#Francesco Bertolini

[weirdlookindog]

L'Inferno (1911)

#l'inferno #dante's inferno #1911 #1910s movies #1910s horror #francesco bertolini #adolfo padovan #giuseppe de liguoro #horrorgif #my gif #gif

[thewarmestplacetohide]

L'Inferno (1911) dir. Francesco Bertolini, Adolfo Padovan, Giuseppe De Liguoro

#L'Inferno (1911) #The Inferno (1911) #L'Inferno #The Inferno #Francesco Bertolini #Adolfo Padovan #Giuseppe De Liguoro #Italy #occult #my screenshots #stills

[bigspoopygurl]

Dante’s Inferno (1911)

Directors: Francesco Bertolini, Adolfo Padovan, Giuseppe de Liguoro

Cinematographer: Emilio Roncarolo

#Dante's Inferno #Francesco Bertolini #Adolfo Padovan #Giuseppe de Liguoro #Emilio Roncarolo #telelizion

[circumvision]

‘L’Inferno’, 1911. (D: Adolfo Padovan and Francesco Bertolini)

#dante #dante’s inferno #Adolfo Padovan #Francesco Bertolini

[dirtyriver]

Gotcha - Theme from “Starsky and Hutch” (Tom Scott)

The first season's theme was written by Lalo Schifrin. Tom Scott wrote Gotcha for the second season, then Mark Snow wrote the theme of season 3, and Gotcha returned for the fourth and final season in a revamped version.

There are many covers of this theme, but this is probably the only one with three guitars.

Kythara–Erico Maria Milanesi (acc. guitar), Michele Pucci (flamenco guitar), Francesco Bertolini (jazz guitar)

#Music #Jazz #Soundtrack #Starsky and Hutch #Guitar #Erico Maria Milanesi #Michele Pucci #Francesco Bertolini #Tom Scott

[cinemaheads]

L’inferno (1911) dir. Francesco Bertolini, Adolfo Padovan & Giuseppe de Liguoro

Midway upon the journey of our life  I found myself within a forest dark,  For the straightforward pathway had been lost...

#dante's inferno #l'inferno #divine comedy #francesco bertolini #adolfo padovan #guiseppe de liguoro #film #movies #cinemaheads

[nomallmovieschicago]

3 May 2023

Film: L’INFERNO (d. Francesco Bertolini, Adolfo Padovan, Giuseppe De Liguoro, 1911, Italy)

Forum: Logan Center   Format: 4K Digital

Observations: What a marvelous program: the screening of a 2021 restoration by L’Immagine Ritrovata Lab of the Cineteca di Bologna, accompanied live by Stefano Maccagno (piano) and Furio Di Castri (bass). This has been touring around the USA for a while now; this is the first appearance in Chicago. Advertised as a "feature," it is more akin to a series of trick films connected by intertitles. Very cleverly done. About 90-100 in attendance.

#cinema #film #1911 #movie #Italian film #l'inferno #Francesco Bertolini #Adolfo Padovan #Giuseppe De Liguoro

[regina-del-cielo]

SUNFLOWERS

Primo's presence announcing itself with the thundering of the Alfetta... *chef's kiss*

(The music is going thumping bass like the Jaws theme lol)

SKY BLUE SUIT ALERT

(babe put a belt on the next time your pants are falling)

When you have to negotiate a kidnapping at 3 but you have an audition with Village People at 5

Primo: "wasn't he supposed to stay tied up?"

(Internally: do I have to fucking teach you how to treat your kidnapped people?)

That hat is so silly... he looks like he's going out to gather grapes or something

CHANGE OF MANAGEMENT

FOCUS BLEP FOCUS BLEP

(Primo literally grabs Paulie by the scruff of his neck jfc)

Holy SHIT those are 100k lire banknotes

Berto: "look, if you don't want him there's an American in Rome that offers a lot of money, much more than you for sure"

THEN WHY THE FUCK DIDN'T YOU JUST TAKE CHACE'S MONEY YOU DUMBASS

Primo: "ah no, Bertolì, we have an agreement"

Berto: "a deal's a deal. Put the money there and let's leave things as they are, please."

The please is quite interesting, also the way Primo looks at the gun... like. Are you really threatening me with that little thing?

THE MOST SCENE OF ALL TIME IS HERE

#THE WAY HE POINTS AT THE CAR TO PAULIE LIKE 'COOL SHOT HUH?!' #THIS MAN. WHAT THE FUCK IS THIS MAN #trust (fx) #the summer of trust is upon us #francesco bertolini #john paul getty III #primo nizzuto #he's the only wolf in a pack of feral dogs #congratulations I have a Problematic Fave

[marcogiovenale]

l'odissea (milano films, 1911)

Regia/Director: Francesco Bertolini, Adolfo Padovan – Fotografia/Director of photography: Emilio Roncarolo – Interpreti/Cast: Giuseppe De Liguoro (Ulisse), Eugenia Tettoni (Penelope), Ubaldo Maria Del Colle – Produzione/Production: Milano Films, Milano – Visto censura/Censorship certificate: 4901, 20.10.1914 – Lunghezza originale/Original lenght: 925 m. Ulisse si congeda dai familiari e parte da…

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#Adolfo Padovan #cinema #Emilio Roncarolo #Eugenia Tettoni #EYE Filmmuseum #film #film muto #Francesco Bertolini #Giuseppe De Liguoro #Milano Films #Museo Nazionale del Cinema #Odissea #Ubaldo Maria Del Colle #Vimeo

[jeanpascalmattei]

http://lemiroirdesfantomes.blogspot.com/2022/08/affreux-sales-et-mechants.html

#Francesco Bertolini #Giuseppe De Liguoro #Adolfo Padovan

[dailyworldcinema]

Dante's Inferno (1911) Directed by Francesco Bertolini, Adolfo Padovan & Giuseppe De Liguoro

#Dante's Inferno #tw: 'death' #flashing gif #tw: horror #horrorgifs #filmgifs #userraffa #userdavid #userhallie #classicfilmblr #fyeahmovies #classichorrorblog #horrorfilmgifs #italy #1910s #filmedit #worldcinemaedit #ours #by natty

[weirdlookindog]

Dante’s Inferno (1911)

#dante's inferno #1910s movies #francesco bertolini #adolfo padovan #giuseppe de liguoro #fantasy #horror

[thewarmestplacetohide]

Dread by the Decade: L'Inferno

👻 My Kofi ❤️

English Title: The Inferno Source Material: Inferno by Dante Alighieri Year: 1911 Genre: Occult, Dark Fantasy, Surrealist Rating: Unrated (Suggested: PG-13 for nudity and violence) Country of Origin: Italy Language: Silent Runtime: 1 hour 11 minutes

Directors: Francesco Bertolini, Adolfo Padovan, Giuseppe De Liguoro Cinematographer: Emilio Roncarolo Writer: Dante Alighieri Composer: Raffaele Caravaglios; Tangerine Dream Cast: Salvatore Papa, Arturo Pirovano, Giuseppe de Liguoro, Augusto Milla, Attilio Motta, Emilise Beretta

Plot: Dante is guided by the poet, Virgil, through Hell.

Review: The first feature length film in Italian history, this is a faithful adaptation rife with stunning technical feats and surrealism.

Overall Rating: 4/5

Story: 4/5 - Great adaptation that sometimes suffers from meandering.

Performances: 3/5 - Papa and Pirovano do little beyond mime speech, but the damned are wonderfully dramatic.

Cinematography: 4/5 - Just stunning.

Music: 4/5 - The original score was lost, but Tangerine Dream’s official re-score is haunting, if a little repetitive.

Effects: 5/5 - Amazing! Forced perspective, puppets, wire work, and more create nightmarish replicas of Antonio Manetti’s illustrations.

Sets: 5/5 - Beautiful mix of real locations, matte paintings, and sets.

Costumes and Make-Up: 3.5/5 - Most of the characters are nude, but the costumes that are present are quite decent.

Trigger Warnings:

Violence and mild gore

Offensive depiction of the Prophet Muhammad

Suicide

Torture

Extreme Catholic ideology (ex: suicide and sex are sinful)

#L'Inferno (1911) #L'Inferno #The Inferno (1911) #The Inferno #Francesco Bertolini #Giuseppe De Liguoro #Adolfo Padovan #occult #demons #Dread by the Decade #review #1910s

[minimaeclectica]

Giuseppe de Liguoro, Francesco Bertolini, Adolfo Padovan - El Infierno (1911)

El primer cine, el de los pioneros y los realizadores aventureros, beben mucho de las fuentes de la literatura, son los primeros espacios y temporalidades que se adaptan a un nuevo lenguaje que poco a poco va descubriendo sus conexiones semánticas y de gramática visual, ya sea por una libre asociación de ideas o una experimentación de planos y escenas. Si bien pese a ser una mera adaptación del Infierno, con ese imaginario dantesco sobre el círculo de los pecados y los caídos, en mareas informes de humanos convulsos y envueltos en castigo, perentoriedad, fuego y dolor, rezuma una mitología icónica y de frescos alegóricos decorativos, heredados de la teatralidad del cine en su juego de adaptar una imagen o una sensación visual al encuadre primitivo del cine que brota desde sus albores, cumple la expectativa inicial de una primera adaptación, tal vez como la más fiel que se ha dado, desde un punto entrañable y reconocible hacia su argumentación como de historia esbozada, y que ha sido asimilada plásticamente y pictóricamente en su proceso de cinematografía, puede ser una manera de ver la literatura, desde un punto de vista hacia el decorado artístico, en la que nos enseñan las escenografías acartonadas y las posibles opciones que puede tener un filme al momento de resemantizar un lenguaje que fue escrito y poetizado como la Divina Comedia del poeta florentino, Dante Alighieri.

#dante alighieri #infierno #pelicula completa #cinema #cinemetography #poesía #cine mudo #filme #comentarios #literature #divina commedia

[gods-blade]

The Cadaver Synod, 897, engraving from the Middle Ages, 1892, by Francesco Bertolini, with illustrations by Lodovico Pogliaghi.

[lamilanomagazine]

"Anne Frank. Cara Kitty. Romanzo epistolare" la presentazione alla Teresiana a cura di Frediano Sessi

"Anne Frank. Cara Kitty. Romanzo epistolare" la presentazione alla Teresiana a cura di Frediano Sessi. Mantova, “Anne Frank. Cara Kitty. Romanzo epistolare” è il titolo del libro a cura di Frediano Sessi che sarà presentato martedì 10 ottobre alle 18 alla Teresiana nella prima sala monumentale in via Ardigò 13. Dopo i saluti istituzionali dell’assessora alle Biblioteche Archivi del Comune di Mantova Alessandra Riccadonna e del presidente della Comunità Ebraica di Mantova Aldo Norsa, interverranno Francesca Ferrari, direttrice delle biblioteche civiche di Mantova, che dialogherà con il curatore Sessi. La pubblicazione è stata curata anche da Ronald Leopold, direttore della Casa di Anne Frank ad Amsterdam che ha scritto l’introduzione di questa edizione. E’ la prima pubblicazione mondiale del romanzo che Anne Frank scrisse negli ultimi mesi di clandestinità, attingendo al suo famoso diario. Nel corso della presentazione Isabella Bertolini, attrice dell’Accademia Teatrale “Francesco Campogalliani” di Mantova, leggerà alcuni passaggi tratti dal volume. L’evento è organizzato dal Comune di Mantova in collaborazione con le edizioni Einaudi Ragazzi. L’ingresso è libero fino ad esaurimento dei posti.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article