Tumgik
#dune 2024
hotdogstandz · 1 day
Text
Tumblr media Tumblr media
Dune 2……..save me Dune 2…….
130 notes · View notes
joelchaimholtzman · 3 days
Text
Tumblr media
Happy to share this weeks DUNE painting I just finished!
Based on last weeks most popular voting; Here is Gurney Halleck, the Master of Arms of House Atreides, and mentor to Paul. He likes to play the Baliset, a nine string instrument. Overal he is embodiement of the ''warrior poet'' archetype, one of the earliest in modern entertainment if I am correct.
Two more DUNE characters to go! Which one should I paint next?
1. Emperor Shaddam IV
2. Rabban
Hope you like it!
Best,
JCH
103 notes · View notes
iwasborn-hungry · 13 hours
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
page 546 of dune by frank herbert
67 notes · View notes
sageinsubculture · 2 days
Text
Tumblr media
Dune fan art by Sage In Subculture
78 notes · View notes
bbygirl-paul · 13 hours
Text
feyd-rautha, after paul used the voice on the reverend mother: i could take him the emperor: yeah, in a fight, right? feyd-rautha: the emperor, quietly: in a fight, right?
55 notes · View notes
thealexandriaarchives · 13 hours
Text
I can't stop staring at Feyd-Rautha's walk here and what it implies about his fight with Paul now that I'm able to stop just comparing it to Timothy's killer body work matching it (or vice versa).
Tumblr media
Villeneuve takes the book canon, that the Harkonnens took the Atredies's morbid heirlooms of an oil painting of grandfather's death and the bull's head with his blood still dried on his horns to hang above the arena as trophies to the next level: making Feyd-Rautha the victorious young matador with the guards dressed as bull-minotaurs, circling to play banderillos and sink banderillas into the backs of the Atredies bull if it gets too close before the final faena has Feyd-Rautha pulling his opponent past him in the close, intimate passes that show off his athleticism and skill before his false blade is exchanged for the one that will be used for the killing blow and oh my god there are whole schools of thought on coming forward to meet your opponent vs waiting for them and killing with a single blow to the heart and honoring the fight and if anyone who knows how to make gifsets wants make one about this to I'd LOVE to rant more about the breakdown of these two fights and how Feyd is 1001% Matador Machismo but my point to all of this is:
Look at that Sand.
Look at his feet dig deep and kick it up as he strides out into the heart of that arena. Is it a rhythmic walk? Oh yes. Confident. Powerful. In the book this will be his 100th arena kill as he comes of age. This is his natural habitat. Where he learned his skills, for us to parallel with what we saw for Paul in Part 1.
Tumblr media
This matters, because it's one of the main premises for why the Fremen are so Good At Fighting. When everyone is trained to fight with shields (stun then slow) and bulky armor, and on flat, solid ground with lots of cover, it's easy to be fast and silent and terrifyingly effective against them. Gurney Halleck is shown to be one of the best fighters in the franchise and the film makes a point of showing how his (recognizable) footsteps are not suited to move quickly, lightly, and with stability on sand like they are on solid ground.
Only... Bullfighting rings aren't sandy. They're fairly hardpacked. Earth for the bull and Matador to maneuver in quickly. There is a layer of albero traditionally layered on top, a chunky yellow clay dirt that serves aesthetics but also absorbs blood quickly. The idea the sand may not be white because... With Giedi Prime who knows?! Is Fantastic.
Tumblr media Tumblr media
Paul Muad'Dib became the only Atredies to be recognized as Fremen, to see his father's dream of Desert Power recognized, to fight as Fedaykin, to be recognized as the Mahdi, the One Who Points The Way, and it is made clear to us from the opening words of a Child's History of Muad'Dib that Arrakis was his Home, and yet every major one-on-one duel he had from Jamis to Feyd-Rautha was on solid ground, giving him an advantage that made him respected as a fighter among the Fedaykin right away as part of his training.
Feyd-Rautha was the one Harkonnen who may have learned combat primarily or even exclusively with sand beneath his feet, and he died on Arrakis on the polished stone floors of a palatial residence, still trying to play by Matador rules.
Tumblr media
thank u for coming to my Ted Talk
65 notes · View notes
brothertedd · 1 day
Text
Tumblr media
51 notes · View notes
mylesisagod · 8 hours
Text
Tumblr media
Dune Study 💛
23 notes · View notes
sihayadunee · 8 hours
Text
Tumblr media
✧ the emperor and his desert spring ✧
20 notes · View notes
Text
Kyle MacLachlan will forever be the best Paul Atreides 💘🤗
22 notes · View notes
Text
Paul: “may thy knife chip and shatter”
Feyd, internally: what the fuck? He’s got a signature gang sign before a fight AND a catch phrase? I usually skip straight ahead to killing people. Does he always do this? Is it weird I’m not doing this? Okay what is my response going to be? You know if I win this fight I’m absolutely using this on the next guy. Oh shit everybody is looking at me, quick say something
“May THY knife chip and shatter” fucking nailed it Feyd…
6K notes · View notes
vaultlucy · 2 months
Text
Tumblr media Tumblr media
Dune: Part Two, dir. by Denis Villeneuve // A Panathenaic amphora (Greece (Attica), ca. 365BC - 360BC) (x)
8K notes · View notes
iwasborn-hungry · 13 hours
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
page 376 of dune by frank herbert
60 notes · View notes
the-crooked-library · 1 month
Text
so within the universe of Dune, gender roles abide by a rigid false dichotomy created by the bene gesserit - men lead the noble houses, while the women may join their order, and the powers of both are kept intentionally separate. at the same time, the plot demonstrates repeatedly that the role of paul atreides as a character is that of the border between the concepts juxtaposed within dichotomies: he is both an outerworlder and fremen, both harkonnen and atreides, both a duke and a disciple of the bene gesserit.
as such, it follows that within the in-universe gender structure, he occupies the roles of both male and female, thus being functionally and societally nonbinary. in this essay, i will -
5K notes · View notes
fuckyeahisawthat · 2 months
Text
So there is this thing that the two Villeneuve Dune movies do together that I cannot stop thinking about, where they will present something (often, a weapon) in a context the first time around where it looks a certain way (often, very sexy and cool). And then they will present it again in a way that doesn't exactly negate your reading of the original context but makes you recoil in horror from the new context.
Paul and Jessica using the Voice to escape from their Harkonnen captors? Very sexy and cool. Look at them working together, mother and son, a couple of space witch badasses.
Jessica using the Voice on Chani to force her to participate in reviving Paul after he drinks the Water of Life? Horrifying. Saying you will be part of this myth that has been created to serve political ends that have nothing to do with your liberation, and if you don't do it voluntarily to save the person you love then I will make you do it.
Chani and Paul working together to take down the ornithopter gunship using those little shoulder-fired rockets? Very sexy and cool, we love guerrilla warfare against an occupying army. (I'm not being facetious here, this sequence is extremely satisfying to watch.)
The much later image of Paul silhouetted against the blast from the missiles from his family's private nuclear arsenal blowing up the shield wall? Nightmarish.
The way the climactic battle to retake the palace at Arrakeen extends into the night so that it begins to look very very much like the initial Harkonnen attack on the same place? I'm sure this is intentional; the whole third act is about taking a giant sledgehammer to the idea that the Atreides are the better or more civilized imperialists.
Perhaps my favorite example of this is the Atreides signet ring. When Paul first puts it on in the first movie, it's a symbol of him accepting that Leto is dead. It's a melancholy moment, but it's also a sign of Paul accepting the responsibility of his birthright as the new Duke.
Early in the second movie, when he is trying to be equal to the Fremen, he takes the ring off. And you just know that when he decides to put it back on again, that will be the sign that everything's about to go to shit. And when it happens it's a very similar moment--it is Paul accepting his birthright, just a different kind. But the accompanying feeling is oh no.
6K notes · View notes
bbygirl-paul · 13 hours
Text
paul, watching chani while she's sleeping: why do i feel like she's judging me, even now? chani, without opening her eyes: because i am.
24 notes · View notes