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#Fallout Series
feodor-dostoevsky · 2 days
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exhalcyon · 2 days
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freaks lol
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dedadrogos · 2 days
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Fallout obsession is back
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grandlinedreams · 1 day
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|| i regret nothing I need Cooper Howard viscerally both pre and post Ghoulification
|| notes: semi Canon compliant, spoiler-ish for end of s1, semi-shifting pov, Lucy is adorable but baby girl you will be chewed up and spat out pls grow more spine, Dogmeat has never done anything wrong ever, godbless Cooper having a southern accent bc that's my accent, yeah, gonna do a sequel to this and a prequel on Coop and reader's first meeting, ok bye
|| warnings: weapons supplier!reader, couple of allusions to cannibalism, reader is not specifically gendered, NSFW ㅡ fingering/touching
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“Where are we going?”
Not for the first time today, or even the last week, Cooper questions why he's letting the Vaultie (“Lucy,” she informs him primly, “my name is Lucy.”) tag along. The dog, at least, is a good, reliable companion. Dogmeat trots dutifully at his side, her tail wagging as he stops to glare at Lucy.
“Supplies, Vaultie,” he tells her, relishes the flicker of annoyance in her eyes. “Need supplies or we'll both be knee deep in shit.” He pauses. “More than we already are.” 
She mumbles something he doesn't care to catch as he resumes walking, rolling his eyes as he adjusts his hat. He knows he could stand to be a little more sympathetic with the bombshell she's still dealing with, but he can't bring himself to ㅡ not when his daughter might still be alive out there, somewhere. (And his ex-wife, who he's pointedly trying to not think about too much.) 
Lucy is blessedly quiet for a good while, all the way until they get closer to where they're going. Cooper doesn't need that piece of shit vault-tec device on her arm to know where he is, but Lucy says it anyways.
“It's a town,” she mumbles at the cluster of ramshackle buildings, surrounded by the clustering of trees so much like Filly ㅡ but isn't. “Is thisㅡ”
“Yes,” he answers, “now shut it and walk.”
Lucy huffs. “I don't know if you've realized neither of us have means to pay for anything,” she protests, “but the general rule ofㅡ” 
“Vaultie.” If looks could kill, she'd be six feet under. He's never had much patience, but she’s already reached the bottom of it and keeps digging. “Shut the fuck up about your goddamn rules. If you haven't noticed, nobody up here gives a damn about playing by what's wrong and what's right.” He gives her a meaningful look. “Now if you don't want me to leave your ass to whatever comes along next, you'll be quiet and let me handle it.” 
Lucy's mouth shuts with an audible click, and Cooper turns on his heel to resume walking, Dogmeat at his heels. 
Like Filly, the center of buildings bustle with the day to day of so many others, the cacophony of animal sounds along with chatter ㅡ Cooper spares Lucy a brief glance to watch her struggle to keep up and scoffs to himself, shaking his head as he continues.
He knows where he's going, a little shop shoved between two others, narrow but deeper than the other two, because he's been here before. Several times, actually. Which accounts for the familiarity with which he strolls over the threshold and leaves Lucy and Dogmeat to follow. 
There's the jingle of what might be a bell over Lucy's head when she follows, blinking at the interior. Neat and tidy, or at least as much as can pass for such things on the surface ㅡ rows of weapons and other assorted things on shelves and stands. 
Lucy watches The Ghoul rap his fist on the counter. “I know you're here,” he calls, “you never leave this damn place!”
She expects whoever it is to come scuttling out with the tone of voice he uses and being as accustomed to his rougher attitude, and she listens to the clatter of something further in the shop.
“If that's your greeting nowadays,” comes the answer, “you can fuck off.” 
To Lucy’s surprise, The Ghoul husks a laugh instead of offering another threat. Footsteps approach, and Lucy blinks at the person who rounds the corner. 
“You,” you accuse, finger almost into his chest, “thought I told you I was done dealing with you if you couldn't work on your manners.” 
Lucy stares, and watches as you turn towards her and raise an eyebrow, eyeing her with unrestrained curiosity, then at Dogmeat. “A vaultie and a dog,” you say, then glance back at The Ghoul. “So, taking in strays, huh?”
The Ghoul grimaces. “Guess so.” He clears his throat. “Need supplies again, sweetheart.”
“Figured as much,” you say, arms folding across your chest. Lucy decides she likes you, because you're standing up to him ㅡ and he's letting you. “Take it you have no way of paying, again.”
Lucy wants to tell The Ghoul I told you so, because he can shit on all her little rules all he likes but the surface still deals in keeping the scales balanced. You have to eat too, so it's fair that you're expecting payment in the nonexistent caps they have. The Ghoul, on the other hand, tries a different route. 
“Oh come on now sugar,” The Ghoul wheedles, tone almost what could be considered as sweet. Playing at a gentleman for the way he leans against the cobbled together counter, even goes as far as to take his hat off and place it down. “Don't be like that.”
“Don't you sugar me,” you counter with an attitude that honestly startles Lucy for both the lack of genuine bite or answering hostility from The Ghoul. This isn't the first time you've met, she realizes, and is also quietly a little horrified to register that this almost sounds like flirting. “You're a pain in the ass, you know that?”
The Ghoul almost grins. “At least I'm consistent. Besides, you know you miss me when I'm gone.” 
You snort, pressing your lips together to hide a smile. Lucy feels a tiny bit uncomfortable with the atmosphere, like she's watching something she shouldn't be privy to. 
“Yeah, yeah,” you answer, bustling around to shove several fabric wrapped packs into his chest and giving him a meaningful look. “You owe me.” 
It's definitely flirting now, Lucy notes as The Ghoul's face lights up in a way that's still entirely human, tracking your movements with something far softer than anything she's ever seen from him. 
The turn towards her and head jerk to her and Dogmeat is as clear as dismissal as she's ever seen, to make herself scarce ㅡ so she does, but not before she catches the peripheral glimpse of the way you let him reach for you, almost melting into him for the way he moves to undoubtedly murmur something. 
That something is not the sweet words of a long time lover, but it's probably about as close as you're going to get with things the way they are.
 
“Anyone causin’ you trouble lately?” 
You roll your eyes. “Besides you?” He gives you a look, and you shake your head. “No, and even if there was, you know I can handle myself.” You turn to throw him a teasing look over your shoulder. “Don't tell me you're getting soft on me, old man.” 
It's Cooper's turn to snort, even as he moves to follow you. There's a sort of peace to watching you sort through boxes of shell casings and bottles of powder, letting his gaze drift over your body. 
When you turn, he doesn't even bother to hide the way he's watching you, and you arch an eyebrow. “What?”
“Nothin’,” he returns. “Can't I admire you?”
You roll your eyes. “I'm too expensive for you, Cooper.” It's a playful taunt, one that incites a little flare of something in his eyes as he approaches, the jingle of his spurs as he comes to loom over you, cages you in against the shelves of “inventory”. 
“Really now,” he drawls, leans in, eyes predatory dark. A lifetime ago, you might have been scared. But the wastelands made no qualms about beating fear out of people just as quick as it snuffed out life all together. “Here I was thinkin’ I might get a discount.” He reaches, thumbs at your bottom lip with his gloved digit. “What's the askin’ price, sweetheart?” 
This close, he smells like the wastelands and sunbaked leather, with a little bit of blood ㅡ but you don't mind. Never have, not sure you ever will. Not when it comes to him, anyways.
He's a dangerous man. A man with a reputation that's well-earned, spoken in hushed whispers and anything but nice. But you let him slot a leg between yours, lean in, press his lips to your hair. You smell like gunpowder and hot metal, grease stained fingertips and more than a couple bruises and scars for your efforts. 
Sometimes Cooper contends with the idea he might need you just as much as he needs that chem that keeps him sane. Admits it here and there, quietly to himself when he wanders in, squashes it down that he makes the trips sometimes just to make sure you're still alive. Not like he'd know if you were, till he sees you. Not sure what he'd do if he someday came up and found you gone. No note, no goodbye ㅡ quick and quiet, the cruelty of the wastelands.  
“Didn't answer my question, darlin’.” He mumbles, lips to your cheeks now. Soft skin, kept carefully with rationed doses of radaway and a healthy heap of keeping your cute little self out of business that doesn't involve you. “Come on, I asked you real nicely.” 
You hook your fingers in the loops of his belt, pull him closer. He can feel the jump of your heartbeat under his lips, now at your jawline. A soft, shaky inhale. Selfishly, he wants to keep you. Steal you away, greedy to keep you for himself. Hates the idea of whatever scum that rolls in that you have to deal with on your own. You can handle yourself, he knows that. 
Doesn't stop that little piece of him that's still truly Cooper Howard from worrying. But he knows better than to think he can protect you, because he can't. So he does what he can.
Your skin is soft under his teeth, forgiving to the nip of them, the blooming blossom of pink that reminds him of strawberries. The noise you make is just as sweet, and he wonders if you'd taste like that, too. 
“I'm waiting,” he prompts between little nips, mouth curving against your flesh when you grip at him tighter. There's a lot he could do to you, and not a lot you wouldn't let him. “Don't tell me this big ol’ cat’s got your tongue, little songbird.” 
Your lips part, and he expects either a sparky response or a soft plea for what this is tilting towards, partaking of something far softer than anything he's used to nowadays ㅡ  but you’ve always had a taste for throwing him for a loop, and you do it now. 
“Take me with you.” 
That snaps him out of his little hazy, touch-greedy daze, enough that he pulls away to look at you properly. “Repeat that?”
“You heard me.” You tug at the loops of his belt, eyes steely, expression firm. “Take me with you. Tired of this shitty little outpost. Figure it's time to move before I get myself into trouble I can't get out of.”
Cooper laughs. “Think you're runnin’ straight into that fire by askin’ what you're askin’, sweet thing.” A warning and a plea, mixed mish-mash in his words. Part of him wants you to stay here. Concrete, much as it can be, where he knows where you are. Other part says it'd be easier to watch your back if he saw it all the time. 
“That's not an answer, Cooper.” 
He snorts, softens at the edges again, a little sadder as he reaches to stroke your jawline, leans to bump his forehead to yours ㅡ radiation warm against radaway cold. “Wanna make sure you know what you're asking for, darlin’. I ain't your babysitter. Got my own shit to do.”
“I know.” There's that fire in your voice, the kind he loves and hates at the same time. “Wasn't asking for you to babysit me.” 
He swallows roughly. Lets his hands drift up your sides, tug at the tuck of your shirt, underneath to drag sun-worn leather against the soft skin of your abdomen. Relishes the way you shiver, leaning into his touch. “Can't promise nothin’, you know that.” 
Your smile promises the same kind of heartbreak his own words do, the kind rooted in the reality that the world doesn't deal in any absolute but death, and sure as shit won't give happy endings. Not anymore. “I know.” 
Cooper can't think of what to say to that, at least anything he's ready to, so he kisses you. Your lips are too soft against his, the warmth of your mouth reigniting that greedy, needy, human thing inside him. He pulls, digs his fingers into your soft, pliant skin, and he takes.
Takes what you willingly give him, hand over hand with nothing but that pretty little smile of yours. He muffles your gasp as he wedges his leg a little firmer, coaxes the part of your legs with a rough husk of, “just like that, dollface,” and delights too much in the sound of you moaning for him.
Hushed, quiet enough that there's no reason for Dogmeat or Lucy to come back yet (he doesn't know what they're up to nor does he really fuckin’ care at the moment), he lets himself indulge in the pleasure of your body against his. The sweet little sounds, half-gasped as he mouths at your neck, hitched to something almost like music as his hands wander. 
Pauses long enough to bite at the tip of his glove and tug, one then two, the bare, radiation scarred wander of his fingers over your body. It's selfish, the way he covets every little twitch and jump of your muscles, the choked gasp as he guides you into rocking against his leg. 
“You're so sweet for me, sugar,” he coos, syrupy as he picks you apart meticulously, piece by piece. Fingers still far too good at what they do when he replaces his leg with the press of them against you, remnants of a past life for how well he gets you to whimper his name. “Like ambrosia.” 
His fingers stroke, deceptively gentle, working over your slick, too-hot, achy skin until you’re panting and gripping at him, pleading for a relief only he can give you. And that’s exactly how he wants you, where all you can see and think of is him. 
The expression you make when he finally lets you come might truly be the most beautiful thing he’s seen in a very long time. Headier than the Jet, dizzying and making him swear as he jerks his clothed hips against yours, breath sharp in his chest. 
“Gonna be the death of me, I swear.” He bites at your neck, digs a little harder, scrapes his canines into your sweet, yielding flesh. He could devour you, take bite after sweet, sweet bite and actually test that theory about the strawberries. Crack the cage of your rib, feast on that beating yolk of heart that thumps so hard in your chest. 
“Gonna let me do it, sweet thing?” He rumbles against your ear. “Let me have it all?” 
Your eyes flash, lips pretty and swollen as they part to answer ㅡ and the bark of that damn mutt ruins it all. At least it's a warning for you both, because he's stepping back and letting you fix yourself with surprising speed as Lucy and Dogmeat return, an expectant look on the fuckin’ vaultie's face. 
“Well? Got what you need?"
Cooper snorts, tracks you instead of answering as you press your hand to his for a second, gone around the corner. Lucy frowns when you return, pistol strapped at your hip and a bandolier slung over your shoulder like his, broad pack strapped to your back. Like you planned for this.
And you did, he notes, but it hadn't been contingent on his agreement. Idly, he notes he never did answer you, not really. But he just hums, then turns towards Lucy, who looks between the two of you, confused. 
“Yeah,” he finally answers, “got what I need.”
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northern-punk-lad · 2 days
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From the people who brought you “why is x-men woke” now comes “why is fallout anti capitalism now”
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He’s such a dork! (I’m in love with him)
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kuro-anko · 9 hours
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lying-on-floors · 2 days
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I love how so much of the Fallout show fandom/enjoyers want season 2 to be a road trip with the three main characters, Dane, Thaddeus, Norm and Dogmeat/CX404.
I need a fanfic of this asap.
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the-irreverend · 21 hours
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THIS is the scariest scene in the entire show (yes even more than the goddam lab scene from episode 6).
He's not bluffing when he says that he loved Rose, and that's what makes his actions that much more despicable. He is capable of loving and caring for others, yet he demonstrates that he is more than willing to suppress it if it means protecting the interests of the corporation he works for.
What do you think is more terrifying? A person with no compassion or empathy, or a person who IS capable of those things BUT CAN TURN IT OFF AT A MOMENT'S NOTICE?!
I can't imagine how Lucy felt hearing him say that he no longer considered Rose to be part of the family (or even as a person) just because she posed a possible threat to Vault-Tec's plans for total control.
And that's what ultimately separates him from Barb Howard:
Barb wanted to use her position at Vault-Tec to help her family.
Hank wanted to use his family to help his position at Vault-Tec.
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ghoulphile · 2 days
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feodor-dostoevsky · 3 hours
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You coming?
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bailadeluna · 22 hours
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there’s something so brilliant in cooper howard’s costume design - it’s so much more than just a simple blue and gold cowboy fit.
at the beginning of the show, before the bombs dropped, cooper howard was a good person - always kind to others despite the circumstances or how he was feeling in the moment.
you could say… he was exemplifying the golden rule.
this is evident in his costuming - cooper is decked out in gold even when the bombs dropped. the golden rule is still so close to his heart - i mean come on - look at how tight that bandana is around his neck.
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even in certain lighting, his hat looks gold.
cooper howard being a good person and living by the golden rule is what barb probably fell in love with (she has her own interesting character analysis and thought process which i would love to discuss later). because this trait is so admired by her and those around cooper, she probably saw him as who she would hope future generations would become as they grow up in the vaults. people like him are the better future she envisions - so it’s no coincidence that the vault suit is in his colors.
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what does the blue symbolize?
well, to me, i think it’s the corporate presence in the world. there’s more blue in the suit than there is gold - hinting at vaultech’s corporate greed, capitalism, and evil machinations. (there was also blue in his old cowboy costume - i.e. the presence of the studio and how they use cooper to push a mccarthyism narrative. kinda in the same way vaultech will use him)
the blue in the suit - symbolizing vaultech’s overwhelming presence and the reason for such a bleak and cruel world - does not swallow up the gold - the small semblance of humanity’s capacity to do and be good. it’s the small hint at barb’s intentions (analogous to the road to hell being paved with good intentions).
yet the man who was an inspiration for vaultech’s workers - the man who they all wished they could be like, the man who symbolized all the “do good” ideas they pass down to their children but in the end have no intention of following them (wink wink, looking at you, hank) - was in the end stripped of all his humanity by the world vaultech created (wow, would you look at that? another analogy for capitalism!)
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this man, once rich in morals now robbed of them all, wanders the wasteland a ghoul. everything has been taken from him - symbolized being devoid of layers of skin.
now, he’s nothing but the ghost of the man he once was - haunted by what has been done. everything he wears as the ghoul is frayed, tattered, and dark - symbolizing that cooper howard, that kind and caring man before the bombs is dead.
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but wait - is that…
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you don’t see it? Ok, i’ll zoom in some more
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GOLD? (perhaps even the same shirt he was wearing during the bomb drop??)
perhaps the golden rule, those values that he once held so dearly, are still there just dormant - waiting to be awaken again.
maybe cooper howard can come back… that just maybe there’s still hope for the good in humanity…
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hellfirecvnt · 12 hours
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After the scene where Lucy gives Cooper the chems and says "Golden Rule, motherfucker." He is eventually taken in by the government where they accuse him of turning over the super duper mart. It would've been so easy for Cooper to be like "it was actually this vault dweller that's super easy to find bc she sticks out like a sore thumb." But he didn't. He told them he did it, and even taunted them further before ultimately killing them.
My theory is he did it because he didn't want them to go after her/kill her. Because Golden Rule, motherfucker.
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sacreblugh · 3 days
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we got cunty robert house before gta6 💀💀💀
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This is the ideal male body. You may not like it, but this is what peak performance looks like.
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exhalcyon · 3 hours
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