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#Ciel name theory
midnight-in-town · 7 months
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Let's talk about the "Fenian brotherhood" theory !! :D
Firstly, in case you don't know about it, please go read the theory that our!Ciel's birth name might be Fenian/Fionn/Finnian by @azuresins. It is incredibly relevant to what I'm about to explain next !
TBH, I don't really care about discovering our!Ciel's birth name. However, I truly enjoy this theory and I think it makes a lot of sense, because I absolutely agree with the idea of Vincent supporting (secretly or not) Irish independence, turning him into a political enemy of Queen Victoria...
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...which could be very much why he ended up dead.
This theory comes from a private convo with my friend, @dorkshadows and I'll sum up their thoughts (and some of mine) below the cut !
First of all, while we think Claudia, Vincent's predecessor, may have been a personal enemy of Victoria because of whatever happened when Albert died in 1861, Vincent strikes us more as a political enemy precisely because of Brown's comment in ch108.
After all, if our!Ciel, who just managed to thwart their plans of getting the sulin gas, is "more like his father everyday", then it makes sense that Vincent "got in the way" of some of Victoria & JB's war/political plans too. >_>
Now, about the Fenian Cycle book: it was an important symbol for Irish independence and the Fenian Brotherhood that started in the 19th century before it got dissolved in 1880. To quote Wikipedia:
"The Fenian Brotherhood traced their origins back to 1790s, in the rebellion, seeking an end to British rule in Ireland initially for self-government and then the establishment of an Irish Republic. The rebellion was suppressed, but the principles of the United Irishmen were to have a powerful influence on the course of Irish history."
But how would Vincent even get involved with it and why?
In the theory that OC's name is Fenian/Finnian, @azuresins mentioned that maybe it's all related to Cedric K. Ros having Celtic origins. Since we do have one sketch by Yana of one twin bringing the Fenian Cycle book to the Undertaker (the most likely candidate for Cedric K. Ros)...
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...it might indeed be a partial answer.
There is another possibility though, entirely thought by @dorkshadows, which is that Rachel (and Ann) might have been of Irish origins too.
After all, a common stereotype for Irish people in many stories is red hair and it's hard to forget that it was a very distinctive characteristic of Ann, Rachel's sister !
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In fact, one of their first interactions is Vincent telling Ann to be proud of that hair, which we were told she inherited from her dad, the twins' maternal grandfather.
So Vincent might have not just been talking about Ann's hair color in that scene, but more specifically about her taking more pride in her Irish origins. Obviously though, Dalles/Durless aren't very Irish names, but it is possible that their original family name got anglicized into a more traditionally English name.
In any case, Vincent met Rachel and Ann after already knowing their father :
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So it's possible that Vincent was, as the Watchdog, investigating Lord Durless as a nobleman with Irish lineage and possible ally of the Fenian Brotherhood. After all, to quote this article, "the Fenians in England and the British Empire were a major threat to political stability". Then Vincent met and fell in love with Rachel, thus deciding to support the Brotherhood instead.
I'd add that Vincent supporting such a cause simply makes sense, considering that the Phantomhive family, too, might have been burdened by the Watchdog's duty generations ago, because of their "different" lineage (full theory here). On top of that, if you add the possibility that Cedric/UT also was of Celtic origins (many decades or centuries ago) and that Vincent knew Claudia's death was Victoria's fault, it only makes sense that he'd eventually politically antagonize the Queen (both for his parents' sake and for Rachel's).
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@dorkshadows also pointed out that, to this day, we don't know if the twins' maternal grandfather is alive or dead in canon : he was important enough to be mentioned in Red's flashback but has been missing from the narrative ever since. Timeline-wise, he could be dead, especially since we never saw him in the Blue Memory arc (our!Ciel's flasback), but we never know with Yana (look at Claudia being hinted in panels ever since the circus arc and probably being incredibly relevant), so it's worth keeping in mind.
Then, moving on to ch132 we know that, when the twins were born, Rachel is the one who named them.
Coincidentally (read: it's probably not a coincidence xD), ch132 had the cover with Vincent reading the Fenian Cycle book to the twins and it's also the chapter in which Vicar Rathbone casually says that one twin/both twins (it's deliberately ambiguous in Japanese) have a name that is "rare for England" :
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Many fans, myself included, thought that "Ciel" was the name being discussed there, but maybe they were actually talking about our!Ciel's celtic birth name ! To quote @azuresins, in that case that'd basically mean that, in that scene above, "Vincent said to an ENGLISH PRIEST [...] that people of Celtic origin deserved freedom, and to be treated better and that it probably was soon to come".
No wonder that Vicar Rathbone would immediately change the topic lmao ! xD
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Vicar Rathbone be like
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It is also very meaningful that Rachel decided to give the "Fionn/Fenian/Finnian" name to our!Ciel ("the spare"), as if to emphasize that he was free to make his own path in life, as the second son, unburdened by earldom. Choosing such a meaningful name might even be a parallel to Vincent's own situation with Frances as his spare, since both also have names with a meaning relating to victory and freedom.
Another important detail, as @azuresins already explained here, is that Fenian Cycle is also a tale of revenge and that our!Ciel parallels Fionn big deal, making it all even more relevant. And maybe Yana left other hints in her artworks too...
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Finally, historically the Fenian Brotherhood officially got dissolved around 1880 (the twins were 5 years old), but it's always possible that, in Kuroverse, Vincent managed to make it thrive secretly as the Watchdog. The Fenian Brotherhood caused several incidents, including after 1880 (they assassinated a British Chief Secretary in 1882), so it wouldn't be impossible that the Queen eventually found out that Vincent didn't properly take care of them, because he was supporting them.
And when she found out? Well, she branded Vincent a political enemy and we know the rest (the household was massacred in 1885 and the killer most likely received help from real!Ciel, more details in the real!Ciel mastermind theory hehe).
The idea that Vincent ultimately became a political enemy of Victoria because he fell in love with Rachel makes their death...
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...even more emotional to me, since Rachel probably died trying to protect Vincent. T_T
TL;DR that's the Fenian Brotherhood theory: because they supported an Irish rebellious group that wanted freedom, Vincent & Rachel were branded political enemies of Victoria and she & JB plotted their deaths, which led in happenstance to the RCMT.
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(friendly reminder that the twins are 7, when Vincent asked Dee to look after them should he die)
I hope it was clear ! Thanks for reading. :))
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azuresins · 6 months
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I want to reiterate part of the reason why I also think Our!Ciel's birth-name possibly being "Finnian" is a good choice for the narrative, is because it's a name he would have put in the effort to make sure that he couldn't take back for himself. By giving it to someone else. And thus he can continue to be Ciel Phantomhive. If his mother chose this namesake in part because it represents freedom, then he's free to chose the path he wants to take. It's his right to give the name to someone else, his right to choose the path he's on, even if it's dark... It's still his choice. If he ends up doing something incredible that happens to benefit some in his pursuit for his revenge, that's an added bonus but not necessary... I think that's quite powerful. In addition, the Reaper world chooses to put birth-names of the dead on their records... their policies do not account for names someone has taken up for identity reasons (demonstrated by Agni). That doesn't make it right, though. Someones birth name doesn't mean it's their 'real' name... a point that seems to come up often, in this story for multiple characters. There's some misinformation now and then, about the origin of a 'deadname' that I see circulate once in a while. A deadname isn't called that because the name is "dead to the person" ... it's called that because queer people knew when they died and were buried, their "deadname" would be on their grave. Hence why some people say 'birthname,' instead.
If Finnian-the-gardener dies... and he truly doesn't HAVE a birthname he'll be "Test Subject Zwölf," on the Reaper's books. That lives rent free in my head, constantly... I don't think our!Ciel would be too happy about it... I don't think Finnian would be happy about it... and I don't think that's what would be on his gravestone if our!Ciel gets a say in it. This reaper-policy plainly adds to the element of how impersonal, bureaucratic, and cold the process of someone dying and being collected actually is, in Kuro's universe by these Death Gods. Its all being run as a corporation. Reapers accept their orders and do as they're told and adhere to the policies, or else. Is it any wonder that after a while, one of them just... snaps? Like Undertaker, like Grelle?
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l0uterstella · 23 days
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emember. remember how blue paint represented blood in aozora. and theres that effect again when ciel's talking to the twins.
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fallenrayvens · 9 months
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I think demon Sebastian will somehow act like dog Sebastian did in the end of the series. I don’t know how exactly. I don’t have anything particularly in mind, but I do think he will show us he’s more than just a hungry beast doing his part of the contract.
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bihastuff · 1 year
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Everytime I see a TikTok about Phantomhive twins people ask in the comments about the name of our ciel and a lot of people respond that his name is Sirius but THAT'S NOT HIS NAME
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hwaightme · 4 months
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Impressionism
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(masterlist) (taglist)
🩸 pairing: vampire!gallerist/collector!seonghwa x art historian!gn!reader 🩸 genre: fluff, noir, soulmates, supernatural, strangers(?) to lovers, art nerding 🩸 summary: a post-graduate student specialising in impressionism, you were a regular visitor to the many art galleries in the city. who knew that among the paintings you would encounter your favourite, timeless work of art? 🩸 wordcount: 12.3k 🩸 warnings/tags: questionable editing, mention of blood, fangs, wounds, suggestive, many pet names (love, darling etc), art theory/history ponderings, time skips, mention of rituals, philosophy, hwa is centuries-old, yearning hwa 🩸 taglist: at the bottom of the fic 🩸 a/n: happy birthday to @starrysvn!! lheo, ilysm, and i hope you enjoy this little rambling <3 hugs to everyone, all reblogs, notes and comments appreciated! 🩸 playlist: nfwmb - hozier, who is she? - i monster, keep on loving you - cas, la vie en rose - edith piaf, a l'ombre de nous - pierre barouh, les feuilles mortes / sous le ciel de paris - yves montand, moon over bourbon street / until - sting
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‘Love and Pain’ - an enigmatic masterpiece that was painted by Edvard Munch, the famous Norwegian artist, in 1895. In vibrant oil paints a dramatic scene interpreted by millions as something more sensual, darker, revealing was immortalised. Perhaps quite literally. You leaned back on one hand, feeling the coolness of the bench located in the middle of the gallery hall, careful to not let the notebook in your hands slip from your lap. ‘Vampire’ - first, it was a label for the woman with the alluring, long red locks that was leaning over her supposed lover, then it turned into a second name for the work. It was comical how Munch himself had initially stated the piece depicted nothing more than a woman kissing the neck of a man, and yet, the tale had told itself. What followed were six versions of this same subject, with a woodcut titled “Vampyr II”, followed by paintings titled ‘Vampire’ and ‘Vampire in the Forest’, and then through common acceptance that this indeed was the ‘submission of a man to the bite of a vampire’, if you were to paraphrase a critic who had been in an astoundingly similar position as you, except without the decades upon decades of other material to refer to. They had been the firstcomers, the initial perceivers to set the tone for society’s consumption of the artwork, the louder of the many voices in the artwork who often had the final say. In some senses, they were your long lost colleagues - they were there to create history, and you were there to study it.
While it was not exactly a part of the movement you had decided to specialise in, you nonetheless would never reject the opportunity to learn more about the stunning world of visual arts, trying to guess how the artist had felt in the moment, what did they see beyond what they presented to the world, how did they translate the heart into brushstrokes. You were taken by all forms of art since you were little - having grown up surrounded by items that were far removed from what you called your air, you were intrigued by anything that was external to your version of ordinary. In your case, it just so happened to be the little private gallery that you had spent almost all of your monthly allowance to visit when you were a school kid - you had been so dedicated, in fact, that the elderly guard who had often also acted as a guide to the visitors had become your first friend in the art world, something of a grandparent figure, and on multiple occasions - when the lack of eyes would allow, simply let you through with a grin and glance out of the entrance doors.
And so here you were, many years later, many hard decisions and conversations behind you, regarding artworks with an unprecedented soulful closeness that you had initially thought was unattainable. Had you believed all those who remained outside of the walls of your personal paradise, you would have been immersed in the same cycle that had been drilled into the majority of your family members, except maybe a handful who you had never met for the exact reason that they had chosen something for themselves. But you regarded your dream as the thorned path - undoubtedly more challenging, not immediately fruitful, but in the long run leading to the heaven of your design. What more could you ask for?
It was enjoyable to be alone with the paintings surrounding you, portals to new realms that any visitor could have the pleasure of exploring. And what was even more inspiring, was that in the eye of every beholder was a different universe, and no matter who one would speak to, their version of the painting would be different, even if just slightly. You huffed, amused. When was the last time you had visited a gallery with anyone else? You could not quite recall - it was likely that you had never seeked company from another because you were more than satisfied with the company of the legendary works that were regarding you from the many walls. It was possible to compose oneself, spend limitless time on every piece, study the details, and drift into one’s own musings when there was no one to ground them. This was when you dared to say you got your best work done. Even though you, of course, conducted research within university and ventured out to galleries, museums, collectors or auctions only within professional bounds, the bulk of the thinking process was carried out in times such as this. When it was just you, your notebook and pen, and a new point of focus. However, this time, you could not say you were fully attentive to the painting that you had decided to focus on, as a certain someone was appearing to share your level of interest in ‘Love and Pain’ too. 
A gentleman who could not be much older or younger than you, at most a couple of years, stood off to the right of the bench, unmoving, gaze fixated on the painting. Dressed in a pinstripe navy suit, light blue dress shirt, lacquered dress shoes and a matching navy tie, he was nothing short of being a moving work of art. Hints of a glimmer from his thin framed, elegant silver spectacles gave the man a scholarly aura, while the slicked back dark hair - evidently a lot longer than the styling would suggest, added notes of business, entrepreneurship, perhaps leadership. Nothing was out of place, not a crease, not an exposed thread in sight. Needless to say, your curiosity had been sparked.
Much like you found joy in exploring creations in the realm of the visual arts, you were fond of crafting stories about the people who were strangers in passing. You could not help it; perhaps this affinity for creative internal ramblings had come as a package with studying the degree you had selected, or perhaps this was a naturally occurring guilty pleasure that you simply had not had the chance to entertain before you cut yourself off from expectations and predetermined patterns of thought. But now, you had the full pleasure of wondering, letting your mind travel to lands far away as you took the real life masterpiece in, and pondered why the man could be here, what he could be thinking as he studied Munch’s work, and what resonated with him, and only him. 
There was a melancholia with the weight of centuries resting upon his shoulders, that much you could decipher in the stranger’s stance. Even then, there was a gentle burning flame within his heart judging by just how dedicated he was to inspecting the artwork. Like he was seeing an old friend for the first time in years, and was attempting to memorise them anew and recognise each change, bit by bit. You suppressed a chuckle, entertaining the possibility of this man finding a kinship with the painting, but chose to set the idea aside for the time being, instead focusing on sketching his emotional landscape. Was the stranger remorseful? Lonely? Perplexed? You could not quite pinpoint the answer, at least not before you noticed the man’s head starting to turn, and soon enough, his eyes were peering into your own.
They were two pools of deep chocolate, an all-consuming shade that, due to the ever so slightly dimmer lights than in the general halls of the gallery, appeared to be approaching a captivating onyx. The gaze that originated from behind the glasses, and glided across the room that was suddenly too small for two struck you, and you could feel heat starting to rise on your face, blush threatening to reveal the effect of the man’s spontaneous act of confidence. Lowering your head, you gave the stranger a sheepish grin, and pretended to make a random note, pen erratically scribbling over a filled page. He continued to regard you with that same unwavering expression, and only when you looked up again did he seem to catch himself and give you a closed-mouth smile, equally as bashful as yours, and crossed his arms. One step, another, and he was right by the painting, though careful to not obstruct your view - instead, he took his time to read the brief paragraph on the information plaque that had been stuck to the wall off to the side of ‘Love and Pain’. With the same familiarity that is common among those grieving, or in a state of existential sorrow. A bittersweetness prevailed in his aura, one that reminded you of autumn - the falling leaves in red and gold, twirling to join a magnificent carpet, but nonetheless, making a departure, albeit a nearly unnoticeable one. Had he seen many fallen leaves? Was he himself approaching the season? You gasped, but even though the sound was barely audible, you caught the stranger making a minuscule turn in response. 
His footsteps were louder than your thoughts, his departure an irrevocably impactful act that left you breathless. You did not know him, and yet you felt as though you had gotten a glimpse at multiple lifetimes, and were part of a moment that was greater than yourself. In the wordless exchange, question after question had found its root, and something told you that you should not dare attempt to craft him a backstory, and choosing to believe in anything but what would be declared by him would be a gross misinterpretation, much like one that was carried out by those who did not wish to reflect on art and look beyond a first impression. For the first time since you had made your initial discovery of the arts, you felt like you were not alone in the gallery, the other visitor’s presence remained so intense that he could be sat right next to you, scrutinising the same painting, entertaining the same thought. Was the woman with the bright tresses indeed what she had been declared to be over the many years she had been introduced to many venues, many variations of public, and finally finding a home on this wall? Did she settle with her lover, or perhaps a carefully selected victim? Would the man have an answer?
______ ׂׂૢ་༘࿐ ⋆ . It was unlike you to retrace your steps a mere few days after a visit and return to the same gallery, amble down the same halls, and seek for a new source of investigative inspiration among the same selection. This obviously did not mean that you would never return, definitely not, that would be almost criminal of you to possess such intentions, but you tended to try to cleanse your palate with alternative movements, contemporary takes and avant garde interpretations between searches which were more directly related to your studies. And yet, for the first time in a while, nothing was stopping you from your return. It felt only natural, and so right. Moreover, you felt no unease when you headed straight towards the section that housed the impressionists. An individual with an unspoken, mysterious mission, you were on the hunt for the creative streak, something that would help you ponder the next section of your hefty dissertation, and you could sense that it had to be somewhere here. And, like always, you were right.
‘Bazille’s Studio’, one of the most famous works painted by the so-called ‘tragic artist’ of the impressionists, Frédéric Bazille in 1870. In fact, it had been a collaboration between him and Édouard Manet, another gifted artist, though more renowned as a figure leading modernism, and depicted a scene of discussion and creative collaboration in the studio that Bazille had shared for a certain period of time with other spectacular figures of the visual arts, Claude Monet, Pierre-Auguste Renoir, who could also be found in this painting. On the walls were works rejected by the Salon, which at the time had been the one of the most influential, famous art exhibitions in the Western World, administered by the Académie des Beaux-Arts in Paris. Interestingly, above the piano on the right hung a painting which Bazille had purchased from Monet, potentially hinting at the material ties between them, and the importance the young artist had because of his familial wealth. In a sense, Bazille expressed his support, as well as showed an intimate, platonic scene of the art world where there was a moment of calm, of mutual appreciation, despite the financial troubles and tensions due to character that had been experienced in those walls.
You stepped closer to the painting, trying to detect the transition from Bazille’s to Manet’s hand, the latter of whom painted in the former to take ‘centre stage’, palette in hand. Truly seamless work, though what else could it be? This painting had been a new addition to the permanent collection, and after strenuous, detailed restoration work to give the oil paints their original vibrancy and for impeccable strokes to forget the burden of time, you had the pleasure of seeing it in person. You were an arm’s length away from yet another work essential to history, culture and the arts as a societal colossus.
While it was easy enough to appreciate the technical detail, you found yourself halting to remember the names of all those depicted in the painting, failing to finalise the list in your head. Starting from Bazille, you had determined for yourself the presence of Monet and Manet in his vicinity quickly enough, however where Renoir was, or what were the names of the two other gentlemen in the scene, slipped your mind. You rocked to the side to lean closer to the plaque that was meant to provide you with the information, however you only found the name of the painting, the artist and the medium, much to your misfortune. Clicking your tongue, you returned to studying the faces of each individual, and furrowed your brows in agitated concentration. It was simple to take out your phone and search for the answer, though you knew that just as neutral that action would be, so would be your reaction unless you were to remember, or somebody were to-
A presence to your side caught you off-guard, and you felt a shiver run up your spine. One glance was enough to determine that it was the same man from yesterday, only the outfit revealing a change. Other than that, he had the same impeccable posture and stance, as well as a thoughtful look towards the painting in front of you both. His arms were crossed, though not in a defensive manner; instead they offered an interpretation of philosophy, as though this man was carrying centuries of wisdom with him, history having pummelled down on him and yet needing to support it like Atlas; the titan carrying the world.
Today, he was dressed in a mahogany coloured suit, with a white top underneath and some black boots with thick white rubber soles - quite the transition from last time, when he had been a manifestation of a sleek and pristine office gentleman. Hair, now let down and wavy, neatly framed his face, accentuating the regalness of his features. It was astounding how you were still sure that it would be more likely to find a man of this fashion in a painting, rather than standing beside you. You kept quiet, not wanting to interfere with his musings. Perhaps it was just a silly coincidence that the two of you were at the same place and at the same time again - how else? You did not know him, and you hoped that he did not know you. Though, you truly did not mind his company, and maybe it could serve as your motivation to figure out the rest of the characters in the painting. Once again, your attention returned to the task at hand, but before you could even begin to list off prominent figures of the art world during the era of Impressionism, a deep, honey-like whisper halted you and made you hold your breath. 
“Auguste Renoir is the one seated, Emile Zola, the writer, is on the stairs, Monet, Manet and Bazille are, as you likely know in the centre, and that,” he paused to raise his hand, gesturing in the general direction of the far right of the piece, “is Edmond Maitre. Pianist, art collector, and Bazille’s closest friend.”
“I- uh- thank you. How did you know I was trying to recall? Pardon me, I must look so clueless-” you trailed off, eyes finding the floor, an action which seemed to be your automatic response to being under inspection of the man, though this time, he captured your gaze quickly by stepping closer towards you. Looking up, you found concern and apology in his eyes.
“No! Not at all, I… sorry if I misunderstood and I am sorry for forcing you into such erroneous conclusions,” he gave you an ever so slightly crooked smile, charming, very disarming and so suiting this beautiful stranger, that you were instantly prompted by your instincts to return it, dismissing doubt. 
“You saved me,” you joked, though the phrase contained within itself an unlikely compassion. Two people, alone in the same gallery, sharing a precious dialogue was something to cherish, and with all your might you wanted to make it last.
“Just as you made me regard the painting in a new light, for which I thank you, greatly,” he bowed his head, the smile not leaving his face for a moment. There was a recognition in his gaze, as well as an inexplicable admiration. What did he discover?
“I guess it might be true that no matter how many times you see a painting, every viewing brings something new,”
“Well said. Are you an artist? A critic, perhaps?” He inquired, moving closer to stand level with you, head turned slightly in your direction to spare the occasional glance. You shook your head slowly, wondering if in a retelling of your destiny you could have pursued either of the careers he had mentioned.
“I am in the arts, though rather than looking at the present I remain in the past. Art historian, well, a postgraduate. Nothing too fancy.”
“Oh? But that is marvellous, and what are you focusing on?”
“I like to call it the painting in plenair during the turn of the century. I focus mainly on impressionism, though do sometimes stray into its interplay with post-impressionism, modernism and expressionism.”
“Ah, no wonder I have been seeing you here often. Enjoying the new collection?” he asked, eager to hear your opinion. There was excitement in his voice as though you were a renowned expert and were about to bestow upon him a priceless evaluation. And this was without considering the technicality of you having only half-met. Just crossing paths twice in one week.
"Yes, of course… The collection is unlike any other I have seen. I keep wanting to return and stay here for ages." You explained, glancing at the stranger while he nodded along.
"Incredibly happy to hear it. I swear I have seen you around quite often during the past month that the exhibition has been open? Am I correct?" evidently, your rapid blinking was interpreted rather quickly as perplexion, for the man gasped ever so lightly, as if to catch his own speeding thoughts.
“I- how do you know? I do believe this is our… second time meeting?” you uttered, one eyebrow raised in suspicion, which, to your disbelief, revealed something akin to fear in the beautiful stranger’s features. Nervously, he adjusted a strand of hair that was threatening to cover his right eye.
“Not quite… you were present at the opening event, right?” he quizzed.
“Indeed, my depar- wait. But how? Respectfully, I am starting to think you know me.” you enunciated with newfound caution, while the man pursed his lips. One second, another passed in near total silence, until a chuckle escaped him and he shook his head. It appeared as though he was mentally scolding himself - his eyes held no malice, instead glinting with hope, that melancholic wisdom, and something unidentifiable, ethereal, supernatural.
“I think it is high time I introduce myself before this gets out of hand. See, in some sense I work here, and most of my days are spent in the gallery or labouring for it-”
“Ah, I see-”
“Park Seonghwa, a pleasure to make your acquaintance,” with one arm folded behind his back and the other on his chest, he bowed to you like how you imagined princes in the numerous portraits you had studied would bow. And the most enthralling part was how the gesture flowed, and was so befitting. Quickly, you bowed in return, but while raising your head, you froze. It hit you why he would know. And know a lot. And would remember you, and likely anyone and everyone who visited. In a low whisper, you asked:
“Am I… correct in assuming that you are ‘the’ Park Seonghwa?” quickly enough, you realised that it was a mistake to find his eyes again - clearly, you were not ready for the intensity, nor for the intrigue that was contained within them, nor for the fact that he moved another step closer to you, the rubber of his boots dampening any sound produced.
“I never knew that there was a ‘the’ attached to my name. I simply love art.”
“Well that love translated into the creation of what is possibly the greatest gallery in the nation, if not worldwide,”
“Oh you flatter me too much, ah, your name-”
“L/N Y/N, and I, too, love art.”
“Elated to hear it,” he gleamed, and you swore the room exploded with the illumination of a thousand stars.
Stunning, awe-inspiring, ever so elegant. He was a walking dream. In that smile was concealed a certain something that had been taboo, a well-kept secret until a couple of decades ago, when those like Seonghwa had started to be fully integrated into society, and no longer had to hide, changing identity from one century to another. With that came Seonghwa’s success - you had read in an article that advertised the permanent exhibition a short blurb of his story, and how for many turbulent decades, the man single-handedly collected masterpieces, crafted a meticulous network and introduced genius artists to the world, and the world to the artists. The gallery was a magnum opus for Seonghwa - a presentation of what he had achieved as a collector, as a patron of the arts, and a celebration of his personal culture. 
You could not help but hone in on the fangs, and recall the original reason why it was even possible for Seonghwa to obtain such legendary works and have as much influence as he presently did. It was not spontaneous; submerged in turmoil, he had personally approached artists who, previously abandoned by critics and other prospective buyers, had never considered a future beyond a mysterious tomorrow. Hiding his own true nature, he crafted the tale of a ‘Park’ dynasty, and rose again and again to continue his work. Perhaps, now, some might argue that once he had revealed himself as a vampire the velocity of Seonghwa’s developments had fallen, but you would passionately argue the opposite. It was challenging to believe that any move by this stunning artistic mastermind was not strategic - the announcement had given the gallery more partnerships, more donations, and in turn, an even greater prominence in the community both among professionals and enjoyers. 
“Thank you,” the phrase spilled from your lips inadvertently. It seemed to be the only thing that was reasonable to say in that given moment. You pondered the pains that must have been suffered to make the world that you were consumed by come together, and the painting in front of you, aside from what was contained within the frame,now shined in a new light externally too, possessing its own story, resembling a search for a kindred spirit, a true home. 
Seonghwa remained quiet, the words of gratitude echoing in his heart. It was endearing, encouraging to hear such warmth from you. So, you did know him, at least the parts he had shown to the public - as was expected from someone so deeply ingrained in visual arts and history, but he could not help but identify it as something much greater than mere awareness. The openness with which you had welcomed conversation with him, the kind charm that radiated from you as you engaged in the careful verbal waltz reminded the vampire of times long, long ago when all that existed for him was drive, enamourment and art. Oh, how your eyes glimmered. His heart clenched into near unbearable agony as he read your expressions, and wondered how much you have seen, what have you yet to see, who you were in this temporary life. If only he could ask fate to tell him how much you remembered of who you had been before. 
“No, thank you, for giving this,” he gestured to the gallery around him, graceful hand unfurling as though revealing a delicate flower, “meaning, and reason to exist.”
“I highly doubt I am of much significance, Mister Park,” you responded, a soft smile on your face.
“Would anything hold the same meaning if there was no one to behold it?” he responded. You chose not to answer, catching onto the rhetoricism, “and please, call me Seonghwa. I’d like to say we are to be good friends.”
______ ׂׂૢ་༘࿐ ⋆ .
Sitting across from Seonghwa in the cafe that was located on the top floor, above the main halls of the gallery made you feel strangely serene. Today he had foregone the straighter hair styles that you had begun to get used to, surprising you with a head of tousled, almost curled locks that embodied the world’s softness, though remained to be quite the contrast to the more formal and highly fashionable attire that adorned his stature. A suit, tastefully oversized with a buttoned double breasted jacket that was simultaneously serving as a shirt, the plunging v-shaped neckline revealing perfectly smooth skin, and what you noted to be a solitary freckle right in the centre of his collarbone. The trousers, at least from the glimpse that you had allowed yourself when you had met at the entrance to the cafe were of a loose fit, defining his waist at the top and falling to form an almost skirt-like silhouette should he stand how he usually stood: the echoes of what would be called the ‘third position’ in ballet, more relaxed, but still retaining an elegance that only he could carry. The biggest shock to you, however, was Seonghwa’s choice of shoes - a refreshing point to the visual, he had selected to contrast the formalwear with a pair of limited edition, geometrically intriguing Converses. You could catch a glimpse of one of them from over the edge of the table whenever his slightly shaking leg, positioned over the other, would rock forwards just that tiny bit stronger. 
While the setting was meant to be casual, the circumstances in which you found yourself were nothing short of miraculous. Never in a million years would you have imagined for it to be possible to be sat across the table from, quite possibly, one of the most legendary contributors to art restoration, collection and exhibition. On top of that, Seonghwa was a figure who actively bridged the gap between disparate communities, finding a common language, and using the arts as a salvation. You were in awe, and could not hold back on regarding the handsome vampire as he quietly reported your and his orders to the waiter who had floated to your table.
“Are you sure you do not want anything else?”
“Yes, I am sure. I do not wish to exploit your kindness-”
“-Not at all. I hope you do not mind that I… must make a rather unconventional order,” he smiled sheepishly, clearing his throat so as to attempt to hide his doubts, though you were uncertain as to how much of such emotions could possibly be left after what had to have been centuries. 
“An unconventional order is pouring a sugary energy drink into a triple shot espresso and calling it dinner,” you answered, eyes travelling from Seonghwa’s face to the mural on the wall a few tables away that wrapped behind him and to your left, disrupted only by the occasional floor length window that provided city vistas - rather gloomy, compared to the optimistic illumination of the restaurant. Perhaps out of pity, or out of genuine entertainment, Seonghwa chuckled.
“That does sound like an acquired taste, indeed. Thank you,”
“No need. Thank you for inviting me,” you turned back, nodding a polite bow as he softly waved your gesture off.
A silence settled across the table as you waited for your respective drinks. Your hand, had you not consciously restrained yourself, would have probably reached for the phone that you stored in your purse, but now was fiddling with the sleeve of your shirt, finding the buttons to stress test the threads that had them sewn tight to the fabric. You were not bored, in fact, far from it. You needed a barrier. The grandeur of this man’s presence was almost overwhelming. He was not a mere individual in a room, he consumed it. Had you just walked in, you were certain that your gaze would still settle on his form. Just like the concrete outside was grey, and the pause retained a divine ambiguity, Seonghwa was unforgettable. In an attempt to calm your clouded thoughts, you studied the mural once more.
“May I inquire into your thoughts on the decor?”
“The choice of ‘A Sunday on La Grande Jatte’ is wise. I am guessing you were the one to make the decision?” you heard an exhale, and once more your attention was captured.
“Alas, I cannot take full accolades for this. This stemmed from a discussion that a good friend of mine and I had one late night. Seurat just so happened to make an appearance amidst the chatter, and so… this was born,” he gestured at the surroundings. Clearly, the interior was picked carefully to fit the theme of the legendary painting. 
From the colours to the textures and the greenery that had been intricately set up across the restaurant, every detail had a meaning and a place, and did not take away from the spaciousness of the hall. It was breathable, while still giving the illusion that you were stepping into a whimsical impressionist paradise. Perhaps that was another reason why you could not quite contain your disbelief firstly in your encounter, secondly in its progression, and thirdly in your interlocutor’s warmth. 
“Spectacular, truly. I have heard you have an eye for detail, however this surpasses all expectations.”
“Oh? There is more you have heard?” he interjected, leaning closer to you and placing an elbow on the table, simply to rest his head on his hand. While this could potentially be seen as slightly unceremonious, it hinted at well-kept confidence, ownership, control. A healthy undercurrent of motivation that came with indirect praise.
“I-oh y-yeah of course,” you did not mean to stutter, but some part of you was grateful you did, for the smirk that had threatened to burst on Seonghwa’s lips was enough for you to feel ignited to elaborate, “if my memory is not failing me, you were the one to distinguish a reproduction of a piece some time ago, no?”
“Ah- yes. That was a Degas reproduction. I must say, the attempt was sincere, however when I saw the-, hm, you will not be startled, will you?”
“Please,” you urged him to continue, intrigued by the story. 
“When I saw the original, as it was being made and when it had been finalised, it would be shameful of me to not spot a fake,” he fell back into his chair, just in time for the drinks to be served. 
A coffee for you, and a non-descript beverage concealed by a semi-opaque, tall glass for him. Though, you did not need to be a detective to guess what it was that Seonghwa was bringing to his lips, and what he took a tentative sip of. The only mystery that was remaining for you was what ‘type’ he had picked - was it O+? B-? Whatever else? You joined him in the tasting, lifting the mug and indulging in the wonderful aroma of your americano. It did not strike you as necessary to opt for something fancier and lie to yourself - so you settled for your regular order, much to your joy. Familiar taste and the reliability of the caffeine hitting your system painted the scene in more comforting colours, and gradually, you found yourself easing into the dialogue more and more, until life stories, musings and a surprisingly large common ground came pouring. 
You discovered that Seonghwa possessed a unique sensitivity and attunement to those around him. Focused on the emotional experiences, he felt through time and could recount emotions like the memory was from a mere few days, rather than decades ago. He was well-spoken, eloquent, intelligent, polite in every right as he navigated through the linguistic landscape and guided you like a partner in a dance. You were spiralling oh so quickly, intrigue catching up to you and prompting you to sacrifice all of your senses to the man and the pleasantly intoxicating atmosphere he captured you in. He was enchanting, and it was far too easy to give in. 
“May I reveal something?” in a hushed tone, he inquired, a finger absent-mindedly tracing the rim of his glass. 
“Oh, a little secret?” you raised your eyebrows in jest, lightening the initial seriousness with which Seonghwa uttered the question.
“Perhaps, perhaps not. Depends on how you take it. A confession might be more accurate,” he waited for you to take the final sip of your coffee before continuing, unphased by your unwavering focus, “if I were to be honest, I have been meaning to approach you.”
“Pardon?”
“As you know we have a… common awareness of each other thanks to what is housed under this roof, but ever since we first unknowingly crossed paths… I wanted to speak to you.”
Confused, you did not speak, though the words contained an unparalleled affection within them. What could he possibly mean? You chose to refrain from commenting, your hesitation prompting the vampire to continue.
“Do you remember the most recent opening night? Of the exhibition? I believe you were with someone…” he trailed off, hoping you would continue for him.
“Ah, yes, a friend of mine from university. So?”
“This might sound strange but, I distinctly remember you mentioning a name. An artist from the same era, dubbed as L/N Y/N?”
“Goodness, you overheard that? I am so sorry, it is just that said artist has intrigued me for some time, and I was half-hoping to encounter their work. Maybe it is because our names are the same but still….”
“Elusive, aren’t they?”
“To put it softly, yes. I only vaguely recall seeing… maybe one piece in my lifetime, when I was little, and then… nothing. And there is barely any information on the artist online, let alone libraries and archives.”
“Hm, indeed. I guess that makes two of us…”
“Two of us who are searching?”
“That’s right. It brought me happiness to know that I am not alone in this endeavour.”
“Then we can keep searching together.”
While you were positive that you could not conceal your interest, Seonghwa’s did not go unnoticed either. It was of course possible that he was simply well-versed in political correctness, but the burning depth of his pupils told you otherwise. Enthrallment, the discovery of a kindred spirit, recognition, the rekindling of a bond that had existed at some point long ago - all fantasies that played out in your mind as you returned that look with subtle fervour. You wondered how many people he graced with those charms. How many had succumbed to his influence, becoming a marker on his infinite life path, a fleeting second? How many had his lips known, how many had turned into a decadent treat for a genius man with natural peculiarities? While the researcher part of you was perplexed and aching for answers, the you that was caught in the moment simply let it go on, and the feeling of Seonghwa’s leg brushing against yours, and the pride blooming in your chest as he praised the few articles and papers you had published upon having claimed that he ‘knew some things about you too’ preoccupied you in the most magnificent way.
Naturally, you agreed to meet Seonghwa again. On your journey home, in the privacy of the anonymous metro, immersed in the cacophony of deafening rails and the millions travelling to anywhere, you pressed your phone to your racing heart as the vampire, the man, the beguiling Park Seonghwa sent you a message confirming so. Who knew a simple selection of words could be so captivating?
______ ׂׂૢ་༘࿐ ⋆ .
Under the comforting thrum of raindrops on the large umbrella, you walked down the streets of the grey-coloured city, your hand lightly holding onto Seonghwa’s arm while he ensured that both of you were protected from the elements. Despite the dull light and bitterness of the cooling season, Seonghwa appeared radiant, truly timeless with every gesture and stride. The elegant angles of his face that you could tirelessly study stood out against the monotone buildings and overcast skies. His voice drowned out the sound of droplets racing one another to the ground. A miraculous gentleman who appeared in your life much like a portrait, or a landscape - a masterpiece you wanted to explore in every spare moment, and better yet, this masterpiece was equally as open to you as you were to him. 
“...essentially, yes. It is like another nationality. A marker of species isn’t too far isn’t it? Just another line on a stack of documents. Nothing more,” Seonghwa concluded his explanation, pursing his lips for a moment before letting an exhale turned dragon’s breath escape into the afternoon.
“Makes sense. So would that mean there are separate medical papers and treatment too?”
“Well… when regeneration fails us or when a given case is severe enough… yes. Though it is handled by private clinics run by other vampires.”
“There are private clinics?”
“Of course. Often they are connected to donation points too, and that is how we remain on the right side of the law and stay alive,” he nodded to himself, giving you a bittersweet smile when he noticed confusion overtake your gaze. “Blood,” he stated as-a-matter-of-factly, “I mean blood.”
In a nervous stupor, you cleared your throat and focused on a droplet that was hanging onto the edge of the umbrella, right in front of you, all the way until the gentle motion of Seonghwa’s amble provoked its abrupt descent onto the stone under your feet. 
“Ah, yes, I see-”
“If you find this disturbing, we can forget the conversation ever-”
“-I want to know you better, Seonghwa, truly-”
“Careful-”
“Sorry wha-” 
With an extraordinary swiftness, you were tugged abruptly by the arm. Not registering your surroundings, you merely went with the inertia, caught off-guard by the proximity of your face to the vampire’s as he held you against him with the arm that you had previously been resting your own on. A hand that you raised on instinct went limp and landed on Seonghwa’s chest, feeling the thick felted wool of his coat. The ringing of a bell, going farther away from you by the second, incessant but at least waking you up from the blur, was enough for you to put two and two together - a cyclist who thought they owned every part of the street, like always. You sighed.
“Reckless… my apologies I did not mean to-” Seonghwa tried to detangle himself, refusing to remain in your personal space for longer than necessary no matter how much he did want to, but his efforts were reduced to nothing when your hand moved to a hold on his upper arm - reassuring, comfortable, accepting.
“Thank you,” you interrupted, “that bike would have definitely run into me…”
“It’s nothing,” a low chuckle echoed in your ears as Seonghwa peered into your pupils, confidence that had previously wavered out of habitual caution now restored, growing into a pride as you continued to hold onto him, “the man was slow enough for there to be no risk of harm. I hope you are not too startled though.”
“Oh? You have super powers too? Do elaborate,” you jested, resuming your walk.
“I would call it more like… being a finely tuned machine. Can’t say I have bad reaction speed. Though I must say, it was a little challenging pulling you out of the way,” there was an evident intent behind the words. However, you were too curious to pay it any mind, instead preferring to find out their meaning live.
“How so?”
“I think this,” dropping his arm, Seonghwa’s hand reached for yours, and without a moment of hesitation, his fingers were intertwining with yours, his palm pressed against yours, “would be better. You know, for safety.” As if you could ever reject him. This was a fact you had established for yourself with an unprecedented certainty. His gallant disposition, attentiveness all confirmed a care for you that was impossible to ignore. 
There was something picturesque about the present after meeting this wonderful, infinite pool of art and humanity. You found yourself leafing through articles, art books and biographies with a more wistful and sentimental perspective, imagining what it would be like if it were you who was immortalised in the thousands of brushstrokes, or if you were on the other side of the canvas, how would you go about depicting the scenes unfolding before your very eyes. Timelessness - a quality shared between the art you so adored, and the man you had encountered and over the weeks, let your intrigue be transformed into a shy flame of infatuation. Perhaps it was the underlying reason why you did not reject his advances, nor cower in fear of his true nature with which he was upfront. The other, of course, was the search for the mysterious artist, an adventure that fuelled many of your dialogues, and prompted you to spend more time in the library and the archives of your university than you had ever done before - to the point where Seonghwa himself had encouraged you to take a break from your intellectual expeditions and step into the world as a casual observer. So, you let yourself drift; it finally hit you, what scenes your once again tranquil stroll reminded you of, and you smiled to yourself as you recalled the intricacies of the not quite commonly discussed representation of the Impressionist movement. 
‘Rue de Paris, temps de pluie’, painted by Gustave Caillebotte; his most famous work. Not quite as widely discussed, despite still technically being created in the Impressionist era, perhaps due to the meandering through form, realism and reliance on stronger lines rather than broad brushstrokes and the study of light. You did find it fascinating how Caillebotte’s passion for photography had seeped into this piece, however. Much like how, in recent days, you could easily find a way to mention Seonghwa in conversation, be it related to the arts or not. From the subjects in the foreground being slightly out of focus while the middle ground was crystal clear, to how the shapes of some passersby were cropped were all characteristic of photos, rather than paintings, making this particular work all the more dear to you. It was a reflection of life, of behaviour and of what had been daily back in the late nineteenth century.
Was it any different from now, aside from those grand, global topics that historians dedicated their lives to studying? If one were to whittle down to the intricacies, the miniatures that ornamented the span of a human existence, was it so terribly far away from what you were born into, and Seonghwa saw develop and had adopted? How people shielded themselves from the rain with umbrellas, and then used them as a tool to isolate themselves from other urbanites who were in a rush to take a day-long route out of their homes… and back again. The latest silhouettes of dress and accessory; the same rush to be with the times as now.
You felt your companion’s arm move, prompting you to let go and leave your hand hovering as though you were awaiting some kind of change. You bit back an unprecedented sliver of disappointment, only to be caught by surprise once again as you felt the hand settle on the small of your back. Cautious, like you were going to melt from any more pressure than the brush of a feather. A quick glance was enough to determine that you were being studied intently for any sign of discomfort - Seonghwa was ready to pull away at any moment, any sigh, and most definitely at any word. A meek smile settled on your lips, and you shyly used an oncoming stranger as an opportunity to affirm the gesture, stepping towards the vampire, and sensing the confidence of his protective measure be solidified. With glee he followed your every tilt and turn, angling away from the passing form that neither of you could focus on. The touch was electric, somehow monumental despite being so common and barely present. Your mind was on fire, pondering what it would be like to put your head on the elegant man’s shoulder, and let yourself be carried away into a terrific fairy tale.
“This really is a rainy day,”
“Seems quite sunny to me,” you respond with sarcasm, realising only after the fact that your phrase still did retain an element of truth within it. 
Sunshine did not have to be literal. It was easy to see, you just needed to return Seonghwa’s gaze, and watch as another spring flower blossomed in the soul of one you had initially assumed to be so cold, so distant. In the darkest winter was a safe haven that you could not help but lean into, and regardless of what you had initially thought, with him, you felt more human, more safe and alive than ever. He listened without fail to your ramblings, and could easily pick up the ball and balance it with his own musings that you could listen to for many lifetimes.
Lifetimes; immortality, the one concept you couldn’t quite wrap your head around. Well, the latter was technically not true, as Seonghwa had elaborated some few days ago: vampires did age, albeit at such a slow pace that to the run of the mill human being, it was impossible to notice, and if they did, it would be someone very close, and only over a matter of decades. Maybe it was this exact inability that made you want to stay and learn all there could be about the gallerist - you thought that would make you feel like you have been living forever. His wisdom was beautiful. The kindness with which he treated you, akin to that of how a spouse treats their long-time sweetheart with a mellow and comfortable affection, was not something you asked for nor expected, but something which he introduced himself with through every action, progressively more amiable when you allowed him to advance.
“Mm, no wonder I can’t quite look at you,” he mused out loud, dramatically looking off into the distance. You raised an eyebrow, curious about what was going to come after his theatrical pause, “your brightness is unparalleled,” Seonghwa chuckled, satisfied with your sigh and the way in which you pretended to be annoyed, only to dissolve in a mute giggle. “So, I do suggest we get out of the rain for a moment and stop by that book shop over there, shall we?”
Following his hand, you spotted an antique bookshop a few doors down, marked by an iron sign and ornate shop window decorations that glistened with each hit of the dancing droplets. A warm golden light emanated from the inside, the hue comparable to a summer’s day. An odd feeling of deja vu washed over you, as though you had been in this store before, even though this was quite the distance away from your home, not on any of your usual commutes and in a part of town you barely visited aside from the occasional brisk walk. It had been established over a century ago, sporting a historical plaque and detailing original to the era the date on the sign suggested. Suppressing your internal monologue, you simply nodded, fond of Seonghwa’s excitement as he pushed lightly against your back and walked on ahead. If you were any more of a romantic, you would have assumed that the shop was a representation of his heart, but you couldn’t allow yourself to think that way, at least not when you felt heat rise to your cheeks as he whispered your name, openly planning what you could look for amidst the rare editions together. You and him turned into a ‘we’ so naturally, you barely had time to blink. A new brushstroke on a canvas, brave, bold and bright. Impressionist.
______ ׂׂૢ་༘࿐ ⋆ .
The hypnotising improvisation on a semi-acoustic guitar, followed by a launch back into the theme of a well-known jazz song had you tapping on the counter, unknowingly following every drum beat. The bar turned cosy music venue that Seonghwa had invited you out to was proving to be every bit a wonder of the world, and paradise inside of the otherwise gloomy city which had been plagued with miserable weather and lack of daylight for atrociously long. The classy establishment was a well known favourite among the vampires residing in the city, especially those aligned with a more bohemian and art-focused lifestyle. Critics, painters, collectors, musicians, poets alike all gathered to share ideas and energy, and reminisce days long gone, while the band - one that had not changed since the bar’s establishment, revived legendary pieces one after another. 
With ease, Seonghwa had ordered your favourite drink, having memorised it after your many outings that had smoothly transitioned into dates and shared nights. He remembered every detail about you, holding each one tenderness. Your lover gazed at you as he ended a conversation with a fellow collector who had recently come to town for a few days, stretching out his hand until it just touched yours, guiding it to lie flat on the counter. Seonghwa’s palm, still retaining a pleasant coolness despite him having had a couple of drinks of his own, was another reassurance that in the buzz of the venue, you still had your person by your side. Feeling his digits tap and then proceed to brush the back of your hand, you hummed in contentment, and let your eyes travel over the beautiful vampire, who leaned back, tempting you just for fun, knowing full well that you were wholly his, and even when you turned to look elsewhere, it was his face you saw in the crowd, it was his voice that rang in your ears, it was his touch that ghosted over your skin. 
The bustier from Alexander McQueen, the gorgeous flowy shirt with ruffles and cuts so tastefully sewn and executed, the statement necklace that was worthy of being displayed at a gallery and must be the envy of many, the high heeled boots that were concealed by elegant trousers - Seonghwa was your favourite work of art, and you could never deny it. Each one of his gestures was worthy of marvel, and the care with which he approached everything - even the tending to the items which he painstakingly selected and matched for tonight made your heart skip a beat. It was boggling how each garment and accessory was either an original, or a one of a kind piece. But at the same time, you did not expect anything less of Seonghwa.
He must be impossible to depict in paintings, you concluded, shamelessly staring at your lover’s face, from the shape of his nose, to the plushness of his lips, to the waviness of his night-like inky locks. You bet many had tried, but judging by the lacking evidence in the art world, they must have failed, miserably, to create something more immortal and invincible than the model and muse. You understood them, and Seonghwa gave no signs of being perturbed. 
“So, was that the intent behind our spontaneous trip to this bar tonight?” you gestured at your surroundings, taking another sip from your ornate glass. A sharp exhale accompanied a contrasting soft answer:
“Not at all,I had the business sorted a couple of days ago, and tonight was a lucky crossing of paths to secure the deal,” cryptic as ever, Seonghwa only alluded to the matter at hand.
The matter, or how he had referred to it as ‘business’ was a particular artwork that he had been hunting, by the elusive artist you had been investigating, first in your lonesome, and then joining forces with Seonghwa. Apparently, one of the pieces, by some stroke of unimaginable luck, had been kept safe in the private collection of a ‘Mister Kim’, at least that was how he had been initially introduced to you. Until you put two and two together, and when the very well dressed and styled character had entered the bar and made a beeline towards your partner in artistic musings and romance, recognised the man as a world-famous designer and fashion icon, Kim Hongjoong. And of course, another vampire and kind soul in one. 
Their conversation had happened outside of your earshot; whether it was on purpose or just so happened to unfold that way was for your ruminations to determine, but you did overhear enough to figure out that this was a portrait, a never seen work, and was completed by the artist who as it had turned out had been closer with Seonghwa than you had initially thought. 
“Seems to be very important, and not just in a ‘collector’ sense…” you trailed off, watching as the ice in your drink cracked, “is this why you were interested, you know, back then?”
“If I were to be honest, darling, I was, and still am, a lot more interested in you. The artist was something of an excuse to get a conversation going. And I do hope,” Seonghwa turned and sauntered towards you, “this conversation does not end.” 
Even though you were sitting on one of the bar stools, the heels and stance still left him some room to look downwards, and his sultry expression, orbs glinting at you through dark lashes left you transfixed. In moments such as this, you hated to be mortal. There were so many things that you could not possibly know, and no matter how hard you would try to comprehend the vastness of the angelic man’s mind, you would always remain theoretical, and accept the grand majority of intricacies as axiom.
“I hope so too,” your voice barely rose above a whisper as his gloved hand landed on your neck, gliding upwards to caress your jawline.
“I’m so glad I found you,” his thoughts were elsewhere, you were sure of it, and yet, his gaze remained unwavering, “my eternal love”. Lips stained with bittersweet worship, the words stumbled from them to strike you repeatedly in the heart, forcing it to lose its rhythm. He was regarding you like he had stumbled upon a priceless treasure, a divinity, a paradise. Something far from you and from this planet, but by Seonghwa’s careful selection, etched in your features.
Were you the embodiment of something greater for him? You would not consider yourself to be a model example of a human being, neither were you a pretty statue to display in an exhibition. You were you, but Seonghwa kept on convincing you that it was exactly this that had captivated him and showed him a new beginning. Did you wish to believe that? Of course. But a vampire who was hundreds of years old could keep a grand variety of secrets beyond your understanding, even if he were to exclaim them right in front of you and sketch them out. His eternal love - your version of eternity, or his? A life the duration of a butterfly’s abstract dance to the heavens.
“Love?” he called out to you, eyebrows knitted in concern due to your prolonged silence. You had set your drink down, and were staring at the shine of the glossy chrome silver and pearl on Seonghwa’s necklace. “Talk to me, say anything.”
“I- hm. I think I am just tired. Yeah, that must be it. Tired so I am overthinking, no worries. I’ll just be right here and-”
“I’m sorry.”
“For what?” you tilted your head, noting how Seonghwa immediately straightened out, and instead of attempting to tower over you stepped over to the side to set a protective hand over yours.
“This is a majority vampire bar, full of unfamiliar individuals, this whole deal with the artwork is up in the air and-”
“First of all, I don’t care. Second, you are here with me. And third, I want to trust in the fact that you would not do anything foolish nor harmful. Am I right in my evaluation?” you uttered, still not quite able to look into Seonghwa’s infinite pools of brilliant sienna and dark brown.
“I- I am honoured, but that still does not detract from the fact that we can go get some air and come back. Shall we?”
“You don’t have to-”
“I want to. Hell, need to. Let us have a quick wander?”
“...I’d like that.”
In no time, the winter air hit your cheeks and you were wrapping yourself as tightly as you could in your oversized coat. In your ears the pleasant sound of the vampire’s heels rang out, echoed by the stunning road onto which you were spat out by the heavy black front door of the bar. Warm-toned streetlights liberally decorated the sidewalks and painted the night in honey, gold and copper accents. Reflections of an artificial summer in the puddles and winter chill. Downright magical. Seonghwa seeked out your hand, holding it tight and guiding it into the pocket of his own coat, smirking when you raised an eyebrow. 
“What?”
“Nothing at all.”
You were certain that you were walking through a landscape painting, every element captured by your vision falling into its rightful place, harmonising with the rest. The mumbling and music was long gone, only to be replaced by conversation of other late city explorers and the occasional rumbling of a car lazily rolling past. 
“Pissarro.”
“Hm?” Seonghwa kept looking ahead, but squeezed your hand to ask for you to continue.
“Boulevard Montmartre at Night. Painted in 1897, no?” you pointed at the surroundings with a tilt of the chin.
“Ah, indeed! Your perceptiveness never ceases to amaze me.”
“Well, thanks to you I got to see the original, so how could I not make the visual analogy?” you nudged his shoulder, earning a chuckle.
The painting was the only example of a landscape at night from the artist Camille Pissarro, making it all the more special despite it being part of a series of 14 views of the same location. Snow, rain, fog, morning, varying seasons, but only one glimmering night. It was one of the works that Seonghwa had managed to provide for your studies, resulting in a more than impressive academic outcome. Like Pissarro kept on painting the vista, your lover kept on giving, never asking for anything more than for you to share your hours with him, something you did not need to be prompted to do anyways.
“...I’m sorry I cannot reveal more than I do, at least not just yet,” he apologised, as though what he was committing was the greatest crime known to humanity and the supernatural.
As you looked up at the starry night sky, you swore you had heard these words before, uttered by the same voice, the same fingers interlocked with yours. A stabbing sensation in your cranium made you gasp, but you regained your composure quickly enough to not make it a priority for either of you. At the same time, Seonghwa’s expression altered to a semblance of… hope? Longing? You could not pinpoint it, but one of the many glowing dots above you clearly landed in his shining orbs, and he eagerly waited.
Waited for longer than you could realise in your present state.
On their own accord, your lips moved, forcing out a subconscious acknowledgement, previously suppressed. You swore the phrase belonged to another being, but it was as refreshing as the breeze tousling Seonghwa’s locks.
“I know. I can wait too.”
“Soon, my love.”
“I-I know.”
“I miss you.”
“I-” vision growing hazy, you reached to the vampire for support, which he readily provided, “I- too.”
One blink - oil paints decorated your hands, and those alluring eyes were staring back at you from a canvas. Another blink - Seonghwa was repeating your name, pressing his cheek against yours as he shielded you from falling into darkness with his strong arms.
______ ׂׂૢ་༘࿐ ⋆ .
Your office was inviting and offered a secure haven: a collection of neutral and wooden tones, with dashes of greenery to relax the eyes. From a potted ivy plant settled on the top of a large wall-length shelving unit to an indoor palm tree enjoying the rays in its designated corner, the room was a miniature paradise. You ran your hands over the thick birch desk, cautiously avoiding the stack of documents you had arranged for yourself to go through this day. Artwork restoration reports, contracts, exhibition plans for years to come… everything you thought you would never see, and yet it was right here in your palms.
Time moved slower, or at least that was how you began to perceive it now that it was in abundance. A fountain that did not cease to bestow gifts upon you - again, something you would have never imagined prior to the curious series of events that were your previous life unfolding the way they did. One fateful meeting, and you were a changed person, staring into the horizon and labelling it as a continuation rather than as a termination of all you could achieve. The world was your oyster, and loving dedication was the price. But when the price was so sweet, and so easy, who were you to say no? If you had to pick a concern, it would be the bandages and binding on your right arm; friction from the sleeve of the turtleneck and blazer you had worn today applying uncomfortable pressure to the delicate wound concealed within. 
You stood up from the leatherbound office chair, adjusting your clothes and stepping to the window behind you to look out at the garden belonging to the gallery - a recent expansion. Grand, regal, and as the papers had emphasised, now returned to its rightful owner. You wondered just how much of the city had belonged to vampires at least for a portion of time, and you had no doubt that you would be making more discoveries soon, but for the time being, you were happy with the re-acquisition, or as Seonghwa had called it: your ‘turning’ gift. A particularly strong shift of the arm made you wince, and your other hand shot to nurse your sore arm.
“I’m so sorry darling, does it still hurt?” Unbeknownst to you, Seonghwa had slipped into the office, and immediately rushed towards you, concern painting his beautiful face through furrowed brows and a tiny scowl.
“N-no, barely. The sweater is silly-”
“Let’s not disregard ailments, shall we?” your partner gingerly lifted your arm, and after gaining permission through a few lethargic nods, pushed the sleeve upwards to reveal the bandages, “I- really, we need to apply the ointment again, that must be it-”
“Seonghwa-”
“Work can wait, I just need to-”
“My love-” Seonghwa paused his ramblings to stare back at you, puzzled, “it’s okay. Don’t worry about it. Literally just a bite, isn’t it?” you smiled, the action instantly being mirrored, albeit with a tinge of remaining worry.
“Mm, perhaps I am overreacting, I can’t help it,” your thoughts were numbed by the silken touch of his lips on the back of your hand, wool against cotton as he pulled you into an embrace, “it should heal well once you get used to your new form, I am sure of it,” his tresses tickled your nose, but you ignored it, instead letting your head fall against him.
You stood almost completely still aside from the rocking side to side that was habitual for you both. A lulling motion, one that either of you revealed only to each other. A secret reserved for intimate, loving moments such as this. You shook your head in amusement and buried your nose in Seonghwa’s sweater, inhaling the aroma of his sweet perfume, recalling ‘Love and Pain’ - the painting that had marked the tightening of the invisible string tying you together. Or was it? Coincidentally, on the wall behind your lover was the real inception of your union, one that you had forgotten from one lifetime to the next. A portrait. The one that Seonghwa had been chasing, and what had been his decades-long mission came to an end.
Signed with your own hand, were initials of your name and the year of completion of the painting. None other than the beloved collector and muse, Park Seonghwa, who had posed for you, or rather a version of you, and ever since then, you were the only one on his mind. You had been the master both of the arts and of his fate.
“Please, I am embarrassed…” your partner mumbled, settling for futile attempts to position you in such a way that you would be looking out at the garden, but to no avail. Poking him playfully at the side, you induce a halt, and question him:
“What is there to be embarrassed about? That’s you. Painted by me.”
“Exactly. And you have it in your office, of all places.”
“Well I can’t exactly have you, in the flesh, on display all the time and I would like a work of art around here-”
“Shh-”
“Don’t shush me, Park. Be grateful I don’t keep the sketches out too.”
In all honesty, He would not mind if you did. You could do anything, and the vampire would adore and honour it. Whether it was in your blood or in his nature, he had never regretted almost losing himself in your favour. In your last life, he had gone against all rules set up by vampires, playing against what he swore was the devil in order to have the sliver of a chance to start again and, this time not lose you. Had his plan not succeeded, it was highly probable that he would have been erased from this planet too. But he would rather call himself a masochist than be law-abiding when it came to you.
“Next, you’ll be threatening me with a showcase of just my face-”
“What if I do?” you quipped, pulling back to boop his nose with yours, “I think it would look very pretty. Besides, now that I remember my apparent mastery of the visual arts, can’t I be a tiny bit proud, hm?”
“I would be terribly disappointed if you weren’t. Now, may I put that ointment on you?”
As if you could refuse those sparkling eyes. Promptly following him to the loveseat, which unfortunately for Seonghwa was situated right under the portrait, you sat down and waited. Your partner rushed to the medical cupboard - another new addition installed exclusively to support you as you were getting used to the vampiric nuances in your day to day. With well-practised motions, the required kit was in his hands, and in a blink, set down on the plush cushioning of the miniature sofa. You held back a chuckle as you saw the pout you so loved appear as he focused on unwinding the bandage with utmost care. Before you could feel any hurt, Seonghwa would already let go, or alter the angle at which he was tugging on the material. As soon as the plaster was peeled, you were met with the reason for your eternity and reawakening.
Two deep punctures, still a little irritated, not quite healed, but nevertheless a marking of your future and something you regarded with fondness. Wounds did not hurt when they were merely physical, especially not when you had someone who had bound their immortality to yours to tend to them. Seonghwa bit his lower lip, discontented with the ache as though he could feel it too, and took numerous pauses while cleaning up the wound to glance at you. 
“I’ll be applying the ointment now, tell me if it stings, okay?”
“Okay,” you knew it wouldn’t. You had never heard a man be so adamant on checking ingredients at an apothecary before following Seonghwa after your first appointment as a vampire. But just to appease him, you followed this small spoken routine. 
“You know… I was scared,” his voice was barely audible, and he could not look at you.
“What were you scared of?”
“Losing you again.”
“Well, I am here, aren’t I?”
Even before you were aware of Seonghwa, let alone the truth behind the portrait, all the roads still led to the same resolution. The arts, art history. Virtually synonymous, for without creation, there would not be the past, and without the study of the past, there would not be the celebration and respect of creation. Finally, you understood the beauty of evolution that Seonghwa had undergone all while remaining the same vulnerable yet legendary figure, dedicated to his vision of the arts, having recollected your own. 
“So many things could have gone wrong,” Seonghwa’s mind was reeling from the sheer terror of possibility. He had taken advantage of his high social standing as an aristocrat and pulled rank to avoid waiting for any ritual guides to step in - it was not the first time, but still only the second. And both cases were related to you. 
The first time might have been a foolish decision in retrospect, but considering the dire circumstances the extreme solution was the only one. With one foot crossing to the afterlife he was combatting the reapers, and was not going to let go of you even if it meant being pulled in. This time, when you had approached him a number of nights ago with your final agreement to his tentative proposal and kissed his ruminations away, he was ready. Years of study were not going to waste, after all. And yet when he studied the same irises as those from a time long gone, when he held the same hands, his blood ran even colder. What a gambling man he had been back then. The procedure to regift life to you had been risky, and Seonghwa, having never practised those elements of the dark arts bestowed upon his kind, had been taking shot after shot in the dark. How dare he play with your being like that? How dare he hold your existence on a sinful scale?
“But they didn’t.”
No they did not. Your confidence in him had aided considerably, he had to admit. The positioning of his fangs was perfect, and he had memorised all incantations down to the inflections. Second time a charm, but much more anxiety-inducing. Turning was not the same as revival, either. He could not stop himself from imagining the many scenarios of where he would have gone wrong, and cemented your identity only as a name on manuscripts, dissertation, paintings and reports. 
“Even the ritual, what if you did not remember-”
“I would love you just the same. Whether I had all my memories or not. That much I can assure you of. That is why I trusted you in the first place, Seonghwa.”
You did not need to be a mind reader to know what he was thinking. All you could do was suggest a brighter palette, and be by his side no matter what colour scheme he were to decide on. It was an artist’s duty to know when to set the tools aside and consider a painting finished. The luxury of a collector was to live through many paintings, unify the souls contained in each and sustain a chronology of expression. The keepers, the scholars, made to observe change rather than induce it directly. This was why you were all the more grateful for Seonghwa daring to change your mortal fate not once but twice, risking himself and his image in your favour.
When your partner was satisfied with his medical care, he hummed to notify you and began to clear up, at least until you placed a weak hand on his leather-clad thigh to gain his full attention. He searched for a hint in your features, eyes darting across your face at lightning speed. Relief came when you grinned brightly, whispering sincere gratitude.
Impressionism - the movement and path made by legends. A rejection of traditional practice, a new vision and interpretation of the outside world in the hues of the soul. Light, reality, immediate action. A breath that reset the arts, magnificent and radical for the time, and now, much adored. From its conception to its establishment, you were there to witness and fall in love, and now could look back at the beauty that had bloomed. His irises, your favourite colour. The speckles of various shades, your favourite details. You stared into Seonghwa’s eyes and did not dare blink. Your favourite impression.
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darkspellmaster · 3 months
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Can we talk about these two images! Hand offerings.
So in the recent Kuroshitsuji/Black Butler Chapter, there was an interesting image of both Doll and O!Ciel holding out their hands to Snake.
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What's interesting to me is the choice of hands being held out and why they're important.
In the image, because of the way we're looking at it it seems like Ciel is offering his left hand and Doll her right.
The Right hand meaning = a place of honor and status, the favored hand of god, as well as the rational, conscious and logical, as well as aggressive and anxious, and connected to the idea of benevolent white magic.
The Left hand meaning = the hand of judgement, weakness, decay, death. Connected to intuition and also dark magic.
Thus one would think, oh it's implying that taking Ciel's hand means he was shaking the wrong hand.
But this would be WRONG!
We're looking at it from Snake's POV. So in reality...
Ciel is holding out his RIGHT HAND, while Doll is holding out the LEFT HAND.
We see this again with Doll in another shot from Chapter 208 a bit later in Snake's memory.
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In both cases Doll is holding out the left hand to Snake, indicating that the offering is a less then ideal one. As we see, Snake witnesses them taking the kids, but he doesn't say a thing or question it, and it's the same later on during the Circus arc.
O!Ciel on the other hand gave him his right hand, showing trust and that he was being honest even though he was lying. What he told Snake was what he wanted to do, let them go, let the Circus people leave, because in the end even he knew they were victims. He could have easily had Sebastian kill them all there at the circus.
But he didn't, his goal was Kelvin. So he gave Snake a story to give him hope (as he said "say a lie enough and it becomes real (or the truth)").
It's interesting to note that even though the circus crew was friendly with Snake, getting him a costume, and other things, we've seen that he still was an outsider. He was kept in his own tent, away from the others. He was still being put on display, even though it was in a circus, it's still being put on display.
OCiel and the servants on the other hand, made him part of their group. He went with them, they all road in the same cart. On the Campania Ciel even told him he doesn't care what others think of who he associates with.
We also see in the naming of Snake by Joker that it's so very different than Ciel giving Finny his name.
For Snake, Joker just calls him what he looks like. Dagger even asks why, and Joker says he's bad at naming. Jumbo gives better consideration to naming the snakes than Joker did in naming Snake.
O!Ciel on the other hand takes the time to consider a name for Finny, and gives him not only the name of his favorite hero, from his favorite book, one that holds a lot of significance to him both now and in the past, but (if you hold to the theory that O!Ciel's real name is Finnian) then he's giving Finny his NAME. He's sharing a huge part of himself with Finny.
(You can also point out that Ciel doesn't call Mey-Rin Owl, he only calls her by her real name, showing that he respects her as her own individual person.)
To me that image, I think, is showing readers that there's more connections and a deeper bond with O!Ciel and the Phantomhive Servants, with Snake than he had with the circus, even though he thinks there is a strong bond there.
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goetiae · 5 months
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I believe Ciel is meant to die.
As much as I enjoy theories and headcanons that dwell on the possibility of him joining Sebastian in the afterlife, I do believe that the canon tragedy of Ciel Phantomhive is that he is not meant to survive; he is virtually already dead. He has bought himself time with the soul of his brother, and there will be a moment this time comes down to an end.
I find it interesting that currently Ciel, who is inevitably moving towards his fated end, is opposed to his brother - someone whose very existence is not meant to be: Undertaker is desperately trying to keep him alive despite Ciel's brother and Ciel himself being already dead, even if for one of them it is delayed. In a way, they both belong to Sebastian, but only one of them is food worth savoring.
Some part of this makes me think of the predatorial nature of Sebastian's care for Ciel. This boy who has built himself out of nothing, created a name for himself, and has established his reign - this boy is finally a priority for someone, and this someone craves to consume him.
Ciel is Sebastian's first and only choice, and this, being a personal delicacy of a demon, is exactly why Ciel is granted the chance to have a life he always wanted, life of the favored heir.
Alas, it is also the reason why Ciel is not meant to survive: he is Sebastian's, and the demon prefers him too strongly.
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delusinaldreamer19 · 25 days
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Sebaciel vs. Dadbastian, an analytical essay (not really)
Oh boy am I excited and terrified to start this discussion.
I’m just going to say right off the bat that I am absolutely biased towards one interpretation of Sebastian and Ciel’s relationship over the other, that being Dadbastian. However, my goal is not to criticize, but to analyze and point out the differences and, yes, correlations between the two versions of their relationship.
I’m going to start off by making a disgustingly blatant assumption about the reason why I believe both of these pairings exist in the form of a theory...Both the idea of Sebaciel and Dadbastian are coping mechanisms taken on by fans of the series to grapple with how dark the character’s canonical relationship truly is.
Now, I can’t speak for how much this really applies to Sebaciel shippers, as I am not one. But it certainly applies to me as someone who enjoys the idea of Dadbastian.
Let's start with the correlations that support this theory. Both of these concepts are versions of Sebastian and Ciel’s relationship that is more positive than it actually is. The plot of black Butler revolves around the fact that Ciel sold his soul to the demon he named Sebastian, and that upon their contract's completion Sebastian will kill Ciel and consume his soul as compensation. It’s a relationship that is predatory, manipulative, and just simply toxic for a plethora of reasons. While the manga is still ongoing so we have no definitive way of knowing exactly how their story will end, I don’t think it's controversial to say that it's very unlikely to have a happy ending.
Even so, black butler is a comfort series for many, including myself. But how is that possible?
By looking at the series as a whole and the characters through different lenses. A pro and con of black butler is that it���s very easy to interpret in many different ways, and the same applies to the relationship between Sebastian and Ciel.
I’d say there's 2 to 3 main ways that people have interpreted their relationship. In no particular order… - As it is in the series, where it’s strictly based on business and mutual benefit. They work together so that Ciel can get his revenge and Sebastian gets his soul. - Them being friends / frenemies - A ship, where they have romantic feelings for each other. (I’m not going to be discussing how people ship them for sexual reasons, as that's a topic for a different day.) - And Parental, where Sebastian serves as a father/mother (no I'm not specifying which) figure towards Ciel. I'm focusing on the latter two, obviously.
There’s one commonality between these two interpretations; Sebastian caring about Ciel (and vice-versa, but you'll see in a moment why that's not as relevant). There is loving nature to both, but romantic and parental love are not the same thing. So why, baseline, do both these versions exist?
My thought is that they both remove the main cause of distress in their canon relationship. Which is, you guessed it, Sebastian. More specifically his feelings/intentions towards Ciel. By creating scenarios where something changes his intentions of ultimately killing Ciel, it creates the illusion that there's a possibility that the series could have a happier outcome in the end, and a happy ending for Ciel.
Which brings in a new idea. Ciel, being the main character that we follow, despite having his own complex character, serves as the…how should I put this…automatic ‘self-insert’ for people. He goes through/has gone through trauma & struggles that people can relate to and see themselves in. That's why there is a strong desire to see him have a positive outcome through these two different relationships with Sebastian, because as a reader/viewer it will feel like we ourselves are experiencing that positive outcome.
See? Coping mechanism : )
Now here's where things get tricky…Discussing the differences between these two types of relationships. Ok, I could probably find a way to say this that's long and fancy, but I’m just going to be super straight forward. This is as an absolute read, I apologize :’) People ship Sebaciel because they want someone to love them, where they picture themselves as Ciel with Sebastian as the one loving him romantically. People like the idea of Dadbastian because they long for a parent's affection, where they picture themselves as Ciel being cared for by Sebastian.
Now, this is definitely just a theory, and absolutely not the only reasons why people come up with and enjoy each of these interpretations. But the Dadbastian one most definitely applies to me.
Here’s where my own opinion comes into play. Only one of these relationships is really ‘positive’ in nature. Both of these relationships when applied to the canon would be problematic in their own ways, but when looking at it outside of the context of the series and its plot, a parental relationship between Sebastian and Ciel, a thirteen year old boy and an adult figure, is more healthy than a romantic relationship between a thirteen year old boy and an adult figure. Please don’t make me explain why :’)
I’m really hoping this reaches the right audience. I’m not trying to start a war or offend anyone, just share my thoughts and an outlook that I haven’t really seen from the black butler fanbase before.
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azuresins · 10 months
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You got this ask fair while back... someone seemed interested in your Irish connections and theories, but also seemed uncertain that Irish violations and their plight, would be showcased as a centrepiece when so much of Black Butler / Kuroshitsuji has paranormal fixations. I found that very odd? When so much of Indian, German, and to an extent Japanese and Anglo folklore / spirituality is also showcased in Kuroshitsuji...so I suppose my question is. When do you think we'll see it (if we see it) and what paranormal aspects pertaining to Irish Mythology do you think would fit into the story if you had to guess?
I don't think it's a matter of how Yana will weave/reference (more) Irish history and (more) Irish/Celtic Mythology into the story, or even how she's going to weave more of it, going forward. @apocalypticromantic666 , @seekers-who-are-lovers , @noirserviteur Have all found many general Celtic/Scottish/Irish connections and references in Kuro, I'm not the only person who has seen it. I'm particularly fond of this post (though the user deactivated) pointing out that the Phantomhive Graveyard has both protestant crosses (Church of England) and Celtic crosses (most likely Irish catholic) for gravestones. (here) It's not as necessary to me how much is included so long as more is included and considering the recent chapters I have no reason to think there wont be? Most of all, I wanted to point out, what already HAS been woven into it, and thematically that it makes logical sense, being the time period, and location and the repeated theme surrounding Indentured Servitude. In addition... I also believe some of the "paranormal" and "supernatural" elements connected to Irish mythology could already very much be there, even if it is/they are only referenced in name... 'hiding' in plain sight. The "Phantomhives" deal with England's "Underworld" do they not?
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Do you know about the "Tuath Dé" or the "aes sídhe"...? If you don't, I highly recommend looking into the other "cycles"... starting with the Mythological Cycle.
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(Source) It's widely believed and accepted... they are a part of a mythical race, that depending on the legend and translation, live in the Underworld and pass into it through burial grounds.
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Almost like, a nest of ghosts, if you will... hmm. Or perhaps like... a hive full of phantoms... 🤔🤔🤔
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l0uterstella · 5 months
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Cielomort's Death (Aozora no Memory Theory)
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ah shit here we go again
Full English translation, Ever Red theory (must read to understand this post)
Last updated: Dec 8 2023
Multiple things point to something happening to Ciel in the past. The lyrics, the MV itself, and his own name. This death could be (at least one of) Hallritt's mistakes in the 1st timeline.
LYRICS
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In Ever Red, fruits are what represented memories for Red Bouquet. For Blue Bouquet, it would be clouds.
Cotton clouds in the blue skies are cut out
Unwanted memories are cut out from the mind
All I want is your sky to stay blue
All I want is you to stay pure (and not remember his death)
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The members describing something "unexplainable." Louter and Willmesh could be talking about tears. Hold your (bitter) tears in and let it go. Perhaps their memories of Cielomort got erased after his death.
MV
There were a lot of imagery of doves and balloons. Balloons represent freedom, letting it fly to the sky has a sense of letting it go; setting it free. Letting Cielomort go.
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There's also a shot of one of the strawberry gems dissolving. The filter makes it hard to tell whose it is, but it's most likely Cielomort considering the other signs.
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It could also be Myunna since the filter is yellow but I have nothing to add to that. He's my son and I dont want anything happening to him
How Ciel died isn't known, but one transition shows blue paint (blood?) coming out around his collarbone or chest. Two other shots before it show him with his head below his chest, which could slightly imply beheading.
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And finally, do you know what Cielomort means in French?
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Here, your heart seems lonely Here, if you feel like crying Softly weep and let them flow to the sky I'll turn them to the blue sky
I went with the blowing wind Even if that cloud never returns I want to believe in the future Just as we met
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mysebacielblog · 2 months
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Ciel is Trans Theory
I Need to point this out because. I have a hunch that Ciel is Trans, and fingers crossed I’m right. Honestly, I could be completely off base and this could be as close as Ancient Aliens is to History.
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This might be an overreach but here is my case for it, as best as I can:
* Based on previous events and Chapters, Yana has shown that She Likes Playing on the concept of Gender from the Very First Arc. From the Very beginning we are introduced to a woman who is Jack the Ripper, challenging the male murder stereotype on its head, and her lover, a gender ambiguous (Later Confirmed Canonically!!) Trans Reaper Lady. Both unite from their desire, and hatred for the prostitutes who beg for abortions at her clinic. There are Already wombs being ripped out of women and we’ve just started.
* The Fact that Ciel is Dressed extremely effeminately not only for the period, even for EGL clothing standards might point to something as well. But when forced to wear a dress for the sake of a mission, he loses his mind. Although it could be a tween’s worst nightmare, how Madame Red laments to Ciel when dressing him as a girl that she always wanted a daughter feels like something.
* Ciel is always referred to as beautiful, which is not wrong for the period, but there are less masculine terms that people refer to him as.
* Yana herself says that she Over Masculinizes Ciel. Which is an interesting take for his effeminate nature of dress Vs masculine personality?
* Another hot take is that Yana Specifically has instructed in certain live action and anime for the voice actor to be a woman. I’ve seen a lot of talk on this particular conversation but none highlighting this as a clue on our Ciel’s Identity??? How??
* Mey Rin is also have been hidden as a boy with her previous life as a sniper, so this also shows that this is not out of the question either. The same reveal has happened with Doll.
* Ciel does not let anyone get close to his body. This is obviously because traumatic stress behaviors, however, similar flinching could allude to a different reason entirely.
* Our Lad introduces himself as the “Earl Ciel Phantomhive” Earl almost being apart of his first name. He’s already changed his name to hide his past. But Why?
* Let’s pretend that Ciel was in fact, born a boy at birth. If his brother and parents died, even if he was considered a “Spare Child”, (remember the British Phrase an Heir and a Spare). He would still be a legitimate hier due to his brother being unable to claim inheritance (because of his death) and pass on something to him. Even if another family member became a guardian and inherited a majority to raise our ciel, he would still be entitled to Something, and (might) even become Earl. This would Not be the case if Ciel was born a girl.
* Two Cultural similarities Japanese Manga and the Victorian period have in common are the troupe of “women disguising themselves as men”. I put this in quotes because, as Ciel described it, “the old him died in his cage,” pointing to metaphorical metamorphosis, and not simply a disguise for convient’s sake. Although it was common for (transgender men, queer cis women and/or Cis women) to take on a male position / pseudonym in order to establish a title, or a job position (typically in writing, this continued until the 1960’s). Now add on the popular manga/anime that were important in playing with perceptions of gender during Black Butler’s Debut (think Ouran High school host club), and there’s something there.
* The Fact that no one mourned Ciel’s Death was unfortunate, but a critical plot point of the story. Up until now, no one even acknowledged Our Ciel had ever Existed. Not a name, not “twins” nothing. Even though our Lad was an ill child, no one had even acknowledged he was there to begin with. Women and children were rarely recognized in Victorian culture, let alone a “Woman Child”. This culture was challenged somewhat through literature in the early ‘30’s with works from Jane Austen, ‘47 with Charlotte Brontë (who went by a pseudonym) and Lewis Carol’s Alice and the Looking Glass at the end of the century. (introducing a Girl Protag!! Gracious!). As sad as it may be, no one would really mourn an terminally ill girl compared to her family’s murder, unless having accomplished something amazing. It would be seen unfortunately as a lifted burden, and ultimately one less dowery or added expense. The fact that no one even bothered to notice our Ciel’s death or even the toll it might have on his twin is evident enough.
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* The most Damning evidence I have for this theory is Lizzy’s reaction to figuring out “Ciel” was not the real “Ciel”. The immediate turn against Ciel. Why wouldn’t she even hear him out? What could have possibly turned her away like that, without a doubt in her mind, even if she had met with the Real Ciel? The fact that her reaction was not confusion but rather an extreme turn against him, she did not even think one minute to give Our Ciel a chance. And the only possible reason (combined with the fact that he was lying about not being his brother) is that if he was Not Cis. Not only would that mean that she was with the sick weaker sibling not heir to the Phantomhive legacy, but Ciel Could never conceive a family with Elizabeth, nor marry her like she would have wanted. And even if she married him, they would never be able to have children of their own (a really big obsession with British Aristocracy- modern day source: royals). All of her dreams would be shattered. And that shattering would bring her to turn instantly.
* The fact that everyone automatically assumed our ciel was real ciel, just based on saying so. Why?
* The fact that sick girls were often dressed like male counterparts to strengthen them during this era, as well as androgynous clothing for children being in fashion (because of less washing headaches and hand-me-downs)
* A smaller, minor detail is how Sebastian says “When lies become truth”. This is pointing towards both their façades but an interesting quote none the less on transitioning.
* I’m pointing to his teeny shoes with the high heels. It’s not that they’re effeminate women’s shoes that are iffy for the period, (which let’s be clear, they are) but. Look at him. Trying his best to be tall adult man. I’m pointing at his shoes.
* I might be missing a lot. Tell me if I am.
Reasons For Why I Am Extremely Wrong:
*Tanaka and Vincent referring to Our Ciel with he/him pronouns, (although I’m not sure on the original Japanese translation on chapter 131)
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funtomfiction · 6 months
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Kuroshitsuji Manga Spoiler THEORY Time:
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I only have the cover so far, but let's take a look at the panels.
To make the whole thing logical and orderly I will start with the lower one.
Finnian
It shows Finnian, who holds the Fenian cycle book in his hands. About the meaning of the book we already know the following.
The twins were read it as children by Vincent.
Finnian was named Fenian by Ciel.
It appears in the F.O.L. orphanage.
Ciel is applied by the viewer and is opposite Finnian. Sebastian is behind Finnian and watches what happens. Finnian sees these two as his saviors, the once that made him into who he is now.
Finnian is generally very loyal to Ciel and protective.
Snake
Snake we see emaciated, dirty with long fingernails, covered only with a blanket and surrounded by his snakes. They all look up at Doll, who reaches out her hand to Snake. Like Ciel, she is turned away from the viewer.
Through these parallels, Doll is given the same meaning for Snake as Ciel has for Finnian, and also his snakes.
So what if...
...this is a clue. We already know how loyal Finnian is to Ciel, so is this an indication that Finnian has a similar relationship to Doll and will therefore turn against our Ciel to be on Doll's side?
Another similarity between the characters is the connection with book names. Finnian's name is based on Fenian cycle, and Snakes are named after famous authors in the Victorian era.
Are the two two sides of the same coin? So similar, friends, and yet will perhaps find themselves on different sides in the end, as enemies?
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srry-its-me-again · 17 days
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Can someone who keeps up with the black butler manga let me know what’s going on right now??? I’m mostly curious about the whole real ciel and fake ciel thing. I read the wiki and it looks like real ciel is trying to frame fake ciel for murder but like why?? i thought they were close? like what’s the end goal ? also what is fake ciel’s real name ???? the questions are endless and i’m open to any detail or theory about anything 🥹
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redthefortuneteller · 2 months
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Chapter 209
Chapter 209 was… well I think it provided a lot more questions than one would expect.
So, first off, my theory of Snake being originally a snake was proven wrong by the mention of a human mother. However the experimental facility held by someone akin to a dr Moreau having made Snake the was he is, still stands. As I'd already mentioned on this post, it's been officially confirmed that he did stay and eavesdrop on their conversation. And it's also been confirmed he'd been suspicious when they said they'd leave on that morning when he said "going out again?" and finally he was indeed flip flopping between believing our Ciel and being against him, which was one of the points I made in the dr. Moreau's theory post. He says he always felt suspicious. I believe either from intuition or because Sebastian right from the get go tried sneaking into the first tier side by pretending to be lost, before he even became a member of the circus.
As a small side-note to this @abybweisse's post, Snake didn't know Smile was the earl Phantomhive. He followed the scent of their circus clothes and it led him to the town house. Once there, he was confronted by Agni and Soma, he asked if a small lad and a man dressed all in black lived there. But until then we're led to believe that he didn't know of their identity. It's been so long, I too don't remember all the details about every single thing! Also, I believe he delayed reporting to Joker because he knew Doll knew Smile was in the first tier side and did nothing. So he didn't know if he should take it into his own hands to report to Joker if Doll, who is one of his superiors in a sense, already knew of this and was keeping quiet. I spoke of this more in depth here if anyone's interested. It's the same link as the one I linked in the begining.
Right, then we have a whole rewash of things that had already been known for years, with perhaps the exception of him being taught mathematics. We'd already known that he had been taught how to read. All of this in quite a fleeting, vague way. Nothing even close to the flashbacks Baldroy got. And Baldroy didn't die so, with all humbleness, I don't think he needed so much put in about him because he shall still have time to "talk" about it. In comparison, that is. Of course it's interesting know Baldroy's backstory and know more about his time with the Phantomhives. I simply feel Snake should be rightfully owed much more in comparison, since his time is now over... I will post more of my feelings on this later. Finally, we get information about a human mother, which of course confirms my theory about his origins is not to be! At least not in it's main point which is him being a snake originally. He could still have been in a experimental facility of the sort, of course.
Now, the information we were left with is simply these three points which weren't touched on or explained in any way before he died:
he was at some point in an orphanage (but was illiterate)
he was in a cage since he can remember
he and the snakes came from somewhere far away
his mother was an actress by the name of Sarah Kemble
he not only has snake attributes like snake skin, slit pupils and a split tongue, he also understands what they say and talks to them
I've been thinking hard and am having a little bit of a hard time trying to tie these three things together in a flowing, graceful manner that would fit the story and not sound like a very twisted pretzel of a backstory. Haha! Of course given more time I hope to conjure something of sense up! I'm looking forward to reading everyone's ideas on this! Everything that I was going to say about Sarah Siddons (born, Sarah Kemble) was already said by @abybweisse on this post which is quite aptly named, given that the woman that brought Snake into the world, brought out of her womb a personified epitome of tragedy, which is him.
I'd only like to add that she was born in Wales. Although Wales doesn't really count as a place far away, I just feel like mentioning this as it could become relevant later on, or someone might think of something that might add to the story. It's hard to know exactly how much Yana intends to keep in the manga of the real Sarah Kemble and how much is made up for the story. So, how much we can stretch what we know for theories is limited. We could for example say Sarah went to one of the British colonies, gave birth to her bastard child (Snake) there and left him.
Now the orphanage and the cage are a little hard to put together for me, but alas… also him not knowing how to read is odd as he was in an orphanage. Of course, we should consider too, the possibility that he could've been living there at a time when he was very little and still unfit to learn such skills. Then some organization got him and experimented on him?
Or Was he given away in England to an orphanage and later picked up by an organization that was using "free" orphaned children to experiment on them and thus taken to somewhere far away? And that's when he was introduced to the all snakes? And then they all came together back to England again? You see how it quickly becomes a little messy? But he did say that since when he can remember he was always in a cage… was he in a cage in the orphanage? That's very peculiar. Unless, the orphanage was the experimenting facility, as in my theory (minus him being originally a snake, of course).
Could he have been born as he is of some sort of socialite demonic ritual and the mother was a sacrifice? I mean, I suppose I had already thought of this hypothesis but it just sounded so inorganic that I didn't further consider it… That's simply my opinion of course, maybe with a few little details added, it could become more palatable!
That's it for now! Thank you for reading!
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