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sendouakira · 3 years

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A comprehensive essay on the effects of Sakuragi Hanamichi on Rukawa Kaede from Slam Dunk

Over the years, there have been quite a few rivalries portrayed in great detail between “dual protagonists” from famous shounen manga. Yet the relationship between Sakuragi Hanamichi and Rukawa Kaede from the most influential sports manga Slam Dunk was and still is regarded as “the gold standard” for this particular type of dynamic. However, as great as the bond that these two share, it’s puzzling that there seems to be a greater focus on the impact that Rukawa has on Sakuragi. I have read some analyses that even claim “Rukawa, at best, thinks of Sakuragi as a really hard-to-get-along-with teammate,” or that, “Sakuragi only helps Rukawa build better teamwork to some extent”.

In this essay, my goal is to explore the natural progress of the relationship between these dual protagonists as well as the apparent development and growth of Rukawa Kaede as a character after he meets Sakuragi Hanamichi. For the purpose of this essay, I will focus only on Rukawa Kaede’s perspective as the effects that Rukawa has on Sakuragi deserve another essay entirely.

The first thing that we all need to agree is that, we, as readers, rarely have a chance to know what exactly Rukawa is thinking. Even when he does open his mouth, he has nothing but nasty things to say which may make him look detached and distant (minus very few instances when he actually encourages Sakuragi). We always get a glimpse of other characters’ internal turmoil, their struggles and emotions such as Mitsui’s regret, Akagi’s memories, or Sendou’s plan. But Rukawa is always this mysterious character who never truly reveals his thoughts and his intentions to the reader. This is precisely why he is often misunderstood as a cold person, or that the relationship between him and Sakuragi is overrated.

If we look at the early dynamic between the two, we can see that Rukawa indeed doesn’t care about Sakuragi. “An annoying teammate” is likely how he would describe Sakuragi.

Slam Dunk chapter 20, when Sakuragi is learning how to do a layup shot, Rukawa shows annoyance as he is forced to teach Sakuragi the techniques.

If his senpai is not there, he would not lift a finger to help Sakuragi.

Similarly, he’s again put on the spot and has no choice but to teach Sakuragi how to defend in the practice match with Ryonan (Slam Dunk, chapter 43).

Or in Kainan match, Rukawa instructs Sakuragi what to do as they are the first to arrive for defense.

Initially, Rukawa really has no interest in helping any of his teammates improve, let alone Sakuragi, even though he instinctively understands that the improvement of his teammates benefits him and Shohoku as a whole.

In the early stage of Slam Dunk, Rukawa doesn’t have any regards for Sakuragi whatsoever, even if he does give Sakuragi guidance from time to time. The only reason he does it is because he’s forced to do so, and he only guides Sakuragi enough to help Shohoku win since he himself wants to win as well.

So when does the shift in his attitude towards Sakuragi take place? In actuality, it’s a gradual, slow process. It starts with his encouragement for Sakuragi. Note that he doesn’t encourage anyone on his team. He may recognize other teammates’ abilities and talents but still, the only person who has this “privilege” is Sakuragi alone.

Let’s take a look at the first scene that Rukawa gives Sakuragi encouragment in chapter 95, when Sakuragi is afraid of committing fouls in the match with Shoyo

Even if you argue that, in this scene, he only does it because not being able to catch rebounds seriously hurts Shohoku’s chance to win against Shoyo, such words from Rukawa are profound and unprecedented since this is the first time Rukawa actually acknowledges out loud Sakuragi’s ability to catch rebounds. But what’s even more interesting is another scene from the match with Shoyo.

While previously we saw Rukawa helping and encouraging Sakuragi just enough to help Shohoku win, the same interpretation doesn’t work here. Sakuragi is leaving the basketball court. What good does it do to encourage him now? In my opinion, this is the first time that Rukawa temporarily sets his ego aside to acknowledge Sakuragi’s talents, not just because he wants to win; but because Sakuragi deserves it.

Then comes our most favourite scene between these two, when Rukawa “consoles” Sakuragi after Kainan loss.

Again, we have no idea what Rukawa truly thinks. We only know that other Shohoku players never blame Sakuragi for passing the ball to Takasago of Kainan.

Let’s shift our focus to Inoue sensei’s intention of not showing Rukawa’s thoughts. It’s very clear that Rukawa is...planning something. The panel which shows his eyes only is subtext, and the underlying message is that Sakuragi is no longer the annoying teammate that he couldn’t care less about. Here, it is HIGHLIGHTED by Inoue sensei (Rukawa is being SINGLED OUT) in that one panel that he’s thinking about Sakuragi not showing up for practice.

We can only guess what’s going on in his mind at the time. Is Rukawa thinking about finding Sakuragi and confronting him about not coming to practice? I think not. A safer bet is that Rukawa is thinking about how to talk to Sakuragi about it, and the reason which leads me to believe so is this scene.

This is Haruko’s failed attempt to cheer Sakuragi up after the loss against Kainan. This scene is the key reason why she fails. She unintentionally confirms that it’s indeed his fault by saying, “even geniuses make mistakes sometimes.” Thus, Sakuragi is still stuck in the same thinking pattern that he is to blame.

It takes Rukawa, who understands a newbie’s feelings and who previously thought carefully about what to say to Sakuragi to cheer him up. Rukawa knows Sakuragi still thinks it’s his responsibility that Shohoku loses against Kainan, therefore, the only way to get him out of that thinking pattern is for Rukawa to assume that responsibility.

I firmly believe that this scene shows that Rukawa really cares about Sakuragi as a teammate. Everything may look coincidental, that Rukawa happens to see Sakuragi in the locker room, that he arrogantly takes the blame for the Kainan loss which so happens to cheer Sakuragi up. But it’s only on the surface. Rukawa has now from this point on, grown to care about Sakuragi.

The direct impact that Sakuragi has on Rukawa doesn’t stop here. Sakuragi always has his own way to rile Rukawa up like no one else can. We know that Rukawa loves challenges, and characters like Sendou Akira or Sawakita Eiji are the ones who can provoke Rukwa on the basketball court but it’s because Sendou or Sawakita are truly skilled players, so it is understandable that Rukawa would be provoked to go all out in order to defeat them.

However, why does Rukawa go all out in a one-on-one game with Sakuragi back in chapter 191? Is it because Sakuragi is so arrogant that Rukawa wants to teach him a lesson? Is it because he takes basketball so seriously that he must always do his best? Or maybe it’s his personality since Mitsui and Miyagi somehow know that he would not go easy on Sakuragi?

Again, we never find out why Rukawa does the things he does. The narrative on his thoughts is always left out, silent, mysterious. What’s true is that unlike Sendou or Sawakita, Sakuragi doesn’t have skills on par with Rukawa in order to actually demand him to give it his all. It must be something else in Sakuragi that has this effect on Rukawa.

There is another curious detail which I would like to point out. When Rukawa consults coach Anzai about his decision to go to the US, he is advised to stay in Japan to become the number 1 high school basketball player first before moving to the US. This matter is of Rukawa’s concern only, yet somehow Sakuragi is involved.

I have always asked myself this question. What does Sakuragi have anything to do with this? Actually, a better question is: why does Inoue sensei intentionally let Rukawa become aware that coach Anzai values Sakuragi as much as Rukawa himself? Not to mention that Sakuragi is never brought up in his conversation with coach Anzai, but Sendou is.

Rukawa has shown us repeatedly that he’s actually impressed with Sakuragi’s raw potential, but this time is different. This is the first time Rukawa understands that in coach Anzai’s mind, the 2 of them are equal in terms of talents and it would be wrong to assume that Sakuragi is not regarded as highly as Rukawa himself.

Back to the question above: why Rukawa goes all out with Sakuragi in that one-on-one game. Is it because of what coach Anzai’s wife reveals to him, Rukawa now truly sees Sakuragi in a new light? I find it interesting that right after Rukawa’s flashback in the two pictures above, we have the match between Rukawa and Sakuragi in which Rukawa shows no mercy.

We will get back to this point later. Let’s move on to another important scene.

In the death match with Sannoh, when Sakuragi is hurt, Rukawa is perhaps the first person to notice something is wrong (it’s not clear if coach Anzai notices if first or if it’s Rukawa). Either way, he actually knows something is not right even before Mito Yohei.

By the time Shohoku meets Sannoh, Sakuragi has been playing basketball for only 4 months. In the span of 4 months, Rukawa has learned enough about Sakuragi to notice Sakuragi’s small slip of concentration, as if he’s been watching Sakuragi play all along.

Next, we have one of the clearest examples of how Rukawa truly feels about Sakuragi.

In this entire page, we see Sakuragi’s emotions, thought process, his flashbacks, and his gaze. But there is one panel that does not belong to his internal monologue: the closeup of Rukawa’s expression. I don’t think I have much to say about this panel. Rukawa’s worry is written all over his face.

Of course, this is not the first time Rukawa shows his worried expression like this. When Akagi leaves the court in the match with Kainan (chapter 105), he also shows the same reaction.

Or when Mitsui collapses in the match with Ryonan (chapter 180).

While it is shown that Rukawa is just as worried when other Shohoku regulars have to leave the court, it is important to note that he only shows this expression when an important player is hurt or injured. Rukawa may taunt Sakuragi for being a newbie, for looking clumsy; but just like Akagi or Mitsui, Sakuragi has earned this worried look from Rukawa as an important player in the Shohoku lineup.

And even more than that, it’s also hinted that Rukawa seems to be the person who understands Sakuragi the most as a fellow athlete.

The scene in chapter 270 which shows Hanamichi gundan (his loyal friends, including Mito who is his best friend) understand that Sakuragi has made up his mind, that he will not be persuaded to do otherwise.

And there is Rukawa who understands Sakuragi without the need for words.

Rukawa seems to know an aweful lot about Sakuragi, even more so than Mito Yohei when it comes to basketball. While everyone wants to convince Sakuragi not to come in, Rukawa is the only person that understands Sakuragi’s stubbornness without having to talk to him.

Finally, the infamous scene in which Rukawa encourages Sakuragi for the last time.

At first glance, it seems that Rukawa is only encouraging Sakuragi here. But on the 9th reading of Slam Dunk(yes, I have actually read the manga 9 times), I suddenly realized it may be deeper than that. This scene takes place right after Rukawa gives Sakuragi a compliment on his desperate attempt to win against Rukawa in the one-on-one game (chapter 191), which is also around the time when Rukawa becomes aware that coach Anzai values both him and Sakuragi equally.

I believe, this is not just encouragement. Here, Rukawa also indirectly acknowledges Sakuragi’s genius AND shows his willingness to pave the way for Sakuragi. He is no longer the person who is unwilling to guide Sakuragi, or to instruct him on the spot like what we saw above. After the suicidal save, Sakuragi has earned Rukawa’s respect and admiration as a fellow athlete. Rukawa now readily shows Sakuragi the way as long as he is willing to follow his examples. He always knows what’s best to do to cheer Sakuragi up or how to encourage him to keep going. He’s not the cold scoring machine that everyone hails him to be, but a caring teammate who understands Sakuragi well.

In conclusion, while it seems that Sakuragi has very little impact on Rukawa as a character, it’s actually the opposite. Rukawa rarely reveals his thoughts and intentions to anyone and initially, his method of communicating is unconventional in a sense that it always makes him look distant and detached. However, as the story progresses, Rukawa gradually becomes more sympathetic and caring towards Sakuragi. He shows his obvious admiration towards Sakuragi and eventually regards him as an equal.

#Slam Dunk #slam dunk manga #slam dunk anime #Sakuragi Hanamichi #Rukawa Kaede #kaede rukawa #hanamichi sakuragi #桜木花道 #流川楓 #King of sports manga #sports manga #inoue takehiko

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ezdotjpg · 3 years

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loving ur comics so much all the time wow!!! ur art is very expressive and nice colors and story telling... i like ur panelling a lot too so i was wondering if u have some tips or a thought process when u panel :D

ahh thank you so much!!! seriously it means a lot <3

as far as tips go, let me preface this by saying i am a serious comic amateur. like, not in a self deprecating way, i've just really only started making comics in the last few months. that botw comic is the first one i've ever made. to give myself a little credit, I do have a background in storyboarding and graphic design, which are both skills that help me make comics, but like, still. I'm just sort of fumbling my way through. All that to say I'm not sure how qualified I am to give advice to others about it. but under the cut is a bit about my thought process!

the main thing I focus on when I'm paneling, besides making sure everything fits on the page and aids the story compositionally, is building moments of impact. you can only have so many panels on a page so you have to use them to communicate the most important things. I REALLY like drawing expressions and it shows in the way I panel things lol.

so like here, I take two panels to show Mask's reaction because I want to build up his expression and body language slowly gathering more tension until he explodes in the last panel. that panel breaks away from the grid of the other to emphasize it.

or, in this page, I build tension by deliberately hiding War's face past the first panel, until the last page where you finally see his face and realize he's not actually hurt but annoyed and exasperated. He cares about Mask, but he's also kind of trying to play him for information. it recontextualizes the second page. For another note, size of the panel generally denotes time or importance- the moment Mask shoves War off is small because it happens in a flash, while the middle panel of the second page is wider to communicate Mask walking while talking.

for the botw comic, I deliberately have almost everything facing link's face in the last panel. It's like Zelda and the panel of the eye are looking directly at the horrible scene below

But all the text forces you to look the other direction. So it's supposed to build tension by feeling like. what are they looking at? what's so terrible? and then you finally get to it and the angle of of the sword neatly brings you from Link's face to the last textbox, and then to the second page. this comic worked beautifully in a vertical format mostly by accident lol.

Other considerations I make are, how does panel spacing influence mood? For the eyepatch comic, everything is on a pretty orderly grid with even gutters because it's a straightforward conversation. But for comics like these

it's not as clear-cut. For the Hyrule comic, I wanted it to feel like uneasy snapshots, so they're really spaced out, and a closeup of Hyrule's eyes breaks the center alignment. For the comic with First and Time, I wanted it to have this kind of airy feeling, so the panels all have a lot of room to breathe from one another, especially the last panel. There's a feeling of unresolved tension.

for some general tips: try not to overcrowd pages. this is a lesson I've been learning recently lol. 5 is a good number of panels for a single page, 6 or 7 if you can swing it. There are of course exceptions, so don't force it, but you wanna avoid clutter unless it's deliberate. I recently started doing layouts by just making one big rectangle and then cutting panels out of it, because it helps me visualize better and clip studio has tools that make it easy.

Hope some of that is helpful, and thanks for giving me an excuse to ramble! once again pls take everything i say with a grain of salt lol

#long post #ask #processdotjpg

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itsclydebitches · 3 years

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RWBY Recaps: Volume 8 “Divide”

Hello, everyone, and welcome back! It feels good to be doing some normal RWBY-ing in this strange world of ours. First, some supplementary materials.

Number One: In response to any (valid) questions along the lines of, “Hey Clyde, it’s now been a full year since Volume 7 was airing and you still haven’t answered my ask about it. Or the ones about Volume 6… what’s up with that?” I’ve created what I hope is an informative video detailing the problem:

vimeo

(I assure you, the Earth, Wind & Fire was a happy accident during the screen recording.)

Needless to say, there’s a lot and I’ve known for some time now that I will LITERALLY never get through all my asks. Which doesn’t mean I don’t want you to send future thoughts in! Just know that as we head into Volume 8 territory I’ll most likely prioritize those, as well as any Volume 7 asks that aren’t woefully out of date. But I do want everyone to know that I read all the asks I receive, appreciate them immensely, and think too much about hypothetical answers, even if I don’t have time to actually write them out 💜

Number Two: There’s a bingo board this year!

Jury’s out on whether I’ll remember to update it, but at the very least this serves as a decent glimpse into my — and others’ — expectations going into this volume.

Number Three: I’ve collected a list of things I’ve heard about Volume 8 from what seem to be reputable sources. I did this because RT is developing a tendency to talk up certain points and then fail to deliver, either because something was taken out of a volume/moved to another, or because RT apparently has radically different ideas about what including something means. So this might be handy to keep on file and ask ourselves two months from now, “Did RT actually deliver on what they promised?”

Emphasis on Ruby’s leadership and how Summer’s death has impacted her

Insight into Ren and Nora’s flaws

May Merigold will supposedly have a larger part

More information about The Long Memory (Ozpin’s cane)

Theme of the volume is that you can respect someone but that doesn’t necessarily mean you agree with them

Very short timeline (supposedly just two days)

Yang in particular is very suspicious and distrustful

I was also going to include a list of all the threads that need to be continued/wrapped up, but honestly that would have taken too large a chunk off my life. Let’s just throw out the highlights:

Are we really going to have Qrow gunning for Ironwood?

Clover is dead regardless. Press ‘F’ to pay respects

Oscar bb you got shot please acknowledge this

Ozpin bb you got done dirty please acknowledge this

Penny is a Maiden now. I feel like the fandom has been sleeping on this (myself included)

Queer baiting, queer baiting… you’re on thin ice at this point, RWBY. Just skate on over to the queer snack bar before you fall straight into the lake.

Ren spill your deep dark secret already and it had better be something more than just ‘Oh no Nora might someday die :( ’

Salem is here so how the actual fuck is the cast surviving this?

Will Ironwood likewise survive his descent into antagonism? Yes or please yes no?

I think that’s all the biggies. I strive to keep lists like this in mind while analyzing, but honestly RWBY has a hundred moving parts that are abandoned or changed or simply retconned at the drop of a hat. So an attempt will be made.

Number Four (last one I promise!): Normal disclaimers and reminders for Recaps apply:

Please don’t fill up the already full inbox with flames. It’s still 2020. No one has time for that nonsense.

There will absolutely be typos and wonky parts because I try to get these out the same day an episode premieres. I have now been working on this for ten hours, nearly straight, and have no more energy for edits. Apologies in advance and RIP to my Saturdays.

I reserve the right to use stupid GIFs and memes at my discretion.

I strive to keep my focus on recapping/analyzing but salt tends to worm its way in… If you’re a die-hard RWBY fan with little patience for criticism, let alone (at times) snarky criticism, please proceed with caution.

No wait I lied, this is the last thing:

Okay, got that out of my system LET’S DO THIS!

We start not with the episode itself but rather Rooster Teeth’s (RT’s) strange non-promotion of it. If you follow my blog you may have caught the post where I pointed out that there was nothing on RT’s website to suggest that one of their most popular shows—if not the most popular show—was premiering today. Nothing on the main page. Nothing on the RWBY page either, not unless you count the Volume 8 poster background (easily mistaken for the Volume 7 poster) and the trailer buried all the way down past Episodes, past Merch, in the Bonus Features section along with videos like Live From Remnant and the volume intros. RT… the promotion of your feature show is not a bonus. This should be front and center! Honest to god, five minutes before the episode dropped I was checking the website for a Volume 8 section, a countdown, anything that would tell me the episode was imminent without relying on fans on tumblr to keep me in the loop. We got nada, zilch. I’m not sure whether that speaks more to RT’s iffy management of the series or simply the website’s horrible design—RIP losing RWBY on Youtube—but I was surprised when I saw the episode a few minutes after 11:00am. At that point I honestly expected to hear about a dely.

So that’s the mood I entered the premiere in, but truly? We start off strong. Things take a pretty severe nosedive later on, we’ll get to that, but I was impressed with our beginning and that probably has a lot to do with the fact that we start with our villains.

We open on a Cinderella character, Cinder, and thus I’m immediately pleased that we’re getting something about her backstory after all this time. Seven years! She appeared in episode one, folks! To say we’re overdue is an understatement. There isn’t a whole lot to go on, just a younger Cinder sadly scrubbing the floor, poised under a spotlight. What we learn, or potentially learn, is based far more in cultural knowledge than this scene. We know Cinderella’s story, which includes the abusive family, the longing for more, the eventual escape, and thus we’re able to read all of that in this image, despite the image itself not telling us any of this overtly. That means we could be wrong in our interpretation, but if we’re not it’s an easy shorthand in an already packed story.

What I’m really impressed with is the sound bridge between the scrubbing and her nails on the back of Neo’s chair. Fantastic way to confirm that this is Cinder as well as showcasing just how far she’s come. The sound of her labor has been replaced with the sound of her power and given that Cinder’s power is stolen, tied to a grimm arm, the property of a genocidal maniac… that’s messed up. It’s a Cinderella story gone wrong.

So yeah, Cinder tells Neo to head straight into the creepy, grimm infested blood cloud to see Salem and Neo is like, ‘Uh… no thank you?’ lol.

RT does a good job this episode with her expressions, ensuring we know exactly what she’s thinking despite an unwillingness/inability to speak.

Poor Neo might be in too deep, but I quite like the overall atmosphere of this opening. Say what we will about Salem’s awful characterization, at least she has style. This woman knows how to make an entrance and, piggybacking off of the Apathy, RT knows how to infuse horror elements into their fantasy. The red and purple coloring of the clouds, spiked whale teeth peeking through, bright orange in the background looking like explosions… that’s all 👌 Including the intro card.

The only thing I want to gripe about is this:

I’m sorry, why does the whale grimm have landing pads? Or something like it?? The whale otherwise works because it’s poised between the natural and the fantasy synthetic. It looks like a real grimm whale on the outside, but is sporting a throne room, a control panel, and other unnatural elements on the inside. It’s a visual indicator of Salem’s ability to control and change grimm. Now though, the additions are wrong, infringing on the line between organic and tech, the line between what helps the grimm individually (giving monkeys wings) and what just helps Salem. Every other aspect of the whale straddles that line wonderfully, adding to the creep factor, like a grimm version of the Uncanny Valley: it’s not quite a whale anymore… but landing pads? That looks ridiculous. Why does Salem even have that? How many ships are her people feasibly using? Why are there five?

Take it away, please.

Cinder waltzes in like this is a normal home visit, but Neo has an appropriate ‘What the actual fuck?’ face going on.

They approach Salem on her throne where Cinder immediately kneels, greeting her with, “My queen.” I mentioned during my trailer breakdown that I think Cinder is lying her ass off here, and I still think that based on a line we’ll get in a minute, but now at least we have a sense of how she can pull this off. A woman who started out as a (presumed) servant is going to know how to mimic subservience, even if her heart isn’t in it. Salem is very good at playing the girl who will still kneel and scrub the floor for you. She will scrub the floor, she’ll do everything you want, she’ll just be plotting her own rise to power while she does it.

There’s quite a bit of interesting cinematography in this episode, not all of it good, and I think one of the mistakes is here when we get a closeup on Salem’s mouth as she greets Cinder. A closeup like that should be reserved for more significant dialogue—“Rosebud”—and yet we get this shot again when Cinder tells Emerald to be quiet. It’s awkward and coupled with the numerous eye closeups we got in the trailer, I think RT is playing a little fast and loose with the camera. Each shot should add something to the scene, not distract from it. If you don’t have a reason for including a technique like that then leave it be.

Back to the actual dialogue though. We knew that Salem knew Cinder was alive and now it seems that she just expected her to come back? I’m slightly lost. It feels like we’re missing something here. Cinder goes off to secure the lamp, fails, nearly dies, wanders on her own for months, and then randomly shows back up on Salem’s whale doorstep, yet Salem isn’t angry at all? Did she have faith that Cinder would return when she has something to offer? Did she just not care about Cinder, considering her return an unnecessary but otherwise welcome surprise? That would make the least sense given that she holds the key to accessing Beacon’s relic… but that circles right back around to why Salem is seemingly indifferent to Cinder’s comings and goings. Surely she can’t actually believe that Cinder is loyal?

“So I trust you wouldn’t return to me empty handed,” she says. Yeah, trust means nothing in this show, Salem, didn’t you watch Volumes 6 and 7? Again, I simply don’t know. I suppose I’ll just chalk it up to confidence, that if Cinder did bail Salem knew she could track her down again. Deciphering her motivations and beliefs is a lost cause when the show continually gives us so little.

The important thing now is that Cinder does indeed have an offering and you can see that Salem is somewhat surprised at being handed the relic.

Cinder, of course, takes credit for the victory and we’re given another wonderful shot of Neo. ‘YOU took it?’

Oh, Neo. Best get out while you still can.

Tyrian appears having obviously made his way to Salem’s ship sometime between her arrival and now. The exchange is pretty standard for this group. He insults Cinder for failing and needing this victory to make amends, talks about how any win against Ironwood says more about his lack of intelligence than her skill, and Cinder… doesn’t have a whole lot of comebacks, actually. I’d say Tyrian won that verbal spar, enhanced by a better use of the camera when we get his tail looming menacingly towards Cinder and Neo.

He goes on to say that Watts was a “necessary sacrifice” so, uh… I’m just going to toss out the ask I answered yesterday. Based on our intro I’d say Watts is still significant to the volume—hacking Penny is my guess—but by the end? He could be in trouble.

(As a side note: I plan to analyze the intro next week. It’s just easier when it comes first.)

Tyrian also calls Neo “little one” which I just found absolutely hilarious. In an on brand creepy manner, that is. Not that Neo couldn’t kick his ass, but there’s something wonderfully chilling about having the serial killer use an endearment towards a potential victim, one that comments on her size while he’s looming.

In contrast, Cinder refers to Neo as a “valuable asset” and we get our third mood of the episode.

Who’s going to start a Neo reaction image collection?

It’s true enough on the surface—who wouldn’t want an ally who can turn into anyone else?—but we’re still bumping up against question of why Salem needs this. She’s immortal! She has an endless army! Magic! This scene works well with a villain who needs a skillset like Neo’s to succeed, but Salem doesn’t. RT is doing a great job writing a story thus far, just not the story we’ve previously been given. This isn’t the story they set up.

This will come back up when we reach the RWBYJNOR group. Just wait.

Before that though, the gang’s all here as Emerald, Mercury, and Hazel show up, all in new outfits.

I think I like everything except for the weird Xs on Emerald’s jacket—it’s way too distracting and frankly makes an otherwise good look ugly—and the fact that she’s showing her midriff in Atlas. Hazel doesn’t have any sleeves! Oh my god, why doesn’t anyone dress for the weather in this show?

Frankly, I found their reunion to be kind of lackluster. I mean, there was nothing wrong with it. Emerald does sound briefly excited, she does run, and it’s in character for Cinder to cut her off… it just didn’t resonate with me emotionally. I thought after two volumes of thinking she’s dead, then working through the knowledge that she’s alive, that I would feel Emerald’s shock and relief more, but I didn’t. And I’m not entirely sure why. I don’t want to level any accusations at the voice acting because frankly I know next to nothing about that skill (and from what I’ve seen it’s usually praised in the fandom), but I will say that throughout the premiere I was noticing it more than I ever have before. The lack of emotion here and some awkward deliveries later, like when Yang goes, “Ruby, there is no way Ironwood will cooperate with us” and I immediately thought, “Wow, that came out stilted.” These observations stick with me because, as said, voice acting usually isn’t on my radar. It’s not something I’ve studied or had practice analyzing. If you’d never told me that Ren or Qrow’s VA changed then after a year hiatus I literally wouldn’t notice… but there’s something about this episode that didn’t sit right. Anyone else get that sense, or was it just me?

Regardless, the arrival of our other three villains really doesn’t amount to much, though I’m happy for all the Emerald and Mercury fans who get to see them in new outfits. The focus is still on Cinder as she delivers a line indicative of her true motivations: “That power will be mine.” Yeah, she’s not loyal to Salem, she’s just power hungry. Of course, Salem immediately takes note of this and raises her hand, in another nice use of the foreground, reminding her that she hasn’t given that order.

Cinder is shocked, angry even, but quickly covers it up with her “Without you I am nothing” line. If I caught it right I think she also calls Salem “Ma’am”? Hilarious. Again, skilled at playing the servant.

Also, before I forget, it’s worth noting that almost everything from our trailer appeared in this episode. Yeah, there are a few details like Nora attacking some tech and the group on their bikes, but on the whole we’ve already seen the majority of our promo material and will likely get most of the rest next week. It makes me both interested and nervous for what another twelve episodes are going to hold.

Salem opens her whale, or opens a portal type view in it, something that gives us a long-distance look at Atlas. I don’t know what exactly is going on here, but it’s pretty so I’ll take it.

She also delivers the frankly badass line, “Just because you’re more valuable to me than a pawn does not make you a player.”

She waves them all away with perfect ‘You mean nothing to me’ attitude and we sadly leave our villains.

Sad not because I don’t love my farm boy, but because things are about to get a whole lot messier.

Oscar has made his way to a camp of civilian survivors… all of whom are just hanging out in the supposedly deadly cold. Yeah, there’s a single fire, but at least four of them aren’t anywhere near it. Three of them also aren’t wearing gloves. What was that survival rate again?

A nice if gruff dude gives Oscar soup—water?—while showing off his… badger claws? I don’t know what kind of faunus he’s supposed to be, but he feels like the sort of two second, minor character who could easily become a meme lol.

Oscar thanks him (my polite son!) and hands the bowl back after a single sip. Which is impressive because I would have assumed the guy was giving me the whole bowl and just taken it. Hell, I’ve done that even when I didn’t assume it’s all for me. A Starbucks barista once approached me with a tray and a plate of samples, I knew I was supposed to take just one, yet for some reason my hand went to take the whole goddamn plate. He had to tell me off, then I was trying to explain that I didn’t actually want or think I should have eight shots of cappuccino all to myself, I don’t even like coffee, he clearly didn’t believe me… it was awkward. So good job, Oscar. You’re less awkward than me (though that’s not saying much).

Now a question, Oscar. Darling. Brilliant boy who has been through too much: why the fuck aren’t you talking to Ozpin? This will be A Thing later when he presents a lack of time to talk as justification for keeping more secrets (we’ll get to that too…) yet here is time! You’re just sitting there for who knows how long, with plenty of privacy to hide a supposedly one-sided conversation so the Mantle citizens don’t get weirded out or suspicious. Talk to Ozpin. Our headmaster gets two lines in this episode, utterly inconsequential lines like his airship scene, lines that feel like they exist to say, “See? He’s still included in the story!” even though he absolutely is not. Two volumes of mostly silence, a perfect setup to start the reconciliation process, but we’re going to put it off again?

Instead Ruby randomly and conveniently appears. I want to know how she found him. Oscar isn’t wearing a tracker. He clearly didn’t call them because he’s surprised when Ruby shows up. He fell alllllllll the way back down to Mantle and then wandered to a random part of the slums. You’re telling me they flew over the entire city—after beginning this search thinking he was in Atlas—and somehow managed to spot him from up in the air? C’mon. I would have rather had a beginning where Oscar makes his way back to the group himself, giving him and Ozpin time to hash things out.

“Need a lift?” Ruby says, eliminating that potential. Sigh.

Oscar immediately starts beating himself up when he gets onboard, saying that he “was stupid to think the General would listen.” Nah, you were stupid to buy into Ruby’s nonsensical confidence and for telling Ironwood he’s as bad as Salem. Sorry, Oscar, but everyone is written badly these days. I will, however, say that I am THRILLED at the group’s reaction to his return. Ruby says that she’s “just glad you’re alright.” Nora has a wonderfully tender moment where she hugs him gently rather than her usual glomp.

That? That added a year to my life. Everyone else seems relieved that he’s okay too, so kudos there. After four years of Oscar being an outsider in the group, this is one of the few moments that feel like he’s 100% accepted. Really glad to see it.

Now let’s see if it sticks after they learn Ozpin is back...

They fly to the Happy Huntresses’ base and I again feel like I’ve missed something crucial. When did they team up? I mean, RWBYJNOR was working directly under Ironwood up until the last hour and Robyn ran off to fight Tyrian/Clover in the last couple episodes. When did she have time to explain her (briefly) changed allegiance and why would the Happy Huntresses trust the group without that? Did Robyn share that Blake and Yang went behind Ironwood’s back for her? Do the Huntresses instinctively trust them because they’re now wanted by the military? How did they even run into each other?

Again, I think we would have been better served to have an episode before all this. Let Oscar make his way back and let the group struggle with the magnitude of their situation on the airship, before they find new allies. Transferring directly to, “They have help and a secret base and a plan in the works!” makes me feel like I missed the real premiere last week. You know, the one where Salem unexpectedly arrived and we left the group like this.

This is where we’ve ended up though. The group is cozy in this hideout, getting info from Joanna, and my only other thought is, “Why is she giving all this exposition?”

Shouldn’t it be May? I mean, we were told that she was going to play more of a role this volume, a promise that’s pretty important imo given her status as a (so far off screen) trans character, so why not put her in the role of mediator between the Happy Huntresses and RWBYJNR? Giving her that setup as a leader among her people as well as lots of lines would be meaningful. A trans character just existing and being a part of this fight! May could obviously still fill that role—I’m well aware that we’re only one episode in—but it just seems like a missed opportunity to me. Out of all the undeveloped Happy Huntresses, our premiere focuses on the one who has the least importance to the fandom.

As said, Joanna talks a fair bit but what it basically boils down to is trying to get everyone to the crater below Atlas. It’s apparently not safe, but it’s warm, which is what matters right now.

So… let me get this straight. You want to gather everyone into a not safe crater, by leading them through an army of grimm, so that they can wait there in case someone moves the Staff, thus dropping an entire city on top of their heads? That’s the plan? Which admittedly isn’t Joanna’s fault. This is another instance of RWBYJNOR having information that a leader does not and they should really consider speaking up about it. But of course they don’t.

Also, how long does everyone have in regards to the cold? Shouldn’t there be dead civilians by now? The time it would take to find the Happy Huntresses, team up with them, get settled in the base, and find Oscar says that things should be pretty grim right now (pardon the pun), yet every non-aura user in this city seems content to just hang out in the snow. Either the cold is deadly enough to justify moving everyone to the crater, or it’s mild enough to let everyone survive this long, not both.

After hugs are given everyone obviously wants to know what happened to Oscar. His response?

“It’s a… long story. I get the feeling there’s been a few of those tonight.”

That’s a check for the bingo card! We’re halfway through the first episode and we’ve already got another secret. Yes, this is a secret. Oscar actively chooses not to tell anyone that Ozpin is back—something Ozpin himself comments on—and then skillfully draws attention away from himself with “I get the feeling there’s been a few of those tonight.” Indeed, all eyes go to Penny. Oscar’s plight is forgotten, which is what he wanted. His justification?

Ozpin: “You’re not going to tell them?”

Oscar: “You and I aren’t done talking yet.”

Along with this look.

Oscar no. There’s so much wrong with this I don’t even know where to begin. Let’s create a list.

As said, you had plenty of time to talk to Ozpin and chose not to. Miss me with this excuse.

You are now doing to your friends exactly what you and your friends did to Ironwood, which in turn is what Ozpin did to you! I can’t believe we’ve got Oscar critically side-eyeing him when they are still—still—repeating the behavior they drove Ozpin away for.

What is there to even talk about now? Oscar didn’t punch himself/Ozpin (lol) but he did steal Jinn’s name from Ozpin in the first place. You got what you wanted, drove him away, and have been lying and keeping secrets ever since. The only thing they should be talking about involves apologizing. Any further criticism—which is what Oscar’s expression and curt reply suggests—is beyond hypocritical.

Seriously, what needs to be discussed? There’s no reason not to tell the group unless Oscar wants to talk about whether they should tell them. There’s no good ending here...

Don’t you think it would be nice to know that Ozpin is back and you’ve got super magic powers while making plans to save the entire world?

This is all especially stupid given Oscar’s “Salem wants to divide us” reminder to Ruby in a moment. Oscar, you are doing the most to divide the group right now. By not forgiving Ozpin. By refusing to work with him. By keeping him secret from everyone else.

This is bad, friends, I worry for what the rest of the volume will bring…

The story is done with Ozpin for now so I guess I will be too. The group continues filling Oscar in and we get some shots of the base, including a rather prominent poster of what I assume are two Happy Huntresses. Did they die in battle perhaps?

It’s a little strange.

Oscar: “Where’s Qrow?”

Me: “Likely still making bad decisions.”

No one knows so they just drop it. Which I kind of get, only so much you can do to find him if he’s not out on the streets like Oscar, but it still reads as kind of iffy that two nieces look down at the ground for a hot second and then move on with their plans, content to leave Qrow to whatever fate befell him. In a minute we’ll see Yang firmly take Ren’s side regarding helping the people they can in Mantle, which frankly comes out of nowhere for her. I think an easy motivation would have been Qrow. Ruby wants to save the world, Yang wants to find and save their uncle, and that just happens to align with Ren’s desire to save the civilians who need immediate grimm and cold help. Don’t get me wrong, I like that there’s finally some division between the sisters, I just wish it hadn’t come about so abruptly. Ren had setup for standing up to Ruby. Yang did not.

But I’m getting a little ahead of myself. Joanna lists the grimm horde and no heat as the major threats to everyone. The group agrees.

Me: What about Salem?

Joanna says that this is all doubly dangerous because there’s “no more military protection.”

Me: Oh, so now you want the military?

This is all so disjointed. Even more-so when Joanna mentions that Ironwood has stopped all evacuations to Atlas, likely due to the “hard light shields” that are the only thing standing between Salem and the city. Thing is, the show never makes this connection, I just did it myself based on this scene and the one that comes later. The show presents Joanna’s line as a pure condemnation. Ironwood won’t let more evacuees in because… he’s just evil, I guess. Yet there is a justification here, namely that continuing the evacuations even while he’s stuck without Penny leaves him wide open to a Salem attack, the death of everyone currently safe, but that argument is never presented to the viewer. I don’t need people to agree with Ironwood’s perspective, I just wish that perspective was offered as an option. The show is very good about acting like RWBYJNOR’s opinion is the only justified opinion, or simply the only opinion at all.

After everything is laid out Weiss goes, “We’re never going to sleep again, I just know it.”

I could make a crack about the lack of continuity and how the group should be collapsing right now… but that was a funny line. It can stay.

What is far more of a problem is the fact that no one is talking about Salem. Okay, that’s a lie. They do talk about her, but in a roundabout way like her presence isn’t impacting every decision they make. That’s the real issue. They’re acting as if Salem isn’t here right now, like she’s off far away, maybe approaching slowly, and they’re arguing over how best to prep the world for her eventual attack. There’s no emotion here—let alone action—to reflect that the series’ Big Bad has arrived and is poised to murder them all. Literally what is this? Ruby is yelling about warning the world and, ignoring the continued question of why that’s a good thing when the world can do nothing to stop Salem and knowledge of her continually drives people to horrible acts, she has yet to acknowledge that… she’s the world? Ruby is the world in this conflict. She, Mantle, and Atlas. Salem is here for you all. Right now. You are, this instant, in the situation you want to warn others about, so why don’t you try to do something about it? Or at least acknowledge it. Ruby wants to warn the neighborhood about a potential fire while her house is actively ablaze, and the fire could have totally killed her by now but decided not to for… reasons.

“Ruby’s right,” Nora says. They have to tell the world so “they can prepare.” How? How are they supposed to prepare for this? The story cannot continue ignoring Salem’s immortality.

“Ruby’s right,” is all Blake says and I’m starting to thinks that’s why her character exists now, to agree with Ruby. It’s great that she’s getting a little distance from Yang, but man.

As Ruby asks whether Pietro can get Amity up and running despite it not being finished (called it) we start an incredibly odd sequence of flashforwards to their individual missions. I’ve seen a lot of praise for this already and though I agree that, in theory, it’s a good way to save time, I found the actual execution to be jarring. Upon thinking back through our timeline, it became clear they were flashforwards, but while watching I thought they might be flashbacks (especially since that’s more common).

Some of the shots, like Nora’s, just look awkward when you’ve got the exact expression and pose transplanted from one scene to another, like she’s a cardboard cutout behind a green screen. To say nothing of how the flashforwards ruin any suspense (I use that word loosely) in the conversation itself. If the question is, “Will they decide to go to the military compound?” then that question is answered when we see Ruby scoping out the compound, not when the group actually decides on the course of action.

It just made an already muddled scene worse for me, so I hope this trend doesn’t continue.

And of course, Amity can be used despite all the info last volume claiming that it wasn’t finished. Pietro suddenly acts like it is finished and the only thing standing in their way is Ironwood providing access. If that were the case, he would have used Amity weeks or days ago like he wanted to! When was it finished? Not after Watts commented on how incomplete it was. When did they get back the resources they needed from Robyn? It’s as ridiculous and retcon-y as I thought it would be.

Yang points out that Ironwood will never listen to them and Ruby counters that “he doesn’t have to.” They’ll just take the access from him. Because why wouldn’t they in a series where they’ve already stolen two airships? Stealing from the super evil military that Joanna wishes were helping them right now is just the group’s go-to plan nowadays.

Pietro isn’t sold on this plan though. He lists at least three obstacles they’d need to get through “and then… oh boy, I might need to think about this some more.” “And just to clarify,” Oscar says, “This is the easy option?” Um...no it’s not? We also know there’s an access point in Ironwood’s office so… why not go there instead? They really think the Academy is less guarded than the military base? There’s a potential justification here along the lines of, “After Neo and Cinder broke into his office Ironwood will have the place on high alert,” but unless I missed it the group doesn’t assume anything like that. They just listen to Pietro point out all the ways they can’t get into the military base and jump straight to that being the best option. It feels like a transparent way to create conflict for the group. We’ll just have them taking the most dangerous route despite an easy route being offered alongside it. Why bother mentioning his office at all? Just have the access in the military base. Boom, done.

It’s that conflict and the fact that Ruby tends to hear “You can’t” and digs in her heels. You can’t go to Atlas. I’ll just steal a ship then. You can’t defeat Salem. Watch me. You can’t break into this base. Guess what I’m doing! She’s dangerous in her fairy tale, meta-driven insistence that everything will turn out her way because she wants it to.

Speaking of, we finally—FINALLY—get someone challenging Ruby. Sort of. Not actually but it’s the closest we’ve ever gotten:

Yang: “Ruby, when we came here we said we’d follow your lead… but things haven’t exactly worked out.”

Now, there are two things to take away from this moment. The first is how utterly shocked Ruby and the others are. I mean, take a look at these expressions.

Ruby straight up can’t believe what she’s hearing. Weiss put her hand to her mouth like this is the most dramatic thing to ever happen to her. Oscar looks down in a ‘Yeah, I agree but please don’t look at me and make me admit that’ way. And Nora looks indifferent in the screenshot but animated she goes sort of stern, likely pissed that Yang would dare say that given her own agreement with Ruby. This not only reiterates that Yang’s challenge came out of nowhere—seriously, how did we move from following Ruby no matter what to this? Last volume she asked a single question along the lines of, ‘You sure?’ and when Ruby said ‘Yes’ Yang was entirely on board—but also demonstrates that no one has EVER said no to her before. Ruby is amazed that someone would challenge her. The act of challenging Ruby is, in and of itself, shocking. This group has gotten so used to following Ruby blindly that the teensiest little pushback is greeted with this.

Because it is teensy. This is the second takeaway: Yang barely challenges her and that challenge leads nowhere. She doesn’t accuse Ruby of anything, she doesn’t question her continued authority, she just broadly implies that things could be better. We followed you, now things are bad, take from that what you will. It’s incredibly mild as far as criticism goes, making the shock all the more, well, shocking, but it also amounts to—wait for it—nothing! Because Yang didn’t truly challenge Ruby’s leadership. She’s still in charge, she’s still calling the shots, and they’re still listening to her. We might have gotten some change if this division had been allowed to play out, but instead Jaune comes in with a, “Let’s go for both!” solution. It let’s both groups get what they want which, in turn, releases them from the need to grapple with whether they’ll listen to Ruby when she’s advocating for something they don’t agree with. We have now lost the chance to see whether, when push comes to shove, Ren and Yang will cave to Ruby’s will or stick by their own beliefs.

Don’t get me wrong, it’s more conflict than we’ve gotten in years, but that doesn’t mean it’s particularly compelling conflict. It’s good by RWBY’s standards, which doesn’t necessarily make it good. The actual issues at hand—Ruby’s dangerous arrogance, the group’s loyalty, her choices up until now—are just swept under the rug. For all the visuals we get insisting that there’s this great divide in the group… there’s really not. Not in any way that matters.

Also, Ruby is an idiot. Okay, that was mean, but she really is in this scene. She’s actually not an idiot overall because she was written as wonderfully intelligent in the early volumes, but now? Lately? She makes me want to bang my head against a wall.

“But that’s how Salem got this far,” she cries. “By dividing us!”

Ruby… oh my god, Ruby. No one should have to explain to you that dividing people means turning them against each other, not literally dividing your team to complete separate tasks. This girl honestly thought that because there was this teensy disagreement and that half the team would complete Plan A while she and the other half completed Plan B, both of which notably work towards the goal of, “Protect people from Salem,” that this was somehow what Salem wanted. That is was dangerous. Honestly, it’s a scary look at her view of leadership too: If everyone doesn’t 100% agree with me and do what I say, that’s an objectively bad thing that the grimm queen wants, right? Does Ruby think that unification means following a single person (her) without question or variation? That would explain a lot...

The fact that Oscar needs to explain the difference to her is not good. It really doesn’t say great things about this version of Ruby. Though he was comparing Ironwood to Salem last volume, so really they should all be wearing dunce hats.

Penny offers to take the relic directly to Salem in exchange for her leaving the kingdom alone. I honestly didn’t expect that. If anyone took that risk I would have put my money on Ozpin (but of course, during all this talk of the women he knows best, he’s kept quiet). Oscar is again the voice of wisdom, pointing out that they have no reassurance that Salem will keep her word. At least Penny is thinking about Salem as a threat though, so kudos for that. When this plan is shot down she volunteers to get Ruby past the military security instead and, uh, she’s a little intense about it.

I’m not entirely sure what is going on with Penny. She disagreed with Winter but then seemed to come around to her point of view, enough to help anyway. They had another (stupid) disagreement about the value of individual lives, so that helps to explain why she’s teaming up with RWBYJNOR (if you ignore that Ironwood is also trying to save individual lives...). Did watching Fria die shake her up? Is it being the Winter Maiden that’s not sitting right? Does Penny have lingering feelings about the framing that haven’t shown up until now? Her status as a ‘real girl’? We’ve got a lot of reasons that could definitely explain this sudden need to fight, but we’re not told which—if any of these—is the driving force.

We’re then given a lot of little details. Someone points out that if Salem gets the staff and “create[s] anything else” then Atlas will fall (so yeah, let’s move the people underneath it). We still don’t know what exactly the Staff does because “creation” is kind of broad and “powering a city to float” doesn’t seem to sit within that category at all. Pietro gives Yang the keys to his lab so they can get the bikes. We see the group dividing in the flashforwards, something I do like, especially since the show has gone out of its way to break up most of the usual duos. Nora in particular is pissed at Ren for his choice.

“Oh, I’m saving Mantle because I actually believe we can do this.”

#yikes. Well, I did say I wanted a conflict other than ‘Oh no, one of us might die’ and it looks like I got it. But Nora, the only reason you can do this is because the plot is in your corner: none of you are collapsing from two major fights, you didn’t lose your aura so the cold isn’t a danger, the military is barely a threat all of a sudden, Salem is helpfully hanging out in her whale instead of killing you, and the story decided that Amity can function so long as you all are the ones who get to use it. That’s why you can do this. Ren, who follows in-world logic and doesn’t want to risk a whole kingdom’s worth of lives on a pipe dream, thinks differently, oddly enough.

As they leave though Penny gets a call from Ironwood. I know precisely what the fandom is going to say here: “This evil man is just trying to use Penny to open the vault!” Of course he is. He needs it open to save everyone he can, Penny included. Plus the concept of “using” her is a double-edged sword. What do we think the group is doing right now? Using her to get past the security. Penny’s power is a tool any way you slice it. Granted, Penny volunteers to help the group, but notably here Ruby speaks for her. Penny seems torn and Ruby takes the scroll away with, “She’s not going anywhere until you change your mind about Mantle.”

Sorry, Ruby, but coming from you that sounds less like a reassurance for Penny and more like just an order for Ironwood. Remember Harriet? We’ll stop attacking you provided you do what we want. Ruby has yet to learn about compromises, let alone acknowledge that she might be wrong. How about you let Penny decide where she goes, especially since by all logic she should have a lot of loyalty to Ironwood. She knew him before she ever met you. She’s worked with him since she was rebuild post-Volume 3. Despite what Penny has said, if the story would just let her think about his actions for a hot second—making her the protector of Mantle, sticking up for her after the framing, sending her to the party, teaming her up with Ruby, etc.—she might realize that the ‘He doesn’t want me to have friends’ and ‘He just treats me like a tool’ assumptions are just that, unfounded assumptions. But no, Ruby speaks for them both because Ironwood is evil now.

“If she makes it through our defenses,” Ironwood says, “everything that follows will be on your hands.”

That’s true! Kind of like how it’s own Qrow’s hands that Clover died. When you insist on making a bad situation worse you hold responsibility when the shit hits the fan. You know though that Salem won’t get through their defenses now, somehow, so that there’s no chance RWBYJNOR will be blamed for it. Or, by that point Ironwood will be so crazed that anything coming out of his mouth is dismissed, no matter how accurate it might be.

We then transfer to the Ace Ops who are, despite what the fandom theorized for many months, clearly upset about Clover. Also pissed. Which they have every right to be. Their friend and leader was killed. Imagine for a moment that Ruby had been murdered by Tyrian with an allies’ help. Exactly what do you think the group would do? Swallow it quietly and get over it? Ha.

I’ve already seen some speculation that Clover survived due to details like showing us the bandage and his room being listed as for a “Patient,” but he looks pretty dead to me.

He got gutted through the chest and left out in the snow for who knows how long. We saw him slip away. Qrow screamed over his dead body. He’s not breathing now. If RWBY suddenly claims he survived this, I’m calling BS.

Most of the other visuals we get here were already dropped in the trailer. Winter is pretty injured from her encounter with Cinder, likely permanently based on her new outfit. Ironwood had to replace his arm—and I am calling BS on that “Losing his arm is reflective of him losing his humanity” commentary from RT. Please go read up on a couple decades worth of ableism in media and then get back to me.

We get Ironwood’s line about the light shields and, notably, a whole lot of empathy. Regardless of what he might want Penny for, he still called her with compassion. He’s watching the Ace Ops mourn their friend. He’s talking about protecting his kingdom. The first thing he says to Winter is, “Thank you, Winter. I don’t know what I would do without you.” Ironwood has a heart! It’s always on display, which makes this scene utterly ridiculous.

I literally don’t know how to respond to this. The gunshot made me jump, both because it’s a gunshot and because, again, what the fuck? I know I said that next volume RT might just have Ironwood descend into full villainy, shooting whoever he pleases now that he’s shot Oscar, but I didn’t actually expect them to do it. Because he never should have shot Oscar in the first place! I wanted the story to let Oscar grapple with it a bit and then quietly backtrack, acknowledging it as the mistake it was. The concept that Ironwood, empathetic Ironwood, rational Ironwood, always thinks before he acts Ironwood, let’s kids yell at him Ironwood, tried to team up with Robyn Ironwood, did everything Ruby wanted Ironwood, won’t kill Watts after he destroyed his arm Ironwood would shoot this guy just to shut him up is absurd. It was absurd then, it’s absurd now.

That being said, there’s a possibility he didn’t actually shoot the council member, but rather just (“just”) gave a warning shot down the hallway. I say this because the reactions to this are pretty tame. Everyone looks startled, yeah, but after the initial shot there’s nothing that I would expect if there was now a guy bleeding out on the floor. The council woman doesn’t scream. Winter doesn’t seem overly shocked. No one is running to try and help him. Basically, if Ironwood had just killed a political figure in front of six witnesses, entirely unprovoked, I would expect a bit more of a reaction than this. This feels far more like a, “Damn he’s not joking around, letting off warning shots to get people to leave him alone” not “WOW, our general just killed someone in cold blood!”

What I really hate though—beyond just assassinating his character—is how many fans think my friends and I are delusional for calling it character assassination at all. I hopped onto the RWBY tag for five minutes this morning and was bombarded with posts about how Ironwood needs to be murdered horrifically, anyone who likes him is sick, the Ironwood stans are as bad as Adam stans, you’re an idiot if you want him redeemed… because apparently the concept of a story writing a character badly doesn’t compute. I’m not here to argue that Ironwood didn’t do these awful things (regardless of whether he actually killed the guy or not). I’m not here to argue that they’re not awful. I’m just here to say that we never should have gotten these scenes in the first place, or if we were going to get them, we deserved an actual descent into murder at the drop of a hat territory. I’ve already explained extensively on this blog how early Ironwood was not accurate foreshadowing for this, and Volume 7 certainly wasn’t setup, but it looks like the majority of fans aren’t interested in examining whether any of this adds up. Which makes my job, as someone trying to examine this series somewhat objectively—in as much as that’s possible for any single viewer—as well as simply enjoy it as a show, really hard. It’s bad enough when a story keeps taking the characters you love and villainizing them, and doing that badly, but then when you turn to the community and see them rallying around the idea that you’re awful for being dissatisfied—you’re the bootlicker, you’re the blind stan, you can’t see what’s ‘really’ going on here… that sucks. For those of you happy and satisfied with Ironwood’s arc, that’s great! I’ve also seen a lot of posts hyping up the complexity of his character now. There’s nothing wrong with enjoying what we’ve been given and I’d never want to imply that just because it’s not what I wanted it’s somehow wrong. I’m honestly thrilled that after a year of worry so many people have adored our premiere, including this scene. I just wish that I could say RWBY had given me something I didn’t want in a persuasive manner and that the fandom as a whole was a bit more welcoming of differing criticisms.

Not that I didn’t already know the RWBY fandom had its flaws, but still lol.

That’s basically it for our premiere. Nice note to end on, huh? Our final scene is of Salem using the lamp to set her bloodhound grimm on the city. Why doesn’t she just go herself? What was she planning to do here in Atlas in the first place, considering that getting the relic was a surprise? Who knows. Little about this holds together. But we do end with another awesome shot, so small favors.

It’s always strange concluding a recap, but even more-so when it’s a premiere, during a historical moment in the U.S., amidst all the nonsense that is 2020. So for now I’ll just conclude with three quick things:

The updated bingo board will be listed at the end of each recap, provided I don’t forget about it lol. Today I’m checking off tone (not nearly enough freaking out about Salem), the team keeping secrets (Oscar), and major plot point dropped (Amity is suddenly finished). I could also probably check off the cold not killing civilians and getting Amity up and running, but we’ll see if any changes with those.

I’m including my Ko-Fi link at the end of recaps now. Not with any expectations. Not with anything resembling pressure. I thought long and hard over whether to include it at all—let alone mention it here—because I love doing these and never want anyone to feel like it comes with strings attached. But life is a little harder and weirder than it was last year, so I figure it can’t hurt. Feel free to pass on by and I won’t be bringing it up past this note.

Far more importantly: thank you for reading! :D

(Bonus 4. Editing this was an absolute nightmare — damn you, tumblr! — so I apologize if anything is super wonky when I finally post.)

See you next week! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps

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dontasktheradiodemon · 3 years

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Cuddly Date Time

Alastor & Telly @usedhearts have a date night and completely ignore their movie and snacks because Alastor found a list of questions for partners to ask each other.

And so they ask each other a million questions.

It's very nice.

Telly

Date night! Telly had the Eggs set up the projector on the bridge, and pull in one of the chaise lounges. He had a bowl of popcorn, and mixings for drinks.

And he wore just a t-shirt. He was a comfy snake tonight.

Alastor

Date night! Never content with one snack where multiple would do, Alastor had spent the last couple of hours in the kitchen, putting together bacon-wrapped pineapple, stuffed mushroom caps, and a couple dozen crostini each topped with a random assortment of whatever looked fun in the fridge. He'd discovered he liked hand-feeding his partner, and by god was he *gonna.*

The longer he lived with Telly, the more obvious it was that he needed to get himself more casual clothes; but for now, he'd make do with a t-shirt (stolen from Telly's stock) and his bath robe to get comfortable. He swooped in with a tray of snacks, summoned up a side table to set it on, and slid his arms around Telly as he sat. "Why, hello there~"

Telly

Telly smiled, leaning into Alastor's side.

"Hello to you, too. Fancy seeing you here." He laughed and kissed Alastor.

"Are we ready to go?" He lifted the remote, to point backwards at the projector.

Alastor

He returned the kiss and settled into Telly's side. "Ready when you are!"

Telly

"Here we go!" He clicked the remote and the lights dimmed and the movie started. That done, he wrapped his arm around Alastor, turning to kiss his cheek.

"So, what culinary delights did you make for me to try this time?"

Alastor

Alastor hummed along to the opening notes of Music Man, then glanced over to his tray of food. "Mushrooms, bacon-wrapped pineapple—I thought you'd like a little tropical fruit—" smooch, "—and a veritable rainbow of crostini treats!" He'd sort of tried to stick them in rainbow order. He doesn't quite remember rainbow order. "We had some odds and ends of jams and cheeses and pickled things, so I got creative."

Telly

"Oh, sounds tasty! I will leave it up to the discretion of the chef which I try first." He smirked and winked.

His eyes flicked back to the screen for a moment, and he hummed.

Alastor

"Well, in that case..." He'd gotten the pineapple specifically for Telly, so he plucked that up to offer first.

Telly

Telly opened his mouth to accept the pineapple. He hummed as he chewed, and nodded. "Oh, that is delicious!"

Alastor

"Good!" Alastor was constantly amazed at how gratifying the little things were these days. Things like Telly's little hum.

He picked up a mushroom cap to offer next. "I'd forgotten how much I enjoy the first song! With all the train sounds." That said, he's already only paying about 40% attention to the movie. The movie is mainly an excuse to cuddle.

Telly

"Oh yes, it's quite ingenious!" Telly turned his head to glance at the screen before focusing back on Alastor. He took the next bite and his face scrunched a moment, before smoothing to contentment.

"Mm, interesting!"

Alastor

Huff! "Is that interesting good or interesting bad? I can take them if you don't like them."

Telly

"Interesting good! It just wasn't the flavor I was expecting them to be." He grinned and picked one up to offer Alastor. "But I _will_ share."

Alastor

"Why, *thank* you! Don't mind if I do." He took the bite then kissed Telly's thumb before he sat back to chew.

Telly

Telly followed as he sat back, pecking his cheek. "You looked so _indignant_ just then, it was adorable."

Alastor

"I did not," he said good-naturedly. "I happen to know for a fact I was smiling the whole time."

Telly

"Yes, you were! But I've started to identify your different smiles. That one was definitely indignant." He nodded for emphasis, even as he fought to keep his face in a mock serious mask.

Alastor

"Really!" He laughed, grinning wider. "Well, what's this one, then?"

Telly

"That's your 'I'm amused at my partner-in-crime's antics' smile." He giggled.

Alastor

"Close! But you missed the utter adoration."

Telly

"Oh yes, how could I miss that!" He laughed and leaned to kiss Alastor.

Alastor

He returned the kiss, then leaned in to nuzzle Telly's neck. "Say. It occurs to me that I'm not paying terribly close attention to the movie, and I can't help but notice you aren't either. If you don't mind paying a little less attention, I picked up a game that might be fun to play?"

Telly

"A game?" Telly tilted his head, smiling at the nuzzling. Sometimes it still sent a thrill down his spin that Alastor was here with him, like this, and he felt it now.

"What sort of game?"

Alastor

"Well, considering the topic we were just on..." He pulled out his phone with a flourish. (It was hard to flourish with a cell phone, but he was determined to make it work.) "Questions to get to know each other better! I don't think there are any about smiles, but it's a fine list nonetheless. Personally, I always love a good interview—and I know I still don't know half as much about you as I'd like to."

Telly

Telly blinked. "Oh! Well alright, that sounds fun."

He grinned and kissed Alastor again. "Alright, go for it. First question."

Alastor

"Okay! This list here has about two hundred questions and I narrowed them down to only the ones I want to know the most about you—so, naturally, I have over a hundred." He laughed and scrolled through the list. "Let's see, let's start with an easy one—Do you prefer living in the countryside, in a town, or in a big city, and why? I know you've moved around some, and it's hard to tell how an airship counts."

Telly

"Hmm," Telly said, stroking his chin as he pondered.

"I do enjoy city life, with all the people-- we as long as I can separate myself from the majority of them. But I adored my time in Dover when I was alive. The crashing of the sea as I worked was a great focus."

Alastor

"So away from all the city noise, down by the seashore?" He considered that. "We'd have to move a few rings to find a proper shore—how do you feel about prerecorded ocean sounds? I think I can swing that much!"

Telly

"I do like those, it's always fascinated me how they could replicate things like that."

Alastor

"So do I! Sound effects in general are an under-appreciated art! I've got a wide variety of things I listen to to fall asleep, and background sounds like that are high in the list!" His smile turned sheepish. "Or—used to be, anyway. Nowadays I usually listen to you instead."

Telly

Telly blinked. "Listen to me? My heartbeat?" He tilted his head.

Alastor

"And your breathing." He is, in fact, still capable of being a little self-conscious about his moments of sappiness.

Telly

Telly glanced away and for the million and first time he was glad he no longer blushed. "That is....very sweet and romantic, love."

Alastor

"Oh, is it!" He looked a *little* less sheepish. "Here I was worried it might be a bit too much."

Telly

"No, darling, the fact that you fall asleep to the sound of my heart and breathing is definitely not 'too much'." He smiled and leaned over to kiss him.

"Well, next question, yes?"

Alastor

"Well, when you put it *that* way, it sounds charming." He returned the kiss. "Next question!" He handed the phone over to Telly. "Your turn to pick one. Interview the hell outta me. I'm ready for my closeup."

Telly

Telly took the phone and inspected the list of questions, humming softly.

"Hmm, let's see..." He scrolled down. "How about this one. 'What is the most thrilling-slash- adrenaline seeking thing you would consider doing?'"

Alastor

"Oh! Well? Hm." A pause. "Is that counting things I've already done, or only things I haven't tried yet?"

Telly

"I think only things you haven't tried yet." Telly read over the question again. "Yes."

Alastor

"Oh, well then!" He tipped his head back while he thought. "You know, I've always thought skydiving sounded fun! But it's hard to find an instructor and pilot that I didn't think would get me splatted on the sidewalk because they were too terrified of me to do their jobs right." His eyes lit up. "Say, this thing doesn't get high enough for skydiving, does it?"

Telly

"I don't think so." He laughed, shaking his head. "But if you ever want me to toss you out to give you a briefer experience, let me know."

He paused, humming again. "Now I'm curious, though, what was the most thrilling thing you already did?"

Alastor

"I'll keep it in mind!"

He winced. "Oh, I talked myself into that one. And here I didn't even get to the question about relationship dealbreakers first. But, uh... hunting people for sport?" He laughed self-consciously. "I kept meaning to bring it up, but there's really no easy way to work that into a conversation."

Telly

"You did mention something about being out there to kill when you died. So, you hunted people?" Telly's tone stayed completely casual-- this was Hell and he'd been here a while, one got used to most things.

Alastor

He hadn't *thought* it was going to be a problem, considering what Telly was up to when he died, and considering everything Alastor got up to that Telly already knew about—but you never really knew how someone was going to react. And if Alastor knew anything about mass murderers, it was that depending on their motives or methods, they couldn't even get respect from other mass murderers. "People and deer, usually. But by the end, the deer were mainly a consolation prize and an excuse to get close to the real prey."

Telly

"I see." He stroked his chin. "How many do you think you killed? Did any get away that you know of?"

Alastor

"Oh, only two or three dozen tops," he said modestly. "I'd have to ask how many the infernal treasury credited me with, but even that number wouldn't be quite all of them. There's a few I shot and left that I never saw show up in the papers, so they might have got away, but none I know for sure. "

Telly

"Hm! Well, no wonder you wanted a hunter rifle for your present." He grinned and laughed. "Alright, next question for me."

Alastor

"That's it?" He raised his eyebrows, surprised. "You know, I always kind of thought that one would generate more discussion. Huh." He turned back to the list of questions to scroll through—and picked up another snack to feed Telly while he looked for a question. "Here's an intriguing one—what are you deliberately ignoring, even though you know you should deal with it?"

Telly

Telly took the offered snack with his mouth. He hummed, thinking as he chewed.

"I don't think that I'm deliberately ignoring anything right now?" He squinted, and his head tilted. "So, only unknowingly ignoring, then." He chuckled.

Alastor

"Well, tell me something you're unknowingly ignoring!" He said, like a little shit.

Telly

"Obviously, I don't know what those are, Alastor." He rolled his eyes.

Alastor

"No? You're positive?" He grinned impishly. "Well, all right! No skeletons in your closet, I suppose!" He passed the phone back. "But next time I'll get something interesting out of you."

Telly

"Yes, yes, next time." He took the phone back and scrolled through again. "Hmm, how about this: What calms you down the most?"

Alastor

"Oh." A long pause. And then a tiny wince and a mumble, "Do you know what ASMR is?" It's worth noting that he's more self-conscious over this than the serial killing.

Telly

"Vaguely. But tell me more about it." He leaned in, grinning malevolently.

Alastor

Ahem. "*Well.* When I was alive, and we were all still trying to figure out what to *put* on the radio, some of the earliest programs were, just... musical programs with sort of a vague plot narrated between them. And when I say 'vague,' I mean 'today John Doe is driving into town, let's play a bunch of songs about farms and meadows and bridges because that's what he's driving past.' And I appreciated those plotless little shows. But they weren't too popular—people wanted more stories in their stories, so they went away." He was going somewhere with this, really. "And then a little after I died, shows really started pushing the envelope with what they could do with the *sound* on radio, you know, with sound effects and the like, getting really experimental with it. And I tell you, I ate that up! I probably spent most of the forties with headphones practically glued to my head—and this was before they started offering the high-quality headphones for sinners that don't have their ears on the sides of their heads! And uh, that—that's more or less what ASMR is. Like those early shows with nearly-plotless plots, with the music taken out and copious sound effects to support the plot instead. That's... that covers most of the appeal." He did NOT make eye contact and he WAS embarrassed.

Telly

Telly blinked. Well. He hadn't realized that was such an in depth topic. He sat quiet as he processed a moment and then nodded.

"So you like it because it feels familiar?"

Alastor

"Not exactly, no—more because it... has those things I already liked." Mumble, "And it makes my ears tingle." Mumble mumble, "And sometimes it's nice to pretend I can get a haircut from somebody who isn't afraid to look me in the eyes."

Telly

Telly smirked, leaning against him. "Well, sometime you'll have to show me one."

Alastor

"Really?" His brow wrinkled. "Well—alright. But fair warning, I've probably oversold how interesting it is. I mean—the people who are interested in it find it interesting, but..."

Telly

"I at least would want to hear it once, just because you like it so much." He kissed Alastor's cheek.

Alastor

"Oh... sure, then. I'll see what I can find for you." He returned the smooch. "I'll try to avoid the more esoteric ones."

Telly

"Yes please, darling." He purred. "Next question?"

Alastor

"You know... I think I want to ask you one that you asked me." He grinned. "What's the most thrill-seeking thing *you'd* do?"

Telly

"Thrill-seeking...." He pondered that for a moment, finger tapping his chin again.

"Probably seems typical for me, but I think it would be a great thrill to finally attack Vox."

Alastor

"Hah! Put *that* one at the top of the list! Oh, I hope that by the time we go for him, he's so outmatched that he's *boring*."

Telly

"Yes, we can hope!" He laughed, grinning wider.

Alastor

He tugged Telly in to plant a firm kiss on his cheek. "I just love when we're on the same page."

Telly

Telly purred, turning to kiss Alastor's lips. "I love _you_," he muttered, wrapping his arms around him.

Alastor

"I love you, too." It's something he still has to practice saying without his breath shuddering; sometimes there's still a little static hitch. But it's coming more easily.

Telly

There was still a thrill that went through him, hearing Alastor say it back-- a thrill that made him beam and kiss him all the more. He sighed happily against his lips, cuddling close.

Alastor

He slid an arm around Telly's waist, holding him closer, humming along to the love song in the movie as he kissed Telly.

Telly

Telly let the kiss keep going for a while, before pulling back, a grin on his face. "I also love kissing you."

Alastor

"I think I've developed a taste for it myself." Understatement.

Telly

He laughed. "Yes, it seems you have." He leaned in for another kiss.

Alastor

He wasn't about to get any complaints from Alastor. Just a hungry return kiss.

Telly

Telly pushed closer, arms and tail coiling tightly around him. He pulled back after a time, and giggled.

"Oh, look at us, making out during a picture show like teenagers!"

Alastor

"Ha! I never made out at the picture shows as a teenager!" He paused thoughtfully, then added, "And as a teenager *you* never went to a picture show. But what's time to the dead?" He laughed. "I wouldn't have enjoyed it then, anyway."

Telly

"We simply must get the teenage experiences we never had! Even if they are ones that we wouldn't have had otherwise!" He laughed, kissing over Alastor's face.

Alastor

He laughed as he was smothered in kisses. "I didn't *want* that teenage experience! Do you know, *do you know* how *hard* it is to ask a gal you're friends with if she'd like to see a show with you, and then actually *see the show*? There I am, early twenties, with some dame desperate to introduce me to her lips, trying to watch Mister Buster Keaton, and—and..." His laughter momentarily overtook his ability to speak. "I should've taken a cobra to the movies. Do you think they'd have let me? Just escorted one on a day trip from the Bronx Zoo?"

Telly

"No, I don't think so. A python, maybe." He grinned and laughed, nuzzling close to Alastor. "But just think, you can take _this_ cobra to a picture show!"

Alastor

"I certainly can! And you're a better conversational partner!" He pulled Telly deeper into the nuzzle. "I can't think of anyone else I'd rather ignore a movie with."

Telly

Telly grinned wider, chuckling against Alastor's neck. "Mm, I think we lost track of the questions sometime around the second kiss, but I certainly don't mind, do you?"

Alastor

"No, not terribly." He kissed Telly near start of his hood. "Although I'd like to loop back around to that sooner or later. There's *so much* I want to ask you, and I feel like we never get to talk enough."

Telly

"Hmm," Telly hummed, sitting up, but taking Alastor with him. He situated him on his lap and grinned. "How about one asks a question and the other has to answer whilst being kissed?"

Alastor

"Ooh. You know, that *does* have its appeal." He straddled Telly's tail, looped his arms over Telly's shoulders, and pressed their foreheads together. "*However...* not to be the cliché libidoless talk show host we all know I am, but—I really do want to *talk* with you. Without the conversation playing second-string to a distraction." He offered a crooked, uncertain smile. "If that doesn't sound too boring for you? I don't want to hold you hostage in a conversation you've lost interest in, mind."

He was still hesitant, still self-conscious whenever what Telly was looking for physically was less than what Alastor was currently looking for. It was easy enough to say "no" when he was flat-out uncomfortable with an activity; he could even let himself think that he was giving Telly an opportunity to be gallant by graciously reigning in his own desires for Alastor's comfort. He felt less sure of saying "no" when he was simply not terribly excited by the idea at the moment. He felt like he was the one giving up the opportunity to be gallant. It was a new quandary for him, and he didn't enjoy his own uncertainty.

But thus far honesty had never steered him wrong with Telly, so he'd tell the truth first and figure out the rest later.

Telly

Telly purred as their foreheads pressed together, and then gave Alastor a squeeze. "Of course. We can just talk. As long as you don't mind if I simply _must_ occasionally interrupt you because the urge to give you a kiss is _unbearable_."

He leaned back to dramatically press the back of his hand to his forehead, before cracking open an eye and grinning. He readjusted himself to be snuggled back in close.

"I forget whose turn it is, so why don't you start us off again."

Alastor

Alastor's grin widened again, as much with relief as amusement. "Far be it from I to deny you if you're in such desperate need! Why, I might need one or two myself." And just to prove it, he planted a quick peck on Telly's forehead. "*I* kept track. We got off-topic because you said you wanted to take down ol' blockhead and I thought it was the most beautiful thing you said today. So it's your turn to ask one."

Telly

"Oh, alright." He looked around, finding the phone from where it had fallen in their kissing frenzy. He scrolled through it before making a face briefly.

"You know, there's something I've wanted to ask that's not on this list, and what better time than now?" Telly smiled, albeit sheepishly, turning to glance away as he worked up the nerve to ask his question.

"So, to preface this, I know when it comes to bedroom things, there are things you definitely do not want to do, one being me touching you in the--" He gestured vaguely to Alastor's crotch. "But I was wondering, what's your opinion on.....blow jobs?" He muttered the last word, looking away even harder.

Alastor

"Really? 'How do you feel about blow jobs,' they left that one off the list?" He squinted in exaggerated puzzlement at the phone. "How did they miss *that* one?" He tutted chidingly, then turned to Telly. "Giving or receiving? Or both? Or just as a general cultural phenomenon?"

Telly

"Well, I assumed that since you don't want me doing anything--" He gestured again to Alastor's crotch. "-- _down there_, that it would be giving."

~~He is still not making eye contact. He is not Looking.~~

Alastor

"Well... actually, I've been thinking about it." A dramatic pause. "And I'm still thinking about it."

Okay, now that he'd got the instinct to be a troll out of his system: "Here's the thing. Most available options, I've got clear opinions on and I don't have to wonder about them. Hand jobs? Sure, I've been giving them to myself for over a century, no problem with that. Anal? God hung a sign over that door that says 'exit only,' and while I'm perfectly happy to ignore that sign to sneak into a theater or a gourmet kitchen, I don't feel compelled to break into the back door of my sewage facility. And so on! But blow jobs, though?" He shrugged expansively, clueless.

"It's always looked disgusting, but that was when I was considering the prospect of all that hair and sweat and the crust of poor hygiene. None of that's a factor here. On the other hand, I generally don't stick things in my mouth I don't intend to chew and swallow—see, that sign on one end marked 'exit only' is accompanied by one on the other side that reads 'entrance only.' Kissing is fine, licking and nipping are fine, but the idea of sticking something in there and... *holding* it? Sliding it back and forth? It's..." He trailed off. "Well—neither good nor bad. Just... alien. I can't really imagine how it'd go."

He took a deep breath. "And of course, the fastest way to find out would be to go 'Well, whip 'em out, let me slobber on them and see how I like it!' But: I don't want to offer that if I don't already *know.* I don't want to get your hopes up just to find out in under ten seconds that I hate it and I'm never doing it again."

Telly

Telly listened, giving a small chuckle at Alastor's analogies. He pondered for a moment, his hand moving up to stroke at his chin. "Well, the thing is, how _will_ we know unless we try? That's a thing in science: you form a hypothesis and then conduct experiments to see if you're correct. You know that if something doesn't work out, or you _don't_ end up liking it or wanting to do it again, that's fine, yes? I'd rather us try and fail, than never try at all for only fearing the failure.

"Now, I'm not saying we jump right in and try it out right this very minute, but sometime in the future, why not give it a shot? The worst case is you don't like it, and then we know and we don't have to wonder anymore. Best case? We have another position we're both comfortable with.

"And stemming from that, if you don't like the idea of sticking the whole thing in, then there's always just licking-- or even eating me out, my slit where they're usually stored _is_, ah, capable of experiencing that as well. There's variations we could test. And if you don't like them either, no harm, no foul." He shrugged, one hand going to cup Alastor's cheek.

Alastor

"Don't scientists also do research first? To base their hypothesis on what they already know? I'm confident I could do more research." He leaned into Telly's touch, eyes sliding shut. "I'm... not ready yet." Which was embarrassing as all hell for him to admit—him, *Alastor* the *Radio Demon*, not ready for something. "I want to know that at least I haven't overlooked something obvious just because I rushed it. I—" he winced, "I don't consider myself a nervous person—but the thing is I don't want to be the least bit nervous while I've got a very delicate piece of equipment between my teeth."

Telly

"And that's fine, too. Like I said, we don't need to jump into it _right now_, or anything. We can wait until you're ready to try." He smiled and leaned in to give him a kiss.

"Alright, I think it's your turn now."

Alastor

Kiss! "All right, what have we got here..." They were down in the relationship and sex questions. He scrolled a bit, barked out a "HA," gave Telly a shit-eating grin, and read, "How well do you think our sex drives match up?"

Telly

Telly blinked at the question-- before breaking into a fit of cackling. His head tossed back, his laugh was loud and echoed in the cavernous bridge.

Alastor

Alastor cackled along with him, so loud his voice took on a note of distortion as if blasting from an overburdened speaker, and he flopped off of Telly's tail and onto his side. "Pff—perfectly synchronized," he wheezed, "right?"

Telly

Telly wheezed as well, trying to get out his reply. "Oh yes, perfectly!" He flopped back, giggling manically.

Alastor

He tugged Telly down to pull him into a hug, even as he laughed. The fact that they could laugh about it was good. Even if they weren't in sync, at least they weren't in conflict. That was what mattered.

"Ahh... I'll find a real one, give me a second."

Telly

Telly's chuckles tapered off as he settled against Alastor, purring. "You're hilarious, you know that, right?"

Alastor

"*Thank* you!" Now here was a smile that could light up a room. "I know it, but I like to know you know it too." He scrolled through the list, looking for one of the more serious questions he'd wanted to ask. "What are some of your relationship goals?" He paused. "Besides blow jobs."

Telly

"Relationship goals?" He tilted his head, a confused frown on his face. "I'm...not sure? Does a relationship need _goals_? I'm happy to be with you, no matter what."

He considered for another moment. "I suppose...us being happy is a goal? Can that be a goal?"

Alastor

"Sure! It can be a goal! The most important one, I think!" He propped himself up so he could look at Telly more directly. "You're not planning all this too far ahead, are you? Besides our next raid or two and the next thing to build and a list of enemies for us to topple?"

Telly

His face scrunched briefly. "No, not too far in advance. That's where I got into....complications before, when it was all planning, no _doing_. I thought a different approach would work better this time around-- but that's about conquering, and not about _us_. Sure, my goals for Hell are important, but as long as you're by my side, I feel like....that part will go much more smoothly."

Alastor

His smile warmed at Telly's faith in him. "I think relationship goals and conquering goals overlap. Like, say, what if your goal was to conquer and rule Hell with me, but my secret little goal for us was to find a way we could permanently sneak out of Hell and live in the mortal realm? I *don't*, but just for example. Both those would affect which direction our relationship goes—so I think they'd count as relationship goals. And we'd be in trouble if we both assumed we'd get ours without talking to the other."

Telly

"That is true, I just thought that the question was more specifically about goals for our relationship by itself. But you're right! Life-- or rather, Death Goals also affect relationships!" He chuckled.

Alastor

"It could be." He looked at the question and shrugged. "Whatever gives us a more interesting answer, I think! So! I'll amend it: have any relationship goals or goal that'll affect our relationship?"

Telly

"Well, in that case, I have the goal of conquering Hell with you by my side!" He laughed, winking at Alastor.

Alastor

"You know, that's on my list, too!" He laughed as well. "Just the two for now, then? Keep it nice and simple?"

Telly

"Yes, for now!" He shrugged, taking the phone back to scroll through questions.

He hummed as he looked and then grinned wickedly. "Alright, here's one I like: 'What are some things you really like about me?'"

Alastor

"Oh! How much time do you have!" He laughed. "Where to start? I like that evil smile of yours!" He pecked Telly's lips. "I like how you embrace what got you damned, instead of either denying it or moping about it. I like your organ playing—and your dancing—and the way you move. I like how you can think up some insane contraption, go, 'let there be a freeze ray!' and behold, within a day there is. I like how when I look at all you can make, I really do believe that you're the one human who could beat gods and demons not by borrowing their tricks but just by being human. I like how much you enjoy my cooking. I like how you hum when you work. I like how passionate you are about your inventions. I like your taste in interior design. I like your laugh. I like watching you swim. Should I keep going?"

Telly

As Alastor spoke, Telly curled around him, his purr starting up. He coiled tighter and grinned wider, until he was beaming and his face looked near to breaking. He squirmed briefly and laughed.

"Heh! Is that all? Is there more? Please DO feed my ego!!"

Alastor

"Oh, fine, fine! I also like how megalomania looks on you when your ego's been fed! And that menacing rumble you get, low in your chest. And the way your body feels." He ran a hand down along Telly's tail. "And the color of your eyes. *And* your scales. And the fact that you're theatrical enough to keep up with me. And the way you'll dress up to go somewhere fun with me. And when I'm going a hundred miles an hour, you don't ask me to slow down, but go a hundred and five. And you enjoy torturing a prisoner or seeing a musical or burgling a mall all just the same. And you have terrific taste in weapons. And your idea of a good date is having a picnic over the grave of the man who mistreated you. And you've never been horrified by me, even when you damn well should be. And you have a sadistic streak that borders on a form of art. And you make my dead heart start again when you sing. And you can play string duets like it's nothing. And you mix your own fragrances."

Telly

Telly couldn't help the overly pleased look that grew on his face. He purred and pressed his face into Alastor's shoulder. "If I could blush, I'd be bright as a traffic light." He kept grinning against Alastor.

"Love you, dear..."

Alastor

"Love you, *mon roi.*" A smooch to the side of his head.

Telly

Telly nuzzled and then looked up to kiss Alastor's lips.

Alastor

He returned the kiss, broke it long enough to say, "—and your teeth—" and went back in.

Telly

That little addition earned him a nip, and a grin against his lips.

Alastor

He nipped Telly back, chest trembling with silent laughter. Maybe he should start keeping a list. Make sure he remembered to tell Telly about every item on it at least once.

Telly

He laughed, too, giving another nip. He squeezed Alastor with tail and arms.

"One of these days, I'm going to make you blush like you make me."

Alastor

"I thought you said you couldn't blush." Alastor winked. "I'll look forward to that day! I'd better be red as a tomato!"

Telly

"You may not see it on my face, but you _know_ when you do, Alastor!" He chided playfully.

Alastor

"I might," he said innocently. "Tell me—was all that the answer you wanted to hear? I didn't leave out anything important, did I? There's just so much to try to remember!"

Telly

"Mm, no, I think you covered your bases pretty well," He said with a grin.

Alastor

"Good!" He beamed brilliantly. "I want to make sure you're feeling properly appreciated, after all!"

Telly

"You do, you do." He laughed, handing back the phone as he cuddled closer. "I think it was your turn now."

Alastor

"I think you're right!" He scrolled slowly through the list. "We just did a couple of relationship questions... So! What are some of your earliest memories?"

Telly

"Hmmm..." He sat back, taking Alastor's free hand with him as he pondered.

"I suppose it would be my mother overseeing the governess dressing me for some function when I was very young."

Alastor

"The governess! I don't think you've ever mentioned her." Although it made sense that a noble family had a house full of help, didn't it? "What was she like? Was she the one who taught you?"

Telly

"We had a number of them over the years-- never kept one too long, Father always said they got 'overly familiar' after a while." He shrugged.

Alastor

He had to take a moment to process that. "Is that code for 'he fired anyone who started to express concern for his children's well-being,' or 'he was sleeping with the help and fired them whenever he got caught'?"

Telly

"The former. There was one governess who was especially concerned about me, when I was, oh, six or seven, I believe? She went to my mother to speak with her about something regarding me, and the next day she was gone."

Telly snorted. "It's like they expected these women whom they hired to raise and teach their children to do so without becoming emotionally invested in said children."

Alastor

"Well, *they've* got no trouble regarding their children like vessels for their legacy instead of people, why is it so hard for someone they hired to do the same?" He shook his head. "You were already worrying people at six? What kind of trouble were you in?" He hoped it was the "already making dangerous inventions" variety rather than the "unusually miserable for a six-year-old" variety, but he wasn't getting his hopes up.

Telly

"I was either very quiet or very loud, I couldn't pay attention or I focused too hard on things, etcetera." He shrugged again. "The normal 'this child is not a neurotypical child' thing."

Alastor

"*There's* a five dollar word! You too?" Alastor laughed ruefully. "Funny thing, all my teachers said the same thing. Except *they* didn't get emotionally invested." He grimaced. "But then I wasn't a noble boy—I was just somebody's bastard."

Telly

"What, did you think the compulsion to create great machines of awe and destruction and take over the world came from the mind of someone who _wasn't_ afflicted with many neurodivergencies?" He chuckled.

"But yes, a few of them were worried, and a couple more tried the 'beat it out of him' method of fixing it."

Alastor

"There's a *six* dollar word. Does it include shocking inspiration and genius beyond any other human's capacity? Because I suspected that part."

Alastor sneered, his lip curling up to expose his teeth, as if contemplating sinking them into the throats of whichever governesses had dared pull such a stunt. "I'm familiar with *that* method." He shifted to kiss Telly's forehead. "I doubt it worked any better on you than it did on me."

Telly

"Yes, I believe so! It didn't work at all for me." He chuckled. "There were some better than others-- I really hated the one that used a switch." He shuddered.

Alastor

"Yard stick," Alastor said mournfully. "I think my mother would have murdered anyone who took a switch to me, but I wasn't friends with that yard stick."

Telly

"They would smack me when I focused too hard, and then when I couldn't focus at all-- it would send quite the mixed signals." He shook his head, and leaned in to kiss his forehead in return.

Alastor

A bitter laugh. "And for some reason they think the constant looming threat of punishment *helps* you focus!" Alastor shut his eyes to bask in the kiss.

"I don't suppose you've ever talked to a doctor about that, have you? I talked to one a couple of decades ago that said these days they think poor focus is a medical thing. They make drugs for that now."

Telly

"I haven't talked to any doctors, no, but I've done plenty of research on my own! After all, I like to think I'm smarter than most doctors who would end up in Hell!" He laughed.

"I've figured out that I likely had ADHD and a random assortment of co-morbid disorders, such as anxiety, depression, possibly mild OCD, and anger issues!" He seemed proud of that-- the fact he'd been able to suss all that out.

Alastor

His eyes lit up. "Oh! You too!" A pause. "The ADHD part, I mean." Says the man with depression oozing out of every pore. "Why, I should have guessed! Look at us, two peas in a pod!" He'd never thought discovering he has the same extremely specific mental condition as someone else would ever be something so *delightful*, but here he was. "Do you *want* drugs for that? I know a reliable adderall dealer."

Telly

"I've tried a few, they don't work right for me-- or at least, I don't like how they work for me." He shrugged again, and then smiled.

"I had an inkling that we might share that, though!"

Alastor

"I can't say I'm *surprised.* I should have suspected it when I learned how often you skipped meals to keep working." He tilted his head. "I've got a recipe for a focus potion I could teach you? All natural except for the ritalin, but we can leave that ingredient out if you don't like how it affects you." The ritalin may, in fact, have been the part that made the focus potion work. (When he said "all natural" that description was including the cocaine.)

Telly

"We could try it-- but mostly, I've found ways to manage without, mostly. I'd be game for trying, though." He smiled. "Is the focus potion what you use to keep yours in check?"

Alastor

"It helps! Potions, drugs—and I've been told *coffee* helps too, although I never would have made the connection myself." He shrugged. "I was about a hundred when I got a diagnosis, I'm sure by now all my tricks to 'keep it in check' are so intrinsic to my life I'll never realize that's what I'm using them for! What about you, what are your 'ways to manage' it?"

Telly

"Mostly using the Eggs to help me remember to do essential things, but otherwise letting my focus run its course. Of course, that doesn't always work, as you know."

Alastor

"Oh! Yes, of course—I delegate all my 'essential things' to my little shadow helpers. I don't have to remember to do it if someone else is doing it."

Telly

"Exactly! It's one reason I made the Eggs in the first place!" He laughed.

Alastor

"Someday, I hope you'll teach me *how* you made them, because I'm just dying to know." He had a hard time believing magic hadn't been involved.

Telly

"It was a little of this and that, and some other things." He shrugged.

Alastor

"Uh-*huh.*" A smirk. "All right. Keep your secrets. I'll dig them out some other night."

Telly

"Yes, some other night." He grinned back.

"My turn now, though." Telly took the phone back and scrolled through. "Hmmm, 'What habits do you still have from childhood?'"

Alastor

"Huh..." He thought a moment. "This is a cheat, since we were talking about it earlier, but I can't fall asleep without listening to something. First my mother singing to me, then a record player, then radio. And now you." He gave Telly a crooked grin. "But that's not fair, you could have guessed that one! Uh... crunching leaves, splashing puddles... singing and dancing at people who didn't ask for it... counting on my fingers... humming... reading on the toilet..."

Telly

"All of those are very cute, save for the toilet one." He chuckled, giving Alastor a squeeze. "Did the seasons change enough in Louisiana for crunching leaves, though?"

Alastor

"Sure! Not as spectacularly as you get up north, maybe, and we've got some stubborn trees that don't have the sense to drop their leaves in the winter—but they change! Usually, oh..." He closed his eyes, trying to remember. "Sometimes by Halloween—every year I'd hope they would—but not always. Usually by December, though. Brown leaves all over the sidewalks." He opened his eyes again. "I'd see prettier foliage on hunting trips from time to time, especially in parishes farther north. The trees were bare where I died, I remember that."

Telly

Telly listened, his mind running ahead a mile a minute. "Is red your favorite color?"

Alastor

"I don't make it *too* obvious, do I?" He laughed.

Telly

"Was it always your favorite? Or did that change over time?"

Alastor

He thought. "It's almost always been red! Crimson, particularly. But ruby too. Green was my favorite for a bit in my twenties, and I have phases where I just can't get enough of yellow and gold, but I always come back to red." He beamed at Telly, "Guess why I like yellow."

Telly

Telly laughed and flared one side of his hood, grinning. "I think I know why. But that's interesting! Red and yellow are both fall sorts of colors, but green! That's different. Green is more spring!"

He paused and shrugged. "I don't know what it means, but it's interesting!"

Alastor

"It makes me think of summer, actually! Not pale fresh greens but those rich, warm greens." Shapes in lights appeared above him, aimless spirals as he tried to wrestle their hue away from his magic's typical red and into the greens he was thinking of; after a few attempts, he managed several spirals in shades of emerald and basil and moss and olive and hunter green.

Telly

"Ah, yes, I do like those greens! You know what those shades of green go well with?" He flared his hood again, grinning. "Gold! I've always been fond of that combination, green and gold, and along similar lines, blue and silver-- they're pairs that are rarely made because one sees more red and gold than green and gold. Blue and silver is a more common occurrence, though, but still rarer than using red, I think."

Alastor

He summoned up the swirls of color again, letting them hover around Telly's face in front of his hood. "You're right! Have I ever seen you in green? I think your Mardi Gras dress had some green, didn't it, but that was more of a blue-green. I'd like to see a real vivid green on you." He reached up to lightly, almost absentmindedly run a finger along the edge of Telly's hood. "What are your favorite colors overall? I'm guessing gold's right up there."

Telly

"Yes, that was more of a pale teal than a true green-- a sea green, as the theme would have it." He chuckled, head tilting, one half of his hood folding back to allow the motion.

"Gold, black, blue, green-- I became fond of the particular shade of pink that my eyes are after death, but before then, I stuck to deep saturated and rather dark colors."

Alastor

"You know, *I'm* fond of that particular shade of pink, too!" And then he had to look at the color to remind himself of why he liked it, and then he was just staring into Telly's eyes. Wow. He had pretty eyes. What were they talking about?

Telly

With Alastor staring into his eyes, he couldn't help but stare back at Alastor's, and he found himself saying, "You know, I think I've become rather fond of brilliant true red, as well...."

Alastor

"Yeah?" Eloquent. It took him a second to remember the topic. "I should hope so, considering I'm filling half your rooms with red these days." He slid his arms around Telly's shoulders. "We should have a green room..." Aaand pulled him down into a kiss. He distracted himself with all that deep eye contact.

Telly

He was more than happy to be distracted by kisses, the eye contact got to him, too. He squeezed Alastor, nipping his lips.

Alastor

He nipped back, eyes sliding shut, melting into the constrictive embrace. Who needs Heaven when he can get this in Hell.

Telly

Telly lingered in the kiss, lazy and slow, before he pulled back. "Mm, it's fascinating how many different ways one can find to kiss someone."

Alastor

"Isn't it?" His eyes opened a slit, and for a moment he eyed Telly's lips contemplatively. It would be very easy to just keep going... But they'd have time enough for that later, and his desire to keep talking to Telly was stronger. (When wasn't it?) "That time, I think I really did lose track of whose turn it is."

Telly

"I believe it's yours. I was the one who started us off on a tangent after you answered one." He smiled, nuzzling against Alastor's cheek, pressing little kisses along his jaw.

Alastor

"Right! Uh—" Oh he's distracted again. He tried to focus on his phone over Telly's shoulder. "What—what's something we could do to bring us closer together as a couple?" A pause. "Besides blow jobs."

Telly

Telly paused as well, face nuzzled against Alastor's, lips still there against his skin as he spoke. "Mm, I think what we're doing right now? Just...talking about things, enjoying being with one another. Maybe a few more couple bonding murders..." He laughed.

Alastor

"Ooh, more murders. I like the sound of that." He nuzzled Telly back. "What else? Something we're not already doing. I—feel like we've only just begun and there's room for us to do so much more."

Telly

"Honestly? I'm not sure! I may have more experience than you, but only by a fraction," He said, humming against Alastor's skin.

Alastor

That hum traveled down Alastor's neck and up the side of us head. His brain is jelly. "Well—think on it and let me know, would you? I want to do more for you. And with you."

Telly

"I will," He said, chuckling. "My turn?" He hummed again. "Alright, how about the same question: is there something you can think of that would bring us closer as a couple?"

Alastor

"Hell. You already took murder, what does that leave me with?" He laughed, then trailed off thoughtfully.

After a moment, he said, "I'd like if you asked me more questions about me. I know that's what we're doing now, but—in general. When I ask you about your beliefs, ask about mine. When I tell you I hunted humans for sport—ask why I did something crazy like that. If—if you want to know, I mean." Implicit: *you do, don't you?*

"I know we both know I never shut up, so I could just *tell* you, but... I prefer to be asked. I like to know you want... more of me than just my surface level. I'm still an entertainer, you know—I react to what my audience shows interest in."

Telly

Telly listened, lifting his head as he tilted it in thought. "Okay. I think I can do that. Generally, I don't....ask more because I don't want to pry."

He winced, looking away. "Another bad habit George instilled in me, I think."

Alastor

Alastor laughed in disbelief, "You mean he wasn't taking every opportunity to talk about himself? Color me surprised!" But then he'd probably just wanted Telly to be quiet. *Shut up and look at the stars.*

"Well, unlike *George*"—he said the name like an insult—"I *want* to know you, and I want *you* to know *me.* So if you wonder, you can ask. And I'll let you know if you ask something I can't talk about."

Telly

Telly smiled, softly and shyly at first and then with more confidence. "Okay. I will."

He let out a breath. "Did you ever tell me how you got started in radio?"

Alastor

Alastor beamed. "I don't think I did! It was in '24! I'd realized that New York didn't have what I was looking for, and I was looking for an excuse to go back to New Orleans, when my mother mentioned in a letter that a new station was going up and they were looking for somebody with a cultured accent to announce the evening orchestras. Well, I knew my way around a hobby radio kit, so I paid to make a long-distance call to the station manager, read off the first paragraph of a musical review in my best Broadway stage voice, and asked him, 'How about that, is that the voice you're looking for?' He hired me sight unseen!" He laughed. "I told myself it would be a fine part-time job until I could get in with a jazz band or a vaudeville troupe, something like that, but... I think part of me knew even then."

Telly

Telly smiled brightly. "Sounds like destiny to me. Now, when did you start killing? It was after going back to New Orleans, correct?"

Alastor

"When I started killing seriously, yes. I'd committed one murder before then, and..." A thoughtful squint. "Well, I *might* have got some Germans, but I don't know for sure. They don't exactly call you from across no man's land to congratulate you on your shot."

Telly

Telly's head tilted again, curiosity piqued.

"Who was your first? Kill, that is."

Alastor

"My racist grandfather who taught me the word 'bastard' when my father wasn't listening." He smiled grimly. "'Hunting accident.' *Very* tragic."

He nodded at Telly, "Who was *yours*? Was your attack on London the first time, or did you get a taste for it before then?"

Telly

"First that was fully intentional? My...business partner. He wanted to pull the funding for my work. I killed him and wrote letters to keep the money flowing."

Alastor

"Your *business partner*? You had a business partner? Who was *he*?" Alastor paused. "No, wait—'fully intentional'?" He paused again. "No no wait, tell me about the business partner first!"

Telly

Telly's face scrunched, and then flattened, and then scrunched again, as if he was trying to decide if what he was about to say was terrible, hilarious, embarrassing, or all three.

"He was Olivia's father. He saw potential in me, which is why he agreed to the engagement in the first place."

Alastor

His eyebrows went up. "Her *father.* Your—your friend's father! George's father-in-law. Him. Were you writing letters as him to *them*?"

Telly

Telly nodded, and let out a manic sort of laugh. "Yes! I made assurances everything was fine, that he was staying in Dover for a time as the sea air did him good, that sort of thing. Never suspected a thing."

Alastor

He blinked, an amazed smile on his face. "To your *own friend.* Oh, that's *cold.*" He laughed, pulling Telly into a quick kiss. "Did they ever find out anything had happened before you died?"

Telly

"To be honest, I wasn't thinking about her when I did....any of it. But no, she never knew until after my death."

Alastor

"She must have had a miserable time after you died, poor thing." He shook his head sympathetically—not *too* sympathetically, but he wasn't going to make fun of her when he knew Telly had actually cared about her. "Was it your airship you were working on when he tried to pull his money?"

Telly

"Yes. I'd hired a good few people to work on it day and night, and we were so close to finishing....though, 'close' was more like 'another two years', but back then that was _very_ close!" He laughed.

Alastor

"For something that size, first of its kind? I should say so! What made him want to pull out?"

Telly

"Well, that leads back to them, uh..._unintentional_ deaths. You see, I did not care for workplace safety." He chuckled.

Alastor

"*Ha!* I see! No surprise, having them work on it day and night!" He cupped Telly's cheek in a hand. "Did your callousness frighten him, my darling?"

Telly

"That and the, ah, _amount_ of men who died." He beamed.

Alastor

Alastor hooted. "You even sound *proud*! Were you proud at the time, or did you have to learn to be?"

Telly

"At the time, I was unconcerned. Mostly still am. They died so that my vision became a reality! It wasn't shameful-- their deaths had purpose!"

Alastor

"And a hell of a vision it was!" Although it might explain why apparently one of them had done slipshod work on the pipes; but pointing that out might sound like a criticism instead of an observation.

Telly

"Yes, well, Lord Everton was considerably disappointed in what he called a 'lack of safety' and 'lack of progress'. But I dealt with that."

Alastor

Alastor scoffed. "Oh, and what kind of progress was *he* expecting on the world's first flying ship? Did he think he'd be sailing it over the English Channel in three months?"

Telly

"_He_ thought it was to be just a submersible!" He laughed. "And he thought five years was more than a generous amount of time for it."

Alastor

"You didn't tell him it was going to *fly*? Why, I thought that would be a selling point!" He had no idea how long it was supposed to have taken to make a submarine in the late 1800s, so he couldn't comment on *that * part.

Telly

"Well, at first, it _wasn't_ but then I changed the blueprints a number of times and it just became an airship, too." Telly shook his head. "I was frantic and possessed by my genius."

Alastor

A strange look crossed Alastor's face. "Sounds like it must have been one hell of a time. In both good and bad ways." He almost said more, but paused, waiting to see if Telly had more to add to the story.

Telly

"It was, certainly, it was." He nodded and sighed, leaning against Alastor.

Alastor

He rubbed Telly's back for a moment, thoughtfully; then said, "That's probably how I would have described myself as a murderer toward the end. *Frantic and possessed.* Not by genius—and certainly not by something *forcing* me to kill—but I was... trying to make something." He said the words slowly, choosing them carefully. "I needed to take something inside of me and create it in the real world, and I couldn't stop until I succeeded." He looked at Telly searchingly, seeing whether he understood.

Telly

Telly locked eyes with Alastor, and nodded slowly. "Yes. I wanted to leave something behind, something grand, and it didn't matter what got in my way. Nothing was too high a cost for trying to complete _this thing_. I suspect it was a little different for you, with your killing, but....I thing the feeling was probably the same."

Alastor

"I wasn't trying to leave something behind, but I was trying to... *be* something, or—or *do* something, and I wouldn't be *complete* until I'd done it. By the time I died, it was almost the only thing that mattered." He took a deep breath. "It's like a forest fire, isn't it? There's nothing as beautiful as that blazing light, but it consumes everything in you."

Telly

Telly found himself nodding on instinct, and then when he realized what he was doing, he nodded more vigorously. "It starts like a spark and then just grows and grows until the blaze is all there is, and it's terrible and beautiful and you can't help but just....let it consume you."

Alastor

"And then you burn out. And then you're dead. And what have you got for it but the ashes of the life you could have lived if you hadn't kindled that obsession?" He gave Telly a sad smile. "Still. I wish I'd seen you when you blazed. I'll bet you were glorious."

Telly

"Sometimes you burn out even after death. I was still riding that blaze long after I think. At least, until..." He trailed off.

"I'm sure you could find old newspapers or broadcasts of my glory days in Hell, if you wanted."

Alastor

"Oh, I *plan* to! The only reason I haven't been devouring every article ever written about you is because I've had to read how to repair pipe organs first!" He smirked cheekily for a moment; but the mood wasn't right for that, and the smirk faded.

"I only *blazed* for... oh, I don't know, it might have been as short as my first day in Hell. Just long enough to ruin everything." He huffed. "Sure, I *really* crashed and burned a few decades later, but that was different. That had nothing to do with the murders. I think the old obsession's still smoldering, but—it doesn't consume me like it used to."

Telly

"Yes, there's something about dying and then falling from grace that does that, isn't there? I was flying high until-- that....incident. And then that failure tempered my drive...or squashed it, more like..."

Alastor

Alastor nodded thoughtfully. "Would you go back to that frantic and possessed feeling if you could?"

Telly

Telly thought for a long moment. "...No. No, I don't think I would. That fire and drive were intoxicating, but it didn't leave room for anything else. It was all just....the creation of it."

He turned to smile at Alastor, pressing his hand to his cheek. "I have things now that I want to have plenty of room for."

Alastor

He smiled crookedly back. "I don't think I would, either. I think I'm too old for serial killing now. I get tired just thinking of the kind of schedule I used to keep." He laughed wearily.

"... What if that's what it takes to conquer Hell, though?" He placed his hand over Telly's. "If I see you pushing yourself into obsession, do you want me to pull you back? Or do you want me to come with you?"

Telly

He considered that for another long moment. "I'm not sure. I don't have an answer right now-- I think that's a 'we'll cross that bridge when we come to it' sort of thing. But whatever the answer, I'm glad you'll be with me." Telly leaned in for a kiss.

Alastor

He accepted the kiss and held it for a moment, then drew back and pressed his forehead to Telly's. "We don't need the answer tonight—but I'd like to have it before we reach that bridge. Once we get there, I imagine pulling you back from the brink would take a fight. Better to know *before* then whether you want me to try."

Telly

"Yes....yes, you're right. It's just such a vast sort of question, because how are we to know the circumstances that would surround such a second descent?" He took a breath. "It would be complicated. But I don't think I'll go there again-- when I went there in life, it was from a very dark place, and the obsession became everything. I don't think I'd be able to get to that place again without something....drastic."

Alastor

"For now we'll call that a soft 'no', how's that? But we'll play it by ear. We can talk it over more in the future."

Telly

"Yes, I think that would be best." He laughed, leaning against him.

Alastor

Alastor adjusted his arms around Telly—and then, during the brief lull in the conversation, glanced at the movie. "... How long has that been off?" He laughed.

Telly

Telly blinked and looked over as well. "Goodness, I don't know. We talked through the whole thing!" He laughed.

Alastor

"And you know, I bet we had twice as much fun as we would have watching the movie!" All the same, he started quietly playing the soundtrack—to make up for not hearing it the first time. "Well, what now? The night's still young."

Telly

"Well, we still have food. And we could put on another movie if you'd like, and this time watch it." Telly chuckled. "I'm ready for whatever you wish, darling, I just want to keep holding you."

Alastor

"We *do* still have food." He grabbed a couple crostini, popped one in his mouth, and offered the other to Telly. "Oh, I don't know if I could pay attention to another movie—but I like this 'keep holding you' idea, I think we ought to do something with that."

Telly

Telly accepted the snack and smiled. "Yes, that would be good. Maybe some more kisses, too."

Alastor

"Do you know what I think about *that*?" Without waiting for an answer, he pulled Telly into a deep kiss.

Telly

Telly's eyes flashed wide for a moment before he melted into the kiss. What a night this had been.

Alastor

What a night indeed. Alastor nipped at Telly's lip and pressed closer against him; yes, he could happily stay right here the rest of the night.

#usedhearts #chat log

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vcsecretgifts · 3 years

Text

Snap shot in time

From: @auburnandamberangel

Merry Christmas @plopofcolour Qotd era Khayman and Armand interaction on the Night Island. Hope you like ^u^

~~~

Armand watched Khayman looking at his upper terrace garden, the plants benefiting not only from the sunshine but also the seaspray. The cacti, the large Saguaros with their armed tall appearance especially had captured the ancients fascination. The silhouettes classic to many a western. They weren’t indigenous to Egypt, effectively a new world plant, and certainly capturing this until recently slumbering vampire. Perhaps as they too were long lived, slow in maturing. He had his cameras slung over his neck and shoulder wanting to capture the bloom on one of them, a first. He recorded all of them on this island. Mementos.

Khayman was a very good guest, polite, and surprisingly unaloof compared to other vampires of a similar age. ‘Mr manners leaves their bodies after the first few thousand years!’ Daniel had observed dryly not to long ago as they say in said same garden, watching the waves. Sitting on the stone steps, snuggly between Daniels stretched out legs. Barely dead himself, so manys ways appeared rude by his modern standards. “Not all are…impolite.” Daniel had nodded, smiling almost as if he’d read his mind and knew he was thinking of the Egyptian. Which was impossible, he just people watched very well. And surely he was an expert in Armand observations by now.

“Ahh but Khayman was nice as a human, not many airs on him plus he’s sweet on you. So you’re the last person he’d be short with.” Interestingly not too much jealousy in that statement. A small possessive kiss to the top of his head, caressing of his arms about his waist. Their guests came and went, things were more peaceful minus some of their vampire brethren. Peaceful between them even. Born in a time of crisis, his home even invaded it wasn’t ideal for them even with a notorious nosey parker like his fledgling. He’d borne so much strain at his hands before being turned, it worried Armand. Sometimes they fought as he instinctually pulled back.

“The fact he’s easy on the eye doesn’t hurt much either does it.” Daniel added laughter in his voice. Teasing. Armand smiled despite himself turning his head. “But I’m famous for a penchant for blondes darling aren’t I.”

“Except Louis.” His beloved kissing his dimples. And others he’d best not mention. Not eager to quote that book at him right now.

“Hmmmm. Nice to not always be predictable then.” Kissing Daniels matching smile. It had ended up being a very good evening that night. Allowing himself to bask in the glow of the memory of it.

Khayman found the sea soothing, the air fresh and the garden a magical oasis. A small movement betrayed his hosts presence, rare to not have an exuberant Daniel or hesitant brooding Marius in orbiting attendance around Armand. Moths to this ’cherubs’ - seraphin now surely more apts flame- A ethereal beauty no matter the flowery language. In his time one destined to be blessed by the gods. A soul just as full of substance as his appearance. To think without her, the mother waking he’d probably not have crossed paths with this one. So artful at cloaking his presence. Deep in thought he was looking at him, but not really seeing him. Caught in a recollection. Unguarded he looked so young, in the eyes the depth and knowledge in them gave his age away. This was the way with their kind. Trapped in their making, the soul grew seen through the orbs alone. Somehow still warmth there, if the mood was right. A miracle considering the heartache had been through in so far centuries. He would do much to make sure he didn’t make those eyes cold. Watching this former coven master navigate so many vampires in his sanctuary, first love mingling with last. Struck by the poise. The former parents guardian, the Roman made said face light up and close down in equal measure. Not his place to intervene ofcourse, though tempting. Best to announce his presence, so Armand didn’t feel too exposed.

“Armand, good evening. Was there something I can aid you with?” Smooth heavily accented voice totally interrupting his reverie. “Did you want private time in your garden?” Previously observed vampire catching him unawares, hoping he hadn’t left himself open to scrutiny thoughts wise. His mind usually locked up tight, some of the first brood lacked finesse with the mind gift, it coming to them later. But what they lacked in finesse, could be made up by brute force alone. Being Marius’ blood line vicariously provided some civility that otherwise may not exist, for a not even five hundred year old former cult coven leader. Ageism was alive and well in their surviving group from Akashas cull. As if age always came with wisdom… Khayman had been gentle and respectful in his manner towards him. Armand appreciated this from his most recent friend. He saw him as he was, no judgement.

“No not at all. I take pleasure in seeing enjoyment from my garden. The cacti have you in their thrall I see.” Genuine smile to the ancient. Moving closer. The garden lit by coloured uplights here and there to make it appealing.

“They are exotic to my old eyes, yes. Beautiful yet dangerous. So like us I feel.” Small smile back. “Your a gracious host, I know it’s not in most of your nature’s to live on mass for long. You’ve been patient where you could have been firm. Silent when you could have spoken.” Khaymans turn to watch and enjoy the view that had nothing to do with the garden, but more it’s creator.

“Ah well, tact or diplomacy is something I’ve always had to have. Never to speak unless it improves the silence or my position in it.” Being quite open now in this admission. Unusually candid for himself truly. He didn’t think he’d regret it in this situation.

“The lone jackel is a hard role to break, though it’s served you well.” The ancient replied. Looking back at the cacti. “How old is this one then?”

“This one is around seventy years. It’s the first year it’s flowered, you’re lucky to have witnessed it.” Itching to take a picture of the flower, and perhaps Khayman too if he was truthful with himself. Just incase his stay was brief and centuries passed until another meeting of minds. “But they can live to around one hundred and seventy five perhaps even two hundred years. Not bad for a desert dweller.”

Khayman eyed the camera, that was the term wasn’t it. One of the magical picture capturers. “You’ll record it with this?” He hadn’t tried anything new in a while. Armand was patient, the best person to ask to try. “How?” He uttered before he had time to edit.

Inquisitive and open to instruction, not your average elder. Refreshing like the sea breeze. “I need a tripod, unless you can hold it steady as a rock. I’ll do both.” Zipping inside and then back out to get it. “I’ll need a long exposure to make the most of the moon light, and a flash for my close ups. The window inside opens for the picked time, the light hits the film and makes an imprint like an eye I suppose but in reverse, or inverse a negative. We can use the darkroom next.” Twinkle in his eye as he saw the ancients eyes widen. “The Polaroid develops as you shake it.” It must sound odd to the others ears.

“Witchcraft then. I’m an apprentice to a modern sorcerer.” Pleased by the laugh this comment brought from Armand.

“Usually I’m called bewitching. But I’ve been accused of worse.” Daniels words echoing in his head, pleased he didn’t blush as easily as said youngblood.

Gingerly taking the camera and going still, statue like as he could. A trick you learnt which came easily with age. Though it usually unnerved younger immortals. *Direct me as if I’m a tripod.* He said is the mind voice. Armands softer hands aiming the slr camera for a closeup. Physical contact was a luxury being a nomad rarely afforded.

Hearing the snap of the inner workings, turning of the spool. With each shot, the flash singing. Armand liked this process, methodical, practised yet still room for error and surprise. *Move back a little so I can get a portrait of it. Perhaps one of and for you to take with you?* Because people leave - eventually. This was always a possibility. Sentiment came with a cost, this he always knew.

A photo to keep. An anchor would be good for times Khayman felt unsteady. Stronger by the year, but wispy in his soul sometimes. A welcome light in the Night Island Villa, to concentrate on. *Yes. A portrait of plant, myself and it’s guardian even better.*

Warm glance, nodding his answer. “This also has a cable to take a photograph at a distance. A bellow balloon, a tube and a metal press.” Screwing it into the button. Then retrieving it from the taller elder. Fixing this on the tripod via it’s own foot. Let’s set ourselves up. Standing and leaning into the framing arms of the cactus, as if the plant was behind them, reaching to hold them close.

Khayman followed the younger ones lead. Moving in closer and realising he could smell Armands hair. Wondering if this was his shampoo or just his natural scent. Vampires sometimes exuded a odour that was unique to them, a spice in the blood perhaps. Marius had made him, imbued with donations by Akasha during his guardianship. Perhaps he had smelt like this in Venice as a mortal. Not something he could easily ask the child of two millennia. Nor share a want to share his blood to strengthen those below a thousand in their coven, truthfully only this one piqued his interest.

Armand had the cord behind his back to depress at just the right moment. Khaymans strong heartrate was hard to ignore so close. “Ready. One two three.” Not using cheese, referring to a dairy product as slang for smiling usually put older vampires in a spin. So a countdown better. Not flinching at the flash or the next long exposure. “Always take more than one for practicality.” Moving to replace the lens cap and concentrate on the Polaroid camera in front of him now. “Arguably this one is like magic.” He stated with a smile. “As Daniel can attest I took so many in our early years here.” Boxes and boxes of them, indulgent expression on his face. He was rich, but some things were priceless that had little monetary value in his collection. “Strike your next pose. Make yourself comfortable.”

Khayman liked Daniel. He was full of life, and hoped that energy didn’t turn downwards into madness. Knowing Armand was concerned with this too, any elder making a first fledgling would be - especially one as fond of forward planning as his host. Smiling nervous about doing something wrong. Hoping irrationally it wasn’t magic, as magic never bode well. Flash and snap. Painless. Wondering what the twins back in Sonomo thought of this new family, Mekare learning after her travelling the wilderness. Focus on Jesse, their link to Miriam.

Armand handed the Polaroid by its framed white bottom edge to the elder. “Now shake it, and you’ll slowly appear.” Charmed by Khaymans expression, bouyed one so old could still feel the wonder of the new. Despite intermittent sleeps. Hope for all of them surely. Watching Khayman watching the photograph as it developed. “What do you think?”

Bit by bit the image appeared - the dark background shading in firstly, the bright green cacti appearing next with its vibrant blooms. Then the paled by time figure, a smile all for the taker. Now one such photo of Armand with or without himself would be wondrous. “A fine picture.” So excited he placed kisses on Armands cheeks stopping before he daren’t put any on those rosy lips. Moving faster than he usually did, enveloping the younger vampire in a hug would perhaps be too much of a liberty. They had time. “One of us next, yes?”

Armand didn’t have time to start at the sudden movement of the ancient. Stealing himself to be squeezed, fortunate it didn’t come to pass. Khayman smelt inviting though, heady blood from their fount. Marius would be jealous no doubt. But he wasn’t here was he. Attending to Pandora, a promise of a return soon. As ever time would tell. Trying not to stare at Khaymans lips. “Yes. An instant portrait next.” Glad of someone who gave as much as he took.

#2020 VC Secret Santa #VC #Vampire Chronicles #submission #plopofcolour #auburnandamberangel

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bitchcakegreen · 6 years

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A View from Behind the Camera - GoT Episode 6 x 9 - Tent scene

Hi everyone! First let me start by saying I’m so sorry for not posting in such a long time. It’s been crazy busy in Bitchcake land and I am just now able to take a bit of time for myself. A quick reminder for those that are new to the blog, I write posts/metas from a director’s standpoint. I analyze camera angles and actor choices that lead to the overall subtext of the scene. I have over 25 years of experience as a theatrical professional. So without further adieu let’s just jump into the directorial analysis of the tent scene from The Battle of the Bastard episode. I know some of you have been waiting for this one.

We actually open scene with Jon’s VO (voiceover) at the tail end of the previous scene. We have Ramsey and his crew riding back to Winterfell with the Castle in the distance. We hear Jon say “If he was smart he would stay inside the walls of Winterfell and wait us out..” This happens before we ever see the war council. It’s edited this way to really underscore significance of Ramsey’s hold on Winterfell and The North at this time. Immediately after the line and the final swell of music we smash cut to the war council hovered over a map on a table. Sansa is screen left, seated, but never out of view. Jon is screen right, standing. They are bookending the scene. A random Northern, likely house Mormont, is next Sansa and Davos is next to Jon. The scene is light via ‘candlelight’ which allows Sapochnik to play with shadows when he’s building his shots.

The shot holds steady for the next bit of dialogue until we get to Jon’s line about Ramsey’s weakness. On that we get a medium close-up of Sansa. She lowers her head away from the occupants of the table on Jon’s line “It’s his weakness too” But not before we see that she is displeased with the comment. Sophie has been directed to play disappointment and frustration in this spot. It showcases that Sansa is annoyed that Jon doesn’t ask her about Ramsey - something she will bring up later in the scene. We see Sophie directed to play a lot of her emotions close to the vest, never really letting people see what she’s thinking or how she truly feels - except for Jon. With him she doesn’t hide. That is honestly an incredibly telling bit of direction. With him she doesn’t have to hold back.

Now we go back to the War Council around the map but this time we are in the POV of Sansa. This gives us a different perspective of the men around the table and it also informs the audience that Tormund is there. This is the first time we see him in the scene.

Next we move to a shot of Tormund, at table level, between Jon and Davos’s arms.

Next we get a bit of humor, as much humor as GoT will allow us, with the men discussing strategy and Tormund not understanding military terms. This a series of shots back and forth between Jon and Davos and a confused Tormund.

After this interchange we once again have a single shot of Jon and Davos this morphs into a traveling shot as Jon straightens up and moves toward Tormund, examining the map as he goes. This sets us up for another close up of Sansa. The way the actors are now blocked around the space we have an a coupling of Jon and Sansa although it happens off screen. Sansa is to one side of Tormund when Jon crosses he effectively ‘moves’ Tormund out of the direct line up with Sansa. Davos speaks and we get a close up of Sansa once more. This time she is focused on Davos who is offscreen. It’s a relatively fast closeup and likely used to give the viewers a split second idea of what Sansa is feeling at this moment.

This is followed by a shot between Jon and Tormund’s shoulders as Davos continues to talk strategy. Tormund leans in and asks Jon if he actually thought Rasmey would fight him. Jon’s line is ‘No, but I wanted to make him angry.” On angry we get another medium closeup of Sansa. She raises her eyes to Jon, but sits stock still. It’s a great acting choice.

Next we move to a shot off of what would be the random extra House Mormont guardsman’s elbow to Jon and Tormund. It’s important to point out that the director has given everyone the note to not notice anything about Sansa at this point. She is effectively invisible to the men at this point. This will come into play later on in the scene and also later on in the seasons. Her visibility shifts but we will discuss that as we come to it. We have a bit more back and forth before the men exit the scene leaving Jon and Sansa alone.

Jon sits, ale in hand, and has been directed to be weary and rub his brow for some relief. Sansa is still in her place on the opposite side of the tent. Now what is interesting to point out is that the map of Winterfell and the battlefield is between them. Essentially Ramsey separates them. We get an extreme closeup of Jon’s profile as Sansa walks into the shot. She is in full light and he is only partially visible and only partially lit. She is in command in this shot.

Kit’s delivery of ‘For what they’re worth’ tells the audience that he has been directed to not realize that Sansa is about to question his decisions in terms of Ramsey. We have a medium shot of Sansa as she says ‘You sit around making plans to defeat a man you don’t now...” Halfway through we get a closeup of Jon, from the angle of the table, stopping in surprise from drinking his mead by her comment and the forceful tone in her voice. Sophie is not yelling yet, she is sharp and to the point. She is trying to make him see things from a different angle.

We cut back to Sansa as she continue her lines. When she gets to “I know how he likes to hurt people” we have a quick cut back to Jon, this time from table level from the angle of Sansa’s palm most likely. He visibly responses to this, most likely calling back to the things he knows she’s endured. It’s a split second shot much like Sansa’s earlier one at the top of the scene. Once more back to Sansa as she goes on. “Did it ever once occur to you I might have some insight?” On the word insight we cut back to Jon. Kit has been directed to realize she is right. He could use her knowledge of the enemy and he didn’t think of it earlier.

Now we come to the real meat of the scene. This is a series of back and forth shots between Jon and Sansa as the tension builds. That’s the very reason Sapochnik utilizes the ‘tennis match’ style of shots inside of simply giving us a wide shot of the couple as the fight. A wide shot would be static, uninteresting to watch even as the fight builds. But the back and forth adds tension to the view. The audience is placed in the other characters shoes as the gauge their scene partner’s reaction.

Somethings to note about the interplay. Sansa’s line ‘He plays with people. He’s been doing it all his life. He’s far better at it then you” frustrates Jon. Because it’s true and he knows it. Jon is a great fighter and swordsman. Ramsey is cunning and conniving. Sansa knows this. She tells Jon that he doesn’t know Ramsey. Jon’s line ‘Alright tell me. How should we get Rickon back?” is his way of saying he knows what she is saying is true.

The next shot of Sophie we get is a medium close up with a hold. She has been directed to pause and compose herself before she continues. What she has to say next is not easy. They will never get Rickon back.

As the scene builds so does the tension we start to get even more extreme with the close-ups. We are given some great reactionary lines that the actors really use to perfection. On “He wants you to make a mistake” Kit is directed to cross to Sophie on his answering line. This puts them face to face and only inches apart.

Not the best screencap but it gives you an idea of how close they are together at this point.

At this point they are yelling at each other. Sansa is no longer the silent observer she was at the top of the scene. Jon is not used to people talking to him like this least of all Sansa. I have seen some metas that say Sansa is frightened of Jon in this scene and frankly I don’t see that. Sophie never once plays fear. The huffing and puffing between them is anger and frustration and frankly sexual tension. They aren’t really listening to each other and that is what leads each building line. In addition to that we do have the underlying sexual tension between them. I said it. I meant it. And now I’ll tell you how the direction and the acting prove it. Most likely Kit and Sophie have been directed push sexual tension into the scene as the anger builds. You can see it in the movements of their bodies and how they focus their attention on each other on the back and forth. There is a difference between arguing with someone and wanting to angry fuck someone. Each type of portrayal needs different acting choices. There is a split second at the end of the fighting where Sophie is attempting to compose herself, heavy breathing and sighs, where she actually focuses downward. It’s quick but it’s there. She may be focusing on his chest or she may be focusing on his lips. This is pure acting choice. It is unlikely that the director would give her this note. This is most likely an organic acting reaction.

What’s really powerful about the scene is not the visuals. It is the direction to the acting choices. The ‘fight’ is all on the acting ability of Sophie and Kit.

Finally there is a moment of silence where we only hear their ragging breathing. That’s how passionate the fight got. The silence lasts five seconds. Remember from earlier blogs that five seconds is an eternity in film time. A pause this long is significant and would have been a specific directorial note. Jon composes himself and says his line. We stay with Jon for a moment but we can see that Sophie has turned and is heading out of the scene. We have a POV switch to an extreme close up of Sophie at the tent entrance. She meets Kit’s eyes (Or where his eyes would be if he was standing in the shot) and delivers the “I’m not going back there” line. There is a brief pause to emphasize the “Do you understand me?” We have a switch to a medium shot of Jon as he answers her. “I promise”

POV switch back to Sansa for a closeup on “No one can protect me. No one can protect anyone” She has been directed to deliver these lines so straightforward and almost glib. It’s telling to have these lines said to Jon here. In Sansa’s scene with Brienne from earlier in the season she says “Jon will protect me” Here she no longer believes those words, if she ever believed that at all. Sansa exits the scene and we have a close up of Jon. He has been directed to be so torn and terrified by her statement. He believes he can protect and he knows that she is all he has left (that he knows of) and he doesn’t want to lose her. This reaction is what lead him into his scene with Melisandre...which we will talk about next time.

You can pinpoint the minute his heart breaks. Jon turns and rests his hands on the table, we pan back to a shot of map. The shot of the stones gives the audience just another glimpse of how outmatched Jon is manpower-wise. Cut to next scene.

Well there you have it. The tent scene. I’m sorry it was such a long one and once again I’m sorry it took so long for me to post.

Next up is a quickie. The scene between Jon and Melisandre. See you all next time!

#jon and sansa #Jon x Sansa #jonsa #jonsa crack #jonsa is here #directorial analysis #Female directors #jonsa is coming #actually jonsa #jonsa is endgame

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rockmiyabideusexmachina · 7 years

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2017 Megaman Valentine’s Day Contest: Talent Category Winners and Art (*Image Overload!*)

Sorry for the delay on this again, but you guys definitely made judging this a challenge, with all the awesome entries! And my internet connection cut out last night, so I had a little retyping to do today. ^^;

There were so many Talent submissions, 25, that it alone was pretty much bigger than any amount of total entries I’ve ever received for a whole year’s contest! Thanks for overwhelming me!! ;D

For this category, entitled “Step into this Capsule X...And Receive This Fashionable Formalwear!”, entrants were required to draw at least one couple in their best formal attire, enjoying time together for an anniversary/party/date.

So both for simplicity, and the fact that it wouldn’t be fair or even remotely easy to rank each one, I will just be listing the Top 3 prize winning entries, and follow that with the remaining entries in alphabetical order. Even if you did not place, I am humbled and wowed by the effort you all put into your artwork. Believe me, I enjoyed them all, and so many were deserving of placing! But unfortunately, even with all I’m giving away this year, I can’t give you all something in return, other than my sincere appreciation. And I’m sure you all will love them, too!

This year, judging was done by @annamariacoppi and myself. With her experience as an illustrator/package designer, AnnaMaria brings some different insight from my own, as I always try to have some added perspective, besides just mine. Commentary from at least one of us on your art will also be seen below.

Each artist’s name will link to a (hopefully) larger version I’ve uploaded, that will work until you guys upload your art on your own pages, followed by their tumblr handle or deviantArt page, if applicable. If a link is broken or I screwed up somewhere, let me know. This was a lot to verify!

Without further ado, here are your winners (who I will contact soon) and the rest of spectacular, snazzily-dressed contest entries:

1.) Kaitlin.EXE (@kaitlinexe) - Zero x Iris, X x Alia, Axl x Pallette:

AnnaMaria said: Love all the outfits you designed! So much detail went into this! I like how "classic" looking everyone is dressed. It's so different compared to the other entries. Even their hair styles look great. I like how their hair is more shiny than their clothes. You can tell it's a different material quality. Would have liked to see a proper background. Right now I can't really tell where they are.

Miyabi said: In many ways, this piece feels like an X meets Disney sort-of-tale, with the elegant Victorian-era fashion flair. Both the overall intricacies of their clothing, like Zero’s braided booblight tassels (I don’t care if you disagree, that’s what they are!! LOL), to their glammed-up hair, I felt your piece overall had the strongest detail and creativity concerning the theme, which involved formalwear and the celebration of love. And still a touch of humor involved, with Pallette’s clumsiness, most likely as she’s getting used to dancing in heels.

2.) Tabby (@digitallyfanged) - Maverick Party Limo:

AnnaMaria said: I like the lighting you have going on. Feels very glowy, and I can tell it's in the evening. Their outfits are nice. Very elegant looking! I like the movement in the champagne glass in the back a lot! Helps make the scene feel alive. I would have liked to see more detail in the clothing. Since this is a very shadow heavy scene, textures should show up more. That being said, the pattern texture on Sigma's outfit is really nice looking. The other outfits look a bit plain in comparison. Would have loved to see that feather boa fleshed out more. A softer edge around it will help make it look "fluffier". Some more color would help. It's very heavy in the purple and black as it is.

Miyabi said: Those Maverick bosses always have to glow in the dark, don’t they? The fancy digital limo ceiling is fitting for evil robots, while the deep pinks and purples fit the common color theme that links most of them together, besides their penchant for inflicting pain on those Maverick Hunters. The gentlemen look dapper, although paperboy Lumine seems just as uncomfortable in his clothing as he is partying with the squad. I liked how you still kept Ferham and Berkana’s armor motif tied into their dresses. As funny as the bonus Vile image is, I have to imagine he’d rather be popping out the sunroof, with shoulder cannon ready, in his fancy new stretch ride armor! ;p

3.) Iris-Sempi (@iris-sempi) - Zero x Iris, X x Layer, Axl x Marino:

AnnaMaria said: I really like how this looks it could be strait out of an animation scene. It's got all the right framing for it! The emotion with the colors are really nice. The outfits are nicely done, and I like the perspective in Iris dress. It feel like it's moving! I can clearly tell what's going on, and the story is very strait forward. I think if there was a spotlight above Zero and Iris, that would help put the focus even more on them. I would also move them over a tad more to the left. It would make for a even better composition.

Miyabi said: With all the warm colors towards the upper half of this pic, my eye was definitely drawn to the cooler hues of Iris’ dress. Her shocked look, along with the way it flows, definitely gives me the feeling that Zero has some pretty outstanding SA-class Foxtrot Paso Doble skills. I love the looks of excitement and pride on the faces of the other couples, as the lovebirds hit center stage. Truly, a wonderful scene!

And to keep this from extending too long on your dash, the remaining 22 entries for this category are after the cut...

Continuing with the rest of these fantastic pieces, alphabetically by alias:

- Archer-Poyochu (@archer-poyochu) - Subaru x Misora:

Miyabi said: While the bright city lights would probably cancel out viewing of the beautiful shooting stars in the sky, it looks like Subaru is showing Misora the more earthly light show on that romantic balcony overlook. Nice touch with her clef hair clip.

- Artistic Sunny (Artistic Sunny) - Enzan x Meiru:

Miyabi said: Cute details on Meiru’s dress, tying in the floral hair clip and pearls with it. Going with the nighttime scene, obviously it should be darker, but the heavier shading on Enzan makes it a little harder to see the details in his outfit. But with arms intertwined, it’s obvious they are both enjoying the night out on the town.

- Bassrocks (@bassrocks) - Prom Dance:

AnnaMaria said: Really cute! I like the feel of this one! Color choices are nice. The pinks and purples feel very "Valentines". The punch bowl and cup stack are a nice touch. I like the effort that was put into the background, but it could use some perspective work. Anatomy is bit off in some places, but if you work on the perspective a bit, that would help correct it a bit. Would have liked to see more detail in their outfits. I like the accessories you added, but the girl's dresses seem a bit plain. Some clothing construction seams could help.

- Borockman (@borockman) - Zero x Iris (w/ Sigma x Nana):

Miyabi said: What’s this? Why aren’t Sigma and Nana the stars of this red carpet gala?! It’s probably because of that Willy Wonka outfit. Didn’t rate high with the fashion police. Love trying to make out faces in the crowd, and how they are all enjoying their eyecandy. Both couples look quite elegant!

- Chocoorchid (@chocoorchid) - Zero x Layer:

Miyabi said: A cute closeup, and with the border design, almost reminiscent of a camera’s frame. Pinstripes are a sharp look for Zero, and in fact, I think you’re the only one to try that design in this contest. Just would have liked to see a little more of them in the image!

- CptRedder (cptredder) - Aeolus, Thetis, Atlas and Siarnaq:

Miyabi said: Aeolus isn’t sure if he needs to blow out Atlas’ flame with that rose offering! At the very least, he’s getting a little hot under the collar. I really like the sketchy, splotchy white border around them, it’s a different look. And keeping the pink hues to the shading bounces off the background pretty good.

Creator of Worlds (@thecreatorofworlds) - Anniversary Dance, Complete With Rock and Roll Clothing Changing Capsule .gifs, and Instagram party post:

AnnaMaria said: I appreciate the fake Instagram comments! They were fantastic! I like how the outfits feel, like I could actually go out and sew these myself if I wanted. Shows you know how clothing construction works. The outfit designs are very nice. Not too upper classy, but a good fit for them. The slight glow in the eyes is a nice touch. Would have loved to see a proper background. Right now the characters feel a bit disconnected from the background you have right now. Either the character tones/color should be a bit darker, or the background a bit lighter, so they feel more apart of that world.

Miyabi said: I think it’s awesome that you took the time to create the animated .gifs that had both Rock and Roll changing in the capsule, perfectly echoing the title of this category! Creatively, one of my faves, due to all the little extras that come with your submission. Clean lines and colors, where simple is better and still stands strong. Skull Man is adorable in his bowtie!

- Cuddlesnowy (@cuddlesnowy) - X x Zero:

Miyabi said: Blushin’ buds captured in a moment frozen in time. Cute innocent pic, and the photo frame helps show it was a special pic for both of them. Or that there’s still a Sears portrait studio near Maverick Hunter HQ...LOL

- DarlinHope (@darlinhope) - X x Merti:

Miyabi said: I really dig your painterly style, as it creates a really unique look that stands out. The starry sky seen through the large window behind them is gorgeous! The grey vest/pants combo is a nice muted contrast on the dapper X, compared to the bright yellows and gold of Merti.

- DreamingandGaming (@dreamingandgaming) - Ice Man x Roll, Kalinka x Rock, + Blues:

AnnaMaria said: Very cute. I like how the outfits are simplified to match the very cartoony style. Would have liked to see some center pieces on the tables, or other decorations to make it feel more like a party.

Miyabi said: Blues is too cool for your dances! I really thought Roll’s heart-shaped dress and all of Kalinka’s frills were unique touches to their dresses. Kalinka’s reminds me of a delicious multi-tier cake with black frosting trim, actually. LOL The Valentine’s fireworks cap off a fun, adorable scene.

- Gingler (gingler) - Swanky Couple Anniversary Dinner Party:

AnnaMaria said: I like how many characters are in this piece. You've managed to make it look not too cluttered, and I can easily tell what's going on. Each table and dancing couple is telling a different story, and I love that! Some constructive criticism would be to add some proper lighting. There's a light coming from above, yet there aren't any shadows. It makes it feel a little off. However, this is great example of storytelling!

Miyabi said: I really hope a bolo tie impresses Akane...a ninja wearing a western tie, what is this?! ;p I love the doctors just soaking in the evening while their humanized robo-children all intermingle. Enjoy having a few waiters and musical entertainment in the scene, too. You have a unique take on all the RMs, yet they are all pretty recognizable. Also, pimp Wily is pimpin’!

- IrisClou (@iris-clou) - Storm Eagle x Axl:

Miyabi said: Eagle looks so casual suave with his open-buttoned shirt and martini. Both he and Axl can leave the penguin suits for...well, Chill Penguin! Your rainbow hues for the warm background and cool couch are an awesome looking contrast. The colors on this are pretty unique.

- Jewel Maiden (@jewelmaiden) - Dynamo x Layer (w/Zero x Iris):

Miyabi said: Dat Iris grin! Seems like she had a plan to keep Layer away from Zero. LOL The floral lace pattern of Layer’s dress is gorgeous, and ties in to the mechanical forest background. Dynamo’s space-y tie is pretty neat, too!

- LightLabs (@lightlabs) - Sigma x Sigma’s Reflection (w/Zero x Iris):

AnnaMaria said: Very funny, but still serious... Nice! This has a nice feel to it. I like your choice of colors a lot. The background looks nice. Would have loved to see more detail in the outfits. I can see a lot in the mirror, but a good chunk is hiding behind the rose.

Miyabi said: I like the dimly lit restaurant scene, and the little details like the heart-shaped chair and Green Biker Dude host. Hilarious giving Sigma those narcissistic qualities, loving himself more than anything else in the world.

- Metakit (@metakit) - Freeze Man x Star Man:

Miyabi said: The background pattern here is pretty unique, and I like how you were able to tie their main colors into it, while still not blending in too much that it takes away from the duo. Freeze in particular gives me a James Bond character vibe in his fancy getup. LOL

- Myan - Gemini Man x Gemini (Wo?)Man:

Miyabi said: Love the movement of Gemini Man taking a dip back! The bottom trim of his shirt coming out also sort of ties into looking like his crystal headpiece, too! Never one to shy from the spotlight, his twin proves that a Gemini can look good in a dress as well.

- Nat-Grim (Nat-grim) - Atlas x Aeolus:

Miyabi said: Rolling out the red carpet, Atlas rocks the V-Day red pantsuit well, while I like the extended tail on Aeolus’ suit, along with his heart-shaped tie. Definitely feels like a gala event photo op!

- Paranoid King Cepheus (@paranoidkingcepheus) - The largest entry ever known to mankind that I can’t even begin to thumbnail on tumblr...so I’ll just crop out this image of Akane dancing with Shadowman.EXE while Top Man spins to the beat:

Part 1. Part 2. Part 3. Part 4.

Miyabi said: You are insane for once again adding in all the characters that you have! And I love the massive effort! An adorable tale of Jack getting to the dance and so many hijinks and easter eggs in-between, with a very cute ending.

- Prosaic Wonder (@vava-fett) - Anniversary Dance:

AnnaMaria said: I really like all the characters packed into here! Each one is telling a different story, and a lot of them are actually pretty funny. I especially love the random leg with the high heel sticking out. I also appreciate you trying to match the original art style somewhat. The cell shading is really nice here! Ok, I'm gonna get super picky here. If those are Roll's hands holding up the cellphone taking a picture... They look more like adult hands. Child hands should be a bit more dainty and rounder looking. The style of her nail polish is also a bit "adult/older looking", even a bit out of fashion in style. I would have expected her to wear some glitter polish, perhaps even some fake rhinestones. Yes, this is silly comment, but since this category is focusing on the attires, I felt I had to address it. That being said, I really wish I could see more of their outfits. You did a great job designing so many of them, but all we really see are their heads a bit of their torso.

Miyabi said: I don’t know which I’ll be able get out of my head first: Gemini Man in a feather boa and thong or Top Man’s sexy stocking leg... A lot of fun and amusing interactions between the characters/couples here; I agree that it’s a little unfortunate for most that we can only see their heads, but there is so much to enjoy about your style and all that’s going on in the scene! It’d work as an awesome cover image, for sure!

Soulivium (@su5anlee) - Dark Kirisaki x Iris.EXE:

AnnaMaria said: I really like the costume design. It's very formal and modern looking! I especially like the lace around the dress, and how they are both wearing purple and red to match each other. Would have loved to see a background.

Miyabi said: Very fancy attire on both. I love the dueling abstract lacy sides to both Iris’ dress and necklace. It’s really gorgeous. The heart-shaped Killer Eye with scythes on top of Kirisaki’s top hat is fun and unique for a character like him to wear.

- Wimzik (@wimzik) - Netto x Food (and also Meiru + Jasmine) + Laika x Pride:

Miyabi said: Typical oblivious Netto, stuffing his face rather than mingling with the ladies! Great job telling a story, showing Meiru’s jealousy over Jasmine’s flirtation, and Laika’s nerves keeping him from leaving Netto’s side. The girls’ dresses are all unique and tailored to their personalities, and I’m amused that Netto felt like a striped tie would double as a fancy headband to make him feel dressed up!

- Wintesm (@wintesm) - Prom Photo Memories Bulletin Board:

Miyabi said: I love the continuity from last year’s prom entry continuing here, with a photo memory board. And there are still Search Snakes running amok! A lot of cute scenes, although I think I lean heavily towards the 3 on the far right as my favorite ones.

Thanks to all once again! Be proud of what you submitted!

Still working on typing the Humor Category results. They are coming soon, too! *faints from organizing this*

#Rockman #Megaman #Rock Miyabi's 2017 Valentine's Day Contest #Too many tags to list #Thank you!#Other people's art

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kaitlinmcandrews · 7 years

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I am going to interrupt my series for a sec here. To be fair, summer is not over yet, so I can’t start the summer blog yet anyways. I kind of thought that I wouldn’t get around to it until after summer. Which, is probably still true.

Sorry family, I highly doubt you’ll get anything from this blog. I was like a freakin’ child for this, I still can’t get over it. This was one of the most exciting events I’ve ever been to ^-^~

Okay, so this is the most amazing thing ever. Apparently, every year, Yokohama has something called a Pikachu Outbreak. Essentially, it is a week long event where you can do/see Pokemon related things. It is mostly performances, but there are some interesting details that they put around the city.

This year, they also included events that had to do with Pokemon Go. It was convenient that the release date for Japan was around the same time so they kind of lumped their anniversary with the already annual Pikachu event. This event was about a week long and ran from August 8th to 14th this year.

So from left to right, here is what the events are:

Stage show at Queen’s Square

Stage show at Landmark Plaza

Stomp show at Nippon Maru Memorial Park

Stage show at Yokohama World Porters

Splash show at Yokohama Red Brick Warehouse

Pikachu carnival parade at Nippon Odori

Events 1 to 5 happened four times a day from the 8th to 13th and the parade was the only event on the 14th.

All the events basically took place in the Minato Mirai area in Yokohama. If you get off at minatomirai or sakuragicho station, you will easily be able to walk towards each event.

Both stations had Pikachu related signs and stuff.

Here is the entry to Sakuragicho:

This was the first thing I saw when I got off at nipponodori:

So, personally, I did go to every event, but I only went for 2 days instead of all 5. As soon as I arrived, I saw the giant pikachu and and people were handing out maps (the ones shown above) and cardboard pikachu hats. I went alone since Pokemon isn’t really Pat’s thing. This worked out well because I was able to time myself so I could see everything (Pat takes forever to do anything, so I don’t know if we could have seen every event…)

As you can see from the schedule I put above, the events run back-to-back four times a day. I came around noon so the order I did things was 3,4,2,1,5. Before I show you each event, let me just say that the events seem to be purposely fit that you can’t see all events in a row unless you only see each one for 5-10min. That’s what I did because I didn’t want to be there all day. It was in the low 30’s outside so it was way too hot haha.

Okay, so the first event I saw was on a stationary boat in Yokohama. This boat is there every day all day, so I think it’s just a display.

Stomp show at Nippon Maru Memorial Park

This was my favourite event, but it could be because I could actually see what was going on. Thank goodness my camera has a massive zoom.

My actual view….

My zoomed in view

Gosh, they are sooooo freakin’ cute~

Stage show at Yokohama World Porters

From this point forward, you will notice that the view gets worse and worse… This event was on the 2nd floor of a mall so the space was extremely limited.

Hula girls/guys were out for quite a while

finally pikachu came out!

Lucky shot… I couldn’t see this well since I’m short…

Stage show at Landmark Plaza

The time difference between the last show and this one was 25 min, but it was a good 10min walk or so between locations. I didn’t get to see much of the show above, but I wasn’t too disappointed. I rushed over to Landmark tower, which looks like this from the outside:

This event shooouuld have been easy to see, but it was not. It was on the ground floor so you’d think that going to the 2nd or 3rd floor would give you a great view. Nope. Not only was it probably the busiest event, but where the stage was, was incredibly inconvenient. I barely saw this event at all. All the pictures I’m going to show you are essentially a fluke…

Seriously though, there were a lot of shoving my camera through small spaces between people and pillars… I feel like my naked eye didn’t see the pikachu at all..

Very cool pikachu ballon filled pikachu balloon

real view

zoomed in camera mode

tried to get a better angle

…and I tried again

Stage show at Queen’s Square

Again, the time I had between this event and the next was small. I had to once again walk briskly to Queen’s square. Luckily, Queen’s square is the mall right next to Landmark tower. This was the worst of all the events for what you could see. This event was sooo crowded, just like the above event, but it had the amount of space as the one in the mall with the hula pikachu’s.

This event was kind of in between floors. The viewing area on the same floor seemed like you had to pay for entry and it was mostly for kids. The second floor was where most people were. It was impossible to see anything or even get my camera close enough to take a photo. Like, you had to look down at a 45 degree angle and there were like 5 people between between me and the edge. I walked until I found a corner where I could actually see ANYTHING… Not great, but it was something…

Impossible to see the stage….

the best view I could get

Splash show at Yokohama Red Brick Warehouse

The last event I actually didn’t care too much about. It was a water show, so I couldn’t even take photos if I wanted to. Pat decided to come down to Yokohama at this time.

Pretty busy, but at least there was space

Pikachu carnival parade at Nippon Odori

This was the big event! It was on a different day and it was not nearly as hot, thankfully. It seemed like it was going to rain and it had definitely rained overnight. I went alone again, but that was probably for the best.I came about an hour before it started and was able to get an okay spot. I wasn’t at the front, but I was in the second row.

Before the parade started, you could start to see and hear them getting ready.

Once there was some commotion, the crowd got a lot tighter. There was even a little boy that tried to get to the front, but people are so freaking selfish and didn’t let him in front. Like seriously? He is so small, you could see over him…. just let him through! Not gonna lie, but tourists are seriously the worst people. Like, if you travel to a different country, just use some common fucking sense. As a foreigner, you represent ALL foreigners. So, for you to not let this kid in because you want to see Pikachu (which you could still see over him since he is like 8 years old…), makes ALL foreigners look like selfish assholes. Thanks.

Sorry…. let’s continue.

In true Japanese fashion, the parade started just on time. I believe it was supposed to start at 4pm and it started at 4:02 or something. We weren’t right at the beginning so it took a few minutes before we saw anything.

The first thing in the parade was the bus that you see above. Once they got closer, you could see that in front of the vehicle there were quite a few people dressed in pikachu-inspired clothing doing some interesting dances and singing along.

Once the bus got closer, you could see the Pikachu’s waving at the crowd!

sooo cuuuute ^^~

Not gunna lie, at this point, I felt like crying. I was unnecessarily happy about this. So cuuuuuuute~

At this point, I was pretty surprised at the people to Pikachu ratio.

This was a kind of funny point in the parade. I don’t know if this section was super fast, or the next was really slow, but for about 7 minutes there was nothing. at all….. It was 4:15 and since I knew that the parade was an hour long, I knew that there was a lot more left. Actually, a man standing in front of me left. The two girls that were with him were gathering up there stuff. The kid that was able to get to the front from earlier had left.

People are so impatient haha.

I suppose this was the main event because this was when the Pikachu’s came.A lady was directing them in a line while blowing a whistle. It was so cuuute!

They periodically stopped for photo opportunities. I got pretty close to one and I was able to touch him. The Pikachu’s seemed to have a bit of a personality. There were a few that did some funny things like dancing when it wasn’t supposed to or running into each other. It was really cute. It really made me wonder who is in those costumes. They are no taller than I am, so are they children? If so, it’s amazing that there were able to be so creative and interesting…. I dunno… just made me wonder.

The costumed Pikachu’s hung around for about 15 min so there were many opportunities for everyone to get a picture and perhaps interact with them. I think they did a good job at getting to each part of the crowd.

The parade ended the way it started. I think it was the same bus and dancers that come back.

As the dancers came back, the police started taking the ropes away behind them and opening the road again. It was crazy to see how many people were there. I could barely move so I went to a high place and just waited until the crowd thinned out.

And that was it for the parade!

Random Pikachu sightings

I was lucky enough to see a whole bunch of them exiting Queen’s Square

…hiding under the roller coaster

mini Pikachu’s on a lawn

Posters everywhere

banners everywhere!

A blimp!

a closeup of the blimp

a bus!

…or is it a boat?

A pikachu hiding on a boat!

mini Pikachu figurines

..looks a bit intimidating

Pikachu smart car

Pikachu head in the ferris wheel

A pokeball!

a walking Pikachu!

That’s all. I hope you liked this, because I sure did!

Pikachu Outbreak in Yokohama I am going to interrupt my series for a sec here. To be fair, summer is not over yet, so I can't start the summer blog yet anyways.

#Japan #pikachu #pikachu outbreak #yokohama

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wp-yahoo-style-1042-yahoopa-blog · 5 years

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Vans releases new comfy sneakers that feel 'like you’re walking on a cloud'

Vans unveils new ComfyCush technology for the classic Era style. (Photo: Courtesy of Vans)

Comfort and style stride side by side with Vans’ latest footwear launch. The new ComfyCush Era sneakers, the company says, feel as if “you’re walking on a cloud.” Vans has been working on thenew comfort-based technology since 2016, and it’s now finally ready to be shared with the world, starting with the classic Era style.

The original Era sneakers first debuted in 1976, 10 years after the Vans company was founded in Anaheim, Calif. Interestingly, the sneakers were designed by two skateboarders: Tony Alva and Stacy Peralta. The Eras feature a low, top-lace structure, durable double-stitched canvas upper, padded tongue and waffle outsole.

The decision to launch ComfyCush was simple. It’s about diversifying Vans’ available options. “Our consumers make us who we are today, so by listening closely, we built exactly what they were asking for,” Matt Pino, Vans’ global footwear category manager tells Yahoo Lifestyle. “More comfort without sacrificing style, which led to pushing the innovation of the Era to the next level. We’ve been working on this technology since 2016, really focused around a rubber product (foam) that was designed specifically for comfort.”

Vans will release new ComfyCush Era colors and styles throughout the season. (Photo: Vans)

A closeup of the new Vans ComfyCush footbeds (Photo: Vans)

Aesthetically, the new ComfyCush Era sneakers look exactly like the original. The ComfyCush elements are hidden within the foundation and structure of shoes. They feature new tongue tie-down elastic straps that help “improve the overall fit and feel,” says Pino. “It eliminates the possibility of the tongue sliding to either the medial or lateral side of the foot.” There’s additional arch support and a new foam and rubber cushion and grip that help keep your feet more comfortable all day long.

Bridging the gap between comfort and style seems like a no-brainer, especially for a brand like Vans, which is competing with the juggernauts Adidas, Converse and Nike. “It’s important our consumers know we aren’t asking them to trade off any of our icons, but that we are simply providing them with an option that may meet the need of a particular lifestyle — that doesn’t compromise style,” says Pino.

Three Yahoo Lifestyle editors put the new ComfyCush Era sneakers to the test. Read our firsthand reviews below.

Editor test:

Julie Tong, Yahoo Lifestyle’s fashion editor, tests out the new Vans ComfyCush Era sneakers in Syracuse, N.Y. (Photo: Julie Tong)

Julie Tong, Yahoo Lifestyle fashion editor

“I’ve been a Vans fan ever since I was a teen. I can still remember walking through my high school hallways, past the rows of burnt-orange lockers, wearing my trusty pair of navy-blue Era sneakers. I wore them until they were smudged with dirt and the blue canvas started to wear away. Still, I didn’t care. I loved them. Now, hearing that Vans is making my favorite sneakers more comfortable? I had to try them out.

“Over the weekend, I tested the new Vans ComfyCush Era sneakers while visiting my boyfriend in upstate New York. At first glance, I loved the off-white and checkered design. I don’t usually wear white sneakers, but the print and Vanilla shade felt refreshing, yet still inherently Vans. The real ‘treat’ came when I placed my feet inside the shoes. On Sunday, I spent the afternoon going to brunch, grocery shopping at Wegmans, and ended the day catching a flight back to Manhattan. There were even times I wore them on the icy snow patches that lined the Syracuse streets. I was surprised to find how well they kept up through it all. No slippage! My feet stayed dry and warm even in these harsh conditions (because let’s be real, they weren’t intended to be worn in the snow).

“Throughout my day, I noticed how consistently sturdy the footbeds felt and how soft the cushions were that supported my ankles. I’m someone who has wide feet, and they never once felt too tight around my toes, which is a big plus. In my experience, they’re perfect for running errands and traveling in, but most importantly — walking in. I think the longer I wear them, the more they will mold to my feet, too. The final verdict? They’re keepers. I now have a reason to bring these beloved sneakers back into my life.”

Dana Oliver, Yahoo Lifestyle beauty director, tests out the new ComfyCush Era sneakers on a full day of errands. (Photo: Dana Oliver)

Dana Oliver, Yahoo Lifestyle beauty director

“This was my first time ever wearing a pair of Vans, and the experience was far from what I had expected. I’d previously had my eye on the brand’s classic slip-on sneakers — as a new mom, I need shoes that are simple to get on and off when taking care of an infant. I gave the ComfyCush Era sneakers a trial run on a busy Saturday: My schedule included a Baby & Me yoga class, shopping at Whole Foods and tidying up at home. With my son all set in his car seat, and the Lyft driver just four minutes away from picking us up, I was surprised at how easy it was to get quickly dressed in the kicks.

“The slender cut fit my narrow feet perfectly. Not to mention, after gaining roughly an extra half size in foot length post-pregnancy, I still managed to have enough toe space in the shoes. As I maneuvered around the grocery store with a stroller and no shopping basket, I soon learned why these sneakers carry the ComfyCush title: They make your feet like you’re gliding on air.

“The thick sole also managed to help with my posture, forcing me to stand straighter and walk with even more confidence. And with all the bending down I had to do to pick up my son or his teething toys, the fabric of the shoe didn’t awkwardly bend or bulk.”

“While I love the subtle checkerboard design of the Marshmallow and True White colorway I tested, I wouldn’t sport these every day, simply because it would be too difficult to keep them pristine. So overall, I’m giving these ComfyCush Era Vans 4 out of 5 stars!”

(Photo: Vans)

Adrianna Barrionuevo, Yahoo Lifestyle senior beauty editor

“I’ve been a Vans loyalist for as long as I can remember. I would go as far as to call myself a Vans aficionado. So when I heard about the new Vans ComfyCush Era sneakers, I was beyond excited to slip on a pair of my favorite style. While I wasn’t skateboarding or strolling down to TK Burger in my old home of Newport Beach, Calif., I was navigating the busy streets of Manhattan to make it to Central Park for off-leash hours with my pup.

As soon as I took my first few steps, I noticed a difference in comfort level. From my heel to my toes, I felt much more supported and cozy compared to previous styles I’ve worn. I ended up wearing my sneakers all day long, clocking in a total of about 15,000 steps, and my feet felt comfortable every step of the way (even when I had to chase my pup to get him back on the leash to head home). I would recommend these to anyone looking for a stylish, yet casual shoe, whether they’re skateboarding or strolling around the city.”

You can shop the new ComfyCush Era unisex sneakers below.

Shop it: $60, vans.com

The editors at Yahoo Lifestyle are committed to finding you the best products at the best prices. At times, we may receive a share from purchases made via links on this page.