#I think it doesn't help that they're somewhat nostalgic for me

[moonypears-blog]

I will never get over how Disney robbed us of Cedric calling Sofia "British" pet names. I need to start writing more fics for them, but expect the nicknames "poppet" "love" and "darling" to appear a lot.

#I think it doesn't help that they're somewhat nostalgic for me #that's the best word i can think of #cus my mum calls me all those things so it just feels so parental for me #sofia the first #cedric the sorcerer #sofia the fandom #cedric the great #stf #cedric the sensational #cedric sofia the first #princess sofia #sofia balthazar #thoughts

[fairyhaos]

seventeen as seventeen songs

requested by @nishloves

notes: honestly this was hard to do 😭 i kept thinking about songs that are most iconic for that member rather than which song they fit, but hopefully it's still somewhat accurate <3

[the spotify playlist with these songs in too]

masterlist

seungcheol

clap. if there's any song that screams "i'm the leader of seventeen and we're better than any of your lazy asses", then it's clap. it's also such an iconic song, and the hypeness and brightness and the coolness and suaveness it radiates all at once is very very seungcheol, if you ask me. it also doesn't hurt that he looked so so good with his silver hair in the mv.

jeonghan

snap shoot. okay, this one sounds really unusual, but hear me out. snap shoot gives encore song vibes, goodbye song but not quite goodbye, "today was fun and i hope to see you soon" vibes. it's like standing back and watching everyone have fun because of something that you did. it's being happy n having fun by seeing that you made others have fun. and that's jeonghan.

joshua

falling for u. it's such a delicate song, all polite and sweet and delicate and therefore it's just very very much joshua. the youthful, almost playful edge to the melody reminds me of him, along with the kind of naive, "you're so pretty so i fell in love" kind of loving that the song feels like makes me think of josh. also a bonus that he has tons of lines in this song, since it's just a duet w him and jeonghan haha

junhui

my my. the hope!! the sweetness!! the little funky music in the intro that adorably reminds me of junhui's voice!! it's all just so him. the way this song just encapsulates feelings of youth and life and being forever young and forever going towards your dreams... that never-failing optimism is so junhui it almost hurts

hoshi

hit. if you don't think the constant "woah woah woah woah woah"s and "let me drop the 음악" aren't the most hoshi things ever then idk what you're on, man. it's hype, it's powerful, it's "im better than you and even you know it" and so cocky but also so True that you can't even refute it. it's about always doing better, always going further, and that's just so hoshi.

wonwoo

lean on me. jazzy, chill, dependable vibes are a very very wonwoo thing, actually, and that's what this entire song is about. it's laid back, and yet loving at the same time, caring and comfortable and ready to be by your side. it feels like a song you'd listen to while on a walk with him at night, his camera up to his eyes, his hand wrapped around yours.

woozi

247. it's romantic, but also a little wistful at the same time? elegant, yet nostalgic, thoughtful and sweet and like dancing across a glass lake. it's what woozi feels like, with his intelligence and how delicately he feels things. to be honest, a lot of the ballad-style, romantic earlier songs of svt fit him rlly well, but 247 even more so

minghao

hit song. it's a smooth feeling song, like running a cloth over a black marble countertop. honestly, finding a minghao vibe song is really hard for me, but some of their gentler songs seem to fit him, full of devoted, almost shy love that feels very minghao to me. that devotion, that softness and yet the determination also present feels like him

mingyu

boomboom. purely based on the vibes of the song tbh, and the prominent drums and chromaticism of the melody feel like mingyu, along with the brass accents and the confidence and coolness is just all so very very there that it makes me think of mingyu practically almost instantly.

dokyeom

kidult. not only because his vocals in this song are both iconic and utterly incredible, but even its message is very dokyeom. it encapsulates his innate urge to help people, to heal people, to make sure they smile and that they know they're loved. it's a precious song, and a song about letting others know they're precious, and has me crying and smiling, just like dokyeom does.

seungkwan

'bout you. it's a devastatingly romantic song, like a simple, easy love. it's like the type of love with zero complications, just full of two people laughing and running through fields hand in hand and hearts full of love for one another. the entire song feels so fresh, almost citrusy, and never ever fails to bring a smile to my face. just like seungkwan, actually.

vernon

crush. im gonna be real with u i have no idea how to explain this one but yeah. crush gives me vernon vibes and idk, maybe it's the funky vibes of the song with its mild chromaticism that give me a vernon feeling, but yeah. vernon is crush. (maybe it's because that's what i have on him-)

chan

domino. it's a light song, like floating but not quite. almost as if bouncing on your feet in midair, leaping across clouds which just gives me chan vibes. it also gives me movie ending credits song vibes after a bright, high school-set rom com learning-to-grow kind of movie which is very very chan in my opinion

request guidelines

reactions tags: @jeonginssa @magicaltonaru @weird-bookworm @minhui896 @turningcarat @zarara @bunnyiix @slytherinshua @haowrld @belladaises @iheartyujin @summery-bat @newgirlygirl @moonlitskiiies @ejspencer14 @mirxzii @wonranghaeee @saythename-chess @yonabutnotyuna @youthoughtiwasfeelingyou @crackedpumpkin @wqnwoos @sunshinekyeom-sang @ocyeanicc @zozojella @thesmellofcoffeeandrain @kthstrawberryshortcake-main @kawennote09 @a-wandering-stay @icyminghao @nananacomeonnnn @valenhui @sweet-like-caramel @hansolaria @gam3bo1z @marisblogg @evasaysstuff @odxrilove @kyeomyun @chansburgah @pepperonijem @jeonride @kellesvt @butiluvu @sakufilms

#fairyhaos.works #seventeen #svt #seventeen fic #seventeen drabble #seventeen headcanons #seventeen imagines #seventeen scenarios #svt fluff #kpop writing #scoups #seungcheol #jeonghan #joshua #hong jisoo #junhui #hoshi #soonyoung #wonwoo #woozi #jihoon #minghao #the8 #mingyu #dokyeom #seokmin #seungkwan #hansol #vernon #chan

[joshhhhhhhhhhhhhhh]

Woo! As promised, put the show on hold and let it finish first, and then watched the entire second half in one sitting. And that included rewatching episodes 7 and 8. Definitely the right call to make - I think I had way more fun than I would've otherwise.

This second half of Sand Land is quite interesting honestly. I think at first I was definitely feeling... not negative per say, but a little put off - it's quite slow and even a little tiring to watch initially, it doesn't take much time for it to just start going through the motions of repeating stuff that happened in the first half. We'll repeat gags about how evil Beelzebub is, show off Thief's Santa costume, repeat the absorbing the power of the darkness scene. Things that we've seen before in the first part are done again but less impactfully - the only difference is that now Ann is here as a new onlooker. It feels akin to all sorts of modern sequels to retro properties, tickling your nostalgia by hitting similar plot beats, character moments, and just general scenes - think your new Star Wars movies, stuff like that. It's not inherently a bad thing, I just think the context of this production makes it feel a little awkward - Sand Land the manga may be from 2000, but this anime production is new, and for pretty much the entire audience it's going to be their first exposure to the series. So within that one production we have both the original story as it existed nearly a quarter-century ago as well as a nostalgic sequel. And they're both just the one thing. Most of the viewers - myself included - just can't take these as nostalgic callbacks, because we've literally just seen them for the first time. It's definitely just a bit weird, you know?

I think as the show went on, however, that it gradually started turning this into more of a strength. Your fairly surface level fanservicey callbacks are definitely still present - the gang do get the old tank back and do their usual crazy impossible strategies, Beelzebub goes joker mode, we raid a floating airship - stuff like that. But by and large they're seriously in service of the new narrative and oftentimes are significantly expanded upon for the sake of the narrative tension. The power of the darkness is a plot point. Beelzebub's joker mode isn't a win button. The tank is back because we've got the Sand Land military completely on our side now. And more than just letting old iconography and moments take hold of the narrative, this second part wants to flesh out every part of the setting. The picchi were making weird helpful tech in the first part, now they're making nonlethal weaponry in the second. The Swimmers are major supporting characters. Satan - Beelzebub's dad who appeared in literally one scene initially - is marginally more fleshed out as a character and dramatically more present in the narrative proper, even showing off some of his power (which is pretty important to a series like this). Wholly new are the Angels, Forest Land, and Ann - the latter of which is tied directly into Beelzebub and Satan in a way which isn't foreshadowed in the original, but also that never bothered me and she's all around a fun inclusion, so it works - her mechanical prowess rounds out the crew quite well. I don't think I've done a good job in this paragraph selling how well the show reuses the old and mixes it with the new, but it kept me having a lot more fun with this arc than I expected to just off my gut reaction to it at the beginning.

Few more miscellaneous notes:

Bred's arc is a little poor - despite his own protests he's very complicit in Muniel's actions which make him feel surprisingly weak-willed, and his turnaround ends up feeling somewhat sudden accordingly.

Thematically we're matching the original part pretty similarly, although the focus on trust is put on the backburner in favour of exploring themes of technology and technological responsibility, which feels like a natural development from that first part. Although capitalism as a theme was dropped, which tbf I didn't really think about while watching at all but it does make this second part have a little less thematic bite.

Muniel is a little shit and I desperately wanted to see him get beat up, which is a catharsis the show offers plenty of.

I was initially hesitant about Forest Land because it felt like it broke the setting of the first part a little, and although I did warm up to it, I wish they had explored it a little more.

Metalisation was a very random new power to drop lol.

I liked Ann's half-demon heritage and her internal conflict surrounding it.

It felt like Beelzebub pissed a lot more.

I kind of wish they showed us what the badlands or whatever they were called looked like with Garam having crashed into them - rainy aurora borealis was definitely sick but yk, what that lake lookin like with a dope airship in it

There's a fairly open ending leaving the potential for more stories to be told in this world - personally I could go either way, if they make more I'll watch but there's also something to be said about Toriyama's legacy and I do like this as one of the final stories he shared with us.

I should see how the game is reviewing and how the gameplay is looking and decide if I really want to buy it or not. Again probably discounted but yk

Anyway yeah that's Sand Land. I liked the first part, and I was hesitant about the second but I liked it too. A show that I liked watching from start to end. Crazy. If you're inclined towards fairly conventional action/adventure stories with a lot of personality - or just like the works of Akira Toriyama at all - I'd say check it out. It's good shit.

#sand land #5.5.24

[murmurmurl]

i need u to tell me everything about your unit so when ill be writing once i have time, i can put them in it too

hohoheheoehehehoheoe,,,,,,, I'm gonna use this as an opportunity to shove all of the most important info into one place. Everything is a little all over the place tho, but it's always like that wjkhkskh

Helianthus♡Light!

Helianthus is the genus which includes sunflowers. Fumi and Seina suggested this part of the name, since Fumi loves flowers and the flower language/symbolism behind them, and Seina knows the more,, biological/scientific stuffs. The "Light" part is both because it also has to do with sunflowers, and Toshiro suggested that they're "reaching for light", because they chose the name at the end of their main story and they were feeling very hopeful,, it's not like they're not hopeful now, idk why I phrased it like that ANYWAYS.

I'm kind of not sure what type of music they play (mainly because I don't know ANYTHING about music genres lol), but it's definitely something warm, nostalgic, maybe a bit echo-y, somewhat soft, and their cover arts definitely include a lot of nature stuff,,,,, I haven't designed their virtual singers yet, but they're probably gonna be Rin and Luka (and Miku obv)

Unit members!

Toshiro Hasegawa (they/he)

178 cm tall, unit leader, probably main vocalist?, class 2-B (post-3rd anni), class 1-C (pre-3rd anni). Pretty energetic and outgoing, straight-A student, very afraid of failure and tends to try to earn love and affection through exceeding at everything because family problems, yay. Has an older brother (Hiroto Hasegawa, he/him), who is a part of ANOTHER unit,, The two are pretty distant. The whole family actually is, woops. Toshiro is also VERY into crystals and spirituality. It gives a sense of certainty. Also has an orange cat named Surfer. They're a big MMJ fan, specifically Airi fan. Friends with Ichika and An. Always braids/does everyone's hair.

Matsu Kimura (he/him)

162 cm, probably also vocals, but mainly deals with the uhm technical musical stuff that I know nothing about?? class 3-C (post-3rd anni), class 2-B (pre-3rd anni). Very bubbly, energetic, affectionate, super-uber-extra autism (sea-flavoured), very average grades because he only really does what he's interested in, but he does it rlly good. Used to get bullied in middle school, struggles with people's expectations and trying to fit in. Very-very silly. Only child. Keeps pet fish. Friends with Emu. Very tactile, loves tackling people.

Fumi Hatanaka (she/they)

169 cm, loves musical instruments and plays guitar, class 2-A (post-3rd anni), class 1-B (pre-3rd anni). A surprisingly bad student, doesn't care about school. She's pretty reserved and a bit grumpy most of the time but tends to easily get angry and even a little aggressive. Cares a lot about her friends, even though she doesn't really know how to show it. Also doesn't want to show "weakness". Blames herself for being too soft in middle school and not being able to help Matsu. Her family owns and runs a small flower shop. Friends with Shiho, dislikes Tsukasa and Rui (thinks they're too obnoxious and chaotic lmao). Also an only child. Doesn't have pets, but feeds strays that often hang out around the shop. Friends with Shiho and pretty much all of leo/need, as well as Toya. Can be pretty distant physically, but likes subtle physical gestures of affection.

Seina Amari (she/her)

175 cm, writes lyrics for their songs, loves writing in general, the only one in the group who goes to Miya girls', class 3-B (post-3rd anni), class 2-B (pre-3rd anni). Does VERY good at school, super responsible, helps everyone, though isn't actually all that interested in most subjects except literature. She's very calm and caring, always tries to help everyone, has a very gentle energy about her. This mostly comes from the fact that she had hurt a dear friend in the past, which was actually genuinly her fault, but also some shit happened, and she ended up dealing with this by being overly-caring and not letting her loved ones see when she's struggling. Doesn't mean she doesn't ACTUALLY care though. She very much does. Has a younger sibling (Taru Amari, they/them), who's also part of the same unit Hiroto is! Also has a pet bunny named Puddle, who's very similar to her, which I think is funny,, not exactly friends with Mafuyu, but just a little bit closer than regular acquaintances. Close friends with Shizuku and pretty much the rest of MMJ too (Toshiro nearly fainted when they found out). Has a part-time job at a local coffee shop, where she met and became friends with Ena. Often shows affection/compassion by something like placing a hand on someone's shoulder.

I decided that they all should have emojis because,, idk,,,, it's fun,,,,,, so:

Toshiro – 🍑

Matsu – 🦈 (or jellyfish, but I don't have this one and don't want to have to copy-paste it every time,,)

Fumi – 🍊

Seina – 🍃 or ✒️ (but here I mostly use ✒️)

How all of them know each other!

(Because I wanted ALL of them to have some kind of connection to each other before the unit was formed. I think it's fun.)

🦈🍊 Matsu and Fumi are childhood friends and went to the same middle school. It was very awkward and tense at first when they met again in high-school, because back then Fumi felt extremely guilty and ended up distancing herself, eventually kind of abandoning Matsu when he needed support most.

🍑🍊 (fucking fruits /j) Toshiro's brother visits Fumi's family's flower shop very frequently, that's how Toshiro and Fumi met, since she often helps out with the shop in the evenings. Though they didn't become close until the main story started and the unit was firmed.

🍑✒️ Toshiro and Seina know each other because their siblings, Hiroto and Taru, are friends! So they kinda met through Seina accompanying Taru whenever they wanted to visit Hiroto.

🍊✒️ Fumi loves coffee and met Seina when going to the coffee shop Seina works part-time at. Because Fumi ended up being a regular customer there, even with their tough personality the two became acquaintances, but also didn't become very close until the events of the main story.

🍑🦈 Toshiro and Matsu just kinda bumped into each other at school. They became friends before the events of the main story.

🦈✒️ I think Matsu and Seina are the only exception though. They've only met when the main story started.

[also, side note – none of them canonically have labels, but the pronouns are canon]

Dynamics!!

🍑🍊 They bicker and argue a lot, but not, like, SERIOUSLY. They're both aware they're joking and most of the time it's affectionate. Fumi isn't as big of a fan of physical affection as it seems the rest of the unit is, so Toshiro doesn't get the chance to braid her hair that often. But when he does, it's very nice and relaxing for both. Surprisingly, Toshiro might be the closest to Fumi, after Matsu, that is.

🍑✒️ Toshiro loves braiding/doing everyone's hair, as I've mentioned already, and his favorite to do this to is Seina. They especially like braiding these tail-like longer parts of her hair. Overall, they're pretty close because of their siblings, and Toshiro might be one of the first people Seina eventually opens up to. Also, I keep forgetting that Toshiro is actually taller. Most of the time, Seina just. FEELS taller, idk.

🍑🦈 These two are very close. They both kinda admire Rui and Tsukasa, which worsens their already chaotic behavior. They're actually two menaces together and no one is safe. Matsu loves tackling Toshiro more than everyone else and Toshiro might sometimes jokingly complain, but loves the attention. Matsu's hair is also his second favorite to braid. Also they drag Matsu to MMJ concerts and keep trying to convert him into being an MMJ fan,,,,,,

🍊✒️ Seina has a surprising way of calming Fumi down better than anyone else. Sometimes, maybe if they're waiting for something or riding a train somewhere, Fumi even allows herself to rest on Seina's shoulder. She's less harsh with Seina (even if her harshness isn't malicious with her friends). Seina sometimes has to stop Fumi from getting into fights. Even if she struggles to show it, Fumi tries her best and appreciates Seina a lot.

🍊🦈 As I mentioned before, Matsu and Fumi are childhood friends. At the beginning of the unit story things are still pretty awkward and Fumi is very tense around Matsu, as she still feels guilty, but isn't sure how to properly express any of it, while Matsu still feels a little hiet over her abandoning him. Though as the story goes on, this conflict pretty much gets resolved, even though it will still take a lot of time for any awkwardness to disappear completely. After the unit is formed, they're pretty close again, despite, uh, all of what I just said. They need some time to get used to each other again, but ARGHHH I LOVE THEM SO MUCH, they care about each other A LOT, even if Fumi isn't the best at expressing it. The whole reason she became so mean and harsh is to be able to protect Matsu.

✒️🦈 Seina kinda feels like an older sister figure to Matsu, I think? At least, for me,, She worries about him a lot, maybe even more than with the others, helps in overwhelming situations, all that. He's still very affectionate, but it's kinda like his affection is more calm with her (basically, he doesn't tackle her as hard as everyone else /hj)

SEKAI description!!!

(I just copy-pasted this from the post where I first described it. I'm NOT typing all that ever again)

I mentioned that I call it the overgrown sekai. Because it's, well, overgrown. As you could hopefully guess. The main part of it is an old stone structure, with some intricate carvings still remaining visible and even discernable, although everything does look like it's at least.. a few centuries old, no less. However, taking into account that it's a sekai, it probably isn't that ancient. Almost everything is pretty much overrun by plants – ivy spreading across the grey stone walls, grass (and most importantly flowers) breaking their way through the floor that seems to be made of marble, but it's too old, overgrown and at times dirty to be completely sure. The said flowers are a strange mix of forget-me-nots and sunflowers that may not quite make sense, but it *is* a whole ass other dimension, after all. There's plenty of light, despite practically no windows in sight, save for a few small ones. The reason for that being the roof, shaped like a dome, with holes in it that clearly weren't here by the first design, having appeared because of the stone collapsing over time. Unsurprisingly, the flowers are concentrated in the areas where the most light seeps through those holes. And speaking of light, the time here is always the same – late afternoon, with the season always remaining a comfortable sunny summer.

There's some furniture in the building, mostly along the walls, with the center looking almost like a flowerbed. That furniture seems to represent each of the owners of the sekai – an old desk made of dark wood with a quil and some paper thrown around it, almost giving it an impression that the owner left in a hurry. The paper has become a light yellow color over what may or may not be a rather long amount of time. Next to it – a somewhat fancy wooden chair. There are mirrors hung around this part of the space – some broken, some have the glass taken out entirely. Just a little further – a shelf and an armchair. Both items' materials and overall look fit that of nearly very other piece of furniture here. The shelf is filled with items that seem to have some spiritualistic significance – amulets, crystals and stones, all of them hand-made and hand-carved, yet seeming to lack in accuracy and having been made in a hurry. The armchair strangely has a few long chains hanging on its back. One of the more noticeable pieces of furniture is... a fish tank. It has no fish. In fact, it doesn't even have water, though it's probably not intended to be that way – the tank is spacious and has pretty much almost everything a fish would need to be happy and content in captivity. But it's old and worn out – the driftwood rotting away, whatever plants used to be inside have withered and everything is covered in a thin layer of... dust..? The tank itself stands on top of something of a dresser. If you care to open its doors, you will see rows upon rows of books – as many as could fit in the little space there is inside. Most of them have to do with marine life, but there are also some journals full of incomprehensible messy writing, as if whoever was filling them either didn't have much time, or was feeling too much emotion to care. Perhaps the strangest item in the building is a cage. It's designed just like one of those small restricting bird cages, glistening with gold in the light from above, but for some reason, the cage could easily fit a human. If you decide to step in, you might notice an unexpected aroma. It's vague and subtle, but... it almost seems like fresh black coffee mixed with something citrusy. Outside, the building is surrounded by a dense forest. The light can't penetrate the abundance of trees, but somehow, it doesn't feel eerie or threatening. It feels familiar in an unexplainable way. Have you already seen these woods somewhere..?

I think that's pretty much all the important stuff..? I ramble A LOT about small details pretty often, but uhm. Explodes.

#wahoo #ask #Helianthus♡Light! #toshiro hasegawa #matsu kimura #fumi hatanaka #seina amari #hiroto hasegawa #taru amari #pjsk oc #oc ramble!

[yjyt85r98r]

Aikatsu song reviews: Aru ga mama

Song

Aikatsu Friends has pretty good music, but they always constrained themselves a bit by trying to make every song a pop song regardless of whether that was the best choice. They freed themselves from those constraints with Alicia's song, which strays further from pop than almost any song in the franchise.

"Aru ga mama" is a neoclassical song, but not in the usual sense. Instead of a typical orchestra, it uses a strange selection of instruments such as... it's hard for me to tell, but I'm guessing flute, drums, harp, marimba(?) and piano. Combined with AiFriends' signature high-reverb style, the result is something really amazing and unique.

The cymbals in the intro and first verse are played quickly, softly and incessantly, resulting in a sound that's a bit like whispering or crunching leaves. The cello that comes in after a few seconds helps give the song a dark feeling suited to gothic idols. There's a nice glissando in the transition to the B-melody, and the slightly playful sound of the cymbals is replaced with a loud heavy drum, giving a more serious kind of sound. The chorus and interlude give the impression of solemnly journeying through a snowstorm. The instrumentals from the beginning repeat at the end, and the final cymbal hit sounds like the song is holding its breath.

Vocals

There's nothing wrong with Alicia's voice, but I don't really like the way she pronounces some vowels. She sometimes pronounces Os like As, and As like the "short A" sound that doesn't exist in Japanese. It just... it takes some getting used to.

This song has what I believe to be the highest note ever sung in an Aikatsu song –E5– which may not be a big deal compared to what famous professional singers can do, but is still pretty impressive considering that it's not just sung once, but 14 times (9 times in the short version).

The vocals are somewhat ruined due to AiFriends' tendency to use too many effects. There's some pointless autotuning in the first half of the B-melody, which is a bit annoying but not a big deal. What I really take issue with is what they did to the vocals during the breakdown. One of the main purposes of breakdown sections is to being more attention to the vocals, so editing them to sound like Alvin and the Chipmunks kind of defeats the point. Although, yes, by comparison it does make her voice sound way fuller and better in the next part of the song. Still a cheap trick.

Lyrics

Compared to Aikatsu's other gothic songs, the lyrics of this one might be a bit weaker, but that's only because the other songs have extremely good lyrics so it's a high bar to clear.

"Hitotsu" and "futatsu" are recurring words that carry the chorus, so I don't really think it was a great move to condense them into two syllables – combined with the way Alicia pronounces them, it's not even apparent what words they're supposed to be unless you're actually looking at the written lyrics. But that's just what I think as an outsider – I don't know if native Japanese speakers would feel the same way.

Choreography

The backwards dip during the cello part in the intro fits really well. However, the choreography in the chorus feels a bit delayed or off-beat.

Visuals

I like the stage design. It's regal and vaguely nostalgic. It was also a nice choice to not merely make it just any room in a castle, but a library/study.

The snow and ice effects are great. It was really unique and beautiful to have ice crystals form beneath every footstep Alicia takes. The climax in episode 61 had lots of people surprised and briefly wondering what happened, but it was just part of the performance.

Good points: Unique song, amazing instrumentals, mysterious atmosphere Bad points: Weird vocal editing

Rating: 8.7/10 Personal rating: 9/10. Could be a 10/10 if not for the aforementioned weird vocal editing.

#aikatsu song reviews #as it is

[todayimgonnaplay]

Today I'm gonna play: Heart Star

I never knew Heart Star was a browser game, as I'm only familiar with the mobile version. I did play this a couple years ago but never finished it completely, so I decided to revisit it again.

Mobile gaming tends to get a lot of flack for the amount of low-quality (not to mention age-inappropriate), money grubbing games out there. It comes to a point where there's a stigma that it's only casual, or that it's not counted as ''real gaming''. It also doesn't help that the store (in the case of Android, it's been a while since I owned an Apple device) doesn't promote a lot of high quality games either. But there are a couple of hidden gems out there, if you look hard enough!

Heart Star is a pixel puzzle platformer where you switch between two unnamed characters, and navigate through levels to ensure that the two characters will find a way to reunite and be together. I'm not new to this kind of game, as it reminds me of Fireboy and Watergirl, which is a browser game. It's a free app, with 60 levels in total. As you progress, you get new mechanics involved to provide new challenges; teleporters, moving blocks, spikes, and more. Often times you need to use the characters themselves as part of the puzzle to complete the level.

The levels are intricately designed; difficult but simple once you figure out the solution. I've seen some puzzle games suddenly introduce a new feature and then bump up the difficulty with them, but this one creates a ''rest'' period for every new feature that pops up, and then slowly increase the difficulty. They're also short enough to play on-the-go, or just have a casual session to finish in one sitting, which is pretty neat! One issue I did notice during gameplay is that there seems to be a 1 second delay before being able to immediately switch to another character. This isn't much of an issue, just sometimes I was confidently able to speed through a level after failing multiple times and found a solution but the delay ended up costing me mistakes.

The visuals are cute, the characters look endearing and tell a story by their own without having to utter a single word. And this is a stretch but, if you think about the basis of the plot as you play, you can see the sense of determination that the characters have for wanting to be together. One surprising but welcoming aspect is that the graphics have a very practical function that can extend to beyond what its current purpose is. You get to know which character you're controlling based on the colours, icons, and transparency. It's very in your face that this may be translated somewhat well for people with accessibility issues such as colourblindness.

Sounds are also done really well too. Hearing the little sound effects when falling off or being damaged by a spike are effective (the former is also strangely adorable..). They're planted well that you get great input feedback from your actions. The best part to me is the music, it's repetitive but feels extremely nostalgic, like I'm transported back to the Gameboy days, especially when playing Sokoban which was also a puzzle game. I ended up finding myself singing along to it as I played.

Overall Heart Star is a mobile ported puzzle platformer done right. Especially for a free game, I think it's an interesting case to learn from for level design and providing input feedback to the player.

#Youtube #puzzle #platformer #mobile game #mobile gaming #game analysis #heart star #adventure island games #indie game #nostalgic

[dream-meister-translations]

100 SLEEPING PRINCES & THE KINGDOM OF DREAMS

ONE SNOWY CHRISTMAS EVE : MAKOTO CHARACTER CARD

━

CHAPTER 1

In the land of magic and science, Daten…

We were in the middle of town, surrounded by tall buildings. Snow fell softly, blanketing the ground.

Walking side by side with the former prince, Makoto, everyone around us seemed so unaccustomed to the snow.

EMMA : This never gets old...

I was so excited, the snow had my voice raising to a shout. But Makoto walked on with the same expression he always wore: Heartfelt annoyance.

MAKOTO : It's cold and hard to walk in. So annoying.

I couldn't help but notice the striking contrast between the people walking around the town and Makoto. No one could hide their surprise and excitement seeing snow for the first time.

Everywhere I looked, I could see a family out shopping for the New Year to come.

MAKOTO : But the snow's also slowing down everyone else, so I suppose in that sense…

As he was saying that…

CITY KID : Dadda! Buy this for me!

Hearing the cheerful voice, I turned around.

The little boy was holding his father's hand and pointing at the toys in the store.

MAKOTO : ………

The father ruffled his son's air and exchanged a somewhat troubled smile with the mother.

Makoto had been staring at them like a deer caught in the headlights before gently giving me a nudge.

MAKOTO : It's cold, I'm going home.

He turned his back on the bright lights and busy streets, his pace picking up to a striding march.

EMMA : Ah! Wait!

Be it the gentle flutter of snowfall, or the smiles of the families flocking in the streets… To him, who had lost his country and family… It was all just uninteresting and bothersome…

(The truth of the heart…)

I suppressed the ache and fear in my chest, and quickly moved to catch back up.

━

CHAPTER 2

The air in Makoto's room felt colder than usual…

MAKOTO : God, no matter who they are or where you go, they're always so happy…

EMMA : It is very lively…

MAKOTO : Please let me go… I always get bad headaches around this time…

His eyes were filled with endless darkness.

Joyous music echoed in the distance and had my gaze turning to the window.

(Is there some kind of festival going on?)

MAKOTO : Hey! Close the curtains already! It's so noisy…

EMMA : Oh, well, umm…

The bright lights looked all the more dazzling against the snow-laden city.

(Such a nostalgic view… Reminds me of…)

EMMA : …It's like Christmas.

MAKOTO : What's that?

EMMA : In my world, there was a holiday we called Christmas.

MAKOTO : Oh…

EMMA : And when it snowed on Christmas, we'd call it a white Christmas. Kinda like this...

MAKOTO : …And why do you celebrate Christmas?

EMMA : It's one of the most important days of the year when you come together with your family, friends and loved ones to just spend time with each other.

MAKOTO : ...So it has nothing to do with me.

(Right…)

By the time I realized, it was already too late.

(…I'm too careless in what I'm saying…)

(Makoto's clearly lost someone important to him, what was I thinking…?)

MAKOTO : As far as I'm concerned… You can call the Prince of Snowphilia and tell him to do something about this stupid snow. You can do that, right?

He had no interest in the snow that Prince Synny had sent down, and busied himself reading a book on his bunk.

EMMA : ……..

I gripped the curtain and stared out the window.

(Everyone is so happy…)

Amidst the country being taken over by a presidential system, both his parents were betrayed and killed by their followers…

(But…)

Just as the unexpected snowfall had brought joy to the people of Daten…

I'd hoped the snow would bring a little warmth to Makoto's heart as well…

(Although maybe I'm just sticking my nose where it doesn't belong…)

I hid this thought close to my chest and quietly drew the curtains to a close.

EMMA : It's cold, you should drink something warm…

I turned around and saw that Makoto had fallen asleep and was breathing faintly.

(Treading snow all day must have really tired him out…)

I gently covered him with a blanket.

(It's not good to wake him. I'll head back to the hotel for today…)

But just as I was about to leave him… Makoto took my hand.

EMMA : …Hnn!?

MAKOTO : Mm…

Seemed he was the type to always sleep so restlessly…

(It was kind of cute, in its own way…)

I stroked his bangs without thinking much of it, when…

(Huh…?)

I saw a glint of something along his eyelashes. My breath caught in my throat…

There was the tiniest tear in the corner of his eye…

(I wonder what he's dreaming about…)

(…It only felt natural for Makoto to become so cold..)

As if I wanted to bring some warmth to his cold hands… I held on as tightly as I could…

━

CHAPTER 3

The very next day, after lunch…

The soft sun was shining down upon the pure white snow.

I was walking alone in the town, with all those families crowding around me, and all I could think about was…

(What could I get Makoto to make him feel happy again?)

His tears were imprinted on my mind. Although I wanted to make him happy, I'd also come into town to buy him a Christmas present…

(…What should I do, do I just get him something to eat?)

I took a peek inside the fancy bakery I'd stumbled upon.

But even the brightly decorated cakes on display in the glass window couldn't inspire me.

(Wouldn't it better to get him food for John?)

The image of John, the golden mouse that Makoto loves so much, conjured itself in my mind.

(But then it wouldn't exactly be a gift for Makoto…)

This isn't right. None of this is right… I was so deep in thought when…

MAKOTO : What are you doing?

A sudden call from behind had my heart leaping out of my chest.

EMMA : Oh, this is, uhh…

MAKOTO : ……

Makoto approached me as I stuttered.

MAKOTO : Oh~So it's something you can't tell me about, hm?

He sounded a little disappointed.

(But if at all possible… I wanted to keep it a secret and give it to him as a surprise.)

EMMA : I also have things I can't talk about…

MAKOTO : …To make someone who'd say something so bold submit to me… I don't hate the idea.

The way he stared straight through me with such sharp eyes… I couldn't move…

A family walked past us, holding hands.

Even now the town remained crowded with so many happy people.

MAKOTO : ……

EMMA : Ma-- Makoto…

MAKOTO : I…

Makoto's eyes flashed across to one of the families crossing the road.

A little girl walked beside her parents, carrying a huge shopping bag in her tiny hands, face painted with the biggest smile I'd ever seen.

MAKOTO : When I see people smile, I can't help but want to destroy their happiness..

A sickening smile twisted Makoto's features. And he was staring at me with his arms crossed over his chest and a cold look in his eyes that sent a shiver down my spine.

A demonic glint seemed to gleam in his eyes.

The dark pupils of his eyes made me feel uneasy.

(There's no way he's using his power right now…)

The little girl he was staring at laughed happily and began to rush this way.

EMMA : …No!

Makoto has the ability to manipulate anyone who looks him in the eyes at will.

MAKOTO : …….

He didn't move a muscle as he stared unblinkingly at the little girl.

EMMA : MAKOTO, WAIT…!

Noticing Makoto, the girl suddenly stopped moving.

EMMA : MAKOTO!!

I couldn't help but scream out…

A skidding car sped past the girl's eyes at a breakneck pace.

EMMA : Huh!?

The mother who'd ran after the girl panicked and picked her up.

(If she had just kept running like that… The child would have…)

Makoto's gaze switched to the mother who was holding the sobbing girl tightly before he turned his back on them.

(Makoto…)

In silence, he walked on.

(So he… Was saving that girl's life…?)

A hot current rushed across my chest, warming my heart, and I ran to him.

EMMA : Wait.

I gripped his hand from behind, putting all my strength into it.

MAKOTO : ……

Still not saying a word, he hooked my hand around his arm.

EMMA : …Uhm!

MAKOTO : Because you're bound to fall over eventually.

My heart thumped in my chest as I sensed the tenderness buried in his awkwardness.

I let him lead me, pretending as if I knew where we going, thinking all the while…

(His desire to destroy a family that feels happy must be…)

(Because Makoto desires warmth and happiness more than anyone else…)

I peeked across from the corner of my eye.

(All I can do now is…)

I turned the thoughts in my mind into hardened resolved as I said…

EMMA : Makoto, let's throw a Christmas Party, okay?

MAKOTO : Eh?

Hearing what I said, he gawked at me, wide-eyed and slack-jawed.

━

CHAPTER 4

The clouds shifted with the wind, moving to block the shadow of the sun

EMMA : Makoto, let's throw a Christmas Party, okay?

MAKOTO : Eh?

After that…

MAKOTO : So what does the Christmas tree need?

EMMA : Christmas decorations, and then there's… Oh! That would work perfect for a replacement Christmas tree!

I picked up a small leafy plant from the florist and showed it to Makoto.

MAKOTO : Some tree…

(He really doesn't want this party at all…)

Even so, he had come to buy decorations with me, and almost seemed happy about it.

(I'm glad I tried to ask him out.)

(Even if only the littlest bit, it felt good to see Makoto happy.)

Just as I thought that…

PRESIDENT : You don't need to worry about the snow.

MAKOTO : Hm?

That voice shifted Makoto's expression instantaneously.

It was the president, giving a speech on a large TV in the street.

MAKOTO : ………

Makoto remained expressionless and unsmiling as he looked up at the TV.

PRESIDENT : The government has dispatched workers all over the country to aid in the removal of snow hazards.

After hearing him say this, Makoto's big eyes shifted to me.

(I can't believe it… That's the same man who gave Makoto's parents to…)

PRESIDENT : In this cold weather, please stay home, keep warm and spend as much time as possible with your closest family…

The second he said those words…

MAKOTO : Ahahahahaha! Did you hear that? He said "closest family"!

Makoto laughed loudly, his shoulders trembling ever so slightly.

MAKOTO : How dare you say that so easily after taking everything away from me!!

Then, he slammed the decorated flower pot to the ground…

EMMA : …Nh!

The clay pot shattered miserably in tune with his lifeless voice.

Even as people began to gather and stare, I couldn't begin to care.

MAKOTO : …Right, I don't need any of this crap at all.

EMMA : Umm…

His eyes burned with hatred as he looked back to the smiling president.

MAKOTO : I'm just here to get revenge. That's the only reason I continue to live…

EMMA : Makoto!

MAKOTO : SHUT UP!

He shook off my attempts of comfort and quickly made for the exit.

EMMA : W-Wait!!

I panicked and went after him… Only to be blockaded by a crowd of strangers as his figure disappeared from my sight…

…

………

In the snow, I ran in search of Makoto.

(He didn't go back home. So where could he be…?)

EMMA : Ugh…

My footsteps had my ankles twisting and turning in the snow as I stumbled and fell several times.

(I used to think it was so beautiful…)

I was looking up at the sky, beginning to share his sentiment that this snow was only getting more annoying by the minute when I heard the sound of footsteps crunching through the snow.

EMMA : …Huh?

I looked back to find Makoto walking ahead of me.

MAKOTO : ...

EMMA : Makoto…!

I ran to his side with what little strength I had left.

EMMA : Let's walk back together…

MAKOTO : …I'm sorry to say but there really is something deeply wrong with you.

He looked at me with confusion swirling in his eyes.

MAKOTO : I can't believe you're running around in this kind of weather, why on earth would you do something so stupid?

(That's because…)

It was then in quietly falling snow… I finally showed him the truth of my heart..

EMMA : Because I want to make you smile, Makoto.

MAKOTO : ….

He looked at me with no expression for the longest time and then…

MAKOTO : …It's time to get going.

Then… He finally offered his hand to me.

EMMA : Mm.

I gently took his thin hand in mine.

I'd been looking up at the sky, beginning to share his sentiment that this snow was only getting more annoying by the minute and now I could hear the sound of footsteps crunching through the snow.

Warmth and nostalgia flowed through the palm of our hands as we walked hand in hand along the snow-covered road…

#Otome #yume100 #yume100 translations #夢王国と眠れる100人の王子様 #夢100 #100 sleeping princes and the kingdom of dreams #Dream Meister Translations #Makoto

[seancamerons]

I posted 3,271 times in 2022

That's 791 more posts than 2021!

175 posts created (5%)

3,096 posts reblogged (95%)

Blogs I reblogged the most:

@highzaya-blog1

@maya-matlin

@pinkprincess

@perrfectly

@ambitious-playmate

I tagged 1,319 of my posts in 2022

#q - 273 posts

#degrassi - 190 posts

#stranger things - 152 posts

#art - 113 posts

#britney spears - 87 posts

#fashion - 83 posts

#oth - 76 posts

#food - 52 posts

#semma - 52 posts

#emma nelson - 28 posts

Longest Tag: 127 characters

#so different time eras play a role in the art created at that time or is a response to or deeply influenced by what is going on

My Top Posts in 2022:

#5

Zig/Maya in Wild and Weary 💜 requested by @maya-matlin

15 notes - Posted November 22, 2022

#4

talking about season 2 episodes 12 and 13 titled white wedding gets me super warm and fuzzy and nostalgic. overall it's an underrated one and most people don't like it I'm sure because the parents have a larger role than the teens which i can see how that could be a downer.

i'm putting this under a cut so you can read it at your leisure. took me long enough eh?

so yeah white wedding is my favorite episode and this ep had everything you could want, a big event being the wedding spike finding out she's pregnant again, this time days before the main event, we have jt and toby hijinks with the fancy plot, joey and caitlin flirting pretty much all episode, manny playing matchmaker and of course the at the time long-awaited reunion of semma. i remember i recorded it on my VCR in my room back in the day when it aired and even now it's my favorite episode.

so we begin with sean, jt, manny and toby in the media immersion room about to listen to a speech about love and marriage but its acutally the theme of a show called the love boat.

"someone's never been in love" sean says when jt acts love makes him wanna throw up and then they assume he means he's been in love before and they all assume it's emma because at that time yes it makes sense.

getting back to sean, he's always been on the outside looking in despite being a member of the original 6 it's important to note that he knew he was the only one not invited to the wedding and when manny invites him it's as if he'd come into the fold by the invitation so i think that was another reason why he was crushed, because he wanted to be a part of it and manny gave him an in and took it away. i expected him to disappointed or sad but literally sniffling and tearing up made me feel bad for him. boy had it bad. lol @ tracker eating out of a pot. of course they play 'the sean music' which is a guitar i believe but they play it whenever something happens to sean or whenever he's on screen i don't get it but it's something i observed over the years. sean music also could be attributed to emma and sean's relationship at least in season 1 so that's i guess something to note.

moving on, so emma's home from school. she recieved the wedding cake which was swapped by mistake. i couldn't help but note spike and emma's dynamic is somewhat codependent and sisterly. very candid can talk about whatever and they're comfortable about it. spike doesn't want to change the relationship and sees nothing wrong with it. even when what happens is inappropriate, spike shouldn't tell emma about her pregnancy and abortion, a conversation more suitable for an adult being snake. spike shouldn't have to rely on a 13 year old for support when she knows she has her friends around is all i'm saying.

elsewhere, jt, toby and craig scheme to get a stripper to come to the 'stag'. who calls a bachelor party a stag? i guess only in canada lmao they try to go but they obviously look juvenile so craig ditches them pretty much and goes to joey.

fun fact: the address on the strip club door is 212 the number of the episode in pt 1.

so caitlin and lucy come over and they decided to wear the same dress to the wedding which makes sense since they're bridesmaids but of course they're here to party so they go to this weird place with mexican singers which idk the song they're singing so if there's symbolism who knows? but spike aint in the party mood.

fun fact: lucy wears the same outfit in the series premire '1.01 mother child reunion'.

also that scene when joey and snake come over with lucy and caitlin over somethings to note starting with, "when are you gonna add a little spike and snake to add to mini caitlin over there?" it's a funny little nod to the original series, that emma was coined by lucy as mini-caitlin because it's true! after all, caitlin interfered with spike's pregnancy back in the day on degrassi junior high when she famously wrote an opinion piece in favor of keeping spike at degrassi despite the angry parents who wanted to ban spike from school due to her pregnancy. emma too has the tendency to stick her nose where it doesn't belong and this very episode is no exception somewhat following in caitlin's footsteps in this very episode and others at the time. it was pretty obvious that emma was written to be much like caitlin in the mix of characters from the og degrassi. emma has always liked and looked up to caitlin and was seen in 1.01 mother child reunion to be a fan of ryan's planet, caitlin's environmental television show and took shitty romantic advise from her espy as well.

nearing the end of part one, it's worth noting that yes, spike's secret wasn't emma's to tell but spike should've known better to talk to a friend of hers not her 13-14 year old daughter. spike makes it seems like snake would abandon her or not help out when we know snake isn't like that. i guess she did talk to caitlin and caitlin gives notoriously bad advice and says, "call him in the morning." like he should know five seconds before they get married or whatever. i guess they didn't think 'mini caitlin' would wake up in the middle of the night and spill the beans to him as if she was sent by spike. wtf?

fun fact: at the party, mr raditch wants everyone to call him dan lol irl the actors name is dan as well.

poor toby gets his hand stepped on but i have a lot of feelings about snake and emma's talk outside when he yells at her but, he had a point that spike should've told him not her, "why you why not your mom?" but the remark, "what kind of family is this?" was a tough blow.

so then - we got a pissy emma in the morning, manny when she's not sucking heilium explains that emma did fuck up and she should feel bad. emma goes off and sees sean in her pjs and tracker is trying to phase sean as they talk. words cannot describe how much i love that emma went to sean and she invited him to the wedding.

meanwhile spike and snake are talking rightfully so on some boardwalk pier thing. snake remarks, "yeah as friends, maybe we should've kept it that way." but it reminds us that they started out as friends, and she should've been able to tell him things no matter how weird or complicated especially since they were about to be married.

the directors cut always cuts out jaitlin's discussion about their past engagement. spike is late as usual, a nod to 'it's late' from degrassi junior high and her pregnancy in this ep and current situation nice. i love how they reference the original series.

joey catching the bouquet and him lament that he plans, makes me wonder if the show was going to explore a real take on marriage between jaitlin. so the 'slow song' playing at this time is titled just jane by christopher rouse which i scoured the internet way back in 2003 for it and didn't get a real download of it until this cd degrassi released with all their background songs on it. i doubt it's available anymore but my friend at the time had it and ripped it and sent me a bunch of the songs like 'heartbreaker' 'get it right this time' and some others.

getting back to the final scene emma discovers sean came to the wedding and the rest is history. the end scene made degrassi crash course on the-n as most intense moment but also it's probably the most romantic because it seems so genuine. and that's a wrap on white wedding. i also would like to mention, if anyone has seen sixteen candles with molly ringwald there's a stark similarity in the dress samantha baker wears and what emma nelson wears. if you know you know if you don't sean is like the 'jake ryan' waiting outside the church or in emma's case under the tree. i only recently made the connection, someone made a post about it but now it's my favorite little thing to think about when i watch this episode and that's all i'm gonna say about that.

17 notes - Posted March 15, 2022

#3

See the full post

17 notes - Posted February 24, 2022

#2

Craig Manning + Singing the Praises of Locked Briefcases requested by anon

22 notes - Posted July 8, 2022

My #1 post of 2022

i rarely do this anymore or whatever but let's talk about degrassi season 2 episodes 1 and 2 when doves cry and how it's probably one of the best dtng episodes not just maybe dtng but in the entire franchise.

yes i'm aware it's kinda old and most people don't care but I was watching when doves cry on pluto's degrassi channel last night and I can't help but remark, it's one of the very best. if degrassi had a greatest hits that showcased all the gems this is on the tracklist without a doubt.

as you all know or should know s2 is a strong season and underrated af. as sad and heart breaking the episode(s) are it has aged remarkably well at least the a plot. (side eyes paige attire which dramatically dates the episode)

its almost perfect how Angela is seen to be interested in dinosaurs Craig tells him about the dinosaur (being Albert) that hurts him and then Angela clad in little dinosaur pajamas was able to recall what she had seen. i do like it when degrassi does 'dark' subject matter but this episode is the first episode that really showcases it well.

I've seen this episode so many times and yet I never put 2 and 2 together with the pajamas but it was a nice touch in direction with that attention to detail.

I also had this thought too so Albert found Craig's photo album that had that "perfect family" mash-up picture with Craig, Joey and Angela and inside the book with other pics of Angela and Joey he had taken and I can't help but wonder if Albert lashed out at Craig bc he had hurt feelings regarding his photo book it all came to a head for Albert and that turned to anger and rage as if he shouldn't care about joey and angela bc he is his father not joey and they are associated with his ex who left him whom despite her death he is bitter about.

its important to note craig and alberts rocky relationship was strained long before but the reminders of the past get to Albert. Such as when Craig mentions mom at dinner and he violently throws the plate something in that tells me it's not the first time or would be the last time such a thing would happen. I'm not defending Alberts behavior but even the part where Albert turns and just seeing him look over at Craig when he was on the floor after he beat him in the darkroom as if he felt bad for what he had done after the fact when it's too late and wanted to say something but stopped himself. There's a lot of subtext and the direction really did an excellent job of showing rather than telling you the story.

It's such a well-done episode and if you'd like to show a person who's never seen dtng show them that one. I always struggle with what's a good one to show someone?

With the subplot there's some relief from the dark subject matter but it's one of the top season premieres that gives you chills from the acting the direction camera and more. It has a bittersweet ending with Craig standing up against his dad and ultimately moving in with Joey and freezes on Craig looking back at him as he drives away.

A+

31 notes - Posted March 8, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review

[eagles-translated]

Analyzing the writing of Eagles

Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k

If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.

Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.

To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.

I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.

You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.

I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.

Season 1: Tropes and clichés

Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.

What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).

Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).

So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.

Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.

It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:

[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.

Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?

I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.

A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.

Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.

However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.

So, how did they write their characters?

Felicia's character and backstory

To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.

Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.

So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.

Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.

The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.

I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.

Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.

Near the end of the third episode, we get some depth to the character and we hear her back story.

Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.

This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.

Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."

This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.

That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.

We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.

That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.

Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.

And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.

And it feels like the right moment for Ludde to come clean about what happened to him.

Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.

As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.

We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.

I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.

But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.

In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.

Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.

If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.

Ludde's problematic nature

One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:

Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.

I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.

I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.

In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:

My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.

I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.

So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?

Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.

Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?

This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.

Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.

It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.

Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.

This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.

Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.

Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.

So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.

I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.

It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.

Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?

Klara is mean... What else?

From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.

Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.

The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.

Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.

Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.

Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?

I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.

In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.

Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.

When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.

Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.

So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.

It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.

What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.

Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.

Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.

Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?

Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.

The Halloween Incident

To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:

I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers.  I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.

This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".

1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).

Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-

Ludde: I like shellfish. (said to Amie, wearing a lobster costume)

Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.

In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.

Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.

What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.

There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?

There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.

Unbalanced screentime and Elias's wasted potential

A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.

The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.

Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.

But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.

Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.

Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.

In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.

There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.

Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?

In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.

What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.

Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.

His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.

Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.

Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).

If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.

The side characters and their comic relief

So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.

What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.

This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.

Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.

This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.

There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.

None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.

In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.

Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.

However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.

To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.

The potential of season 1

When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.

Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.

Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.

Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.

Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.

Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.

Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.

This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.

Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.

Season 2: "Subverting expectations"

When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.

I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".

The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.

A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:

[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.

This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.

Amie's crush on Ludde—make it make sense!

Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.

But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.

Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:

Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.

This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.

That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.

I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed  – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.

Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.

I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.

I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.

To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.

Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.

Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.

While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:

So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.

In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:

Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.

When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.

It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.

Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.

The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.

At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.

Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!

Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?

Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.

This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.

It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.

What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.

Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).

Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.

I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.

This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.

If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.

Amie's musical ambitions

I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:

I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.

It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.

Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.

In the post where I wrote this, @gajana18 also had an interesting thing to add:

[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?

This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.

So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.

I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.

Klara's character development

When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.

In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.

I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.

Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.

But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:

I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.

Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).

So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.

Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.

But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?

Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.

Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!

So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.

I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.

But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.

Jack's sudden character change

Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.

Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:

Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]

Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.

What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.

When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:

I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.

Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.

Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.

Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.

When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.

This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.

In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.

Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?

Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.

Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.

His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.

The improvements of season 2

What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".

Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.

2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.

Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.

The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.

Easy and simple.

Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.

Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.

Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.

Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.

In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.

It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.

Season 3: Finding one's footing

Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.

But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.

Where's Jack?

Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.

Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!

In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?

I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.

Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:

One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.

Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.

I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.

I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.

So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?

Michael's predictable predicament

Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.

Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.

In the next episode, we get a voice-over of the continued conversation between him and Amie.

Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?

So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.

Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.

However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).

I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).

When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.

Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?

I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?

They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.

This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.

Plot holes

Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.

I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.

On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.

Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.

In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.

This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.

This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.

I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.

I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.

I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).

I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:

[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.

Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.

The magic of season 3

What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.

While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:

I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.

I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.

Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.

The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.

Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.

This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.

Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.

Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.

She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.

It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.

It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.

Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:

[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.

Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.

Season 4: Hopes and wishes

Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.

My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.

I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.

Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.

Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.

In conclusion...

This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.

So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).

I hope you guys enjoyed this long, long post and major kudos to you if you read this far!

#eagles svt #svt eagles #eaglesspoilers #young royals #beartown #björnstad #been working on this post for a few days so i really hope you enjoy it!

[kimikotsuki]

Fandom discourse and culture has changed a lot over the years and I always try to err on the side of caution whenever possible.

The reasons writers create and share their work are varied and diverse: maybe they're trying to improve their writing and welcome advice, sometimes it's all about the ~ S Q U E E ~ because you loved the show/character and wants them in more situations, sometimes the reason is the ~ R A G E ~ about the direction canon took and you plan to murder it and use it's blood to re-write the story; this is more an illustrative than exhaustive list and sometimes there'll even be multiple reasons at once of course.

And sometimes, those reasons do not match or go well with any type of criticism, even well intentioned, constructive ones.

I saw an post on Tumblr that ilustrated very well another reason why one shouldn't simply assume that con-crit is welcome: if you go watch an amateur performance (in the most literal sense of the word of non-remunarated, regardless of quality of performance), one won't immediately presume afterwards to go to the artist and start critiquing it.

At the same time, I wholeheartedly think that one of the most wonderful, unique possibilities of fandom is the capacity for collaborative work between the authors of a story that is being posted as it's written and it's readers, culminating in an end product with quality that ends up being more refined than otherwise it would've been.

That type of interaction is even sometimes one of the main reasons people write fics, to not only create something, but also to share the act of that creation.

That works almost like making all the readers of a fic into beta-readers and can be a wonderful thing, but the post argued that the work done by betas is analogous to editing in published works, and that such a relationship is based on built trust, so while yeah, that dynamic between writer and all their readers could work, assuming and simply barging in is generally more harmful than productive.

When I adopted that new reasoning, I debated whether or not I should then mark all my bookmarks on AO3 as Private and make them inaccessible to anyone else, but in the end opted not to, mainly because even though I mainly write them for my future self, I also feel other readers can benefit a lot from knowing how the experience of someone who liked a work enough to rec it went, specially if while reading that fic they stumbled upon things they didn't like.

If there's one thing I learned from over 15 years of reading fics is that my tastes change over the years, and sometimes it's not even about the quality of the writing itself or even the progression of how polemic subjects are treated at any given time, but rather the moment that I am in changes how I receive the same work, such that tagging a certain work as one worth reading again later with no contextual information on the vibe I was riding when I did that will inevitably lead to a disappointment that is frankly an overreaction on my part.

That happened somewhat recently with a Frostiron fic I read a long time ago, in a moment where I was squeeing like crazy over the pairing (and it was a work of squee, so we matched really well) and it got on my list, but years later, when I was feeling nostalgic over the pairing and went to read my list of besties, the expectation I had was so great that the dichotomy between my experience back then and the one in the re-read were terribly big, even though it was a well written fic, squee and all, and the only real difference was that *I* wasn't squeeing over the pairing anymore.

And at the same time, I found that, in a way, this managing of expectations I do primarily for myself when I create a rec with the bad points of a fic that I loved can also be helpful for others, because even if it doesn't fit 100% since we're different people, I always thought the best recs I've always found were the ones that stated what were the cons of any given story, because those cons might not be something that bothered me like it bothered them or it even might end up being somewhat bothersome to me, but the pros outweigh them and, because I went in expecting to find those things, there's no disappointment in it, so they end up bothering me a lot less then it could've.

The other reason I eventually settled on not making my bookmarks private was actually because of those authors that seek improvement and welcome constructive criticism from all the readers who are invested in their story and value their thoughts and experiences while reading their work, because while yes, better to err on the side of caution and not go offering advice and opinions were those are not wanted, if we let that completely rule everything we do in fandom there will be a lot of loss in regards of this constructive, dynamic and interactive aspect so characteristic and wonderful to this type of media.

I know authors can have access to the bookmarks made of their fics, but unlike comments, it's not quite a space exclusively dedicated to them or even for interactions between reader/author.

In a lot of aspects, I'd even go as far as saying it's a space primarily for readers: it's not something that will culminate in a email sent to the author's mailbox, it serves mostly for filtering and ordering purposes (like when you're looking for fics to read and apply a filter to show only fics with a certain number of bookmarks or to order the fics shown from the greater to the least number of bookmarks) and also so readers can, reading these bookmarks, have a better idea on what's to expect from a work from different readers with different personalities and world views and ways to pereceive what was written.

And since it's a space the author *can* have access to *if* they want, it's possible for them to look at that place to see that con-crit while, at the same time, not being a place where that con-crit will get shoved in their faces if they *don't want it* and as such it seemed to me to be an overall respectfull and good compromise between those two points that seemed very important to me, and one of the only way I've found of making it known if that type of interaction is welcome, I'd be happy to head over to their comments and talk there.

If I'm marking it as a rec and commenting, I'm doing it because I think that fic absolutely is one of the best stories that I had the pleasure to read; however, the number of characters allowed in a bookmark rec are limited, so if I end up putting into it anything besides an incoherent keyboard smash, those things are going to be whatever points I feel are very important to keep in mind whenever starting to read it so that reading experience is the most enjoyable possible both for my future self who's going to look at that besties list and decide on what to read again as well as first time readers who might have seen the rec and will go in knowing somethings that, by their nature, don't tend to be things we tag for; they will have mostly what amounts to con-crit, so if you welcome this type of interaction or if the rec I made is bothering you in anyway, I urge you to get in contact with me through the fic mail I linked in my AO3 profile.

This post is getting linked there because the profile section doesn't allow enough characters for everything that I had to say about the subject.

As soon as I see the email, I'll either be happy to either tag the bookmark as Private so it won't be visible to anyone but myself if it bothered you or head over to your comments section so we can talk better about the points I raised if this type of interaction is something you welcome.

#fandom discourse #ao3 stuff #fandom culture #bookmarks

[seancamerons]

talking about season 2 episodes 12 and 13 titled white wedding gets me super warm and fuzzy and nostalgic. overall it's an underrated one and most people don't like it I'm sure because the parents have a larger role than the teens which i can see how that could be a downer.

i'm putting this under a cut so you can read it at your leisure. took me long enough eh?

so yeah white wedding is my favorite episode and this ep had everything you could want, a big event being the wedding spike finding out she's pregnant again, this time days before the main event, we have jt and toby hijinks with the fancy plot, joey and caitlin flirting pretty much all episode, manny playing matchmaker and of course the at the time long-awaited reunion of semma. i remember i recorded it on my VCR in my room back in the day when it aired and even now it's my favorite episode.

so we begin with sean, jt, manny and toby in the media immersion room about to listen to a speech about love and marriage but its acutally the theme of a show called the love boat.

"someone's never been in love" sean says when jt acts love makes him wanna throw up and then they assume he means he's been in love before and they all assume it's emma because at that time yes it makes sense.

getting back to sean, he's always been on the outside looking in despite being a member of the original 6 it's important to note that he knew he was the only one not invited to the wedding and when manny invites him it's as if he'd come into the fold by the invitation so i think that was another reason why he was crushed, because he wanted to be a part of it and manny gave him an in and took it away. i expected him to disappointed or sad but literally sniffling and tearing up made me feel bad for him. boy had it bad. lol @ tracker eating out of a pot. of course they play 'the sean music' which is a guitar i believe but they play it whenever something happens to sean or whenever he's on screen i don't get it but it's something i observed over the years. sean music also could be attributed to emma and sean's relationship at least in season 1 so that's i guess something to note.

moving on, so emma's home from school. she recieved the wedding cake which was swapped by mistake. i couldn't help but note spike and emma's dynamic is somewhat codependent and sisterly. very candid can talk about whatever and they're comfortable about it. spike doesn't want to change the relationship and sees nothing wrong with it. even when what happens is inappropriate, spike shouldn't tell emma about her pregnancy and abortion, a conversation more suitable for an adult being snake. spike shouldn't have to rely on a 13 year old for support when she knows she has her friends around is all i'm saying.

elsewhere, jt, toby and craig scheme to get a stripper to come to the 'stag'. who calls a bachelor party a stag? i guess only in canada lmao they try to go but they obviously look juvenile so craig ditches them pretty much and goes to joey.

fun fact: the address on the strip club door is 212 the number of the episode in pt 1.

so caitlin and lucy come over and they decided to wear the same dress to the wedding which makes sense since they're bridesmaids but of course they're here to party so they go to this weird place with mexican singers which idk the song they're singing so if there's symbolism who knows? but spike aint in the party mood.

fun fact: lucy wears the same outfit in the series premire '1.01 mother child reunion'.

also that scene when joey and snake come over with lucy and caitlin over somethings to note starting with, "when are you gonna add a little spike and snake to add to mini caitlin over there?" it's a funny little nod to the original series, that emma was coined by lucy as mini-caitlin because it's true! after all, caitlin interfered with spike's pregnancy back in the day on degrassi junior high when she famously wrote an opinion piece in favor of keeping spike at degrassi despite the angry parents who wanted to ban spike from school due to her pregnancy. emma too has the tendency to stick her nose where it doesn't belong and this very episode is no exception somewhat following in caitlin's footsteps in this very episode and others at the time. it was pretty obvious that emma was written to be much like caitlin in the mix of characters from the og degrassi. emma has always liked and looked up to caitlin and was seen in 1.01 mother child reunion to be a fan of ryan's planet, caitlin's environmental television show and took shitty romantic advise from her espy as well.

nearing the end of part one, it's worth noting that yes, spike's secret wasn't emma's to tell but spike should've known better to talk to a friend of hers not her 13-14 year old daughter. spike makes it seems like snake would abandon her or not help out when we know snake isn't like that. i guess she did talk to caitlin and caitlin gives notoriously bad advice and says, "call him in the morning." like he should know five seconds before they get married or whatever. i guess they didn't think 'mini caitlin' would wake up in the middle of the night and spill the beans to him as if she was sent by spike. wtf?

fun fact: at the party, mr raditch wants everyone to call him dan lol irl the actors name is dan as well.

poor toby gets his hand stepped on but i have a lot of feelings about snake and emma's talk outside when he yells at her but, he had a point that spike should've told him not her, "why you why not your mom?" but the remark, "what kind of family is this?" was a tough blow.

so then - we got a pissy emma in the morning, manny when she's not sucking heilium explains that emma did fuck up and she should feel bad. emma goes off and sees sean in her pjs and tracker is trying to phase sean as they talk. words cannot describe how much i love that emma went to sean and she invited him to the wedding.

meanwhile spike and snake are talking rightfully so on some boardwalk pier thing. snake remarks, "yeah as friends, maybe we should've kept it that way." but it reminds us that they started out as friends, and she should've been able to tell him things no matter how weird or complicated especially since they were about to be married.

the directors cut always cuts out jaitlin's discussion about their past engagement. spike is late as usual, a nod to 'it's late' from degrassi junior high and her pregnancy in this ep and current situation nice. i love how they reference the original series.

joey catching the bouquet and him lament that he plans, makes me wonder if the show was going to explore a real take on marriage between jaitlin. so the 'slow song' playing at this time is titled just jane by christopher rouse which i scoured the internet way back in 2003 for it and didn't get a real download of it until this cd degrassi released with all their background songs on it. i doubt it's available anymore but my friend at the time had it and ripped it and sent me a bunch of the songs like 'heartbreaker' 'get it right this time' and some others.

getting back to the final scene emma discovers sean came to the wedding and the rest is history. the end scene made degrassi crash course on the-n as most intense moment but also it's probably the most romantic because it seems so genuine. and that's a wrap on white wedding. i also would like to mention, if anyone has seen sixteen candles with molly ringwald there's a stark similarity in the dress samantha baker wears and what emma nelson wears. if you know you know if you don't sean is like the 'jake ryan' waiting outside the church or in emma's case under the tree. i only recently made the connection, someone made a post about it but now it's my favorite little thing to think about when i watch this episode and that's all i'm gonna say about that.

#degrassi #thoughts #dtng #white wedding #s2e12-13 #00s #nostalgic #2003 #sean cameron #emma nelson #semma #spike nelson #snake simpson #jaitlin #joey jeremiah #caitlin ryan #lucy fernandez #jt yorke #toby issacs #craig manning #degrassi: the next generation #i took notes when i watched this ep