the score but i never got into the artic monkeys cause i'm not a huge fan of alex turners voice so a series of songs written and performed by the man didn't exactly stand out to me, but they seemed lyrically cool. i love the awkward stilted dialogue and the oddity of the main characters, they're not exactly likeable but that for me doesn't detract from the film. also his dad was a freak called lloyd and i love him.
-bound: 10/10 i mean what can i say, it's a lesbian crime thriller and if you don't think im gonna love that you're crazy. the plot is really compelling and corky and violet are an even more compelling. i enjoyed it. (also add this to my list of really good films made in 1996)
-bombshell: 2/10 lazy liberal feminism, i watched for margot and kate
-bones and all: 10/10 cannibalism in media <3<3<3 i also really enjoy a bit of Southern Gothic in my films so this was always gonna be a hit with me, even if i had to look past timothys presence. from the start the atmosphere is intense, the rural desolate setting, the immediate social and then literal isolation of maren really keeps the foreboding building only broken by the sudden violence. cannibalism works so well here as queer coding (and everywhere else, don't get me started). the weird balance of such realistic settings and this unchangeable almost supernatural aspect of biological 'survival cannibalism' is so interesting; and the romance element of the film worked really well for me.
-werewolves within: 6/10 a fun little horror comedy, i thought i would like it more but the humour wasn't quite my thing, a little millenial maybe. i still enjoyed it and it was a nice film to watch with my mam.
-as above, so below: 7/10 subpar acting and script writing made up for by such a good concept, Dantes Inferno as the catacombs absolutely slayed, and i was actually pretty spooked a couple times which doesn't usually happen to me beyond overreacting to jumpscares, which while im on the subject the jumpscares here were really well done, didn't feel lazy to me at all. it does need to be said that it really feels like they had a good concept but needed to work the script and plot more, the horror could use some backup from a better-written storyline and better justification for the character's endings.
-primal fear: 8/10 young edward norton was a real standout here. definitely an interesting legal mystery thriller, i think the twist would probably be more impactful back in 1996 (good year for film), it felt a little played out at this point but still very well done.
-slums of beverly hills: 7/10 i love a good coming-of-age and also natasha lyonne so i definitely enjoyed this. don't love the way some topics were glossed over but what can you do.
-fifty shades of grey: bad.
-vampires suck: 6/10 a funny little parody, mentioned the black eyed peas.
-weird: the al yankovic story: 7/10 daniel radcliff as a freak strikes again. definitely my favourite musician biopic i've seen so far. charming in its ridiculousness.
-ginger snaps: 9/10 a coming of age horror which conflates the begining of puberty to the transformation of warewolfism. i really appreciated the body horror elements as a cronenberg fan and i just think the horror was done really well. the two main characters were played so well and it was quite funny at times. i liked the interpretation of lycanthropy as a disease and the route of cure the characters used. would definitely recommend!
-insidious: 5/10 while i didn't find it especially scary i think the horror was well done and the plot was actually quite interesting! astral projection is quite a unique look at a ghost story and i loved that it was a person being haunted not a house, it was a good subversion. i did watch for leigh whannell and he made such a fun supporting character among some pretty meh main characters. definetely not a bad film!
-no hard feelings: 6/10 so fun! im so glad more stuff like this is coming out again and i mean jennifer lawrence slayed so hard. weird how people are such prudes about female nudity still, it wasn't like she was being overly sexualised in the scene but people are making such a huge deal out of it, i thought it made for a funny moment. i really enjoyed the characters and their relationship felt very real and cute! also depicted modern teenagers as very scary which i approve of.
-ghost world: 8/10 a really interesting look at two girls stuck in limbo between high school and adulthood. i really liked the depiction of enid avidly avoiding confronting moving on and how she inadvertently hurts everyone around her by being so casually selfish and how shes contrasted by rebecca (also scar jo slayed here gave absoloutely nothing, such a good character). the aesthetics of the film were really fun, with the delapedated city really highlighting the girls and also how fun the costuming was. steve buscemi also had a standout performance in which he was an awkward freak and a pretentious asshole about music! what a slay.
i really enjoyed doing this, it kind of forced me to actually engage in the media i was consuming past the casual level i usually find myself on. and it sure beat watching tiktok for six hours before bed.
0 notes
aknolan · 3 years
Note
OK..as a huge shipper who loves N&D to death, looking at all the hugs and stuff isn't QUITE enough for me to start freaking out for me the only patern to romance is Ruby that I can see is of there is a song that eludes to it, its pretty much Canon or going to be...so before I can fully get excited I really hope we get a song last episode or I'm gonna be even more conflicted, we got so much to go on and yet their is still that part of me that says wait, clam down ..how do you have so much confidence ahhh!
Anon, I am glad you asked! First off, do note that I am not a first member so if something happens in the finale please don’t tell me.
Another important thing to know here is also that I’m not really 100% confident N&D will be canon. I might be wrong! But I am fairly confident, and since you’ve given me an excuse I’m going to talk about why.
First off, songs are great and a song about them would be a pretty strong confirmation, but I don’t think a song is necessary. I never really paid attention to the soundtrack, but so far with Arkos, Renora, and the Bees my predictions for canon pairings have been 100% correct.
For Nuts and Dolts, I’m guessing I don’t need to tell you about the number of hugs (8, as of v8c12) or significant handholding moments (3, as of v8c11), but I still want to point out that this is a very high number! This is not typical of friendships in rwby.
And this also means that as of v8c12, they’ve hugged in every episode of volume 8 where they were both conscious and within hugging range.
But that’s all kind of besides the point, because hugs don’t translate to romance very easily.
What really makes me feel so confident in Nuts and Dolts comes down to three factors.
-
First of all is the fact that Penny often takes on a very typical Love Interest role.
In v7 she gets a lot of Love Interest framing. There’s the heartfelt reunion where the creators put in extra effort to make the Love Interest as appealing as possible. A tense fight scene against Grimm is completely taken over when Penny swoops in to save the day.
The tense music changes to Penny’s more pleasant music, we only watch what she does, and everything about the scene screams “love her, be happy she’s back”. She even gets to twirl around in the sky, lit by the moon, and then she sighs happily at a job well done.
The v7 intro also shows her framed very much like a Love Interest.
She shows up at the end of the phrase “through love your power just shines”, the animation of her movements is clearly meant to make us think she’s adorable, and the background is entirely white. Or rather, silver.
It’s curious timing to show her at the end of a phrase that refers to Ruby’s love-fuelled power, and even more curious to show her with a background that looks like Ruby’s activated said love-fuelled power.
It’s some very strong Love Interest framing.
Volume 8 goes past the framing, and instead puts Penny in a love interest role.
To be specific, after chapter 5 she becomes a Damsel In Distress. A role which is generally filled by the Love Interest. And to be clear, this is a case of her being a well written Damsel In Distress, she’s not a cardboard cut out waiting for Ruby to come save her.
However, as a Damsel In Distress Penny can’t save herself. She needs help.
First is Dark, where the hound knocks her out immediately because she can’t fight back. Ruby uses her silver eyes to save Penny.
(Sidenote: in this episode they also call attention to Ruby’s difficulties using the silver eyes and then have her use them easily when Penny is in danger. It maybe have gone the exact same with someone else there, but as a writer if you’ve got a chance to put the Love Interest in this position, you’re putting the Love Interest in this position.)
Then there’s chapter 11, where Penny gives up. She thinks there’s no outcome where she survives. And although saving her here is absolutely a group effort, it’s Ruby who figures out the temporary solution of Jaune boosting her aura.
Finally chapter 12… again, a group effort. But Ruby is the one who takes the staff, the one who makes the request to Ambrosius, and the one who talks him through most of it.
Three times, Penny needs to be saved. Three times she’s a Damsel In Distress. And all three times, Ruby plays the biggest role in saving her. This is what I would call Peak Love Interest Behaviour.
-
The second factor is the building intensity in their relationship. The build-up has to go somewhere, and I haven’t seen any alternatives to romance other than “Penny dies” which. Isn’t happening. Penny is not dying, I am as certain of this as I am certain that there are four maidens.
In volume 7 this build-up isn’t very clear. They’re still reconnecting, and Penny is still in the Atlas Military. Volume 8 though?
First Ruby helps Penny when Ironwood tries to manipulate her. Then in chapter 2, the manipulation still bothers Penny and Ruby reassures her she did the right thing. There’s already some build-up here.
Then comes chapter 3. It brings us Ruby whispering a promise to Penny, and a long, lingering hug. That’s a little intense!
But it doesn’t compare to the intensity of chapter 11. When Penny asks Ruby to kill her, and essentially tells her she’ll be in Penny’s final thoughts. The complete and total trust Penny has, the emotional weight that this has, the total confidence that Penny will be able to keep Ruby in her thoughts as she’s fighting a virus that’s probably interrupting her thoughts quite a bit.
Chapter 12 is less intense, but no less significant. Ruby is terrified that she might lose Penny. They use the staff to save Penny. The first thing Penny feels is Ruby’s hand on her shoulder, the first thing she does is hug Ruby. And she does so by deliberately crouching down to place her head on Ruby’s chest, which I don’t think we’ve ever seen in rwby before.
This is an incredibly important moment, and while Ruby and Penny’s interactions here aren’t intense, they are significant.
With this increasing intensity and increasing significance in their relationship, there’s a lot of build-up. All of that build-up has to go somewhere, and where does it go if not a relationship of some kind?
-
The last thing, the final nail in the coffin, is that it’s all deliberate.
We see the interactions between Penny and Nora, the writers are clearly trying to integrate her into the group. So if they want to integrate Penny into the group, why keep placing her with Ruby who she already has a strong relationship with?
Why would you have Ruby whisper a promise only for Penny to hear while the others watch in silence, when you could have all of them saying goodbye to Penny? Why would you have Ruby offer the solution in chapter 11, when you could just as easily let Jaune figure it out? And for that matter, why is Ruby constantly clinging to Penny in chapter 11 when that really doesn’t accomplish anything other than keeping Ruby close to Penny?
And finally in chapter 12, why would you exclusively focus on Ruby’s concern for Penny, have her walk forward by herself, have all of this be entirely about Ruby and Penny, when you could use a group hug to show that Penny is part of the group and they’re all glad she’s safe?
There’s no need to keep placing Ruby and Penny together, and in fact if they’re not trying to build their relationship towards something it would be better to let Penny talk to other characters.
But they keep choosing to develop Ruby and Penny’s relationship further and further, and I don’t think they’re done yet.
They’re going somewhere with this relationship, and I’m not sure where they even can go other than a relationship.
45 notes · View notes