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#Izzy: YES FINALLY
qceensofkings · 1 year
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Some god/demon/other supernatural creature or literally anyone who’s stronger than Izzy: I could kill you. I could make it slow and painful. Or just end you in the blink of an eye because you’re not worth any effort. One Isabelle Jade Purefoy who has been waiting for someone to do her in: Do it. 
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transjudas · 6 months
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A world where roses bloom
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lokidokeyartichoki · 2 years
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The Vessel (reblog - do not repost)
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arsenicflame · 6 months
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absolutely delicious flavour of edizzy is where theyre Actually Married but neither of them know it, while also being acutely aware of everything-
they celebrated 25 years of their matelotage. they are having sex on the regular. both of them think the other thinks their contract is purely for financial reasons and the sex is just fun + convenience.
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jodegg · 8 months
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IZZY TEACHING STEDE HOW TO SWORD FIGHT YES PLEASE ⚔️
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rowanoftheunknown · 6 months
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Okay listen it's been 4 days I'm over it but I hate that everyone is like "that's where Izzy's arc was meant to end, he accepted his death" yeah no when I developed my support system and dismantled my toxic habits and moved on from my trauma my psych took me out the back and said you're free and shot me like a lame horse
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i love that we were like 'oh no i'm not ready for the emotional devestation of season two, i bet ed and stede are suffering so much' only for the stage to be stolen from them by IZZY FUCKING HANDS !!!
quite literally unbelievable, who could have predicted this
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gabichanwrites · 6 months
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Imagine you have a character, a broken, vicious man who bites and spits venom even at a person he loves the most, who pushes the buttons of his love just because this toxic familiarity is all he knows, just because it's all he feels safe doing. And then his love finds another person who brings out such a different part of them, a part this character never could or maybe just long forgot how to do. He drowns in jealousy, in his bitternes, he hurts his love, he hurts his love's beloved, their crew... And finally gets what he wanted. Finally has his Blackbeard back, finally can forget about the part of Ed he can no longer reach... But suddenly Blackbeard is unpredictable even to this character.
And suddenly everything changes as he slips and can no longer even enjoy the familiar toxicity because he saw something better and kinder and selfishly wishes for it too, despite it all. And suddenly he understands people around him, people who never saw the evil in Edward, and suddenly he realizes it's his fault. All of it, just a part of it - doesn't matter. He caused this and nobody is happy, not even him.
And then, despite everything, others start to care for him. They tell him "We think you're in a toxic relationship" as if they didn't know it was him who brought Blackbeard back and they hug him tight as if he wasn't the once to sentence them to this horror and they hold his hand when he panics. They experience kindness and hope in a miserable place, maybe a glimpse of what made Blackbeard so soft for a moment there. And when everything falls apart, when he takes the final tumble in this horrible dance he has with Blackbeard, somebody is there to hold him up. Somebody is there to criticize his drinking and make him a new leg and call him their unicorn. The character is "their bastard", he is part of them. He is part of something kind and accepting and he shyly embraces the new familarity-that-might-be, even when he still insults and retreats and bottles stuff up because maybe if he seems fine he can help others, maybe in the end he can be loved in a way as kind as theirs. Maybe he can have a family.
So once they are again in danger he takes the chance and speaks boldly and captures the ominous attention of the enemy. He takes a risk for them. He takes a bullet for it. He rests in the arms of his love and tells him he's sorry even when he could never accept the other's apology. He never gets the chance to try more and forgive more and try to be forgiven more. He can only ever serve as a tool for another character, can never evolve to existing on his own, to healing on his own.
You are Izzy Hands. You are drowning in your mistakes and the toxic familiarity you're too afraid to get out of. And once you dare to try...
The show would rather have you die than give you a chance at healing and happiness.
Your death doesn't prove a point and it doesn't mean anything. It's just cruel.
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mwagneto · 7 months
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the fact that almost every character in ofmd is specifically a gay man is seriously so fucking special like usually a show will have 1 character from a minority group and then that character has to be every single thing - a person the straight/homophobic audience can accept and even like, someone that deals with their issues the way they "should" be dealt with, someone who's not too much of anything but simultaneously everything because every expected trait has to be displayed at some point or another.... versus this show with its massive cast of characters who are all able to embody specific (and extremely varying) ways to be a gay man where all of their journeys and personalities and approaches to their sexualities are so unique to them but so true to people that exist in real life........ i wish i could express this better coz it's such an incredible thing to see it genuinely makes my chest hurt with how much it means to me
#I'm literally forever thinking about that interview lauren faust gave abt how cartoons will#usually only have 1 girl and then that 1 girl has to be every single thing#like she has to be smart and kind and athletic and loud and pretty and cool and funny and every other trait ever#so when she got to make MLP she finally got a chance to have an all girl main cast and that#gave her the chance to make them really feel like unique people because they finally#had the space to just exist as girls without having to be The Girl. so they could have like. specific personalities#LIKE IT'S LITERALLY THAT BUT W GAY MEN IT MAKES ME SO ILL...... IM GATHERING ALL OF THEM IN MY ARMSSS#i really really wish i could explain this better#like omg when izzy is telling lucius how to deal w his issues they're both gay. when ed is reminiscing w fang they're both gay.#literally clawing at the walls they all mean so much to meeeeeeeee#ofmd#our flag means death#ofmd s2#ofmd season 2#ofmd spoilers#ofmd meta#i guess ????????#also YES i know there's characters that arent gay men but that's kinda part of my point too#like even in media where there's more than 1 token lgbt person they're always#different identities coz the writer needs 2 different things to explore#instead of exploring how 2 people with the same identity might differ in a thousand little ways#and they also always lose that sense of belonging together that's so essential here#like ohhhmy gof oh mygod they're literally all gay in some way. massive found family of gay ppl....#it's just that i think this show is mostly abt exploring themes of masculinity and mlm so most of the cast being gay men makes cents
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YOU INDESTRUCTIBLE LITTLE FUCKER
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Thank you for offering your askbox. I've been thinking that Izzy being just a side character whose story wasn't main plot thread makes even better proof that not everything was well planned? If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.
(Post posted 10/31/23) Feel free to comment below if you agree or disagree, we're all here for discussions.
Thank you so much for this amazing question!! [If you're seeing this and want to discuss some aspect of S2, or my thoughts on OFMD overall, SEND ME AN ASK! I love doing this]
TLDR: Vague characterization from historical records means Jenkins is free to bend history without a lot of guilt. During early days of casting and during scene changes Jenkins got inspired by Con's audition tape. Con was told to play this shit as a Jesus/Judas relationship. An amazing performance in S1 keeps the character relevant in fandom spaces in the hiatus, and in Jenkin's mind for S2. The S1 season finale accidentally reveals a really interesting dynamic in Ed/Izzy's relationship. [Speculation from this point on] Jenkins feels like he needs to explore, with little plans to fully explore it. Fleshing out both Ed/Izzy abuse and love.
Jenkins realizes 'Oh shit, Izzy wasn't supposed to be this' midway through S2. But he still follows his original plan in killing him off, because he's not needed for the story in his outline, leading to him accidentally killing off a character as they're growing and healing. Leading to what some consider a move SO off-brand for the show, they are leaving the fandom.
[*Tin Foil Hat On*] I expect the original cut of S2 to include more scenes of the crew. I bet for every other Izzy scene, we got a crew scene. So when 'extra' not plot-relevant scenes had to get cut, they kept the Izzy scenes due to Izzy's stable arc, the fact that he'd die at the end either way and Con's amazing performance.
EXPLINATION AND DEPTH BELOW! It's a long one. A lot of this post will be speculation, interviews from Jenkins, and highly dependent on if you were in fandom between seasons 1 and 2. If you need me to hunt for sources, I can do that for you.
I'll separate everything into a chronological timeline as much as possible.
Before we touch on why Jenkins wrote Izzy to stick out in the story, we need to assume how he outlined this entire show.
Pre Con O'Neill:
I am of the personal belief that Jenkins likely wrote out an imagined arc for Ed and Stede. Including a lot of cool set pieces, fights, etc. for the three seasons he wanted vaguely based on the real lives of Stede Bonnet and Edward Teach(watch a YouTube vid documenting their history, it's a wild ride) turning it into something explicitly romantic. This is easy enough to do, as most of what we know about them was written YEARS after their deaths.
Next was filling in the cast. This is where we get our crew, mostly characters Jenkins made up, as very little is known of the men either sailed with.
Izzy Hands being a pirate under the age of 18 whose notable actions with Blackbeard include- Captaining his own vessel, running a ship aground, being Blackbeard's first mate, and getting shot by Blackbeard maybe on accident.
[THEORY] So. If you're any writer you see that and think 'cool a side character we know almost nothing about'. You slot him in as being Edward's one thing keeping him to the pirate lifestyle. Not necessarily romantic, but a serious Boss/underling relationship. This is a bit of how Izzy was written in S1 UNTIL-
Con O'Neill is cast as Izzy.
In interview, Jenkins has admitted that Con's audition tapes influenced how he wrote Izzy. As a writer, this shouldn't necessarily be ringing red flags. But he has gone on record as admitting to changing the script before shooting to suit Con. IN SEASON 1. My guess is Izzy at the end of episode 10 was meant to be more of a side character. Another Frenchie, or Wee John, who serves their purpose and then gets pushed to the side by the plot.
But at some point, Jenkins wrote how important the dynamic was between Ed and Izzy. Describing Izzy/Ed to Con before filming S1 of a 'Jesus and Judas' relationship like in Jesus Christ Superstar.
If you tell a (then closeted) queer actor who has been playing queer roles since the 1990s that his leather daddy character was having a Jesus&Judas JSC dynamic in a TV show that respects and celebrates queerness? 🤩 MY GOD.
[Speculation] That's how we get an Izzy Hands who is watching the man in front of him slip away, trying to dig his heels in. Hell, if I were Jenkins, I'd be adding a few more lines for Izzy to be pissed just to see Con have fun in the role. Let him be mad. Let him be in the background of scenes just glaring. Let us see a man slowly lose something he's built up his whole life.
[As mentioned from Comic Con- From Con O'Neill] This was important for me to bring up as Jenkins could have said 'henchman' but he didn't. Hell, when Taika and Con did hair and makeup they'd listen to the JCS cast album. It was a choice on both their parts.
[ovservation from here on out] Con plays it up, and a lot of queer fans saw this and grabbed hold of a man so desperate to keep the man he loved close that he sacrifices almost everything for it (Izzy also signs the Act of Grace to get Ed out of there).
Izzy, in a show full of openly queer people, is still on the fringe of society. SO MANY queers saw this and said 'OMG me'. ME INCLUDED. With a super supportive actor who genuinely is respectful of the fandom? Of art, and fic and meta? The Izzy 'Canyon' became so loyal because Con is a Queer Elder we didn't know we all needed in our lives!
Jenkins accidentally wrote into what could be an amazing story of a queer character living in a homophobic society where he learns to open himself up. All without ever writing a 'coming out' scene for Izzy. Jenkins knows this. Hell, since S1 Izzy fans have been telling him how cool that type of arc would be.
Now here comes the issue of where to take a side character, when you have loose plans for them.
S1 IS TIGHTLY WRITTEN ONTO ITSELF... S2?
Something we might forget now is HOW tightly written Izzy's falling out with Ed is tied into Stede and Ed falling in love. Beat per beat, Izzy is shoved away as Stede takes his place. That's really fucking smart. So smart, it was planned in the writer's room. The fact that some took it as romantic, that Ed could ever really love him back? Well...this is where Jenkins had a decision to make.
So he dips his toe. Let's make Ed even more violent than at the end of S1ep10. Let's include the bit where Blackbeard shoots Izzy Hands. Let's have Izzy confess his love for Ed and have it not be enough for Ed to change his mind. Let's show Izzy rising like a phoenix reborn after a failed suicide attempt where Izzy chooses to mutiny on Ed to protect the crew. Let's see Izzy growing. Because Jenkins loves Con's performance. Everyone in the cast enjoys him as a person. Let's give Izzy one last hurrah.
Jenkins knows this character meant a lot to Con. It's obvious in the way Jenkins recently confessed he told Con about Izzy's death midway through shooting. Sadly we likely will never be told when Con was told. But imagining Con filming the AMAZING character change of S2eps 1-2, then AFTER being told Izzy would die anyway? Oh. I wouldn't be alright. Not after all his fans had spent the last year telling him how much seeing a character like Izzy 'being accepted because they are worthy of love'.
This is the 1 thing that fucks me up. Not telling Con until midway through shooting, Versus his belief that writing Izzy's death was a fitting way to end his story. BOTH CAN'T BE TRUE. Right? If Jenkins felt the need to take con aside and go grab a meal to announce Izzy was dying but then market the ending as a 'Good Idea'. Then...What? If Con felt it fit the character, then he would have likely guessed Izzy would die. But that wasn't the vibe in the fandom at the time. It feels like a decision Jenkins made this season.
Because yes, some general audiences predicted that Izzy would die. But when your core fanbase for a character don't expect it, you didn't plan the death correctly. Fuck, I thought Izzy was trying to RECOVER this whole season. Not that Izzy was hiding how hard he was struggling. That's not a good sign when I've ALWAYS called Izzy as some brand of suicidal/depressed.
[Quote from Jenkins Entertainment Article: Oct 26 2023] 'What's the best journey we can give him(Izzy)? And what's the most interesting thing we can do with Con, who can do just about anything?'
That is not the quote of an author who has planned everything out. That's a writer who knows points A and E and is fighting to find everything in between.
The Fly in My Ointment
There's a point most writers know when a character or story slips out from under you. You didn't mean for this to happen. Hell, I write Scene by Scene outlines. My stories change. When Izzy Hands' growth arc became the most interesting part of S2, Jenkins had a choice.
How far was he willing to bend his idea to keep a character that wasn't 'essential'? Not that fucking far apparently. Because for some reason, Jenkin's labeled Izzy in his mind as 'Blackbeard' and tied Ed and Izzy's fates together. Ignoring how this season Izzy died to separate his old life with Ed from his new life with this crew.
Your question poses it perfectly- If I was a writer and this would be easily the most discussed topic about the finale, I'd reflect on storytelling decisions I made. There's a good reason why Izzy's fate overshadows everything despite that he wasn't the point of the show.
That's a trick they teach you in some writing podcasts. That in the end, you are telling one story. You can have twenty side characters and a romance arc, but in the end, you are telling one story. Each side character is going to show what happens when you fail or succeed at the central thesis.
What do we have in S1? What does Frenchie sing to set up where our story STARTS-
"A pirate’s life, [it’s] short but nice,” -“we won’t live long,”  AND “to death we go, a certain death we go.”
Our characters expect a short simple life of what most pirates EXPECT. In my mind, this story has ALWAYS been about survival. From the extravagance of Stede's ship, and a crew ready to throw him overboard, to the barebones Shark eats Shark type of survival described in Ed's own fleet. OFMD is about living in a world that doesn't want you there. About surviving and thriving. About these two men from different worlds coming together and forging a life of kindness for them and for their family.
Saying fuck you, I'm here, I'm still alive, and I'm going to THRIVE. I deserve kindness, happiness, love, and a fully lived life. I deserve to spend my short time on this Earth happy.
IN S2? The ONLY character that matches this thesis is Izzy. After scenes of Izzy struggling. Of finding himself. Of crawling up from his own personal hell, Izzy dies. He dies from a random bullet wound in the same spots that didn't kill Stede or Ed in the previous season. Breaking the one established rule for wounds in this universe that the left side is the safe side so that Izzy can die.
Even if Izzy spent this entire season wanting to die, he tried to live. For a few days after a breakup of over 20+ years of casual intimacy. Of a bond where Izzy was the murderer, the brawn. The dangerous right hand. Where Izzy dying meant not just his death, but likely that of Ed. Given the man's constant depressive moods, crews that didn't like him, and reoccurring suicidal tendencies. Ed didn't need Izzy Hands anymore. Ed had Stede now. He was ready to finally leave Izzy for good. What will Izzy Hands do now?
He gave up. He tried to move on. He listened after being told he was too rough, too loud, too mean. He tried. He tried to survive this new way of life surrounded by people who supported him. But he was tired. After so many years of putting up a mask, tearing it down was too much work. So he wanted to die. In the end. Izzy died in the arms of Edward surrounded by his family.
Buried on a plot of land Jenkins has already told us Stede and Ed will leave when things get boring. Left behind like the corpse of a pet the family has forgotten. Buried without his ring and cravat, items Izzy is only seen without when he's naked. Without the prosthetic gifted to him by a family that cared about him.
Izzy wasn't mourned for more than five seconds, before Stede and Ed were making jokes on his fresh grave, and then the episode moves on to a wedding.
RIP Izzy Hands- a man who loved more than he was ever loved in return.
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Was this the right message? FUCK No. But for those of us who believed that theme of queer survival and community- We saw framing Izzy's death like this as a fucking betrayl.
Izzy Hands isn't buried with his most prized possessions- they're left out to be stolen or rot in the front yard. With only one man crying over his death and a silent funeral. He leaves this world without more than a 'he was intense'. Which...isn't great coming from the man Izzy loved for most of his life.
The reason why we're mad about Izzy isn't that it's Izzy. It's that when we boarded this flight we were given a set of rules to follow. It's a comedy about men falling in love on a boat that sometimes gets serious. That's it. To watch a character start to grow only to die for NO PLOT SPECIFIC REASON. Is insulting. If your death has no tie to the narrative (sacrifice or it comes with a revelation) it's a death just set up for shock. Izzy and Ed could have had that deathbed confession talk at the start of episode 7.
A REASON WHY I'M MAD BEYOND THAT SPECIFICALLY. [Very Personal Gripe]
A SALUTE TO CON O'NEILL -AGAIN!
I had the privilege of hyper-fixating on this show from the entirety of S1 ending to S2 beginning. During this time I explored the catalog of Con O'Neill's work on Tumblr under the tag 'Conography'. I watched this man play queer roles since the 1990s. Genderqueer/somewhere on the Trans spectrum, Gay, Bi. This man loves to play a queer story, even if it's sad. If it's tragic. He will breathe new life into their lungs and express their moments of Joy. Of love. Of community.
After the filming of S2 at a con, Con he felt comfortable publicly coming out due to the love and support he felt from our fandom. Do you know JUST how crazy that is? That Con KNEW Izzy was dead, yet he loved our fandom so much he let himself be vulnerable, and come out as queer? It's fucking INSANE to me, and shows just how much this show means to him.
He's not just Queer. He's a Queer fucking elder whose been protective of this entire community since S1. This 57-year-old man has proudly stood up in the name of Trans rights this entire time. Treating everyone, but especially Trans Izzy fans with so much fucking respect. Trans Izzy is a common headcanon partially because of how comfortable people feel knowing they won't get harassed because they interpret Izzy a certain way. That trans people feel at home seeing themselves as a misunderstood character with a chip on their shoulder.
I'm pissed for every in universe thing listed above AND NOW THIS. Because our Queer Elders are dead. There is a generation of Queer people we can never get back. They died from a mix of society pressuring these people into the closet or an early grave. Of disease running wild in communities unchecked. Of media ruining the careers of anyone who dared to come out. To see Con O'Neill So Fucking Happy and having it cut short because Jenkins thought Izzy was better dead than being an actual background character makes me see fucking red.
No. Jenkins probably didn't know Con was Queer when writing S2. But I'm assuming he still saw how happy Con was at Izzy fans before S2 was written which still makes it feel shitty.
Sure. Give Izzy all the amazing speeches about family and belonging and rip that right from his hands as soon as Izzy realizes it's something he might want for himself. Let's have Con O'Neill say all the prominent lines that are a blatant metaphor for why the Queer community needs to stick together.
Izzy's arc isn't just overshadowing the conversation because it was mismanaged and feels unplanned, it also just feels cruel to the central arc of this series. Add that to an actor who was so vocal about loving this community, it feels pointed to give him a tragic ending.
Jenkins doesn't need to consider why people hated this finale. Because there are SO MANY Ed/Stede fans who just don't care. They put Izzy in the box with every other side character and decided to put their effort into the protagonists and point and laugh when we suffer. Jenkins won't rethink anything because he can just say the 'Izzy community was passionate and are sad their favorite died'. Ignoring how this season made Stede into a shittier, less sympathetic captain and gave Ed an interesting arc only to give up before the finish line.
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Just discovered my favourite Stizzy trope: they're both falling in love with each other but are convinced that the other hates their guts and only tolerates them because Ed cares about them. They start doing nice things to each other and various acts of service that eventually escalate to ridiculous level like "literally jumps in front of a bullet for him, totally just because they're looking out for Ed and don't want him to lose his lover/close friend" or "lies next to him in his deathbed to warm him up with their own body heat; just until Ed gets there, that's all! Sorry, what was that, what's a "blanket"?" While still bickering and sniping at each other and pretending to be miserable in each other's company the whole time.
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i-amusemyself · 6 months
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My two cents no one asked for on the ofmd finale- it felt like an extended trailer for the ep rather than the ep itself. So much happened without ever having a minute to breath and let it sink it- the cuts between scenes felt like whiplash. I don't fully blame the show runners I know they get limited to 8 eps and had a piss poor budget but it was still disappointing.
Hopefully all the hype from s2 will mean they get a better budget for s3 bc ofc I still want it renewed.
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ldrmas · 6 months
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Okay this picture!
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So this is the trailer and again just speculation.
So if I'm looking at this right the one who's holding up thier hand is Edward.
So this makes me hope that this is the fuckery I talked about in my other post. The ultimate fuckery where even the pirates think he died but the only ones who know that he actually lives is gonna be Stede and Izzy.
And I'm not saying that because I want SteddyHands to be cannon, I'm saying it because I generally can't think of a fuckery that Stede could pull off that would even slighty convince Izzy that Ed is no longer on this earth. So he has to be apart of it and then the three of them can go run an Inn together.
Ugh I just wish Thursday was already here I'm horrible at understanding what's gonna happen in plots even if the entire episode is spoiled in trailers.
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steveharrington · 9 months
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reality tv watchers will be like “this show has become so boring 😔” and then the second we get an insane unstable contestant on the loose everyone hates them. well what DO you want
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khruschevshoe · 5 months
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Izzy Hands and Mel Spriggs
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The capillaries in my eyes are bursting
If our love died, would that be the worst thing?
For somebody I thought was my saviour
You sure make me do a whole lot of labour
The calloused skin on my hands is cracking
If our love ends, would that be a bad thing?
So now I've gotta run, so I can undo this mistake
At least I've gotta try
-Paris Paloma, Labour
It is an impossible task, near-Sisyphean, to ascend the stairs lacking a leg, dizzy from blood loss, as the ship rolls from side-to-side in the pounding of a Caribbean storm.
But the ship is sailing into a storm. If Blackbeard is going to use the storm to do what Izzy would not, then he is going to take the rest of the crew’s lives with him.
The rest of the crew’s lives are at stake, both above and below. Izzy did not spend months placing himself forward as a sacrifice to the altar to watch the sea god kill the rest of them all in a cultish group suicide.
So Izzy grits his teeth against the incendiary waves of agony that swamp his every nerve and uses the very gun that Blackbeard forced into his hand to brace himself against the wall of the stairway as he pushes forward to the sounds of yelling, thumping, and thunder from above.
---
Three days after the announcement, Melanie places the rat poison into the section of dinner that only her parents will be allowed to eat.
(She should have realized a long time ago that there was never any chance that they would change their minds about the will. Her parents have never let her eat the good stuff, the rich duck, the delicacies that, as their only remaining heir, she should have every right to.)
Her hands should shake as she delivers the plates to the table, but they don’t. How could they, when she is finally saving herself?
-aletterinthenameofsanity, bury me as it pleases you (but these bones never rested while living)
God, this one is visceral and it pulls absolutely no punches. I hadn't thought about the parallels between Mel killing her parents and Izzy shooting Blackbeard until the moment I read this fic, but now I can't unsee them. The religious imagery is INSANE and the edizzy dynamic has me chewing drywall, plus Mel's POV really gives us a glimpse into her life in Anguilla and the decision she made to kill her abusive parents.
@possumsmushroom @yuenity @bricksbloggyplace @polikate
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