#I feel like both have weird relationships with their omen heritage

[tamariasykes-art]

How would Morgott and Mohg each react to falling for a tarnished who uses music to soothe the nightmares of omens and to charm the wild creatures of the Lands Between into remaining passive around them?

This was a very fun request to work on! Thank you for sending it in! (Sorry it is so short)

Morgott would find himself taken back to a time when the lands were still peaceful, and the wind carried different melodies along with golden leaves of the Erdtree even far beneath the capital. But over the recent years of war, the music, much like the light of the tree had become dimmed.  Morgott would be very impressed with the Tarnished with an instrument and would often ask them to play a piece for him. Often, he will also join them as they practice, carefully seating himself in corner to no disturb them and listen to them play. (If the Tarnished does not feel disturbed by him of course)  

Their music fills them with much nostalgia. But at the same time, Morgott feels hopeful that someday more life will return to the Lands in Between. He finds solace in those quiet moments he shares with the Tarnished he will often begin to speak of the past, his early years, stories about Leyndell before the Shattering ... 

Morgott would be very encouraging of the Tarnished’s talent, even going as far as to search for old records about music in the capital's vast library. He would also be very impressed by their abilities to pacify wild animals and share stories about similar abilities he heard about before. Depending on the Tarnished’s role in his life Morgott might ask them to accompany a group of soldiers or pilgrims on their travels to assure a safe passage to them. 

Of course, if the Tarnished had time for him, Morgott would love nothing more than to hear them play a melody for him to sooth his worried mind. But he would not ask them for this out of his own volition. He wouldn’t want to take up more of their time than necessary. 

Mogh would be very fascinated by the effect the Tarnished’s music had on wild animals. Once they breach the topic with him, he will ask for a demonstration at once and lead them to a cliff side from where their music reaches down into the valley. To his astonishment, he would see how the wild crows that would often ravage the lands surrounding the Moghwyn’s Palace would suddenly become calmer. Their screeching would grow quiet, and they would begin to calmly pick for cadavers in the blood pools surrounding the ruins. 

Mogh would be very delighted by this strange ability his Tarnished companion has that he would completely forget himself for a moment. The dull throbbing in his head where his horn pierces his skin has lessened, and he feels somewhat calmer. Mogh however is completely absorbed thinking of all the different possibilities how the Tarnished’s ability could aid the dynasty. He would ask how they acquired this talent, whether it was something they came up with themselves or something that was taught to them by someone. He would tell them stories of similar abilities he had heard about. Travelers whose song would drive the listeners mad or winged women whose woeful melodies brought anyone to tears. 

Mogh would be very cautious about the effects the Tarnished music would have on him. He has lived with both the negative and positive traits of his omen heritage all his life and he has never felt ashamed or pained by them. Even if the Tarnished only means to help him and ease his nightmares. And besides, when he met the formless mother deep below the capital, she made him see the true potential that laid in his cursed blood. The Tarnished is of course welcome to play for him, if they wish to do so, but he does not require their ability to sooth his mind. 

#ask #answered #my writing #my headcanons #elden ring #morgott the omen king #mogh lord of blood #tarnished #I feel like both have weird relationships with their omen heritage #Morgott feels ashamed of this part of himself #while Mogh revels in it #but not in a healthy self accepting way but more in this outer god is probably manipulating him in a way

[quillyfied]

Omenstuck Act 2 Bonus Content

Hello! Here’s just some extra bonus content from the pretty weighty upd8 I posted to my fanfic Omenstuck today (for Chapter 4: Act 2 specifically). A lot of background info went into it that I’m not going to get much occasion to use, so I’m doing what any self-respecting writer would do and dumping it here instead. Obviously has huge spoilers for Omenstuck so if you haven’t read the upd8s from today, don’t look. Hope the readmore holds on mobile, and there are some images below, too. Enjoy!

So for starters, I’m going to post the little cheat sheet that I had on hand for remembering all the characters’ assigned blood colors, Trollian handles, god tier titles, and quadrants (both filled and experimented with):

In order, here’s what we’ve got:

Crowley. Blood: burgundy. UN: anthomanicCaduceus. GT: Rogue of Life. Quadrants: Aziraphale (matesprit), Eric (auspistice, unwitting) and Hastur (other leaf of auspisticism quadrant, unwitting). Lusus: snake

Eric. Blood: brown. UN: coneyCloning. GT: Heir of Time. Quadrants: Auspistice to Crowley and Hastur (unwitting); Uriel (auspistice between arguing Erics, short-lived). Lusus: rabbit

Beelzebub. Blood: yellow. UN: carrionTyrant. GT: Prince of Rage. Quadrants: Dagon (moirail), Gabriel (kismesis). Lusus: giant fly

Ligur. Blood: lime/red (vacillating glitch). UN: guanineChameleon. GT: Sylph of Space. Quadrants: Hastur (moirail), Michael (kismesis). Lusus: chameleon

Hastur. Blood: olive. UN: amphibiousGrunt. GT: Knight of Breath. Quadrants: Ligur (moirail), Eric (auspistice, unwitting) and Crowley (other leaf of auspisticism quadrant, unwitting). Lusus: frog

Dagon. Blood: jade. UN: aquaticTaskmaster. GT: Witch of Mind. Quadrants: Beelzebub (moirail), Sandalphon (matesprit, short-lived), Metatron (kismesis, one-sided crush). Lusus: lungfish

Aziraphale. Blood: teal. UN: aetherialAntiquarian. GT: Thief of Doom. Quadrants: Crowley (matesprit), Michael (auspistice, coercing) and Sandalphon (other leaf of auspisticism quadrant, coercing). Lusus: ??? (dragon, owl?)

Michael. Blood: cerulean. UN: tenebrousAgent. GT: Seer of Void. Quadrants: Uriel (moirail), Aziraphale (one leaf of auspisticism quadrant, coerced) and Sandalphon (other leaf of auspisticism quadrant, co-conspirator), Ligur (kismesis). Lusus: ??? (tbh spider would still fit here)

Sandalphon. Blood: indigo. UN: toughenedCrusader. GT: Page of Blood. Quadrants: Michael (auspistice, co-conspirator) and Aziraphale (other leaf of auspisticism quadrant, coerced), Gabriel (moirail), Dagon (matesprit, short-lived). Lusus: ??? (Possibly musclebeast)

Uriel. Blood: purple. UN: celestialAureate. GT: Maid of Heart. Quadrants: Michael (moirail), Eric (mediated between two of his arguing selves, short-lived). Lusus: ??? (sea-goat still viable)

Gabriel. Blood: violet. UN: gregariousArchangel. GT: Bard of Hope. Quadrants: Sandalphon (moirail), Beelzebub (kismesis). Lusus: ??? (seahorse or shark)

Metatron. Blood: fuchsia. UN: communicantGodhead. GT: Mage of Light. Quadrants: object of one-sided pitch crush from Dagon. Lusus: Horrorterror from Beyond (Gl’bgol’yb, probably)

Here’s the shipping chart of what this madness looked like:

Solid lines for established or longer-lasting relationships, dotted lines for either crushes or experiments that didn’t pan out. Crowley, Eric, and Hastur’s auspisticism is dotted because it’s not a consciously-thought out relationship that’s actually been defined so much as a convenient social contract that keeps Hastur from killing Crowley by distracting him with a multitude of Erics, which makes it a pretty functional auspisticism, actually.

Some notes:

- If you’re thinking that the blood colors and god tier titles don’t exactly fit, you’re right, but there’s a reason, and we’ll get to it in future chapters of Omenstuck. Maybe one day I’ll do the thing proper and give them all more accurate classpects and blood colors, but I think I did pretty well, given everything.

- This means that it was Hastur and Ligur’s jobs, as the Knight and Space players, to breed the Genesis Frog, which creates each new universe, and that tickles me to the bone.

- Ligur’s whole situation is a nod to both Good Omens and to Homestuck; for a bit I entertained making Crowley the hemo-mutant that Karkat is, but thought he fit best lower on the totem pole (on his belly he shall crawl and all that). Canonically, Karkat’s bright red human-like blood is a mutation off of an old hemospectrum caste, the limebloods, and it tickled me to think of Ligur occupying both the limebloods and the red mutation that spawned from it, as a nod to his color-changing in Good Omens and his affiliation with chameleons. Also, apparently it’s the guanine in their skin that makes chameleons change color, which is what the G in Homestuck pesterchum handles stands for (bc the chats are all supposed to represent DNA strands that make up each Genesis Frog that creates each new universe), so it came together kinda perfectly. If Ligur ever was in a pesterlog, I was going to code it so his lines would alternate colors, but it didn’t pan out that way.

- Was it overly simplistic to cast Hell as the lowbloods and Heaven as the highbloods? Yes. But there are two reasons for this, one of which I can’t say because spoilers, one of which I will freely admit, which is that I got tired and just simplified where I could because I was already putting more effort into backstory that turned out to be less relevant than I thought once I finally got the dang thing written.

- In the bowels of my Instagram there is a doodle of Gabriel with the traditional Bardic codpiece and an expression to match, but I didn’t keep it in canon. It is definitely there in spirit and more loving detail will be paid attention to it if I ever go back and do a proper Homestuck troll AU.

- There was a subplot I discarded when thinking of the quadrant entanglements that involved Dagon hooking up with both Sandalphon and Michael in a redrom way and that being one of the catalysts for the bloodbath at the end, because I adore Dagon/Michael and wanted to go there first but she was already appearing so much, and I remember reading about Dagon/Sandalphon once in a fic I wish I could remember off the top of my head and it was so bizarre I adored it. Ultimately I stuck with Dagon and Sandalphon having a redrom fling, because why not.

- Dagon was also going to have a whole Thing against Metatron that boiled down to her having vestigial seadweller traits and being jealous of an actual seadweller that didn’t do his heritage credit, but Metatron was such a non-entity that it didn’t feel relevant to bring up, with so much already getting crammed into this upd8.

- Gabriel and Eridan have some eerie synergy and that’s a hill I’ll die on.

- Uriel was supposed to have a bigger part, too, delving into how they fit into the whole purpleblood Mirthful Messiahs cult and how they use their paint to emphasize their vitiligo (inspired by their canonical pretty gold face markings), but once again...not enough room, not enough interaction with Crowley or Aziraphale. They were either going to be a huge part of it, or eschew it entirely in favor of worshipping Metatron and possibly Metatron’s eldritch lusus instead, but eh. Roads untraveled. I also didn’t doodle their facepaint while I was doing my concept sketches/brainstorming activities so I just let it be.

- The whole Michael and Sandalphon using a heavily manipulative auspisticism to blackmail and control Aziraphale was a concept I had from the beginning, but when I wrote the scene, it actually shook me up a lot; Auspisticism is one of the platonic and weirder quadrants in Homestuck, but it didn’t hit me until I had written it how that particular dynamic could be exploited and turned into something kinda borderline abusive, if not outright abusive (I’m trying to be more careful in how I apply the word so I don’t know for sure if what I wrote counts as fully abusive, or just a super bad time). To be honest, in all the Homestuck fics that ever were, I don’t think I ever read a single one that described what I did in this fic (and RAPE MENTION TW a part of me that is forever struck by my friend’s fic that described a brutal pale rape, as in forcing the usual nonsexual markers of the pale quadrant on an unwilling victim, was worried that I had written ashen rape, which was NOT where I wanted to go; after worrying about it to friends and sleeping on it, I don’t think I quite went there, but the implication that it COULD happen is going to haunt me for a while).

- I did want to get more detailed with a lot of things, like Crowley and Aziraphale’s influencing and talking with humans, and how it was affecting things like their vocabulary and how they saw the world, but it was just too much to tackle in any great detail.

- the whole thing where Crowley uses his god tier powers to steal Life energy from his fellow stranded trolls and makes plants that could potentially feed them one day? Totally unexpected. I did a LOT of refreshing myself on the classes and aspects of god tiers when I was doing the groundwork for this part of the fic, but it didn’t strike me that that was a thing Crowley could do until I was already writing it. And maybe Aziraphale should’ve been a little more horrified by it, but Crowley’s right, they ARE immortal now. Also the whole “taking Life energy and redistributing it among allies” thing probably wasn’t meant to be interpreted as “puts the other trolls in the Mood for quadrant hookups” but it was too hilarious a coincidence to ignore. Life needs things to live, as a wise internet dnd player once said, and when you’re the last of your species, you’ve gotta do what you can to propagate (even if it’s functionally impossible to restore your species, since there’s no Mother Grub to donate slurry to and no ectobiological lab to make ectobabies from. God loves a trier). Does that make all the hookups dubious consent, since weird Life magic was involved? I don’t think so, I think it just accelerated what was already present, but I’ll leave that to y’all to judge.

- Crowley was actually supposed to be the one to die. It said so in my notes. It was a whole Thing, Crowley getting speared or shot or whatever and looking at Aziraphale like “ha I got this one better luck next time”. But then I made Aziraphale a Thief of Doom, which was originally a joke to myself about how he hoards books (Thief players are hoarders and Doom can represent rules or systems), and then he got all contemplative and hit ME back with “no, no, sister, you made me a Thief of Doom, I’m gonna steal this death meant for Crowley and keep it all to myself, and there’s nothing you can do about it.” And he was RIGHT. I can’t believe I’ve killed Aziraphale THREE TIMES now. And I completely forgot about how god tier players are also immortal from being killed unless the death is Heroic or Just until, again Aziraphale reminded me by pushing Crowley out of the way--therefore making his death to sacrifice himself for his friend and beloved Heroic. I played myself in every possible way. Checkmate, brain. (As for what that means in future chapters, stick around, it’s only gonna get weirder, but Homestucks who are puzzled at the inclusion of Dream Shards rather than Dream Bubbles are encouraged to draw some conclusions of their own.)

I think that’s all I wanted to talk about, so have a doodle of Michael with her Seer hood drawn for funsies.

See y’all later! Feel free to send me an ask or a comment or whatever if you have any questions or just wanna talk about this madness I’m creating!

#good omens #omenstuck #quilly writing #quillartist #quilly writing: director's cut #oof y'all i did so much weird work on this #feels good to have it all out there

[imagitory]

Hey, Hogwarts Mystery players! I thought I’d start something, so consider yourself tagged if you want to do this too! I’ll add some names of users I know play the game, and...yeah, pass it on, if you want! @weasleyismyking540​ @weasley-adoptee​ @hphm-roger​ @shinyrockalaska​ @dat-silvers-girl​

A Character Theme for your MC:

A Character Theme for Jacob:

A Character Theme for (blank): [This one can be for other original characters you’ve added to your MC’s circle, like parents, other siblings, etc., or even for HPHM ships you ship!]

And now, to start off -- here’s mine!

Carewyn Cromwell ~ “Someone Else’s Story,” from Chess [fancast: Sadie Sink]

Lately, although the feelings run just as deep, The promise she made has grown impossible to keep, And yet I wish it wasn't so... Will he miss me if I go? In a way, it's someone else's story: I don't see myself as taking part at all...

Carewyn’s single biggest insecurity is her lack of control over her life and how people see her. Although she wants so much to just be a normal Hogwarts student and join the Frog Choir, Dueling Club, and Quidditch team like she dreamed, her entire life has been consumed by the mystery of the Cursed Vaults and her brother’s disappearance. But the reason for that is that Carewyn always dreamed of achieving great things with her mother and brother there to support her. Without Jacob there, her dreams would feel hollow and selfish, and as Slytherin as Carewyn is, she wants to be the best person she can be, which includes being the best morally and emotionally too. And so she’s swallowed back her frustrations, doubts, and resentment and has decided that her own identity and happiness must be overlooked in favor of addressing her imminent need to break the Vaults’ curses and save her brother. When Jacob is found, then she can finally get everything she wants, because her dreams would be complete with him in it.

Jacob Cromwell ~ “This is the Moment,” from Jekyll and Hyde” [fancast: Timothée Chalamet]

Give me this moment, this precious chance... I'll gather up my past, and make some sense at last! This is the moment when all I've done -- All the dreaming, scheming, and screaming -- Become one!

Carewyn’s older brother, Jacob Cromwell, was the only real father figure in her life given how absent their father was before he and their mother Lane divorced. Jacob has always dreamed of achieving great things, and when he realized the “weird” things he was blamed for were really evidence of magical talent, he fell head over heels for magic and wanted to envelop himself in every branch of it he possibly could. His placement in Ravenclaw couldn’t have suited this thirst for knowledge and achievement better, but it also exacerbated some of his flaws, like his disorganization, neglect for his own health and hygiene, and obsessive nature. Jacob always has been very protective of and affectionate toward Carewyn despite his disheveled, sometimes immature affect. He would often shield his sister from bullies when they were growing up, and he also forcefully hid his bad habits and investigation into the Cursed Vaults from both her and his mother. Carewyn adores him to pieces despite his flaws, but he sadly is just erratic enough of a person that it’s hard to guess what he’s thinking at any given time.

Lane Cromwell ~ “Widow’s Walk,” by Suzanne Vega [fancast: Claire Danes]

I'll set my house in order now and wait upon the Will -- It's clear that I need better skill in steering... That line is the horizon -- We watch the wind and set the sail, But save ourselves when all omens point to fail...

Like her son Jacob, Lane is a Ravenclaw alumnus with an independent streak, but she was born to a very close-knit, traditional magical clan called the Cromwells, who had a very clear image of who Lane was supposed to be and how she should live her life. Of course the soft-spoken, yet free-spirited Lane was pretty much destined to not conform to her family’s expectations -- after school, she fell in love with a Muggle and rather happily embraced the Muggle world as she was forbidden to tell her new husband about her magical heritage. Two children and one divorce later, Lane has gotten back on her feet as a single mother who works as a free-lance magical historian and Rune expert from home for the Ministry of Magic. She could sense a lot of turbulent emotions in Jacob before he disappeared and right now can sense there’s a lot Carewyn isn’t telling her, but after how overbearing her family was her entire life, she’s become desperate to not suffocate her children and wants them to be free to live their own lives, no matter how worried she is for their well-being. And so she struggles to keep Carewyn’s and her relationship strong in Jacob’s absence, and she’s actually been covertly doing her own investigation into Jacob’s activities by writing and talking to various Ministry of Magic employees. She’s also kept diligent correspondence with Carewyn’s Head of House, Severus Snape, and Hogwarts’s Deputy Headmistress, Minerva McGonagall.

#hphm #hogwarts mystery #carewyn cromwell #jacob #lane cromwell #jacob's sibling #music #playlist #oh boy here i go

[confessionsofaloudmouth]

The Half of It; a blog post by Chelbey Trump

Okay, so I kinda fell off the face of the Earth for the past 2 months. I was so dedicated to uploading on here, but then I felt it was disrespectful to post my own work directly after the death of George Floyd. I spent a few weeks educating myself by watching various documentaries and signing a ton of petitions. Of course, that didn’t take up all of my time. I read a lot, got a killer tan, and basically just procstatinated the idea of uploading on here.

But, today I have sparked inspiration! I am going to write about The Half of It, a Netflix original movie, directed by Alice Wu, and starring Leah Lewis. The movie was released on May 1, 2020 and has a 97% rate on Rotten Tomatoes.

Characters:

Ellie Chu; I saw so much of myself in this character, yet felt so much different than her. Like Ellie, I am witty and snarky and, yes, sometimes a bit of a smart aleck. On the other hand, Ellie was much more quiet than I, her family situation was unique, and I have never made money off of writing papers for other students. Ellie was the perfect main character for my favorite genre of a movie. She had the mindset of getting out of the small town, of wanting more from like. To me, she was very similar to Charlie from Perks of Being a Wallflower, which is my all-time favorite movie. She’s on the outside of everything, looking in, until a sudden move makes her the center of everyone important’s attention. I was worried she would live up to the generic, slightly rude Asian stereotype that so many movies choose to enhance. However, while her heritage played an important role in the relationship she had with her father, it didn’t take up the entire storyline. Yes, it painted realistic obstacles of being made fun of in high school and being different in the whitewashed small-town. Yet, again, it wasn’t all about how she was different because of her race. I think it’s important movies do that in order to highlight the struggle of POC in America, however, I think we’re all sick of POC main characters only getting a storyline that stems out of their race. Moving on, I loved Ellie. Her character arch was so delightful to witness: We watch her literally come of age, accept her sexuality and embrace the love she feels for someone else. I love seeing women become confident and happy with what they already have in themselves.

Paul Munsky; I think you all know I’m about to say he is the cutest character ever. Like, ever, in the history of...ever. Another storyline we always get is the POC sidekick best friend who provides the humor and never gets a deeper connection with the audience. However, Paul was a straight, white man and the story didn’t revolve around him! How delightful. Paul had his own subplot which I think balanced well with Ellie’s. I believe that it was testament to the whole, “You never know what someone’s going through.” It also provided the support reflected from Ellie that extended from just writing letters for Paul. His sausage storyline is super cute and it compliments well with his football player demeanor: He has poor communication skills, and he only knows how to make sausage because he helps work for the family business. However, hes bored with that life, so, as hes trying to literally spice up the sausage, he wants Ellie to spice his life up with a love letter to Astrid. In the end, Ellie helps him learn to be more of an individual than just another football player. I don’t the fact that he ended up falling for Ellie, however, I can see why he did. She was a light in his boring darkness, saved him from carbon copies. She saw the very best in him. How could you not fall for someone who helps you love yourself?

Aster Flores; I love, love, love, love, love Aster. She was the perfect mixture of girl-next-door turned art-nerd-you-never-expected. She wasn’t the weird, quirky, “I’m not like other girls,” stereotype. She sacrificed her personality for the sake of pleasing other people. She kept her own feelings, sexuality, inside in order to satisfy the people who looked to her for guidance, which was, conveniently, popular blondes and her own ‘boyfriend.’ Her dynamic with Ellie was beautifully tragic. I wanted them to fall in love so badly, yet I was perfectly okay with them simply being best friend. Yet, i guess, in a way, aren’t those sometimes the same thing? A best friend and a lover? Maybe Ellie was wrong in saying there was no perfect person for everyone... Overall, i want to see more of Aster. She didn’t really step out of her cocoon until the movie was ending. I want to see her in art school, flourishing both in grades and, ya know, sexuality. She told Ellie she had to find herself, and I want to see that happen. Sequel title: The Whole Thing. Idk, to me, that’s perfect.

Honorable Mentions; Mrs. Geselschap was on-point for the common, small-town English teacher. I always form deep connections to my English teacher, for obvious reasons, and I felt that connection with this character. Trig Carson was annoying and I hate him. His character was good, yeah, it paid omen to the gross, rude, homophobic, racist, jocks that attend every American public high school. That’s why I hate him... Mr. Chu was deeply symbolic for Ellie, but also just a comedic relief for the audience. The moments he was asleep, or talking during the movies, I saw the lovely dynamic of a broken, yet still close family that doesn’t really get displayed on television. Its possible to be missing a parent and still be a well-functioning citizen. Finally, Mr. Chu made me cry a lot at the end, so he gets extra brownie points.

Settings:

I was reminded so much of my little hometown, with the football games being the biggest moment of every fall, the cornfields stretching far and wide, and the usual, broken-down pickup trucks. I loved the detail of Ellie’s father operating the train system, which Ellie ultimately took over for him. That small detail was symbolic for Ellie, showing her that there was a way out and that she didn’t have to settle in Squahamish just because of her dad. In the end, the trains she directed ended up taking her out of town. The small-town aspect also let us feel closer and more deeply connected to the characters. They were exactly like every teenager around them, but tiny little aspects which made them unique- their love for art, their sexuality- made them stand out and gave their story more prevalence and relevance. All good coming of age movies rely on a geographically convenient setting, and this one worked very well.

Plot Lines:

Ellie vs. Other Students; Ellie didn’t care when they made fun of her. She wasn’t afraid of their bullying or even offended by it. She simply turned her cheek and literally helped them all by writing their papers for real cheap. She outshined all of the other students with her educational and musical abilities, yet she never once stood up to them or let that light do it’s thing. She stayed behind the line, opting to play her piano at the talent show. However, when those bullies broke the piano to embarrass her, Paul swooped in with a guitar and forced her to do her thing. Without even wanting to, Ellie showed them all up. She needed to do this, to cross the line without a big, grand gesture to fully become herself. Additionally, I loved that Ellie wasn’t even hateful towards Paul, who was seeking after the girl Ellie was in love with. She stuck to her devices, never wanting to hurt others or outsmart them by actually trying. It made who she ended up being a complete shock, yet it was comfortable, because they sneakily morphed her throughout the movie.

Family Dynamic; Paul was expected to stay small-minded by his own family. They didn’t care if he went above and beyond because they never pushed him to even do so. Paul wasn’t encouraged to do that well in school or social settings. He had a fate, which would be taking over the family business. Maybe that is what he ends up doing, but there’s nothing wrong with that. Ellie’s dynamic was similar, however, with her mother dead, she ultimately took over the paternal position while still a high school student. I felt angry with her father for not being strong enough to be a proper father- and, yes, mother- figure for Ellie. In the end, he found his way again. I liked, though, that Ellie was able to go on without her mother there. Her mother meant a lot to her, but her world didn’t fall apart without her. She carried her sadness as motivation to make her mother proud.

Homophobia; I know I was not the only one shocked by Paul’s declaration that Ellie was going to hell when she admitted to him that she was gay. I think this was obviously upsetting, but it was a true testament to a small-town, driven and united by religion. It showed that, though Ellie knew Paul well and they were really good friends, Paul’s religious ‘morals’ were beyond any relationship he might had formed. In the end, I was happy that he accepted her for who was she was. Homophobia is not excused by any god, including my own. It is with love that we begin to truly wash out sin and Paul was able to understand that. I felt sad that Aster was driven into the closet somewhat by the unspoken homophobia obviously laying in wait in the town. However, I do understand that she also didn’t want to come out because she didn’t really know herself, either. There was a nice balance of reality and self-assurance here.

Quote Corner:

“Love is being willing to ruin your good perfect for the chance at a great one.” (The entire scene where Aster and Ellie exchange paintings on the side of a building added 3 years to my lifespan, I don’t want to talk about it. I’m serious, I’ll cry.)

“How you could live in an ocean of her thoughts.”

“I’m like a lot of people which kind of makes me no one.”

B-Sides:

These were the songs which touched my music soul the most;

Overall Rating: 4.75/5

Literally the only reason I took off .25 points is because this wasn’t one of those movies I could watch again and again. Of course, I’m going to watch at least five more times within the next year. However, I only know 2 movies I can watch again and again: Tangled and Bohemian Rhapsody. Even then, I get bored after awhile. This movie was in my favorite genre and it satisfied every single detail required to successfully tackle that specific trope. It wasn’t cringey, though movies in this genre tend to be, and the characters were spot on without being annoyingly so. I want to see more of all of them and I’m hoping Netflix would consider a sequel. We shall see, friends.

Next time I decide to actually put effort into something other than a book or swimming, I want to discuss a classic: Mystic Pizza.

In the meantime, here is a Google Doc containing various petition links: https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwj7wKips77qAhXYlnIEHZiuCBsQFjAAegQIAhAB&url=https%3A%2F%2Fdocs.google.com%2Fdocument%2Fu%2F0%2Fd%2F1wtawPIxNuYuYlPTIBMxPe6jmaMSN7aH0pJO5x7cy4nc%2Fmobilebasic&usg=AOvVaw3MAVKPgC70UwkdV2rH2PlN

#the half of it #ellie chu #netflix original #netflix #the half of it netflix #netflix the half of it #the half of it review #netflix review #paul munsky #aster flores #movie review #movie reviews #review #reviews #blog post #blogger #bloggin #book blog #movie blog