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#I can't feel my eyes...
mxnzxnilla · 8 months
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It's 3am here but we deserve a Sertegra wip.
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ineed-to-sleep · 6 months
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Collection of bg3 sketches I've been nibbling at over the month. teehee
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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old-desert · 3 months
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Trying to remember how to Clip Studio Paint again
featuring: Loop
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markantonys · 6 months
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– Langston Hughes
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kerryweaverlesbian · 1 month
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Dean Winchester of Supernatural fame is NOT reading parenting books he is putting on Cheaper By The Dozen, Daddy Daycare and Honey I Shrunk The Kids taking notes.
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peachymaryobrien · 3 months
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linktoo-doodles · 1 year
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dig me up, let me go
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all for the game is a not a book series it's a mental illness
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eemryss · 10 days
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If he loves me so much... then why did he break my heart?
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moongothic · 5 months
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WAIT WAIT WAIT HOLD THE FUCKING PHONE
So normally we only get fullblown, extended and dedicated flashbacks for heroic characters in One Piece, the characters who we're meant to root for. The literal only TRUE exception we've had to this rule was Big Mom's flashback. Even fucking Doflamingo's flashback was tied to Law and Rosinante's
So the fact that we haven't gotten a single fucking GLIMPSE at Crocodile's backstory is?!?
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Like sure, we haven't gotten like a Moria flashback, but you know, he literally told us all we needed to know himself, AND we got to see glimpses of him in the Wano flashbacks. Arlong didn't get a flashback of his own, but he did get to cameo in Fisher Tiger's flashback. And Rob Fucking Lucci got a flashback that was 6 whooping panels long
BUT CROCODILE?? Not only do we know almost Fuck All about his story, but also have never gotten as much as a glimpse at it? But his backstory has been HINTED and TEASED at multiple times??
GUYS. FELLAS
Like. I am SURE the "Full Backstories for Heroes Only" rule is going to get broken again, but with Imu and Blackbeard already there just BEGGING to have their beans spilled, can we even be sure Sir Fucking Crocodile is somehow going to become A Villain So Dangerous To The Narrative that he ALSO should also recieve a Full Fucking Backstory?? For his Nefarious Schemes?? AT THIS POINT??
Y'all
I think it's more likely Oda's been saving up Croc's backstory because it might just completely recontextualize his entire character
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sergle · 10 days
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lollll stevens insta post is so tone def too like uhh u can smell the privilege coming off this 🧍
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ohhhh... I think I'm going to hurt him
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coyoteclan · 3 months
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Big TW for pet loss
Hey, clangen tumblr and those who just enjoy the silly cats on this blog. I know it's been a little bit of time since my last update, but unfortunately during the past few months, I have been caring for my closest friend, Comet.
She's been my best friend for 15 whole years, and on February 9th of 2024, I'm sad to say that she has passed. I won't lie when I say that this is one of the hardest posts I've ever made, but I want to continue this blog in her honor. Normally, I have a terrible habit of just letting projects like this slip by me and gather dust; however Comet was meant to play an integral part within the blog to immortalize her, and I refuse to let something meant just for her to go to waste.
I want to thank you all first of all for being such an amazing community. I've genuinely had so much joy come of this blog, and it pains me that I let it go stagnant for as long as I have. There are 568 of you now, which is so extremely wild to me; but I hope that from now on, you can all love Comet as much as I did, even if as a memory.
I hope to return to posting content both here and on my main, @mxssacre , but for now I still need time to grieve and come to terms with the loss of someone that was so incredibly intertwined with everything I've done since I was 9 years old.
Thank you for everything Comet, my heart, my soul, my love.
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More of my favorite photos of her beneath the cut.
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It's hard to choose favorites out of the thousands of photos I've taken of her over the years, but I hope these do her justice to show what an amazing being she was. I hope you're hunting your toy mice in the stars, Comet.
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schmweed · 3 months
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#David Tennant#Alec Hardy#Ellie Miller#Broadchurch#my gifs#Yes they're talking about something extremely serious.#But can you see soft way his eyes tenderly trace her eyes and just rest on her face like it's the best thing he could look at?#He spends so long just looking at her -- and she is so mindful of his comfort level and RARELY looks back when he's looking at her.#If he's looking at her she's always looking ahead or down or away.#Except if she needs to hold his gaze to get a message across. Like go make some tea. Or if they're both worried.#This reminds me -- she is so naturally instinctively understanding of him#We rarely hear her addressing him by name after the rant that falls out of him when he has dinner at her place in S1.#She gets that simply looking at someone while you're talking to them is enough. And you don't need to tack on their name on top of that.#Which astounded me actually! I wondered if Chris Chibnall had spent some time around an autistic person!#Because I feel EXACTLY like Alec does abt names! I hate names. I hate using them. It's so unnecessary.#I'm not as outspoken as him though so I use them when I can't get out of it. But I hate it and I hate ppl using my name.#That scene was ASTOUNDING I'm telling you -- it took my breath away to find my very specific struggle onscreen!#Anyway. Yeah. She doesn't bug him or insist even though to her it's second nature.#I bet you she's very good at coming up with pet names -- another thing my autistic brain shrieks at and sth I suspect Alec finds impossible#Oh Ellie -- beautiful beautiful adorable strong wronged Ellie!#Wronged by everyone except him <3#Well and a few others -- Mark was kind to her despite his pain. Brian never treated her badly that we know of.#I will always love them for that.#I wish Jack had survived -- I think he would've been kind too. Maybe she would've hidden in his store when it got too much.
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iris-drawing-stuff · 8 months
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I haven't seen anyone talk about this yet, but there's a difference between Amane's eyes in Magic and Purge March.
In Purge March, we see that her murder is not just motivated by her cult's beliefs; she also sings about wanting someone (presumably her victim) to pay for hurting her. That's a very personal motivation. It seems she chose to do it instead of someone in the cult telling her to kill them.
However, there's still a focus on following the cult's teachings. I believe that her victim might have been a hypocrite who broke one of the doctrines. Thus, they needed to be punished. It's both doctrine-motivated and revenge-motivated.
She's partially letting her own opinions color her view of what she's doing, hence her eyes being half a different color and half some of the cult's color (green and yellow). Since each mascot has a color associated with them, this means that the commandments Amane is thinking most about are
Thou shall deliver unto those thou believest in (Yuri)
Thou shall stay thine course, then perish (Gachata)
Notably, the purple wasn't there in Magic. This may signify that she is taking her own feelings into her view of things more. Gachata's teachings may be becoming slightly less important to her now than before. Meanwhile, Yuri's teachings still hold strong.
The purple could also represent outside influences since the hat is part of Amane's school uniform, which is also purple. Schools tend to teach things that run counter to what many religious cults teach. We know that the hat is part of the uniform since this girl is also wearing it, and I think that it's the same color as the hat.
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thefloatingstone · 7 months
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I really want to draw something meaty and put some characters into The Situations but I am dealing with a double whammy of art block and some REALLY insane migraine/Sinus issues the past 3 or 4 days.
So all I managed was a quick Solana. I wanted to give her a cool leg prosthetic but then I didn't really draw her legs sdjfdsjkfsdhf So that's the level of cognitive function I am dealing with at the moment
Fun fact! I really dislike a lot of the female turian design! So I just... ignored the parts I disliked lol.
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