Look, I love BBC Merlin and how they told the lore, but I’m a sucker for the relationship between Arthur and Mordred in the mythology. Specifically, I love how Mary Stewart (author of The Arthurian Saga**) and Nancy Springer (author of I Am Mordred**) wrote about the father/son relationship between them. So naturally, my brain has been conjuring up how I can include that in my Flipping the Coin au.
Since the main premise is Merlin died/Arthur lives, and now Arthur is the one waiting for Merlin to come back, things would stay consistent with canon up to the last episode (when Merlin flips the coin of their destiny and sacrifices himself so Arthur can live and thus stop Camlann from happening altogether). Which is where this idea will start:
Gwen is barren. She and Arthur never have kids. Eventually, everyone Arthur knows and loves dies. He can’t rule Camelot forever, and after Gwen’s death, he no longer wants to, so he fakes his death and wanders off figure out why he’s still here. He never gets an answer for that. Arthur spends the next millennium waiting. He keeps living. He meets people, experiences things he’d never experienced before, and learns things he’d never dreamed of learning. He can’t stay anywhere long, or else suspicions will rise, but he gets to see the world change, how technology advances, and witness humans continuing to be humans. When war breaks out, he joins the battle. It’s familiar. The rush of adrenaline is the same whether he’s wielding a sword or a gun. Only, he can’t see the enemy’s face anymore.
Peace comes again. At some point, he sleeps with a woman, and she happens to become pregnant. Bisexual disaster that he is, he’s had all sorts of partners from both sexes, but has never had this happen, even before the advent of reliable birth control. Later, he’ll learn her name is Morgause. She doesn’t look like the Morgause he knew before, nor does she act like her, but her name haunts him. After the baby is born, she gives him to Arthur, says she has no intentions of being a mother, and leaves. The last thing she had said to him was the baby’s name.
Mordred.
That night, Arthur holds Mordred and weeps.
There is irony in his son being named Mordred. First, in that the legends surrounding him, Merlin, Camelot, the Knights of the Round Table, and all of it, had long ago decided Mordred was his son. And two, in a retelling of that legend, it had aptly phrased what he sensed was happening now. Granted, he isn’t a sorcerer, he doesn’t have magic, so he can’t support his feeling with anything other than he’d been around a long time and knew to his very core that it was true. Mordred’s birth is a signal of the beginning of the end.
Fatherhood brings him a new sense of purpose. Gone are the days of loneliness and drudgery. Every day with Mordred brings a new light into his life. Each smile is a miracle. Seeing Mordred experience things for the first time brings a new appreciation. Being there to watch him grow makes time fly like it never has before. But Arthur is afraid. He doesn’t want to be his father. He doesn’t know how to be a father, or what the right way to do it is. In all the years he’s been on the Earth, he’s never known a man who could concretely say, “This is the way to raise a son,” and actually reap the fruits of their efforts. Too frequently, he’d seen sons grow outside of the visions their fathers molded for them and receive only disappointment and disdain in return. So he was afraid, because he too had been that son.
*cue a series of fluffy father/son one shots of Arthur raising Mordred until Merlin comes back, takes one look, and is is like WTF????? No, I won’t have Mordred for a step son >:(*
**Mary Stewart and Nancy Springer have several other works, not just the stories I mentioned. The ones mentioned are the ones I’m pulling inspiration from ^^
Additional notes below the break:
Guinevere’s barrenness is not a headcanon I typically subscribe to for BBC Merlin. My headcanon is that after Arthur’s death, Gwen gives birth, and their child eventually succeeds her as ruler.
I’ve always seen Mordred’s appearance as the harbinger of Arthur’s downfall. Thus, the reason for the plot bunnies in my brain going crazy with this idea of how I could bring him in, still remain mostly canon compliant with BBC Merlin, and build off some of my favorite parts of the lore. (Mandatory disclaimer: for BBC Merlin, I don’t headcanon Mordred as Arthur’s son. But for the mythology, I do wholeheartedly support that canon.)
Arthur’s choice to participate and live once Camelot is gone is a decision to contrast my headcanon of how Merlin handled it. I don’t think Merlin thrived. I think he stayed busy, and tried to remain hopeful, but I think he was anxiously consumed with the anticipation of wondering when Arthur would come back. In this au, Arthur may or may not know that Merlin is supposed to come back (I’m still working on that detail), but he’s always been around others. I think he would seek camaraderie, and companionship, and that he would connect with others but only to a superficial level. I don’t think he’d exist in a void of loneliness. Plus, he doesn’t have the guilt of knowing he failed because the pressure from the prophecy is very one sided *coughcough*causemerlinnevertoldhim*coughcough*
Anyways, that’s enough rambling from me about this. I’ll probably share some snippets of writing next because there are some fantastic scenes coming together in the draft so stay tuned! ;D
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ok here goes i guess. full disclaimer ghost is the only band i have a shirt of so uh yeah i think their music is ok. also your post reminded me they have a new ep i havent listened to yet so ive been playing that all day.
the chronology is kind of split up by album so ill go by that
Opus Eponymous (good fucking metal album):
So ghost started out as a concept band of over-the-top tongue-in-cheek anonymous satan worshippers. That has since changed for a couple reasons I'll get into. Anonymity was a big thing for the first few albums, every song was credited as written by a "nameless ghoul" and they all wore masks and the frontman wore corpse paint and i think some facial prosthetics so you couldnt tell who anyone was. Of course some people had guesses (and they turned out to be right lmao). The frontman was called Papa Emeritus and he wore like evil satan antipope clothes and shit. There's also this whole "Clergy" thing which is like the satanic church ghost represents - they're also a band in lore, and their goal is to gain converts by getting fans through the music.
Infestissumam (my favorite album):
Papa Emeritus 1 was an old man and one day he died. I think. Or he retired or something. So to release the new album, we got Papa Emeritus 2, who was Papa 1's younger brother (still like in his 40s or 50s or so). It was still obviously the same guy behind the makeup but who cares its lore baby. I think they actually summoned satan? There's a reading of the first two albums as concepts of a group doing evil magic devil summoning and then a world where the antichrist is actually walking around doing stuff. Anyway I don't remember Papa 2 doing much.
Meliora (their best album but not my favorite. ):
Papa 2 got taken out behind the shed or something i wasnt really into the lore at this point. Being into Ghost and being into the lore is two very different things, you really gotta be paying attention to be in on the lore. Papa Emeritus 3 debuts with this album, which also marks the band's beginning of their shift towards a more poppy sound (the is Ghost metal? debate has been waged for years by the worst metal fans in the world [on both sides] and all i have to say is if you need music to fall into a definition of your preferred genre in order to like it you don't like music, you like putting things in boxes and sounding smart). Papa 3 was the youngest brother, and he was big into the limelight and rockstar image in a way his more serious older brothers were not. This was also a height of their popularity anecdotally (i swear i heard square hammer on the radio once). Papa 3 was a slut, he was absolutely the one to fuck with socks on. Which is funny, cause I had never heard that bit about him fucking with socks on but I do know a guy in real life who fucked with socks on. Crazy.
Prequelle (came out right before covid lmao their weakest album though imo):
Papa 3 was abducted by goons right at the end of their big tour. oh no what happened? They started putting out "Message from the Clergy" videos on their youtube (might still be there) which introduced our boy Cardinal Copia (not a member of the family) who was a mousy little clergyman, and Papa 0 who was like the head of the church (and a few nuns i forget their names). Also in one of those videos all 3 former Papas were killed (they were alive? huh). Prequelle is also where the lawsuit happened which, uh, was a big fucking mess to put it lightly. Band members of the previous three albums were arguing with the frontman about pay (which was an issue cause like i said before, all the songs were credited to an anonymous ghoul), and like limb bizkit says its all about the he said she said bullshit. anyway they had to break the anonymity to go to court, so people learned that the frontman was actually Tobias Forge (formerly of Subvision). This was the prevailing theory by the way not the hugest surprise. I'm not going to get into details of the trial (cause i forget really) but im sure you can find it on the fuckin sweden legal database or whatever. Anyway, the band did kind of break up over this - some of the original longtime members left and Forge continued with the name Ghost and a rotating group of musicians.
Impera (impera is good but when i listened to it i was also having kind of a major depressive episode so that may have affected my opinion):
This is where I largely fell out of the Ghost lore loop. I hear Copia got promoted to Papa 4 which is good for him, nice kid. He's in like his 40s too i think.
They're kinda like the Four Kings cause a new one comes in when the old one dies and if you don't do enough damage there's actually 5 of them. and their music sucks
THE FOUR KINGS REF 😭😭😭
ghost WISH they could have a cultural impact as profound as dark souls 1’s four kings battle and boss theme
thank you for the proper run down i was fighting for my life trying to piece everything together from the shreds i could find (i refuse to watch a 40 minute youtube video sorry i’m stubborn). it literally reminded me of when i first played bb and was like ‘what the fuck happened’, went researching and ended up even more confused.
also you’re so real for your comment on forcing music into really specific categories. why can’t people just enjoy something without arguing over stupid shit like that………… rock? metal? nah, they’re just cringe. embrace it and be free.
question to leave bc i’m a souls bro
who would win in a fight: copia or patches dark soul?????
discuss
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