Numerology, Part 3: Elminx's 3x3 Spell Creation Format
Note: This is by no means solely my own creation and many people have done 3x3 spell formats before me. What I am going to talk about here is why I use this spell format and some specifics on how I use this spell format.
So you want to cast a spell but you're not sure what or how to do it - this spell format works extremely well for me as a basis for the design of the spell. It can be used for spell bags and spell jars of all kinds as well as any other type of container magic, or simply as an adjunct to a candle spell.
The Numerology
The idea behind this is based on numerology and the meaning of the numbers 3 and 9.
The number 3 is associated both with Jupiter in astrology and the Empress card in the tarot - as you think about these associations, you may begin to understand why the number 3 is considered so powerful magically. In essence - it is the number of manifestations - or, at least, quick manifestations. This can be seen in the magic of human creation - it takes two people to make a third. Three is the number of birth of all kinds, not just gestational.
Likewise, the number 9 is the last of the core numbers in numerology - it represents the completion of a cycle. It is also the result of multiplying our power number of 3 by itself. So by combining the quick power of manifestations from the number 3 thrice over, we reach the total manifestation power of the number 9.
How To Put It Together to Make A Spell
This is where the fun and creativity (number 3 also rules creativity!) of this process come in. Once you have chosen your idea for the spell, you now need to separate that main concept into three parts. This can be done in a lot of ways: it could be past/present/future in a spell that really needs to move forward, three aspects of your final manifestation that you want to come to pass, or really anything that comes to mind.
For a general money spell, it might be money drawing (1), protection for your finances (2), and luck in money (3).
For a spell to protect you from the effects of Mercury's upcoming retrograde, you could base it on the three planets of yours that are going to be most impacted by the retrograde. Alternatively, you could do Keep My Thoughts Collected (1), I Can Write With Ease (2), and My Internet Signal is Strong (3) for a project that needs to be worked on during the retrograde.
The options here are endless just keep in mind that your three objectives should be interrelated in some way. And they should all feed the main objective of your spell.
Now that you have chosen three micro-objectives that support your main objective, you want to come up with three correspondences that feed your micro-objective. These can be as varied as you can imagine: sigils, herbs, rocks, feathers, individual petitions - the sky is really the limit here. You just want each set of three to be unique to one another.
To use the money spell example above: perhaps you might use a loadstone, catnip, and alfalfa for money drawing; bank dirt, a canceled check, and nettles for money protection; and basil, cinnamon, and tiger's eyes for luck in money.
In this way, we could see that we are casting three spells within one or three micro enchantments to support our larger goal. Depending on the complexity of the spell and the energies required, each micro enchantment can be cast on a separate occasion (say on the day of the week that supports each) but in close succession or cast all at once time.
The Details
This may seem like a lot, especially if you are a beginning caster. Remember here that although you are using 9 different ingredients for this spell, they do not need to be expensive nor do you need to use a lot of each item. When I craft a spell bag or spell jar in this type of fashion, I am often using a pinch of any particular herb.
There are a lot of ways to individualize this spell format.
If you use candle magic, I would suggest utilizing a main larger candle for the spell as a whole with three additional supporting candles (chimes work well here) to support the individual elements of this work. You can also choose to burn the candle in increments of three - for three hours at a time or for three or nine days. You can use color correspondences to support each individual goal or the whole.
Rather than being correspondences, you can create individualized goals for yourself - three physical actions that you need to take in the real world to enhance the magic of your working.
Looked at from a different perspective, each set of parts of the whole could be entirely different from one another. The first could be cleansing to rid yourself of the negativity associated with this work, the second could be creating a talisman of some sort to enhance that work, and the third could be the empowerment of this talisman.
The goal here isn't to create a rigid format with which you are forced to follow but to give you ideas about how to incorporate the power of 3x3 and its manifestation potential into your spellwork. The details, as always, are up to you.
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This is part of an ongoing series about Numerology:
Part One: Combining Numerology and Astrology
Part Two: Numerology Applications in Spellwork
Do you like my work? You can support me by tipping me on here or on Kofi, or commissioning me to write an astrology natal birth chart or transit chart just for you.
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UKGameshows revies 3x3 as a real quiz show, not as an Inside Number 9 script. And you know what, there's been worse made it to air in the UK...
"But though it may have been a fictional show, the fact that we can give you a genuine synopsis of the format goes to show how well thought-out it was. We've seen a great many spoofs over the years (we even have a page listing them) but rarely anything that could plausibly exist as a game show in the real world. Yes, there are possible holes in the format, which we've pointed out in the synopsis, but overall it's a remarkably good attempt - and the actual question writing isn't bad either (many a writer of fiction comes a cropper when inventing questions for fake quizzes, so to see something good enough to pass for a real show is astonishingly rare.)"
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TILE TRANSITION TUTORIAL
a couple of people have asked me for a tutorial on how I did the penultimate gif in this set, so here goes! this is my first tutorial, so please feel free to reach out with further questions if anything's unclear.
note: this tutorial assumes you know the basics of gifmaking, can create the base gifs, and are familiar with timeline mode.
STEP ONE: create the base gifs! I'd recommend staying between 25-40 frames for each gif, since the transitions we'll use later tend to increase gif sizes. these are the ones I'll be using for this tutorial:
STEP TWO: create the guide layouts for both base gifs. for this panel, I chose a 4x4 grid — I would recommend keeping the number of "tiles" low because it can get tedious, but have a minimum of 9 (3x3 grid).
now your canvas should look like this:
STEP THREE: create the tiles. this is where the going gets rough; there might be easier ways to do this that I couldn't think of 😭 if there are any please send me an ask!
essentially, in this step we'll cut up the base gifs into smaller squares so that each tile can be manipulated separately when we put both gifs together. to do this, first create a square using the rectangle tool and the guides. then duplicate the base gif, move it above the square, apply a clipping mask, and then convert the clipped gif and square (selected in the image below) into one smart object.
ALTERNATELY: you could duplicate the original base gif and use layer masks to isolate tiles. create a layer mask for the duplicated gif layer and, with the layer mask selected, drag your mouse over a square (using the guide layout) and press delete. then press ctrl/cmd + i to invert the layer mask so that the gif only shows in the square of your choosing.
now repeat until you've got the entire gif in tiles, and do the same for the other gif!
since the transition effect is achieved by staggering the crossfades for each tile of the final gif, you can cheat by having multiple tiles "flip" at a time, ideally no more than four. this means you need to cut the base gif up into fewer pieces. to do this, simply draw multiple squares instead of one and then merge the shapes, before duplicating and clipping the gif onto them.
if you do this, it's essential to remember that you have to divide both gifs up in the exact same way. each piece of the b/w gif has to correspond to a piece of the purple gif!
this is what the layers look like for each gif once I'm done:
I have them lettered so that it'll be easier to match them up in the next step.
STEP FOUR: this is the complicated bit that took me two days to figure out. I'll do my best to explain but don't hesitate to reach out if something isn't clear!
to begin, open up a new psd and import both base gifs into it. (remember to click "create video timeline" and ensure that your gifs are all in order before proceeding.)
now, the trickiest part about this transition is ensuring that all the little tiles sync up so that the larger gif is coherent. so first we'll create some markers (just empty layers) to ensure that everything lines up as it should.
— marker 1: at about halfway through the first gif (b/w in this case)
— marker 2: at about a quarter of the gif length
— marker 3: close to the end of the gifs
at this point we're ready to start bringing in the tiles. I'm going to delete the base gifs from this new psd just to keep things cleaner!
first thing to do is import my b/w tile. move the timeline slider over to marker 1 and split the first gif. (if it helps, rename the split gifs and add (start) and (end) to the two halves.) then, move the (end) half to the beginning of the timeline, and the (start) half to line up with marker 3.
the purple tile is easier to manage. simply import it into the psd and line it up with marker 2.
your timeline should now look like this:
notice the overlap between the gifs at their beginnings and ends — this is where you'll be able to cascade the tiles flipping, so it helps to have a significant amount of overlap.
crop the three gifs for this tile as you see fit! since this is the first tile I want to flip from b/w to purple, I'll crop gif 1a (end) all the way to the current position of the timeline slider (red line with blue tip) and leave the beginning of gif 2a uncropped. for the flip from purple to b/w, I'll crop both gifs a bit.
once that's done, drag all three gifs onto the same level in timeline so they form a video group. your timeline should look something like this:
now you just repeat the process for all the other tiles! as long as you made sure that all the tiles in one gif correspond with tiles in the other gif in step three, this should be a fairly painless process. make sure to crop the starts/ends of the gifs separately so that they don't all flip together.
this is what my layers look once I've done all the tiles:
and the gif!
STEP FIVE: transitions! click on the half-white square (top right of the left column in the timeline, beside the scissors) and select the crossfade transition, then drag it between two gifs in a video group. it should create a two-triangle symbol and shorten the overall length of the video group.
apply the transition to all the tile flips, ensuring that the duration of all transitions is constant. this can sometimes be tricky because ps likes to change the duration of each transition, so right click on the transition symbol and manually change all your transition durations to be the same.
your layers should now look something like this:
STEP SIX: draw the grid. bring back the guide layout from step two and using the line tool (I like 2px thickness), trace the grid. adjust opacity as you see fit (50-80% is usually a good idea), so that the canvas looks like this:
STEP SEVEN: export and celebrate! you're done!
I hope this tutorial made sense and was easy to follow, and happy giffing! my inbox is always open for any questions <3
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