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#Analysis 2
imagopersonal · 9 months
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Aziraphale was about to confess too before Metatron and his coffee came into the bookshop;
Okay, hear me out. In 2x02, when they’re talking about “how people fall in love”, Crowley talks about sudden rainstorms,
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which is an obvious reference to how he fell in love, about 6000 years earlier (poor demon thinks everyone falls in love the way he did)
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Aziraphale doesn’t get it and answers “seems a bit unlikely”. He didn’t connect the dots, he doesn’t think Crowley loves him that way. All he knows about falling in love is what he read in books. Of course he fell in love with Crowley too, but I’m pretty sure he did in ‘41 when Crowley saved his books from a bomb, and that’s a bit hard to recreate, so… balls.
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That’s his idea, you make two people dance together and they magically fall in love, which is so in-character I want to scream. Now let’s get to 2x05. We know Aziraphale always tried to avoid organizing those meetings, but he’s suddenly so excited about it he is WILLING TO GIVE AWAY HIS BOOKS. Why would he do something like that? There’s no way it’s actually to make Maggie and Nina fall in love. At that point, Muriel doesn’t even care anymore about it, they all know the truth about the miracle is about to be revealed, so there’s no point in being so persistent about Maggie and Nina’s relationship. He’s an angel; of course he cares about humans being happy, but I don’t think he cares so much about two semi-strangers’ love life that he’s willing to give away BOOKS for the off chance that the Jane Austen method will actually work on two humans he knows nothing about. So, my conclusion is, he’s organizing that night for him and Crowley. They are the ones that he hopes realize they’re deeply in love with each other, and that is something worth giving away books for. Which explains why he’s so excited but also a bit scared when he asks Crowley to dance with him.
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It explains why he ignores the fact that Crowley is trying to tell him that something important and dangerous is about to happen, just so they can have a little dance. It also explains this reaction when he sees Gabriel and Beelzebub being in love with each other
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and the way he looks at Crowley while they’re talking about them.
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I mean, I know he always stares lovingly at him, but not like that, right? That’s a face that screams “I’m so going to tell you I love you when all this is over”.
So, my point is:
Fuck Metatron.
That’s my point.
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the-crooked-library · 1 month
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regarding Dune Part 2: i am obsessed with its consistent visual theme of self-destruction. the shot of paul surrounded by his new followers seems triumphant - until the viewer remembers that each crysknife is made from a tooth of shai-hulud, and paul is standing in a circle of them, in the allegorical mouth of the worm. he orders a missile strike, and the viewer sees them fly directly through his head. every victory for the prophecy is a blow to paul himself; he's killing himself with every step he takes towards his destiny, and we know that already, and the film is screaming it, but it's a hell of a thing to watch it happen, isn't it?..
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biceratops7 · 5 months
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This, this fucking image...
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It drives me insane, just activates something visceral, and I finally realized why. It's not just an appropriately placed close up shot to denote intimacy between Gabriel and Beelzebub, it's a fuck damn pov shot.
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Gabriel is not dressed in accordance to his preferences, he is borrowing Aziraphale's clothes. And Beezlebub, well lets just say a black blazer is a black blazer, not exactly the easiest thing in the world to differentiate. Just looking at those hands joining, the individual identities of their owners melts away. The moment could have so easily belonged to Aziraphale and Crowley... and it's just- it's... it's just like the Rats of Nimh. They've seen this sign everyday for almost their whole lives, and have never once known what it says. They can make inferences, use context clues, wherever they are, it seems to be too so it must be about them, but they couldn't ever know for sure. Until one day, without warning, they looked at the words, and understood them.
And the sign communicated a way out.
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Aziraphale and Crowley are the first of their kind. I don't think we really appreciate or understand how utterly unfathomable what they feel for each other is in their lived contexts, even to them. All this painful fear, all these lengths they go to, all to keep safe this precious experience they don't even have the language to name. It's not just unallowed, it's unreal. So then just imagine what the actual fuck they must be feeling when they see someone else... just fucking do it. Just like that. An angel and a demon. In love. Intimate, affectionate, in front of heaven, in front of hell, in front of humanity, in front of GOD, and She knows who the hell else.
For literally the first time, they’re seeing the things they feel for each other exist in others like them.
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inafever · 9 months
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Oh my god I've been so stupid
GIVE ME COFFEE OR GIVE ME DEATH
It was an outright goddamn death threat
You either take the coffee, or take the death
Metatron you nasty little piece of shit
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emotionaldisaster909 · 4 months
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ALSO NOTICE THAT
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Hua Cheng smiled when qr said that Xie Lian has him on a leash
AND THIS IS THE FACE HE MADE
AFTER QR SAID THAT XIE LIAN WAS LICKING HIS BOOTS
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THAT’S
A L L YOU HAVE TO KNOW ABOUT HIM
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hoarder-of-dragons · 5 months
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[Season 2 summed up]
Aziraphale's thoughts: Oh I shall team up with Crowley and make Nina and Maggie fall in love and make them confess. Oh what if I also confess then. I need to prepare everything to set the scene.
Still Aziraphale's thoughts: Ooohh a ball with dancing and tiny snacks to make it fancy and it will be like a Jane Austen novel coming to life and then I will ask Crowley to dance and all our problems will go away as I stare into his eyes....
Crowley's thoughts: Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe FUCK YOU GABRIEL Keep Aziraphale safe Keep Aziraphale safe Keep Aziraphale safe PLEASE HOLD MY HAND AZIRAPHALE Keep Aziraphale safe JANE AUSTEN WAS AN AUTHOUR?!?! Keep Aziraphale safe-
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crowleys-hips · 6 months
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ok i know everyone's analyzed the shit out of the Job minisode. but i think everyone has overlooked this Very Important detail, and it's this:
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do you see it?
golden kermit collar
thank you for listening
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aheavenofhell · 8 months
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Aziraphale raising his wing for Crowley hits so different with the S2 context. I feel like we all looked at it as, here’s this sweet little principality, he’s kind and naive so he’ll shelter even a demon—but it wasn’t really that, was it? It wasn’t just some random act of kindness.
It was a message.
When Crowley slithered up that wall, Aziraphale was nervous. Because he gave his sword to the humans, sure—but also perhaps because he was seeing this angel again for the first time since he had fallen. He learns Crawly’s new name (Crowley never asks him for his name, he knows it already) and they have a brief exchange that was probably a lot like the ones they used to have.
Then when the thunder starts, it’s Crowley who’s first to move to him, to shuffle hopefully to his side.
I think when Aziraphale lifted his wing up, it was almost a way to say I remember who you are, I remember the kindness you gave me. I’m still here.
He wasn’t just playing umbrella. He was letting Crowley know he hadn’t been rejected by all of Heaven.
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baeddling · 4 months
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I think one of the big takeaways from having a post abt intracommunity transmisogyny get some notes outside my little bubble of mutuals who understand feminism is that most people on this site? Fundamentally do not grasp how intersections with misogyny function. When trans women talk about trans men having male privilege, we are very importantly not implying here that they are treated perfectly by all of society. As with all groups of oppressed men, many of their privileges are heavily curtailed by wider societal oppression on the basis of transness, or homosexuality, or color, etc etc. What this does not do is cancel out their ability to wield misogyny against those who exist within the same oppressed groups. Black feminists have long discussed how black men are still capable of and actively benefit from misogynoir, even though they are also oppressed by racist society. In the same vein, trans men suffering transphobic oppression does not mean that they cannot and do not benefit from transmisogyny within queer and trans spaces. These are truths that are not actually at odds unless you have a deeply skewed conception of intersectional feminism (which most of these people do).
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writingdinosaur · 8 months
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I don’t think we talk enough about how the head demons used to be Crowley’s friend group up in Heaven. I really desperately want to know more about “Lucifer and the guys.” I want to know about him piggybacking around with Furfur and how he and Beelzebub used to tell scary stories to cherubs.
I want to know what happened after The Fall. Did they drift apart slowly? Did it start before that? Did it happen all at once? Did he tell them he never wanted this? When did the people he once thought to be his friends start dragging him down to Hell for punishment? When did Lucifer begin to terrify him? When did Beelzebub? Were Hastur and Ligur a part of that group? When did they decide he wasn’t worth trusting? When did he start to dread the next time they would meet? Did the loneliness set in gradually or did he realize with a start that he was all alone?
The more I think about the differences between the Crowley that we know and the Angel we met in the season 2 opener, the more tragic it becomes. They used to be his friends.
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The fact that Crowley grabs Aziraphale's lapels the same way in season 2 as he did in season 1 shows how that action was always meant as an intimate gesture by him. It meant intimacy to Crowley back then, and it means intimacy now.
We're talking about a deliberate acting choice from David, here. He chose to grab Michael that way in episode 6 for a reason. He's creating a connection to season 1, bridging two separate moments in the characters' relationship with a single gesture.
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Crowley and Aziraphale have loved each other for a long, long time. They were never able to say or act on it before. But they both knew the meaning behind every little touch, every look, every lapel grab.
Yes, they both knew it. Aziraphale didn't feel threatened the first time it happened. Well, he certainly doesn't feel threatened now, either. Look at how he lets himself get dragged into the kiss. The amount of trust between these two! He's leaning in even before he realises where Crowley is dragging him (towards those gorgeous lips, of course).
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It gets worse... Neil knows precisely how much we've treasured that scene from season 1 since it aired, so he decided to use it against us.
Absolute genius!
...Evil.
.......but still genius!
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gobbogoo · 2 months
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Why Sniper and Spy Despise One Another
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The relationship between Sniper and Spy is a well-crafted one. Both are assassins who fulfil the same role and pride themselves on professionalism. It's their definition of "professional" where they diverge.
To Sniper, professionalism is defined by detachment and efficiency. Taking a life is serious business, and so the job is prioritized above everything, including basic hygiene and bathroom breaks. "Snipers don't muck about... we just take the shot."
To Spy, professionalism is defined by dignity and artistry. Taking a life is serious business, and so it must be handled with grace, even when fighting lunatics in the middle of a desert. "Six unstabbed backs... I do love a blank canvas!"
Sniper considers Spy unprofessional and cowardly due to his pompous demeanour and underhanded tactics. To find artistry in murder is psychopathic, to engage in trickery, dishonourable. Spy is an arrogant snake that gives proper assassins like Sniper a bad name. "Ya bloody backstabbing fraud!"
Spy considers Sniper unprofessional and cowardly due to his oafish demeanour and impersonal tactics. To murder without feeling is psychopathic, to attack only from a distance, dishonourable. Sniper is a tactless brute that gives proper assassins like Spy a bad name. "You disgust me, filthy jar man!"
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biceratops7 · 8 months
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Y’ALL I JUST FOUND SOMETHING WILD:
I figured this out by pure accident because musically, I’m not a big fan of Tori Amos’s singing style (I’m sorry 🙁, besides the point though!), so I pulled up the original instead to put on my playlist.
And GUYS. I don’t think “A Nightingale Sang in Berkeley Square” is about them at the Ritz together in the 21st century, or at least not at first…
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It’s about this.
“A Nightingale Sang in Berkeley Square” originally came out in 1940 by Vera Lynn, one year before Crowley pulled the most romantic ass stunt Aziraphale had ever seen and, let’s be honest, the vibes uh… changed. I mean there was a reason the rumor of them being an item spread in hell around this time.
And that’s not all, the song was actually meant to be part of a musical, on the West End. The place where they made a fond memory together for the first time in nearly a hundred years, took care of each other, trusted each other. Hell, where Crowley and Aziraphale, both friends of the theatre in different ways, probably heard this song about causing the impossible and falling in love just a year prior for the first time.
Yah so I’ve FULLY drank my own koolaide and completely believe that they already associated this song with each other. Not only saw it as a fond reminder of that night in 1941, but the quiet, gentle reality they might have together someday. But they wouldn’t DARE say that out loud, wouldn’t be ridiculous enough to let themselves hope for it.
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I think this was Aziraphale breaking the unspoken rules and acknowledging this thing they share. Him saying “I know, I see you. I hope so too.”
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microclown · 9 months
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Been thinking more about this scene because like..
It's clearly an "Oh" moment
But how tf am I supposed to believe that Crowley, who we all know has been feeling love for Aziraphale since the garden of Eden And has spent thousands of years living amongst humans, engaging in their customs, watching their movies, listening to their music never identified "oh! this feeling is kind of similar to human love"
But like... it would be so Crowley to just think it was a singular experience. To just be so swept up in the enormity of his emotions, and to believe he is the only being that's ever felt this way. Why would he ever think to link it to it to humanity? it probably feels much bigger than that, humans could never understand. and if this feeling truly started on the wall in Eden, he wouldn't have had the human context to frame it with yet anyway It's not until Nina reframes it for him that he's like "oh, shit"
"It was just love this whole time"
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siriusly-the-best-bi · 9 months
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guys the kiss was so important especially from a narrative and storytelling perspective because it was literally Crowley taking everything that's happened between them, every unsaid intention and every unspoken promise, and making it physical.
He's taking their arrangement and every other bullshit excuse they've ever used to hide how they feel about each other and throwing them out the window to put their feelings into an undeniable physical action that holds a lot of meaning to humans in order to be absolutely sure that Aziraphale knows exactly what he means when he says "we could have been Us." He wants to be absolutely sure that there are no misunderstandings between them and know that Azirphale will be committing to this decision with absolute reassurance that he's been understood and rejected anyway.
he's taking a human action with so much meaning and so much importance, and he's using it as a way to desperately make Aziraphale completely and undeniably aware of what he's stating. No more charades and no more lies or cover-ups. There's no denying this thing between them now, and Crowley did it the human way. Because he and Aziraphale love humanity and it's everything to them in their own ways.
There's a reason we saw a kiss between Crowley and Aziraphale, and not Gabriel and Beelzebub, despite them both being undeniable foils.
and really if you just think about that isn't it so god damned beautiful?
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byleranalysis · 9 months
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Both the opening scene and “Every” share a small theme/musical melody that creates a deep emotion context to the pairs inner feelings.
Listen below to how the notes ascend and descend:
Pre-Fall Crowley’s still has an angelic choir, a holy radiance and innocence we haven’t heard associated with him before. The theme sweeps into a bright major as he laughs at the joy of his hard work and the birth of something bright and new.
However, Crowley making a nebula fills him with the same joy as a kiss with Aziraphale. The melody plays in dramatic strings that cry out with a smaller choir which slowly drags away. A melodic interpretation of the fallen angel. Yet, the music falls to minor after the initial hope of the kiss. Sadder. Slowly falling apart.
This isn’t a birth of something new like his joyful nebula, but potentially a loss.
In conclusion: Season 2 is actively slowly killing me. David Arnold went insane this season.
More GO Analyses:
- The Metatron is a Parallel to Original Sin/the Serpent of Eden
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