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#Arthur Laurents
charlesleeraejepsen · 4 months
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this tumblr post // interview with arthur laurents about his film rope // shirley maclaine about the childrens hour, "the celluloid closet" // war of the foxes by richard siken
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sondheims-hat · 6 months
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Bernstein, Sondheim, Laurents. Opening night of West Side Story, Sept 26, 1957.
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West Side Story (2021)
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doyouknowthismusical · 5 months
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theersatzcowboy · 9 months
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Bonjour Tristesse (1958)
Director:  Otto Preminger
Cinematographer: Georges Périnal
Starring: Jean Seberg, Deborah Kerr, David Niven, Mylène Demongeot, and Juliette Gréco
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kurtmckinnon · 1 year
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Alfred Hitchcock's 1948 film Rope is famous for how it was filmed: To look like one continuous scene playing out in real time with no cuts. But there's something else that makes it an even more audacious film, which is the unstated fact that its main characters are a gay couple. Slipping queer characters past film censors in the 1940s was no easy task -- and in fact, they nearly didn't get away with it. And what Hitchcock didn't know is that during the making of he film, the writer was secretly having an affair with the leading man. Their clandestine romance lent a whole new level of real-life-danger behind the scenes of this iconic thriller. Because if their secret was discovered, they'd face the end of their careers -- or much, much worse.
Matt Baume is one of my favorite YouTubers; his content mainly focuses on LGBTQ rep in popular culture. I have not watched this video yet but I am looking forward to his take on Rope (one of my fave films tbh).
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citizenscreen · 1 year
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Arthur Laurents (July 14, 1917 – May 5, 2011), pictured (center) with collaborators Richard Rodgers and Stephen Sondheim in New York City, 1964.
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yourdailyqueer · 2 years
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Arthur Laurents (deceased)
Gender: Male
Sexuality: Gay
DOB: 14 July 1917  
DOD: 5 May 2011
Ethnicity: Ashkenazi Jewish
Nationality: American
Occupation: Playwright, theatre director, producer, screenwriter
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Season 2, Episode 9 | The Way We Were (1973) & The Virgin Suicides (1999)
Chick Flicks with Gabby & Amy brings you A Very Special Super '70s Double Feature of The Way We Were and The Virgin Suicides. While seemingly different, the films share an elegiac tone, a dreamy nostalgia, and origins as 1970s artifacts (plus appearances by James Woods, randomly). Come along as we delve into the idiosyncrasies and profundities of these two period pieces. 
CONTENT WARNING: This episode discusses suicide. If you are in crisis, please call or text 988 to reach the National Suicide & Crisis Lifeline. 
https://chickflicks.libsyn.com/the-way-we-werethe-virgin-suicides
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owlpuddle · 8 months
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I've never heard anyone pronounce waltz as walss (no t) until I entered the musical theatre sphere. Anyway, it's how the actor pronounces it in the title song of Do I Hear a Waltz, and I first assumed it was a mistake, but everyone in that production was so fucking sick of each other that they didn't bother to get a second take.
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pygartheangel · 1 year
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Reviews of "West Side Story" (1961) and "West Side Story " (2021)
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hesupportsyou · 2 years
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An important distinction!
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sondheims-hat · 2 months
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unwelcome-ephestion · 2 years
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Gypsy premiered in 1959, but its authors felt they didn't get the ending right until 1974, when Arthur Laurents, who wrote the book, directed. Rose's Turn, often hailed as the greatest song in all musical theatre, was, believe it or not, the problem song.
When first writing it, Styne and Sondheim had wanted to end it on a discordant chord. (Although Sondheim was Gypsy's lyricist, he did more of the music for Rose's Turn than is commonly known - check the Gypsy tag if you want to know why, as I will post that story separately). When they showed the show to Oscar Hammerstein before opening, he persuaded them to end on a concord and have people clap. He said that everyone was waiting to clap and so they didn't listen to the following scene. Reluctantly, the team agreed and put in the concord and applause - but they felt that where tension had maxed out and people stopped listening in the first version, this second version with the clap dissipated all the tension. There had to be some happy medium.
You can see some of the 1974 Rose's Turn with Angela Lansbury from 09:19 in the video, and though you can't see how it was fixed, you can see her bowing in character, which is important. This is how Laurents fixed it. The audience bursts into raucous applause, and Rose bows, very much in character. And she keeps bowing. And the applause stops - tension released. And then she keeps bowing - and the audience has the horrible realisation that the bowing is not a lead actress acknowledging her audience at all. It is all inside Rose's head, and it still goes on - and in that moment they finally realise how deluded, how monomaniacal, how utterly broken she is. Tension built right back up immediately. It's a genius ending.
Interestingly, Lansbury was nervous about it. She didn't want the audience to think she was just a diva milking a bow. But after trialling it, she and Laurents knew they were on a winner - and that's generally how Rose's Turn is performed now. Sometimes it does take 15 years to get a show right, but worth it in the end!
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doyouknowthismusical · 6 months
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wewerealwaysthere · 2 years
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Writer Arthur Laurents explained why he saw Harold Land perform in “Fancy Free”…
“… Is sex art? Because the reason I returned again and again was Harold Lang, one of the three sailors and the best sex I’d ever had. He was the sailor with the ingratiating boyish grin and the white pants molded to Nobel-worthy buttocks. How could the answer to ‘What is art?’ compare to Harold Lang’s ass?”
(Both Gore Vidal and Arthur Laurents were lovers of Harold Lang.)
Photo found here:
https://1bohemian.tumblr.com/post/681522224368386048/beyond-the-pale-the-ballet-dancer-harold-lang
Also check out these profiles:
Lang:
https://100gayicons.tumblr.com/post/647380504241487873/harold-lang-made-his-professional-debut-with-the
Laurents:
https://100gayicons.tumblr.com/post/644577550298923009/arthur-levine-grew-up-in-a-middle-class-family
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