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#I'm bitter sorry
timedyne · 10 months
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cant tell if i am actually aromantic or i have just subconsciously sworn off romance because all of my old friends started dating around the same time and then stopped inviting me to things because they were all """double dates""" or whatever the fuck and i dont want anyone to go through what i did and watch years of friendship crumble away because they dont want to acknowledge you anymore
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thunderboltfire · 2 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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samuelroukin · 6 months
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interesting how at first he's the jilted spouse and izzy and ed are likened to the whole jesus/judas thing and now he's a father figure and a vessel for ed to be sad? okay
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no fucking comment bro, i know he's not part of the main couple but after everything you (and more importantly at times, con) put into this character you can't even see that you literally did this to him instead of to ed or stede. i'm speechless
source
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hoofpeet · 3 months
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I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough
#sorry i'm going to be excited about this comic for the next month#nofna#okay having finished this now--#and sorry if this doesn't make sense to anyone who's completely unfamiliar with this comic in advance-#the 'popcorn ending' (printed version) is nice to see but i think the web version hits harder. if that makes sense#so i'm kinda tied on which ending i 'prefer'- i think both are good though#also considering i've read the web version a good 4-5 times and the printed version only once- i probably can't make that judgement yet#easy answer- i do like Nutsedge :] so it's nice to see the ending where nothing bad happens to her#but also- NT suddenly becoming a greenie-esque villain out of nowhere felt a little jarring#as well as SV suddenly turning a corner and becoming a 'good guy' (arguable)- considering the first three books are about#/him being too stubborn to change or accept any outside worldviews . Him suddenly coming to his senses felt out of place#<- probably biased because i like characters being bitter to the end and ultimately destroyed by their own hubris#the web version is probably‚ objectively‚ a bit better#but -#(spoilers- if you're planning to drop ~70 bucks on getting these books)#the conceit of SV actually perfecting his style‚ using it once‚ and then immediately getting tooth-brained- was pretty cool#assuming it's meant to parallel him spending months tormented by trying to perfect it while something's still missing-#and then dying before he can narrate it to the audience‚ so that we never know what he figured out.#hard to articulate these thoughts but tl;dr- popcorn ending also had a lot to think about
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stellaluna33 · 3 months
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The thing that gets me about Love Never Dies is that the plot reads like POTO fanfiction written by a 14-year-old (I'm sorry 14-year-olds), and yet I am also almost completely certain that there is actual POTO fanfiction written by actual 14-year-olds that would be, you know... better.
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deiamatics · 1 year
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It's crazy, it's party
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caernua · 4 months
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He's killed Farrier. One of my best agents. And knows where the others are. You know what must be done. Make it clean. Painless, if you can. We were friends, once.
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every couple of years I remember that julie plec made a character tell another character that “he was your first love, I intend to be your last” and then just fucked me personally over forever?? by not having them end up together?? ever??
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acaiyatree · 3 months
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ong seeing this wasn't even dramatic to me, i literally just let out a chuckle and thought to myself "this could've been avoided if we had her on the mission as oracle"
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greypetrel · 6 months
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"…Is this costume necessary?" "Of course, Chuckles, it's on brand." "How. Just, HOW. Red Riding Hood with me being the wolf was on brand." "Nah that was too uninspired. This? Darth Vader meand Darth Father. Darth Vader, Darth Father… Dreadwolf, Dadwolf… You see it? On brand." "… This is better be good." "Oh, great idea! Next year we're doing Emperor's New Groove!"
Some Dadwolf shenanigans, they'll go big on group costumes. (no the lightsabers originally had no battery included. Yes they're glowing. Nothing bad will happen.)
Happy Halloween as happy can be, stay safe, get some information, and if you're italian consider boycotting Lucca Comics. or if you can't, please consider that to get a charity postcard, you're still paying a ticket to an institution that never listened to its artists protesting online, that won't care for all your online protests. It will care only about the number of tickets they sell.
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hel7l7 · 7 months
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Don't you ever get tired of acting like that?
I THINK I HATE YOU
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bizarrelittlemew · 11 months
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cienie-isengardu · 4 months
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I'm kinda weirded out that Bi-Han scars his brother and people act like him being a little mean to Tomas is his worst deed and he deserves to die for it or something. Bi-Han doesn't owe Tomas any love or respect. You don't have to like someone just because daddy said so.
I totally agree that hating Bi-Han for not liking or loving Tomas as a brother is pretty wild take on his character, because he did not ask for such a bond, the same as Tomas did not ask to be orphaned and adopted into Grandmaster’s family. Both were forced into a situation created by adults that apparently couldn’t act appropriately to the situation (e.g. killing Tomas’ mother and sister when the family accidentally trespassed on Lin Kuei territory and Grandmaster adopting Tomas out of shame / to save his honor rather than out of love/care for the boy). 
What is even weirder to me, Kitana and Mileena had in previous timeline(s) bitter relationship yet I don’t see fandom to hate original/alternative MK9!Kitana for rejecting Mileena ("You are not my family... you are a monstrosity!") and looking down on her because of Tarkatan blood (“[Shang Tsung] has created horrid replicas of me crossbred with Tarkatan blood!”). People apparently can acknowledge that Kitana was thrown into “sisterhood” she did not ask and the creation of “twin sister” happened out of her control and knowledge while also understanding it was no Mileena’s fault for acting and looking the way she was because it was how she was specifically created. If fandom can accept and support Kitana’s choice of rejecting “sister” on the spot without any empathy to look at the situation from her perspective AND AT THE SAME TIME can feel sorry for Mileena, then the similar treatment should be given to Bi-Han and Tomas, as they were presumably children who adapted to the unfamiliar situation in their own ways. However the main difference between those two scenarios is that Mileena is the “psycho” (so Kitana is excused for not wanting her as a sister) while MK1!Smoke is the personality-wise castrated version of MK9!Tomas who for whatever reason is now the fandom’s Cinnamon Roll that never did anything wrong and anyone who doesn’t melt at the sight of this cutie IS BIG MEANIE, boo!
A character not loving fans’ favorite does not commit a crime however fandom wants to present it as unquestionable proof of said character’s evilness. Fictional or real life, people are allowed to not like each other as the definition of family will vary from culture to culture, and from one person to another - it does not however allow anyone to abuse other people, but that should go without saying.
Bi-Han said mean things to Tomas, and Kuai Liang for that matter. He in general treated others in a similar, cold fashion. But objectively speaking he did much more questionable things over the course of the story, yet people are fixated on Smoke’s feelings alone - and to be honest, I'm not even surprised anymore by that.
But you know what frustrates me the most about fandom’s perception of Bi-Han and Tomas relationship? The amount of fanwork presenting Bi-Han as always mean, always abusive to the poor poor little Tomas which is not just the best proof the fandom is set to demonize kid Bi-Han for his adult self’s choices. It is the whole implication that Grandmaster and the Mother and like everyone involved in raising the brothers, all the masters and teachers did not act to prevent it from happening nor cared to correct Bi-Han’s action. And the most sick thing about that? Children imitate the behavior of adults. Do people really think that kid Bi-Han started saying "Lin Kuei blood only" bullshit out of his mind just to spit in the pitiful orphan's face? Like, really?
Stupid beliefs like that come from somewhere and children are taught by their parents and adult people around what “values” and traditions they should respect and follow. We literally know just three Lin Kuei characters and the fact that only Kuai Liang and Tomas rejected Sub-Zero’s leadership while the clan followed their Grandmaster implies Bi-Han’s beliefs are accepted and shared by the clan. So maybe instead of being so set on demonizing kid!Bi-Han - who so far was only said to be “always cold” to Tomas what is not equal to being abusive and cruel on purpose - maybe it is time for fandom to examine previous Grandmaster and the whole clan’s beliefs that A) were passed to Bi-Han to mold him into man he is today and B) apparently fucked up Tomas’ childhood so much.
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hope-ur-ok · 2 hours
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why'd she film and release the eras tour movie if she was just gonna add ttpd to the setlist
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dollypopup · 18 days
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y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!
like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.
and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye
you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .
when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?
if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self
and that's that on that
#you know what? lol it's been a bit since i've posted a controversial opinion#tagging it#polin#sorry not sorry i ship polin. . .so i wanna see. . .polin. . .and i'm getting damn sick and tired#of all the bullshit pen/oc pen/other dude theories and stories in the polin tag#and i don't want polin to lose screentime over a frankly bleh male oc#you can't change my mind#if i don't see at least marina's 'you've seen him with the little bridgertons!' level of squee and 'i only want to talk to colin'#levels of devotion then i don't fucking WANT IT!!!!!#yeah definitely try out the marriage market#realize that NO ONE has a good time on the marriage market#try to get over him w/ whomstever#but then be like 'i don't even LIKE this dude where's colin i miss him' about it!!!!!#because otherwise i am not here#i am asleep#and i am courting colin in your place pen#i'm coming for your man#anti debling#if debling has 100 haters i am one of them if he has 10 haters i'm one of them if he has 1 hater i am the hater if he has 0 haters i'm dead#it's incredibly obvious that 'pebling' is half rooted in a revenge storyline fueled by anger at Colin and his complexity#and half a projection of wanting Penelope to have 'choices' because she is a representation and manifestation of the fans themselves#and so people think an OC that can be 'perfect' for them- whoops I mean Pen (because he doesn't have any real depth or interest)#he's a cardboard cutout we can throw whatever you want onto#so we can make him 'perfect' instead of the much more meaningful storyline of pen and colin both being messy and loving each other more#and part of it is bitterness over Polin not being insta-love#which. . .if it was i wouldn't like them as much as i do#anyways y'all ain't slick#and it's fucking WEIRD to be in a fandom that's like 'i ship this couple but i hope she gets with ANYONE else'#maybe you. . .don't ship the couple??#like. . .to the point of wanting her necklace to be from debling. . .and her wearing it everywhere??? WHAT??
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lunar-years · 3 months
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it's unfortunate that twitter is the most convenient place to find TL news and latest pictures because wow the fandom over there is really a cesspool. I so need them to learn it's not actually funny to make fun of the cast for losing and then TAG the creators in said petty comments all over SHIPS. if you hate the show so deeply to be cheering in joy over its award show demise and echoing the commentary of the people who have always thought ted lasso was trash, just because you think it's appropriate ~revenge~ for a bad season like uhhh. maybe it's time to take a step back and leave the fandom because you clearly aren't enjoying yourself. and then the audacity to get on there every day demanding a season 4?? like what about the way they tweet at them do they think is enticing these creators to want to make more?
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