Yo, I was wondering if you could do a fusion between these two characters. If not, could you just draw me Shadow the Hedgehog with a gun?
I genuinely have no idea who neither of these characters are, and I feel like I'd make a disservice of them if I tried to do a combination without the added context, so you get a Shadow with a gun and hopefully that suffices!
yah 👍 tl;dr our NOW-ex landlord harassed us for 7 months after trying and failing to run a rental scam. We had an eviction hearing this morning and literally 5 minutes after leaving the courthouse our now-CURRENT landlord sent us a lease to sign and agreed to let us move in this weekend. So yeah a lot of shit happened but 👍
hey, it's me! i'm still alive, somehow, though just barely. this semester has been pretty tough so far and will probably remain that way until spring.
despite this, i managed to add some fun new features. : ) ALSO i promise 100000% that if you sent me an ask i WILL answer it. i will. anyway, look at all those cool things!
-> a system for cuts, bruises, tattoos, wounds and other decorations
your whumpee's skin is an empty canvas. whether you fill it with scars and wounds or cutesy band aids is up to you!
the way this is set up is kind of like a bunch of stickers. so for example, if you decide to hurt the lil' guy with something sharp, he'll get a "stab wound" sticker in the spot you decided to target. over time, that sticker will change over to a "stab scar" one. it's a very flexible way to do things, but it still needs some work and a couple big changes, since it's very unfriendly to low-end computers. in terms of visuals though, it should look exactly the same as the decal-based "decorations" for your whumpee that you see above!
- a better way of getting that dude on camera
the camera system is now a lot more immersive and will fit the story. the awkward developer cam that could clip into walls is no more.
you can drag around the view and zoom in and out by scrolling. as you progress, you'll get access to even more ways to invade your whumpee's privacy. : )
-> new ways to get horny
in the last devlog post (around 1000 years ago) i said that you won't see any "horny accessories" in the upcoming updates. that was a complete lie, sorry! here's a preview of some cool new horns you can give to your whumpee.
the neat part is that the horns are customizable - other than just choosing the shape, you can modify their size and color gradient.
-> other stuff + story
i've made plenty of changes and additions to the back end. most of it is not flashy or super significant - most of the time and energy i could dedicate to the project went right into fueling the violent, bloody conflict between me and custom shader code. i've also made some updates to how time is simulated and fixed a bunch of bugs. there is now a sound system too! i'll look for some copyright-free sfx and music before the next update. oh, and there's some lore too!
i've been experimenting with different ways of delivering the main storyline. heavily stylized cutscene-like sequences were very fun to do! not sure if i'll stick with this style though. either way, i have the general outline of something that resembles a plot. >: )
that's it for now! again, sorry for the irregular update schedule. i've been following the "no progress for a long time, then one night you have all the energy and inspiration in the world and you zone the fuck out for an unhealthy amount of time just working on your thing then until realize that you're going to be asleep within the next 40 seconds" development strategy - hopefully, my brain will kindly allow me to switch to a more comfortable workflow. :' )
taglist below: (let me know if you want to be added OR LET ME KNOW IF I FORGOT TO ADD YOU IM SO SORRY)
@whumpinthepot @andithewhumper @pigeonwhumps @monarchthefirst @scp-1296 @whumpedydump @screenys-whump-corner @whumpshaped @bloodsweatandpotato @burning-and-remembering @thealmightyconeoftruth @whimpity-whumpity @catnykit @vietbluecoeur @rainythealias @cardboardarsonist @snakebites-and-ink @lthrboy @woo-lu-woo @wingsofadragonsstuff @wecoffphm @bayvel @pics-and-fanfics @dokidokisadness @generic-whumperz @lambetjenasus @aarika-merrill @hayaneakabane @moons-cozy-corner @brittaunfiltered09
@rule-masochism @reverie1234 @oddsconvert @wh-wh-whumpified @currentlyinthesprial @cupcakes-and-pain @heavenlyden @whumpsday @likeadeadbattery @stay-on-topic1 @cyborg0109 @kawhump @astrowhump
I wonder if the count is going to be jealous of mahiru if he returns in one way or another.
Mahiru achieved all the the count so desperately wanted. He became kuro's eve. He became friends with him. They understand and trust each other pretty much completely at this point. And all without mahiru having to sacrifice anyone like the count wants to do. Before the count came up with the plan to become one with kuro he simply wanted to be his eve. But kuro didn't want that so the count eventually arrived at more desperate measures. I guess if they talk mahiru will have much to teach/explain to him about relationships and death.
sneaking into a stadium during an EDM festival with your boyfriend to throw off the f*ckers that are trying to kill you: 10/10, perfect date night, said boyfriend is having the time of his life
your best friend/academy boyfriend following you into the stadium during the festival bc his gut knows what you're up to but he still wants to make sure to confirm: 0/10, evacuate that gay immediately he's going to get himself f*cking killed
pitched battle inside my brain between the part of me that's desperately shaking myself by the shoulders going "YOU HAVE GOT TO ACTUALLY LIVE THE KIND OF LIFE YOU IMAGINE INSTEAD OF JUST SITTING AROUND IMAGINING IT UNTIL YOU DIE!!" and the part of me that's clutching my face going "is this allowed? is this allowed?? is this allowed???"
Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.
It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.
But he does find the letters, in a metal box stashed away under the bed.
There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.
Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.
Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.
Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.
Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.
Gepard goes to bed, curls up under mismatched blankets and closes his eyes.
He doesn't dream.
One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.
And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.
And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.
He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.
But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.
The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.
Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.
The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.
guh
i'm alive
sorry i've been inactive for over a month. i don't really have an excuse.
just that i haven't been feeling up to posting, and i've been distracted. i will try to get back to things, but no promises.
INFJ: Okay, but in all seriousness: am I overreacting? I mean is it even as big of a deal as I perceive it to be?
ESTJ: Yes! It's not nice what they are doing and it's been bothering you for three days, so tell them that it's been bothering you. It's completely irrelevant if that's appropriate. Having that feeling is valid either way.
INFJ: I don't care if my feeling is valid, I care about whether it's appropriate to act on this feeling. It does matter to me what people think of me and I don't want to stop being on good terms with them just because I'm feeling some emotion.
ESTJ: In this situation it's irrelevant if they find your response appropriate. You find their behaviour unfair, so you think your reaction is appropriate. At some point you have to start standing up for yourself. Whether you do that or not is up to you, but you will not get an unemotional factually "correct" response to an emotional question.
INFJ: I don't like emotional questions. I don't want anyone to know I have emotions.
by this point, my frustration is justified--if i have:
1) already mentioned in multiple replies that a fic is on hiatus
2) bolded its status and my reasons in the end note
3) added the status and a warning that i will delete comments of the type in my summary
why do i still get asked whether or not i'll ever update again? and that's all they have to say?
becoming increasingly concerned there's a subset of bil readers that don't know how to read or pay attention in a hobby that requires reading comprehension and an attention span
I don't even need lokius to be canon but all I'm saying is that marvel cannot LITERALLY ADDRESS the selfcest and then expect us to put up with sylvie x loki ?? 😭 like it would be one thing if they just never brought it up but like. come on now. if you're gonna call out the selfcest then you had better be planning to get rid of it
Hrmm... Revising my game and I feel like there's still sooo much writing left to do, for something that probably won't even amount to much, so.. I do want to narrow my focus more (especially given my health problems seeming to get worse/less energy the past few years), but I'm not sure how would be best to...
I currently have 5 characters as the Main ones with full planned questlines and such, with each character having 6 quests you can do for them. But I haven't really started the writing for the 5th main character.
So then I was thinking, if I were going to write 6 full quests worth of content anyway... is it better to allocate that time on just doing a Complete 6 Quests for ONE single character, OR would it be better to do something like.. choose THREE side characters and do 2 quests for each of them? So that people have a wider variety to interact with and sort of sample around (of course with the idea that, once the first version of the game is released, IF people actually care about it enough to make it worth the effort, I would then add additional content to complete those 3 characters stories as well)
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SO... If you were playing an interactive fiction sort of game centered around talking to & doing quests for a cast of characters (like there's no larger plot, more it's just about interacting with people, every character kind of has a self contained story, the focus is just learning about them and the world and exploring the area) --- Which would you rather have?
(and of course it would be stated up front which characters have only partial questlines, so people don't expect them to have full quests like the others and then get disappointed, or etc. etc.)
Basically, is it better to just focus in specifically on having one fully complete questline? Or for there to be a few stories that are not complete yet, but have more initial options available?
i'm watching the new Sister Wives and at one point Meri is reminiscing about how she used to be in charge of the Thanksgiving turkey every year bc Kody loved the way she made it *until* he met Robyn and then, in her words, "he just liked hers so much better" or whatever so Robyn did it from then on
and like the full weight of Meri's situation has never really hit me until I heard her say that tbh. bc I also have particular thing I make for holidays only because my husband likes it, so much so that he'll make comments the whole year about how he can't wait for it, and thinking about going from that to where Meri is now.........
like at first they were each others only special person. and then the years went by, he married 2 other women in rapid succession, and by all accounts she no longer felt very special to him but at the very least, every Thanksgiving she had the turkey. Kody loved her turkey and it was one day where she could feel like the special person again.
and then Robyn comes into the picture and she doesn't even get that any more. Like after Leon leaves, she doesn't get anything and to think that every year at the holidays she maybe had a knee jerk "oh I can't wait to make Kody some turkey" thought only to remember that only Robyn's is good enough for him now just made me tear up more than a little.