#Almost all of my things are gone so I am living vicariously in this manner.

[sepublic]

Dana Terrace AMA (Part 1)

           LESBIAN AMITY LESBIAN AMITY

           Why am I gasping? I already KNEW THAT!

           HA-HAAAAA my wishes are true! Lumity is officially Bi-Lesbian solidarity!

           Okay, in all seriousness… Who am I kidding this IS serious business! AMITY BLIGHT IS A LESBIAN there I said it!

           But with that out of the way, let’s get onto lore-related stuff!

           Dana said that she imagined Boscha’s Mother and Mrs. Blight to have been childhood rivals who are vicariously living out this rivalry through their children, seeing them more as a reflection of their own personal accomplishments instead of as individuals! With Mrs. Blight I’m not shocked by this revelation, but Boscha’s mother is interesting for me. In the past I speculated she may have been washed-out and trying to reclaim her old life through her daughter, but now…?

           If she IS trying to use Boscha as a means of one-upping Mrs. Blight, I feel it recontextualizes her asking to join the Moonlight Conjuring; Perhaps she wasn’t being pathetic, she was just being VERY obsessed with ‘scouting out’ enemy territory, perhaps getting to confront Mrs. Blight in a very subdued, passive-aggressive manner? Her asking Boscha if coming along is pathetic could come more from a sense that she’s treating Boscha as a ‘lieutenant’ in her war against Mrs. Blight, which is also still super-messed up. Not sure if this still counts as treating Boscha as an emotional crutch or just a tool, given the implication that her mother was and still IS rather competitive!

           What’s interesting to note is that the Blight family is framed as higher than, say, Boscha’s… So I guess Boscha’s mother sees herself as an underdog trying to take on the bigger, nobler family? Projecting those ideas onto Boscha… Kind of reminds me of Wing it like Witches, another Boscha episode, and how Luz almost fell for the same trap! I wonder what Boscha’s mother had to say about her daughter winning the Grudgby match, or succeeding Amity as the Captain of Hexside Banshees?

           It’s worth noting that despite this aforementioned rivalry… Mrs. Blight still wants to make connections with Boscha’s family! And while it’s possible it’s because of her husband’s advice, I do believe the implication (more on that later) is of Mrs. Blight being the head of the household and likely the one born into the Blight family… So is she trying to keep tabs on Boscha’s mother through their respective children? What did Boscha’s mother have to say about this, is she concerned with both appearing palatable while at the same time one-upping Mrs. Blight? Is this just a thing where Mrs. Blight has to swallow her pride because her childhood rival and/or her husband have something she wants? I can only imagine…

           I wonder what Boscha has to think of this? It’s worth noting that up until Amity’s ‘betrayal’ for Willow and Luz, she never seems intent on outdoing her? Amity also makes it clear at multiple points that she’s a Blight and thus better than Boscha, and while now it’s possible that it’s her mother wanting to stress the Blight superiority over Boscha’s mother, I still think it’s likely that the Blights are of higher status than Boscha’s family. Does Boscha realize what her mother is doing? Given her lack of reverence and casual ability to say ‘no’ to her mother, I think she does…

           Which, this implies that despite Boscha’s mother’s efforts, her daughter was at least able to become her own person for the most part! Did it ever bother Boscha being beneath Amity…? Maybe not, we see how intense Boscha can be when she gets competitive; The fact that she seemingly remained on good standing with Amity for years implies that –coupled with her lack of reverence for her mother- she was just NOT interested in continuing her mother’s rivalry… That Boscha just wanted to be friends with the nice Blight girl, that I don’t see any reason why I should carry out OUR childhood issues, Mom!

           And while that is mature on Boscha’s part at least, I have to wonder if she ever thought about how her being ‘lower’ than Amity in the context of their mothers’ past rivalry. Now that Amity has cut ties, is Boscha going to follow down her mother’s path and become a rival, but this time for actually personal reasons? Or will she just ignore Amity entirely because she doesn’t hate Amity enough to do what her mother wants…!

           Similarly, I have to wonder if Amity also knew about their mothers’ rivalry, and how that might’ve affected her relationship with Boscha… Given how remorseful she is of injuring her ‘friend’ back in the Island Championship, was Amity concerned of becoming like her mother, of being caught up in a senseless conflict and rivalry with Boscha? And by forfeiting she stepped down and became the bigger person?

          Knowing all of this, it seems more likely that Mrs. Blight was displeased with Amity stepping down as Grudgby Captain, as even if her skill as an athlete over Boscha was still proven, it could’ve been seen as ‘conceding defeat’ in her eyes. And to think Amity risked the wrath of her mother just to avoid being like her, while at the same time perhaps extending some grace to Boscha for trying not to let their parents’ rivalry get in the way of their ‘friendship’…

          (Boscha must feel extra betrayed, she ignored their mothers’ rivalry and focused on being Amity’s friend, only to be ‘thrown aside’ for Luz and Willow? Made a fool of again in Grudgby? Dang…)

          While Doppelganger Luz isn’t deconfirmed and Dana has expressed enjoyment over the theory, she HAS clarified that Creepy Luz referred to Luz speculating on meeting a ‘hot yet vulnerable upperclassman’ in The First Day! You know, I had concerns that Creepy Luz would just be OUR Luz, but acting a bit unusual (presumably because of how enraged she was at Lilith), but I won’t deny this WAS a surprise, and…? Not sure what to say! Dana didn’t exactly deconfirm the theory, but one of THE major points for evidence is gone…

          (Still going to enjoy the Creepy Luz/Lus headcanons and art though!)

          More character ages! Eda is in her mid-to-late forties, with Lilith being two years older… That puts her on the same age-gap as Amity and the Blight Twins! Which if the Grudgby pic is any indication, makes sense… I have to wonder if the difference in height is either an animation error, OR Eda and Lilith at least got to live out their glory days and Grudgby AFTER the curse! That Eda still got plenty of fun and beloved memories at Hexside and her dropping out was INDEED more her ideals than the curse itself… Not only is that reassuring, but it also says a lot about where her values stand, being of higher priority than curing the curse itself… And how Lilith just completely misses this and acts like it was the curse that caused her and Eda to become distant, and that curing it will somehow fix their issues completely!

          Nevertheless, the implication is that Belos’ reign was only a few years old, not even a full decade, when Lilith was born, shortly followed by Eda! Dang, he made that propaganda work quickly, huh…? Or at the very least Lilith was just one of those ‘suckers’ for that sort of thing, which given her dumbness makes sense! Also, we’ve learned that Willow is 14 like Luz, and Gus is 12…! Baby boy…

          (King’s age is unconfirmed and implied to be a mystery, which combined with allusions to learning more about his broken horn and why he wears a collar, imply backstory for him in Season 2! Yes!)

#the owl house #owl house #dana terrace #reddit ama #the owl house boscha #the owl house amity #amity blight #the owl house lilith #lilith clawthorne #creepy luz #analysis #speculation

[radramblog]

Album Discussion: The Suburbs

Last week I felt like I didn’t have much time to pump an album review out. Was going to be in the lab all day, had work in the night, wanted to cover something quick. Then I finished really early, and had plenty of time in the afternoon to finish things off. This week I am in the same situation as far as scheduling, but someone’s bloody using equipment I need, so I’ve got a bit of extra time now. Time to talk about a >1hr 16 track record!

Also last week, I covered an album that I felt was more interesting from a meta level than it is musically. This week I’m talking about an album that I know nothing of the meta for.

The Suburbs I was reminded of recently. Mostly because I ran into the person who bought me the CD for the first time in like a year. I understand Arcade Fire have A Reputation as far as bands go, but the thing is: I have no idea what it is. I haven’t followed them at all, I don’t know whether they’re considered good or not, I haven’t even seen any of the music videos. I have never deliberately listened to an Arcade Fire song outside of this album.

But I do like this album. So.

Okay the one thing I do know is what the album is about. It’s about growing up in the suburbs of…I think Texas somewhere. I could look this up, but I refuse. The result of this is that the whole thing is intensely nostalgic, full of reminiscence and wistfulness, childhood innocence and what growing up is like. It’s one of those, you know? That does, however, make it fairly easy to like, because I think a lot of people are nostalgic for their childhoods.

(yeah so the only music videos for this one are at the very start and very end. this is going to be a bit of a wall of words.)

This is characterised by the opening track, which is also the album’s title track: The Suburbs. It’s opening with a very folksy acoustic guitar and piano, and longing for that childhood is its modus operandi. It is, however, tinged by the anxieties of that era- growing up in the shadow of the cold war is going to leave an impact on anyone, and that cultural climate is also going to be running through the album. I think the most poignant section of the song lyrically is the start of the third verse- wishing to become a parent, so they can live vicariously through their child, show them their childhood world before the reality and the memory are completely lost. Okay that’s kinda heavy moving on- the track is pretty much built around that piano/acoustic bit, sounding relatively upbeat but coloured by these lonesome strings running through the background. It’s very effective of conveying the feeling- which is something that comes up quite a bit over the course of the album. The Suburbs is one of my favourite tracks on this album, and having it come right at the front makes it a very solid stage-setter.

Track two is Ready to Start, a faster, rockier track with this grimy bassline running through the verses contrasting the relatively bright instrumentation of the chorus. Considering the themes of the song, about working for the man, dude, and trying to escape that sort of life, it’s fairly fitting, though it’s a very different sort of nostalgia than the previous track. The instrumentation gives the whole thing this sense urgency, which is enhanced by some of the lyrics- I mean the track is called Ready to Start, isn’t it. I feel like this song would be great to try and hype yourself up for something you don’t really want to do, and I’m not sure how many songs we have specifically for that feeling.

Our next song is called Modern Man, and it feels like tumbling through a confusing life. God, I’m really getting pensive today. I feel like this is a lot because this album resonates a lot more emotionally for me than musically. I’m someone with a very weird sense of nostalgia, seeing as my childhood is pretty effectively defined into three segments, and I tend to fixate on one of them because it’s The Weird One. I’m nostalgic for high school which is when I was nostalgic for living abroad which is when I was nostalgic for when I still lived in Perth, which I do now, but I don’t know anyone from back then, so there’s a whole sense of longing, and it’s something I’ve always had, and that’s funky. And I’m still young, this isn’t going to change, it’s going to get worse, and eghhhh I’m supposed to be talking about music. I don’t really have much to say about Modern Man, I guess. It’s aight, the previous two were better, but here I am 800 words into an album discussion, and I’ve gone through all of 3 songs on a 16 track album, so maybe expect this to be a slog.

Rococo at least makes an impact real quick, with fuckin psychotic strings right at the start that’s kind of a shock to the system, especially compared to the relatively mild instrumentation the rest of the song provides. I think that’s a fairly appropriate tone for a song about looking at #thecoolkids, bemusement tinged with utter stark bewilderment. I think I’m too young to really get this, I guess. The song’s title regards an art movement that sounds extremely pretentious and fake deep, frankly, but considering the point of the song is that you don’t bloody know what Rococo means, that’s probably also fitting. I kinda wish the strings were more present throughout the song than they were, they add this existential dread to the track that I do think the later sections are missing somewhat.

Speaking of strings, Empty Room is up next, and it’s one of my favourite tracks as well. It opens with the strings but they’re fast and energetic and they’re going to blow right past you. I thought this track was in like the second half of the album, but nope, here it is. This is also where the album’s second vocalist takes the lead for a bit (she only does for like 3 scattered tracks) and she’s genuinely great here. The songs chugs like an old train, in a way that reminds me a lot of other songs; in particular, the bit between the chorus and second verse (and chorus/outro) reminds me a lot of Teach me About Dying by Holy Holy- I can’t unhear “teach me about dying, teach me about dying-dying” over that instrumental. Despite its desolate lyricism, this song’s energy is genuinely excellent, and it carries really well through the whole thing. I can’t think of a lot of songs that start on this sort of tempo and have it run the whole way through- not to keep referencing other songs, but it’s very Go with the Flow by Queens of the Stone Age. And that’s like in the top 3 QotSA songs for me, so.

It’s only just struck me how much track 6, City With no Children, reminds me of There There by Radiohead. Its mostly the percussion, I think. That’s fucking high praise, but it’s also about as far as the comparison goes. The song is pretty okay outside of that, this theme of a town left lifeless by the commercialism and capitalism of the ultra-rich and what that does to people. Maybe that’s just my reading of it, I do have a bias for this sort of thing, but I challenge you to find another one. Looking on Genius is cheating. I do like the riff the track is built around, but it gets old eventually, since it doesn’t develop at all as the track progresses- lost potential, I suppose.

The next song is the first part of the album’s first of two two-parters, Half Light I, because apparently this one is trying to be a long-running drama show now. With that said, this ballad is kinda gorgeous, and yet also kinda extremely boring? Which is a frustrating place to be, frankly. I get the feeling this is an opinion that would get me crucified, but aside from those strings what fuck, the song just isn’t doing anything for me. Maybe it’s because it’s kinda almost the halfway point and I’m just getting tired, maybe it’s just a generational and cultural divide between America/Australia and 90s-00s/00s-10s and I don’t Get It. But I’m afraid to say this one doesn’t land.

Half Light II (No Celebration), for the record, is one I enjoy much more. The instrumentation is a lot more fun, the tone is a lot more pained (and y’all know I love me some angst), as the rose-tinted lenses of the previous half are replaced by the jade of someone growing up through the GFC (and just, in general). Despite being a two-part song, the halves are very different, a deliberate dichotomy representing two facets of that same look backwards. I feel like this isn’t like other two-part songs I’ve heard before, in that you can kinda appreciate the halves separately- or, in my case, one and not the other.

Track 9, and welcome more officially to the Second Half, with Suburban War. It’s very much about reminiscing about old friends, and I think I’m going to wax personal for a bit, because I have very little to say about the song musically. I mentioned earlier that I basically don’t know anyone from back when I was a kid, and that’s kind of a product of what my childhood looked like. It’s hard to have a “childhood friend” that you still keep up with when you spend 5 extremely crucial, defining years somewhere away from where all of them are. When you leave at 7 years old and don’t come back until you’re almost a teenager. People change so quickly at that age, and I’m no exception, and so I just didn’t have the ability to relate to those same people that long afterwards, even if I could find them. I don’t resent the experience of growing up in such a fractured manner, but it means I have a fundamentally different experience to that discussed in this album. At the same time, as I listen to the closing moments of this song, with the line repeated, “All my old friends, they don’t know me now”, I can’t help but notice the similarity. The writer’s friends don’t know them because they’ve grown up, changed fundamentally as people, whereas I don’t know my old friends in a much more literal sense.

Our next song is a bit more fun. Month of May is unequivocally a rock song, as opposed to the..indie? folk? of most of its surrounds. Much like Empty Room, it’s driven by its tempo and instrumentation, but it’s a bit less dour than that one, almost a bit oldie in its rock and roll swagger. The song isn’t so utterly different that it wouldn’t fit on the album, the traces of The Suburbs still roll through the whole thing, the same guitar and percussion tones driven up a couple notches on the ol’ Mohs scale. Quite solid, ultimately, in my opinion.

Track 11 is Wasted Hours. I think it’s a kind of appropriate title, not because it’s a waste of time, but because it just kinda feels like a nothing song as part of the album. Like, it is unquestionably Part Of The Album, sonically and thematically, but I deadass would not notice if it was missing from the record. Sorry if this one is your favourite, but this one isn’t for me.

Deep Blue, on the other hand, is the song that got me into the album. There’s really something about this track, this sense of discomfort with the passage of time, that really wormed its way into me. It’s a shockingly cold song for this acoustic instrumentation that’s usually associated with quite the opposite. The piano feels desperate, the guitars grim, and there’s actual synths hiding in here- the song relates to technology, after all. It’s concern for the future of humanity, of the youth, and for, well, the Suburbs, through the lens of watching that match between chess Grandmaster Kasparov and the A.I. Deep Blue in 1996. Go watch the Down the Rabbit Hole on that if you haven’t already (and have a few hours), by the way, it’s utterly excellent.

I can’t really describe how Deep Blue makes me feel. There’s just something about it. I feel like if I hear this song again in 10 years, it would genuinely bring me to tears- it feels like loss in a way, and not the meme.

We Used to Wait has a fun instrumentation, glittery piano and that funky guitar noodling in the background, but unfortunately the chorus kinda lets it down for me. I just do not care for it, it’s really built on a vocal line that really doesn’t track for me personally. Like, I’m just young enough that a lot of the theme of the track is utterly unrelatable to me- I hail from an era that is post- the change the track is referring to. I’m focussing a lot this time around about how the songs make me feel personally, but I think that’s kind of the appropriate tack for this album in particular- like the idea of nostalgic reminiscence is so inexorably tied to your own personal experiences that there’s no way around those experiences clouding your perception of this album, and with that, how well you end up liking it. I bet this whole thing hits way harder for someone born in the same couple years as this band.

We’re up to the second two-parter, Sprawl I (Flatland), kind of the finale for the whole thing. I mean, in I’s case, it’s certainly that emotionally. The song is so utterly down, it’s lost in the urban sprawl the title and lyrics describe, and with that comes a very quiet track. Moody strings and guitar, that eventually build during the fourth verse (there is no chorus and they’re short). It does eventually resolve on a more positive note, at least, one that’s hopefully relatable to many of us- eventually, we find our emotional home is, and it’s often not where we grew up.

Sprawl II (Mountains Beyond Mountains) is quite the different perspective. It’s got that other lead vocalist (I could look up her name but I won’t), it’s got a pulsing beat, and it has much more energy to work with. There are synths on this track that are absent from almost the entire rest of the album, but their introduction here, right at the end, is extremely cool. They’re cool, they’re clear, and they’re thematically relevant! I just really like the vibe of this track, and the way it trails off is similarly very good. Would recommend.

But of course there is one final track. Kind of. The Suburbs (continued) is basically a dark reprise of the album’s opener, shaded with more regret than that track is, more strings-y and whispered. It’s very short, but it acts as an appropriate closer for the whole thing.

And of course, that’s The Suburbs. In retrospect, I have a bit more mixed thoughts about this than I thought. There’s some really high highs, and some things that are just kind of bleh, but any album of this length is bound to have some misses. While I was browsing Genius to make sure I had the lyrics right for some tracks, I saw this record described as a Masterpiece, but I’m not sure that shoe fits- at least, not for me. The personal nature of this album, and anyone’s theoretical relationship with it, are such that I don’t think it can be given such a broad, universal title. I like the album as a whole quite a bit, but I personally wouldn’t call it a masterpiece.

It also doesn’t inspire me to go after more Arcade Fire. I’m actually perfectly content having them in my mind as this solitary piece, complete in its own way. Oh, they have like four other albums, but to me, Arcade Fire is The Suburbs. I don’t know why I’ve decided this, but it just works for me. So I’m sorry to any massive AF fans, but I did just dedicated 2.7k words to this album, so I’m sure you’re all satisfied.

God, next time I am going to have to cover something shorter, for my own sanity if nothing else.

#ramble #music #arcade fire #the suburbs #indie

[twilightofthe]

Tell me ALL your SW faves

Aaaaaa thank you!  This took a while cuz this got long, lol sorry!  Aight, so here’s ALL my SW faves for this ask prompt list!

FAVE MOVIE: Revenge of the Sith.  10000%.  It just has everything!  You get to see the Obikin relationship in all its glory, first and foremost, how much those two loved each other more than anything and knew each other better than anyone, and just how much they genuinely got along and then we got our hearts broken watching them have to fight after Anakin made his Goof Of The Millennium and just oooooof all the feels about my boys!  Seeing Padmé and just loving her so gotdang much for being strong and wanting the best life for everyone, all while she was so scared and had so little support from anyone, and just couldn’t do it in the end.  Seeing the end of the Republic, how after a thousand years, just, *poof*, just like that in like two days (yes, I know Sidious was planning it for over a decade but still), the horrific fascination on how Sidious was able to do that.  Just the brilliance of Sheev’s character, how you despise him, but how brilliantly everything was pulled off.  The angst of Order 66, how especially after TCW you love these characters SO MUCH and then you gotta watch them DIE HORRIBLY BY THOSE THEY TRUSTED, THOSE WHO NEVER HAD A CHOICE EITHER.  Did I mention feeling so freaking bad for Obi Wan and his Terrible Horrible No Good Very Bad Day???  Because I really do, he’s so good and kind and we see his life fall apart and ugh I love him.  And y’all, watching Anakin Skywalker fall from grace like the brightest angel he was, you hate him for what he did, but you still can’t help but love him and cry for him and his loss because he was so good, and he did not deserve all this to happen to him but he did it to HIMSELF AAAAGGHHHH.  Also, Obes and Ani were at peak prettiness this movie!!  Just asdfkjglkdskajsrlk best movie love so diggity dang much

FAVE PAIRING: Oh, how EVER will I choose– Obikin.  It’s Obikin, all the way, no contest.  I know I’ve yelled about it a million and one times so I’ll save y’all the rant on how much I adore these disasters and their relationship and how I think they’re goddamn soulmates and the most interesting dynamic in the entire Saga.  I ship them romantically and platonically and just everything, they’re so fucking important to one another and that’s why it hurts so much to watch them fall apart, and that’s why I’m so incredibly happy that they get to canONICALLY SPEND THEIR ENTIRE AFTERLIFE TOGETHER BECAUSE FORCE GHOSTS HELL YEAH.  If I had to pick just secondary fave romantic and platonic relationships, hmmmm that’s hard.  BUT, I’m gonna have to go with Kanera for romantic; SWR was what got me back into Star Wars and one of my favorite parts of it was watching Kanan and Hera, how much I loved them separately, but just how much they were a team together and I love them and I was unbelievably upset when Jedi Night happened (and I still have a rant about how animated Star Wars kills off their romantic couples in the exact same manner, pls ask me about how TCW’s The Lawless and Rebels’ Jedi Night had basically all of the same plot points that ended in killing off a romantic lead).  For other fave platonic relationship, gonna have to go with Luke/Han/Leia BROT3 (separate from Hanleia as a romance, which is probs my 3rd fave).  These disasters were the original Golden Trio, they saved the galaxy together all while yelling dramatically and having each other’s backs to the bitter end (or, at least ‘till the end of ROTJ lol) and I just love them as a team so dang much

FAVE TV SHOW EPISODE: Okay, since there are four TV shows, it’s only fair for me to pick one (or more don’t judge me) from each!  Let’s see, from The Clone Wars, my fave eps have to be the entire Mortis trilogy arc in S3 because Obes/Ani/Snips family dynamic, Force Shenanigans, BEAUTIFUL scene designs, Anakin angst, just so many good things oof, and also Dooku Captured from S1, which I just adore because Obikin snark, annoying Grandpa Dooku, Hondo Fucking Ohnaka making everyone look so bad at their jobs, I just love it agh.  Whoops that was technically four faves, so gotta do four for Rebels too!  Gonna go wiiiiith World Between Worlds from S4 for Badass Ahsoka Tano, Ezra being brave and talented, Sheev being Absolutely Ridiculous, and just the overall Force Shenanigans cuz canon time travel y’all; The Lost Commanders from S2 because Rex is awesome, Kanan angst, and really good Kanan and Ezra bonding and Jedi awesomeness, Fire Across the Galaxy from S1 because of Ghost fam dynamics, Kanan angst, more Kanan and Ezra bonding, and just good stuff, and Twilight of the Apprentice in S2 (lol what about my username?) for being creepy and cool and maKING ME CRY ANAKIN YOU STUPID THRICE COOKED TOILET SEAT LEAVE AHSOKA ALONE.  *cough*  Ok, fine, I’ll stick with only one ep for the other two series.  For Resistance, gonna have to go with the latest ep, actually!  We get to see Kaz being clever and caring about his fam on the Colossus, really cool designs for Aeos and its people, Tam angst, and just everyone shining!  For The Mandalorian, it’s gotta be the finale, Redemption, we get Din name, Armorer kicking everyones asses and me loving it, BABY YODA DOING THE HAND WAVE, Din getting over his issues with droids and connecting with IG only for IG to FUCKING DIE, DIN AND BABY YODA BEING AN OFFICIAL CLAN OF TWO, Taika just knocking this whole episode out of the park with the funny scouttroopers at the beginning who still deserved the ass-whooping they got for fucking murdering Kuiil and hiTTING BABY YODA YOU SLIMY FUCKNUGGETS–

FAVE CHARACTER: Alright, look, I can narrow it down to FIVE and that is IT.  I just love too many Star Wars characters, I can’t go lower than top five!  Ok, so my four favorites are Obi Wan Kenobi, Anakin Skywalker, Leia Organa, Kanan Jarrus, and Finn Skywalker-Dameron-Tico (i SAID what i SAID.)  AIGHT so for starters, a lot of my favorite characters in different franchises fall under various archetypes I have for faves.  Obi Wan fits one of my more popular ones: “Old, reluctant and more than slightly-questionable parental badass with a mysterious past that makes you love them all the more when you realize just how beautiful and tragic and deserving-better they were when that past is revealed”.  I latched onto this dude from the start when I just liked the OT (tho Leia was always my fave lol), and I wanted to know about him, and then when I finally started getting into the PT and TCW, it was just a steady stream of “oh no he’s hOT?” “oh no he’s sAD?” “oh no he’s nICE?!? REALLY FUCKING NICE AND A BIT OF A MESS HELP” and then I just totally latched on because he’s hypercompetent at literally everything and looks damn good doing it and boy do I have a thing for competence, charming as all hell and goes through so much and comes out strong despite the fact that fate hates his fucking guts and tries to destroy his life constantly and guys he tries so hard and he’s kind of messy sometimes and a bit of a dick and I love him all the more for it because he’s trying, none of that do-or-do-not shit, he is doing his damn best and deserves happiness and not Anakin tearing him apart.  SPEAKING OF SAND MAN.  Ugh, so I love Anakin to fucking death and that makes me REALLY MAD ABOUT IT BECAUSE HE MAKES EVERYONE ELSE I LIKE SAD.  So I love Anakin regardless because he’s not your typical protagonist.  He’s fucking brilliant, hot when he fights, is amazing at fighting and flying and building stuff and there’s that competence thing for me again, oh boy!  He’s funny and kind and he cares.  And somehow, this bitch manages to have the two most beautiful, amazing people in the galaxy in love with him and willing to do basically anything for him like the fuck?!?  Jealous much??!?!?!?!  I am!!!!  He’s so fucking bright and it’s impossible to look away.  He’s also a dorky, messy disaster who’s not good with people or feelings or emotions and he panics over stuff and doesn’t know self-control and is kinda really bad at his job a lot and pushes away the people who care about him and screws up literally all the fucking time and he always feels like he’s drowning and alone and I get to watch him crash and burn under the weight of it all.  Basically, minus the anger issues and the child murder and the murder in general, I kinda relate a lot to Anakin.  I feel like a self-hating mess who doesn’t know how to control my ow head and the world hates me a lot too.  I can project my mental issues onto him, enjoy the good parts of him, live vicariously through the things he does that I can’t like be loved by pretty people and be hot and athletic and smart, and then when he crashes I can side-eye and remember that at least someone’s doing worse than me lol.  So yea, I love this messy boi to death and he’s the one I get the best characterization reviews on, so I guess we have an understanding.  Leia I loved since as a kid.  I’d want to be her, brave, talented, smart, strong as hell and snarky to boot.  I realize that Leia fits another fave character archetype of mine: “Powerful young adult raised for greatness, did not ask for all the horrible shit that’s happened to them, highkey wants a break and for the bad guys to just roll over and die, is generally clever, hypercompetent, and 100% done with everyone else’s shit, overdramatic as all hell and enjoys insulting people”.  Her and Han were my first Star Wars ship and she just always made me happy seeing her kick names and take ass.  She’s gone through almost as much hell or maybe more so than Obi Wan, she also keeps getting back up and fighting, she deserved SO MUCH BETTER than what the Sequel Trilogy gave her and you may quote me on that.  She’s also gorgeous and I wanted to wear all of her clothes (bikini not included).  I also love her relationship with Luke and I am so goddam happy it is now canon that Leia Organa did Jedi training and can use a lightsaber!!!  She has a lightsaber!!!!!!!!!!  Ugh oof I love her.  Kanan fills the similar “mentor” archetype as Obi Wan does, but with a smidge of youth because he’s younger when he gets dropped into this role.  He’s more of a punk, more of a mess, and oof.  Basically I’ve said it a zillion times how Rebels resparked my love of Star Wars, but really, it was Kanan on the screen that did it.  It happened when the Rebels season 3 premiere eps ended up on the TV and I saw it and I thought in order 1. holy shit that Maul fucker’s actually alive? and 2. Oh no sad blind Jedi man!  He’s cool and mysterious and I want to know why he’s sad and who made him sad and also want to give him a hug!!!  He was my fave character all throughout Rebels and his training dynamic with Ezra, struggling to help this kid all while flying by the seat of his pants because he had Issues and no clue what he was doing and no support and ugh, he was smart and brave and I’m so sad he’s dead and yea.  Finn!!!!  Last but not least!!!!  He was my favorite character from The Force Awakens.  People have said it before, but he was just so new, a rebel Stormtrooper stolen and brainwashed at birth, finding the good guys and fighting to do the right thing!  Possibly Force Sensitive!  Super duper cute!!!  Funny and kind, dammit, when not many other people in the galaxy were!!!!!!!!  I was so, so sure Finn was gonna be a Jedi along with Rey at some point, that might have been my biggest letdown when I saw TLJ, but ugh I just loved his enthusiasm and his war within himself, ultimately loving his friends and trying to do what was right at the risk to his own safety, even though that was why he ran scared in the first place!!!!!  I shipped him with Rey and with Poe and now I am NOT above the post TROS Jedistormpilot shipping!!!!!  Finn was just always the most interesting part of the Sequel Trilogy for me and I personally feel like they could have done more with his character.

FAVE ACTOR/ACTRESS: Aight, so I try my best not to “stan” anyone famous because literally no one is perfect and everyone’s done something problematic at some point and if I dare say I like a famous figure, someone’s gonna find something about them and come after me all “OMG THIS PERSON DID/SAID/IS X YOU MONSTER GO DIE!!11!!1″.  In terms of performance, I think all the actors in Star Wars did a lovely job and I’m happy with all of them!  If I had to crush on any, it would probs be Ewan McGregor, John Boyega, or Diego Luna cuz, uh, they hot.  If I had to pick one I liked most, it would honestly probs be Carrie Fisher.  Maybe that’s just partially from missing her now that she’s gone, but I really admire her advocacy and transparence for mental health, and she just seemed like such a funny, kind, strong person.

FAVE PLANET: Aight, this is HARD and I refuse to only pick one planet!  Ok, gonna start off with Coruscant because an endless city planet made up of lights is amazingly gorgeous and it has a Jedi Temple stacked on top of a Sith Temple and is just so cool aaaaa.  Also love Felucia just for being so bright and colorful and pretty.  Mortis for being just as weirdly gorgeous and also Weird Force Shit.  Lothal for the beautiful mountains, the wolves, and the fucking lightspeed center of the planet passage what, Dathomir is delightfully creepy to look at, Crait is really cool with the salt and the red and the ice foxes, Kashyyyk because Wookiees and it’s pretty and I love their treehouses.  Basically if it makes me clap my dumb monkey hands and go “oooh pretty!”, I love it.  The more “not like Earth” it is, the more I love it.

FAVE SPECIES: Hmmmmm, this is a tough one…….  There’s just so many cool-looking species that we know so little about, ya know?  I wanna say either Togrutas or Wookiees.  Togrutas just because the character design is incredible and so fun to work with and also I love Ahsoka, and Wookiees because they have such an interesting culture and backstory and also I want to give Chewbacca a hug.

FAVE CONCEPT: Uhhh, not quite sure I get the question; you mean like just story concept in general?  If that’s it, I’m gonna have to go with just the whole concept of the Force and the Jedi in general.  I mean George, George my man, what the fuck?  How the hell did you come up with this?!?  Mystical psychic space wizards with magic abilities to connect with and use the sentient godlike life force that combined the entire galaxy together.  Oh and also they have COLORFUL GLOWING LASER SWORDS?!?!?  It’s honestly one of the most creative things I’ve seen in popular culture, and that makes me sad that Star Wars now seems to be trying to separate itself from what I think is its most interesting quality because “ugh not EVERYTHING should be about the Jedi guys!”, when like, y’all, without the Jedi, the entire SW universe is basically just another military scifi war story……  Just my opinion tho.

FAVE SHIP: Ok, since pairing was already up there, I assume this means actual ship?  Well, uh, gonna have to be square with y’all, I’m a bad Star Wars fan for this part; I’ve never been the one to memorize ship names and designs and know the exact make and model number of some fancy ship, I’m real bad at that lol.  I’ll say my favorite ship is the Ghost.  Hera flies it and the Rebels Fam lives on it and it’s super cool and it makes me happy!

FAVE WEAPON: LIGHTSABER.  LIGHTSABER LIGHTSABER.  LIGHTSABERLIGHTSABERLIGHTSABERLIGHTSABERLIGHTSABER.  Y’all, c’mon, what did you think I was gonna pick? xD  Lizard brain want glowy shiny colorful big stick that goes whoosh!

FAVE BACKGROUND EXTRA: Again, not entirely sure what this means, but do you mean fave background character?  If so, then it’s a tie between Wilrow Hood and his ice cream machine for the memes, that one clone in TCW who yeets a plate of toast at Cad Bane’s face, or that one background soldier who scoots between Han and Leia arguing in ESB and also Hera and Kanan arguing in Rebels (yes I do headcanon it’s the same guy lol)

FAVE MOMENT/SCENE: This one’s actually pretty easy.  Anakin dying in Luke’s arms in ROTJ, and then his ghost showing up to Luke later at the Ewok party.  I just care so ridiculously much about stupid Anakin and his stupid story and mistakes, and even before I was a prequels stan and had only seen the OT (and wasn’t a huge Vader fan, believe it or not), some part of me just felt so solemn, so fragile watching this, watching the giant monstrous machine falling apart as he fades away to reveal a weary, tired old human man, and it always made me wonder, what the hell happened to him to turn him into that thing?  Seeing that young, beautiful man, basically Luke’s age, showing up as a ghost later, just the fascination, the tender look he shared with Old Ben, just how young he was, that made it all the more mysterious and knowing what I do now, it’s just so much better because my poor, horrible Disaster Man finally did the right thing and he finally found peace and it’s just the only ending I could be happy for Anakin with,  And Luke, I always felt so bad for Luke, being so strong, so brave, finally getting his father back for like five damn minutes and then having to lose him again and just hurting for him but also knowing that it was gonna be okay because Luke had more family now, the ghosts, and Han and Leia and Chewie and R2 and 3PO and Lando and everyone.

FAVE KISS: Luke and Leia (HANG ON LET ME SPEAK) forehead kiss in The Last Jedi.  I know (this one) isn’t meant as romantic, and I know the question is probs about a romantic one and I know that it’s not even a real mouth kiss.  But.  That Luke and Leia scene was my favorite part of the entire movie.  Again, I was missing Carrie a lot, and ugh, after all these years, after not getting to interact the entire previous movie and not at all during this movie, the ONE scene with Carrie and Mark and the pure emotion of it all just knocked me out of my fucking seat.  You could see how connected they were as siblings, how much Leia had missed Luke, how much he had missed her and how sorry he was for leaving, sorry for Ben, sorry for having to leave her again now, Leia knowing Luke was about to die, and just, acceptance.  Love and acceptance.  It was just a final, tender kiss on the forehead, and it was perfect and yeah.  If I do have to pick a romantic lip smooch, it’s probably the Hanleia classic “scoundrel” kiss in Empire Strikes Back.  I still remember watching ESB the first time as a KID and being all eeeeeeee are they gonna– YES they kissed they kissed they kissed finally! and that’s enough for me.

FAVE FIGHT: Obi Wan and Anakin on Mustafar in Revenge of the Sith.  WIthout question.  It’s brilliantly and precisely choreographed to show the intricate nuances of the Obikin breakup in alllllll of its painful glory.  It breaks my heart every time I watch it because every time I watch it I still hope it’s gonna end differently.  That Anakin realizes he can’t kill Obi Wan and ditches Sidious and goes back with Obi Wan to save Padmé.  That Obi Wan realizes he can’t let Anakin die and saves him from burning and from Sidious and takes him back too.  That Obi Wan at least puts Anakin out of his misery which would be godawful painful, but would save him from the horrid life as Vader.  That while they’re fighting, a lava monster appears like in the concept art and Vader and Obi Wan have to put aside their differences and fight the thing and remember how much they mean to each other.  But ugh, this fight was beautifully choreographed and was originally supposed to be a MULTI-MINUTE SINGLE SHOT WHAT THE HELL???  Oooof Hayden and Ewan did such an amazing job and the whole thing just rips my heart out every time in the bestworst way possible

 FAVE LINE OF DIALOGUE: Now THIS is hard, I’m not the best at picking favorite lines.  Hmmm, this is HARD.  Let me think.  Gahhhh, it’s hard because I have so many lines I like and I can’t even just narrow down a couple!!!  Ultimately, it’s probably gonna be Yoda’s monologue from Empire Strikes Back: “Luminous beings are we, not this crude matter…”  Just that entire line saying how basically all of us are more than the sum of our parts, that everyone is their own sparkling light made of stardust, I loved it as a kid and I love it now. 

FAVE BOOK/COMIC: Answered here

FAVE HERO: Gonna go with Obi Wan!  I already rambled about why I love him, but y’all……. I love him.

FAVE VILLAIN: Anakin Skywalker/Darth McFucking Vader.  I loved him when he was a hero and the silly poor sad boy makes me sad when I see him as a villain all while being an overdramatic asshole and it just makes me wanna hit him with a newspaper for ruining his life and everyone else’s I love him.

FAVE OUTFIT: Answered here

FAVE CREATURE: I love Lothcats/Tookas!  I just heckin’ love cats and now there’s spACE KITTIES WITH SUPER FOOFY TAILS AND BIG EARS OMG Y’ALL I LOVE THEM I JUST REALLY DO AND I REALLY WANT ONE SO I CAN CUDDLE IT ;_;

WHEW.  That was all of the faves, thanks so much for asking me!!!  Sorry this took so long to do, this was kinda a hell week haha!

#asks #star wars #star wars stuff #morai musings #bpdanakins #disaster fam #one (1) hot mess #anakin skywalker #our only ho #obi wan kenobi #team hot mess #princess general badass #leia organa #twin sun #luke skywalker #og space sibs #THE BIGGEST DEAL #finn #space cowboy #kanan jarrus #sw prequels #sw ot #sw og #sw rebels #sw sequels #episode 3

[mancitynoise]

There is a contradiction at the heart of long distance fandom that is difficult to square. On the one hand should you support a club situated hundreds of miles away or in another country entirely you are open to all manner of lazy accusations that place your authenticity in doubt and if your team happens to be successful then those accusations become outright dismissive. You are a ‘glory-hunter’. To the particularly callous you are a ‘plastic’.

Yet the very same reasons why long distance support is looked down on from some quarters can just as easily be regarded as being thoroughly commendable. The responsibility of following a particular team was not bestowed upon that person either through family inheritance or locality. There is no obligation to display such loyalty. A long distance fan chooses to sacrifice his or her sanity at the altar of that side. They choose to have their sleep pattern knocked sideways to stream a game in the middle of the night. They choose to endure the slings and arrows that come from a club allegiance and all while feeling frustratingly disconnected due to geography.

And when that supporter goes the extra thousand miles and attends the matches any prejudices they encounter is surely all the more erroneous.

Malcy began supporting Manchester City in the early 90s after going to university in the area. For 20-plus years he was a season ticket holder who would travel down from Scotland for every home game and moving to Sweden six years ago wasn’t going to deter him from watching his beloved blues. Which means that these days his regular trips to the Etihad necessitates flights – including transfers – and sometimes a sleep-over on his friend’s sofa and for all this it’s rare that he will see any change from five hundred quid.

For such devotion to the cause it is not uncommon however to have his credibility as a City fan questioned.

“I sometimes get asked “are you one of the new fans?” by blues or fans of other clubs, probably because of my lack of Mancunian accent. It doesn’t take long to put that one to bed though.”

Conversations with Liverpool, Manchester United and City fans based in Ireland meanwhile reveal a similar breakdown of cost, time and inconvenience that amounts to heroic dedication. Countless hours of travel, hotel stays, and wallet-shrinking fortunes being spent is the norm and that’s before we get to rearranged kick-off times throwing days of careful organisation into expensive disarray.

In the hyper-opinionated orbit of modern football there are a great many aspects that confound but perhaps nowhere is sheer unfairness more evident than in the negative perception reserved for overseas supporters such as the above. Liverpool are mocked for hosting a number of Scandinavian fans while Reds from across the world are derided as being ‘day-trippers’ for flying over to Old Trafford and so often the originator of the belittlement is less familiar with the ground in question but simply lives closer to it.

In researching this article discussions took place on social media and across various forums and though it was almost entirely civilised and respectful. Here, without any judgement whatsoever, are some of the more disparaging comments posted concerning long distance fans:

“Anyone who ‘chooses’ a team isn’t a real fan, more a customer.”

“I just can’t get my head around supporting a team you have no connection to that play miles away just because they were winning things when you grew up. Surely the bond you have with your football club stems from local pride?”

“The difference between a lad from Hull supporting Liverpool and a Thai supporters group that are mocked on social media is simply distance.”

“I detest what I call glory hunting fans from different places who have no connection what so ever to the team they’re supporting. I’ve no time at all for cockney reds and northeast folk supporting Liverpool.”

It should be noted that the vast majority of respondents wholeheartedly appreciated the sacrifices and commitment undertaken to support a club from afar but equally perhaps it is all too easy to pigeonhole the more sceptical as being prejudiced in some way. The global branding of the Premier League has resulted in genuine causes for resentment emerging from localised support as tickets become scarcer to secure not to mention the widely held suspicion that clubs now prioritise overseas fans due to their propensity to spend more.

It can be immensely annoying too, no matter how you feel on the subject matter, to see your club mocked with a hackneyed stereotype from a rival fan whose Twitter bio and location suggests that the misnomer has been sourced second-hand and from a position of ignorance.

Countering this, several long distance fans were keen to point out how extremely lucky local supporters are to have the ground on their doorstep requiring the minimum of effort to watch their team in action. Granted this additionally makes derby defeats all the more visceral and harder to endure on a Monday morning should you live in the area but it also follows that those who reside elsewhere have less rivals to gloat to in the workplace following a derby win. As Felix from Germany puts it – “I always have to celebrate alone and I have no person to share my passion in real life”.

It is unquestionably a huge boon to feel emotionally connected within a club’s catchment area and more so to be able to get home in time for the X-Factor after a Saturday kick-off. Others meanwhile begin car journeys that don’t end past midnight, or head for the airport, or go back to bed for a couple of hours prior to feeling like a zombie for the next 24 – and all while feeling detached again from their obsession and relying on the internet for vicarious connection.

In wrestling this topic down, that appears to be the nub of the issue: local fans should feel fortunate to reside in the same postcode as their heroes, with all the benefits that brings, only some do not. Some instead feel entitled.

Sadly this entitlement is becoming more prevalent largely due to the aforementioned global branding of the game and social media making a big world smaller. It has even made itself known at games with Manchester City supporters recently turning on their own at Chelsea asking ‘where have all the Mancs gone?’

At that match Stuart from Hampshire was accosted by a fellow blue outside the stadium who demanded to know how he’d accrued the necessary loyalty points for a ticket given that he had no northern accent.

Our attitude towards long distance fans used to be so different back in the day when it was commonplace for supporter’s groups visiting from overseas to be paraded on the pitch prior to kick-off and given hearty applause for their dedication. Now resentment seems to be increasingly on the rise.

Surely though such exclusivity has no place in a modern game that has a significant impact far beyond injury updates in local newspapers and office one-upmanship. In writing this a quote from The Stone Roses’ singer Ian Brown kept coming to mind – It is not where you’re from, it’s where you’re at: and if you’re chewing your fingernails down to the quick at three o’clock on a Saturday afternoon you’re a fan regardless of location.

The sentiments of Cliff from America linger. “I am in California and I feel Manchester City fans in Manchester might be a bit more connected then me by going to the games. But I live and die with every win or loss. I bleed Blue and am clued in on everything City.”

Another comment, this time from a forum, also resonates – “How lucky you are to fall out of bed and stroll up to our ground when you feel like it and sneeringly dismiss those of us not blessed to be born within peeing distance of the pitch.”

#FootballFanCast #News