Tumgik
#Jason Narducy
taylorrpark · 8 months
Text
Tumblr media
sunny day real estate by mer wilcox
30 notes · View notes
thebowerypresents · 3 months
Text
Michael Shannon & Jason Narducy and Friends – Music Hall of Williamsburg – February 14, 2024
Tumblr media
Brooklyn’s Michael Shannon and singer-songwriter and multi-instrumentalist Jason Narducy got to together to play R.E.M.’s universally acclaimed debut LP, Murmur, last summer in Chicago, celebrating its 40th anniversary, and it went so well that they decided to take their act on the road with the help of some very talented friends, drummer Jon Wurster, guitarist Dag Juhlin, bassist Nick Macri, and pianist Vijay Tellis-Nayak. And on Valentine’s Day, they closed out their brief February tour by playing the album in full at a sold-out Music Hall of Williamsburg.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Photos courtesy of Adela Loconte | www.adelaloconte.com
3 notes · View notes
sinceileftyoublog · 2 years
Text
Square Roots 2022: 7/8-7/9
Tumblr media
BY JORDAN MAINZER
In its first incarnation since the pandemic, Lincoln Square’s preeminent summer street festival, Square Roots, continued its penchant for expanding the average person’s definition of “roots” music. This year’s lineup, with the likes of Bob Mould and DEHD, made the case for punk being just as big of a part of America’s roots as any type of music, while still showcasing the best of the Midwest in folk and indie rock.
Tumblr media
Ten years ago, the best reason to see Mould would be to hear a pitch-perfect mix of classic songs from Hüsker Dü, Sugar, and his perennially underrated solo career. But over the past six years, specifically, he’s been on a real heater. 2016′s Patch the Sky is potentially his best post-Workbook solo record, and unlike last time I saw him, Friday night, he played both “Voices in My Head” and “Black Confetti”, the former a nice change of tempo after a flurry of Hüsker Dü heavyweights like “Never Talking to You Again” and “Celebrated Summer”. 2019′s Sunshine Rock had its moments, and Mould burned through one of its unabashed highlights, the unintentionally Yeah Yeah Yeahs quoting title track. And as this will be the first year Mould will be able to fully tour his pummeling protest album, 2020′s Blue Hearts (Merge), it was the solo album from which he thankfully pulled the most. Bassist Jason Narducy offered soaring harmonies on “Siberian Butterfly” and screams on “Next Generation”, while “Forecast Of Rain” and “The Ocean” played the role of “Voices In My Head” in the set, a break before the flurry of madness.
Tumblr media
Guided By Voices, meanwhile, are used to Mould’s challenge. They’ve released two of three planned albums in 2022, and both are some of the strongest with the Robert Pollard-Doug Gillard-Bobby Bare Jr.-Mark Shue-Kevin March lineup. Both Crystal Nuns Cathedral and Tremblers And Goggles By Rank (Guided by Voices Inc.) continue the band’s prog rock-inspired streak. A few songs on the former are bolstered by cello from Chris George, like the slow-lurching, yet mammoth “Eye City”. Saturday night, GBV played what I thought would be the most challenging of those to pull off life, “Climbing A Ramp”, which is almost entirely built on George’s strings. That said, Gillard, who rips solos with the best of them, carried the song to the end and right into his masterpiece “I Am A Tree”. I would have liked to have heard a song like “Re-Develop”, with its soaring vocals around acoustic-to-electric guitar lines, or “Never Mind The List”, a tune that has the potential to become a crowd shout-along for years to come. “Go inside, let us play / And I’ll always throw another list away,” sings Pollard on that one, perhaps referring to the band’s time-honored tradition of giving away their setlists at the end of shows.
Tremblers And Goggles By Rank, on the other hand, basks in the lyrical non-sequiturs that define GBV, returning from the rare moments of thematic clarity on Crystal Nuns Cathedral. As it’s the more recent of the two, the band played from it more than they did any album, even Bee Thousand or Alien Lanes. They led off the set with the choppy “Unproductive Funk”. “Boomerang” was the clanging respite between anthems “Tractor Rape Chain” and “The Best of Jill Hives”. Of the two The Who Sell Out-inspired tunes on Tremblers And Goggles By Rank, Pollard and company opted for the power pop of “Alex Bell” over the album’s pseudo title track. While “Alex Bell” is a name portmanteau of two of the co-founders of Big Star, its ambitious structure is certainly a far cry from the ear candy of Chilton and Chris Bell. I was perhaps most surprised to hear 6+-minute Tremblers closer “Who Wants To Go Hunting”, which makes use of pianos and timpani; Gillard at least triggered some noise for good measure.
Tumblr media
The two bands that played before Guided By Voices on the festival’s main stage have been following formulas that work for them for years, kind of like GBV themselves (well, up until these past few years’ delving into prog rock). But instead of indie rock ditties, Chicago’s DEHD thrive with lovelorn surf punk and Minneapolis’ The Cactus Blossoms with languid country folk. The former recently released their fourth studio album and Fat Possum debut Blue Skies, produced by the band’s singer/guitarist Jason Balla and mixed and mastered by heavyweights Craig Silvey and Heba Kadry, respectively. Indeed, Blue Skies combines the ethos of previous records like Flower Of Devotion with more tools at the band’s disposal, from the personnel involved to access to more instruments. It’s their best record yet, but its success is more due to the band refining what they do to a science. “Run, baby run” and “Walk, baby walk” are calls that pervade two of the live highlights from the new album, bopping even more than “Dream Baby Dream”. The former comes from Blue Skies lead single “Bad Love”, which combines almost all of the things DEHD do well: Emily Kempf’s bellowing vocals, Balla’s twangy guitars, drummer Eric McGrady’s two-snare gallop. “Run, baby, run / Run from the bad love / New love baby, come on honey, gimme some,” is a paean to the optimism of summer crushes, tailor made for a festival set.
Tumblr media
The Cactus Blossoms played greatly from their most recent album One Day (Walkie Talkie), whose best songs combine dark themes with breezy instrumentals. Despite the googly eyed choogle of a song like “Desperado” or the retro sway of “I’m Calling You”, the brother-led band isn’t all roses, and One Day exemplifies their complexity. Take a track like “Ballad of an Unknown”, soft psychedelia that’s actually a story about a vagrant suffering from society’s lack of care, the opposite of hippie idealism. On “Is It Over”, Jack Torrey and Page Burkum sing, “All washed up, you're bound to fall / Just waiting for the curtain call,” a sense of fatalism hovering above their pleasantries. Of course, listening to the band in a crowd of people drinking good beer is pleasant, not lost on The Cactus Blossoms. One Day’s “Everybody” was a surefire set highlight despite its absence of Jenny Lewis (who guests on the studio version). “Everybody tryin’ to do what’s right / Everybody stayin’ up all night / Everybody waitin’ for the light,” is a simple, but true sentiment, especially heartfelt delivered in unison with a buzzed crowd. And of course, You’re Dreaming centerpiece “Change Your Ways Or Die” is the best tick-tock chug this side of the late, great Walkmen.
Overall, Square Roots continues to be the best street festival of the summer thanks to its cohesive identity. I can’t wait to see what comes in 2023.
Tumblr media Tumblr media
2 notes · View notes
thekylemeredith · 3 months
Text
"R.E.M. is very southern music"
Michael Shannon and Jason Narducy join Kyle Meredith With to talk about covering R.E.M. & finding cool music in their youth.
#MichaelShannon #rem #michaelstipe
0 notes
3garcons · 6 months
Text
Bob Mould Solo show with Jason Narducy at Lark Hall Oct 2023
0 notes
Text
Tumblr media
Lou Reed - Parc Des Expositions De Colmar, Theatre De Plein Air, Colmar, France, August 12, 2004
Lou-natics take note — on this week's edition of the Transmissions podcast, I show up for a pre-game chat with host Jason P. Woodbury to discuss various Lou Reed-inesses. And then, Jason has a wide-ranging conversation with Lou Reed Archive dudes Jason Stern and Don Fleming, covering everything from tai-chi to photography to sword collecting. And music, too, of course! Tune in, Lou believers! (And tune in every week, for heaven's sake — Jason is doing great work on this podcast ... did you listen to his talk with Michael Shannon and Jason Narducy last week?!!)
And then zone out to this very nice show from an under-appreciated era of Lou's onstage career — nothing to prove, a lot to give. An interesting configuration, with cellist Jane Scarpantoni adding elements both soothing and scraping to the proceedings — check out her wild, extended showcase on "Venus In Furs." And speaking of extended, the "Ecstasy" here is, well, ecstatic, with Lou taking a few long, dark solos while the band grooves menacingly behind him. There's also a gorgeous, almost "What Goes On"-ish instrumental break on "Romeo Had Juliet." Go, Lou!
The setlist is very deep-cut heavy — yeah, Lou trots out "Sweet Jane" and "Perfect Day" eventually in the encore, but he kicks things off with "Turn To Me" from New Sensations, revisits a few Magic and Loss tunes and even busts out The Blue Mask's title track. And I love the weary/woozy version of "Jesus," with Fernando Saunders chiming in on appropriately gospel-tinged backing vocals. So yeah, it's far from a greatest hits re-tread, but the crowd — and Lou — seem to really be enjoying themselves on this summer evening.
11 notes · View notes
clubmusicweb · 3 months
Text
R.E.M. se reencuentran por primera vez en 17 años
La icónica banda de rock alternativo, que recientemente han ingresado también en el Songwriters Hall of Fame, tuvo ayer un encuentro inesperado durante un concierto tributo en el 40 Watt Club en Athens, Georgia. El lugar, conocido por su atmósfera íntima y con una capacidad para solo 460 personas, inicialmente acogió la actuación de Michael Shannon y Jason Narducy, donde tocaron canciones del…
Tumblr media
View On WordPress
0 notes
don-lichterman · 7 months
Link
Don Juan Tour, Maluma, Bob Mould Solo Electric with Jason Narducy, Puffs, Montclair Film Festival, Atlantic City Comedy Festival, The Levoy Theatre, Bordwalk Hall, White Eagle Hall and More Shows Just Added This Week at Explore New Jersey!
Don Juan Tour, Maluma, Bob Mould Solo Electric with Jason Narducy, Puffs, Montclair Film Festival, Atlantic City Comedy Festival, The Levoy Theatre, Bordwalk Hall, White Eagle Hall and More Shows Just Added This Week at Explore New Jersey!
October 8, 2023  by
Don Lichterman
with no comment  
Arts & Culture
Entertainment
Explore New Jersey
Film
Music
Prudential Center
Stand Up Comedy
Theatre
Things to Do
Edit
The highly anticipated and eagerly awaited 12th annual Montclair Film Festival is just around the corner, commencing on the 20th of October and running through to the 29th of October in the year 2023. This spectacular event, which is a highlight on the social calendar of countless film enthusiasts and cinema lovers alike, marks a momentous occasion and offers an incredible opportunity to enjoy the latest and greatest works of up-and-coming filmmakers, seasoned artists, and renowned cinematographers. Don’t miss out on this one-of-a-kind opportunity to bask in the magic of the Montclair Film Festival, one of the most prestigious film festivals in the world, showcasing a diverse range of films, including documentaries, short films, foreign language features, and much more. Mark your calendars, gather your friends and prepare to be captivated by the cinematic grandeur that awaits you at the Montclair Film Festival!
Get ready to experience an unforgettable evening filled with electrifying music as one of the hottest Latin American artists of the moment takes the stage tonight at The Prudential Center. In his highly acclaimed Don Juan Tour, Maluma will dazzle you with his killer moves, sensational voice, and an unparalleled stage presence that will leave you breathless. From chart-topping hits such as “Felices Los 4” and “Corazón,” to new fan favorites like “ADMV” and “Hawái,” Maluma’s performance promises to be an extraordinary musical celebration that will take you on a journey through his amazing career. With state-of-the-art sound and lighting equipment, stunning visuals, and an enthusiastic crowd, The Prudential Center is the perfect venue for this epic event. So don’t miss the opportunity to witness one of today’s most influential and talented artists performing live. Get your tickets now and get ready to party the night away with Maluma!
Stand Up Comedy in New Jersey
Greetings, comedy enthusiasts! Get ready for a laughter-filled night as the Atlantic City Comedy Festival comes to a climax at the grand Boardwalk Hall. Don’t miss the opportunity to experience exceptional comedic talent that will leave you in stitches for weeks to come. The highly anticipated event promises to bring some of the most hilarious stand-up performances of the year, featuring comedic geniuses like Bruce Bruce, whose wit and humor are bound to keep you entertained for hours, and Bill Bellamy, whose signature delivery and comedic timing are guaranteed to leave you in awe. Plus, there will be so much more to look forward to, as this festival is overflowing with talent. It’s the perfect opportunity to unwind and laugh the night away with friends and family. Don’t let this opportunity pass you by – come join us tonight and experience the magic of the Atlantic City Comedy Festival!
Bob Mould Solo Electric with Jason Narducy at White Eagle Hall
Bob Mould, the iconic songwriter, guitarist, and frontman of the influential punk trio Hüsker Dü, brings his  tour to White Eagle Hall in Jersey City tonight. Performing alongside him was his longtime backing bassist Jason Narducy.
Click Here for All White Eagle Hall Shows.
Show Information
Montclair Film Festival
Puffs at The Levoy Theatre
Looking for a cozy and exciting way to spend this evening? Look no further! Tonight, we invite you to join us at the Levoy Theatre, located in beautiful New Jersey, to indulge in a truly remarkable experience – the Puffs production! This show promises to delight and captivate audiences of all ages with its thrilling plot, lively characters, and stunning performances. Whether you’re a long-time fan of theater or new to the scene, you won’t want to miss out on this opportunity to be entertained, inspired, and touched by the fabulous Puffs. Plus, with comfortable seating, stunningly-designed decor, and friendly staff, you’re sure to feel right at home at the Levoy Theatre. So why wait? Grab your family and friends, and come join us for an unforgettable night of entertainment tonight!
Click Here for All Levoy Theatre Shows.
Show Information
Just Added This Week
Film Festivals in New Jersey
Explore the 2023 Montclair Film Festival Program. We are excited to announce that our program this year includes an incredible selection of films, panels, workshops and special events that celebrate the art of cinema and its ability to showcase diverse perspectives from around the world. Whether you’re a seasoned cinephile or just curious about the power of storytelling, there is something for everyone in the 2023 Montclair Film Festival Program. With a total of over 100 films set to screen throughout the festival, we are thrilled to be featuring premieres, classic films, kid-friendly fare, and stories that challenge our perspectives and celebrate the human spirit. Not to mention, we’ll be hosting exciting panel discussions and workshops with filmmakers, producers, actors and industry professionals, giving audiences a unique opportunity to engage with some of the most talented creators behind this year’s films. We hope you’re just as excited as we are about exploring the 2023 Montclair Film Festival Program and joining us for an unforgettable experience.
Montclair Film Festival
Opening Night Film: Dream Scenario
The Montclair Film Festival is proud to announce the highly anticipated Opening Night Film, Dream Scenario, featuring the one and only Nicolas Cage in the lead role as the talented and enigmatic Paul Matthews. This long-awaited film promises to be a captivating and thrilling journey that will leave audiences on the edge of their seats.
Montclair Film Festival
Fiction Feature: May December
The Montclair Film Festival is a highly anticipated event for film enthusiasts, featuring a diverse selection of films from various genres. Among the fantastic line-up is a special fiction feature titled “May December.” This film promises to captivate its audience with a heartwarming and thought-provoking storyline that will leave a lasting impression. As the title suggests, “May December” explores the intricacies of a relationship between a younger and an older person and the challenges they face in their journey together. The talented cast and crew have put their hearts and souls into bringing this story to life, and it is sure to be a standout feature of the festival. So don’t miss your chance to experience this touching cinematic journey and join the many attendees eagerly anticipating the release of “May December” at The Montclair Film Festival.
Montclair Film Festival
Documentary Centerpiece: Stamped from the Beginning at the Montclair Film Festival
The Montclair Film Festival is excited to announce the highly anticipated documentary centerpiece that is sure to captivate audiences. This year’s centerpiece is none other than the critically acclaimed and thought-provoking film, Stamped from the Beginning. Produced by an outstanding team of filmmakers, this documentary takes a deep look at the history of racism in America through the lens of its three most influential figures: Thomas Jefferson, Abraham Lincoln, and W.E.B Du Bois. By examining the lives and legacies of these iconic figures, Stamped from the Beginning offers a fresh perspective on the origins of racism in America and how it has evolved throughout history. This powerful and impactful film promises to be a conversation starter, sparking reflection and discussion on a topic that is as relevant today as ever. Don’t miss your chance to experience this extraordinary documentary in the heart of Montclair, where film and culture intersect.
Montclair Film Festival
Documentary Feature Competition: Pianoforte at the Montclair Film Festival
The esteemed Montclair Film Festival is proud to present a riveting and captivating documentary feature competition entitled “Pianoforte”. This competition promises to showcase the most enriching and compelling documentaries that touch on the arts, with a specific focus on the fascinating world of piano music. The awe-inspiring beauty of the Montclair Film Festival’s documentary feature competition is unparalleled, providing an exclusive look into the creative and diverse piano music culture that has captivated audiences for centuries. With a meticulously curated selection of documentaries that explore this vast and exciting world, the Montclair Film Festival is sure to delight and inspire both piano enthusiasts and those who appreciate the power of storytelling. Don’t miss out on this once-in-a-lifetime opportunity to immerse yourself in the magical and transformative world of “Pianoforte” at the Montclair Film Festival.
Montclair Film Festival
Fiction Centerpiece: The Holdovers
Acclaimed director Alexander Payne presents an insightful and deeply moving film, THE HOLDOVERS. This captivating movie follows the story of a curmudgeonly instructor named Paul Giamatti, who works at a prestigious New England prep school. During Christmas break, Giamatti is forced to stay put on campus and look after a handful of students who have nowhere else to go. Giamatti quickly learns that teaching these students goes far beyond academics and into the realm of emotional support. With his trademark grace and sensitivity, Payne crafts a touching story that explores the power of human connection and the importance of empathy. Paul Giamatti gives an incredible performance, portraying the character with a nuanced vulnerability that earns him a place among the greats. Don’t miss out on this unforgettable film!
Montclair Film Festival
Shorts: NJ Shorts Competition
The Montclair Film Festival is an exciting event that celebrates the art of filmmaking in all its different forms. This year, we are thrilled to announce the NJ Shorts Competition, which will feature some of the most talented filmmakers from the New Jersey area. From thought-provoking documentaries to heart-warming dramas, the shorts that will be screened during this competition are sure to inspire and captivate audiences. If you’re a lover of independent cinema, or if you simply want to experience some of the most innovative new voices in the film world, then don’t miss out on this amazing event. With its unparalleled blend of creativity, diversity, and entertainment, the NJ Shorts Competition promises to be a cinematic experience unlike any other!
Explore New Jersey Music
Coming Up
Zac Brown Band – From The Fire Tour at the PNC Bank Arts Center
The lineup consists of Zac Brown, Jimmy De Martini, John Driskell Hopkins, Coy Bowles, Chris Fryar, Clay Cook, Matt Mangano, Daniel de los Reyes, and Caroline Jones
You can hear songs from the upcoming release and the new album, ‘The Way You Look Tonight’ on JamFest and on Live Jam!
Coming Up
Audacy “We Can Survive” Concert Featuring Maroon 5, ONEREPUBLIC, Kelly Clarkson & More at The Prudential Center
You can hear Live Maroon 5 at Live Jam!
Coming Up
Fall Games Special Olympics in New Jersey
Don Juan Tour, Maluma, Bob Mould Solo Electric with Jason Narducy, Puffs, Montclair Film Festival, Atlantic City Comedy Festival, The Levoy Theatre, Bordwalk Hall, White Eagle Hall and More Shows Just Added This Week at Explore New Jersey!
October 8, 2023
by
Don Lichterman
Arts & Culture
|
Edit
The highly anticipated and eagerly awaited 12th annual Montclair Film Festival is just around the corner, commencing on the 20th of October and running through ...
Read More
RHONJ’s Joe Gorga shares update on strained relationship
October 8, 2023
by
Don Lichterman
Explore New Jersey
|
Edit
REAL Housewives of New Jersey's Joe Gorga has provided an update on his strained relationship with his sister, Teresa Giudice, in an exclusive interview with ...
Read More
Australian superstar Jess Fox seals World Cup double in
October 8, 2023
by
Don Lichterman
Special Olympics
|
Edit
Superstar Australian paddler Jess Fox has claimed back to back gold medals at the ICF Slalom World Cup final in Paris, taking out the Women’s C1 crown to cap ...
Read More
‘Comes with the job’: why political corruption is
October 8, 2023
by
Don Lichterman
Explore New Jersey
|
Edit
“In Jersey, anything’s legal as long as you don’t get caught,” croons Bob Dylan in the Traveling Wilburys’ song, Tweeter and the Monkey Man. “As a Native New ...
Read More
Fire breaks out at Princeton Square Apartments in Taylor; f…
October 8, 2023
by
Don Lichterman
Explore New Jersey
|
Edit
Taylor fire crews rushed to an apartment complex after flames broke out at about 2 p.m. on Saturday. Fire could be seen breaking through the roof of Princeto ...
Read More
A rough start but NJ’s pumpkin picking season now looks
October 8, 2023
by
Don Lichterman
Things to Do
|
Edit
After a rough start, pumpkin picking season now looks good in New Jersey Pumpkin prices run between 79 and 99 cents per pound Have you been carving your ...
Read More
NJ’s Most Unusual Restaurant Brings A Unique Dining Experie
October 8, 2023
by
Don Lichterman
Entertainment
|
Edit
What could be better than going out to a diner where you can tell the kids they can yell and scream as much as they want during the meal and you can watch Kn ...
Read More
Ravana Coin launched in Uniswap Decentralized Network –
October 8, 2023
by
Don Lichterman
MetLife Stadium
|
Edit
Ravana Coin is now live on Uniswap! This debut marks a milestone, providing an easy & efficient trading option for ...
Read More
2021 Topps Heritage Minors #178 Oswald Peraza Somerset
Explore New Jersey Merchandise
,
Somerset Patriots
$6.95
BUY NOW
Norman Van Aken’s Florida Kitchen
Beer
,
Explore New Jersey Merchandise
$28.00
BUY NOW
KELME Kids Padded Goalie Shirt, Youth Goalkeeper Jersey,
Explore New Jersey Merchandise
,
New Jersey Generals
$22.99
BUY NOW
Zeiyignr Men’s 3D Hoodie Pullover Print Pattern Fashion
Explore New Jersey Merchandise
,
Music
$11.99
BUY NOW
Horse, Follow Closely: Native American Horsemanship (R)
Explore New Jersey Merchandise
,
Music
,
The Stone Pony
$15.99
BUY NOW
2022 Topps Pro Debut Brick by Brick Green #BB-8 Anthony
Explore New Jersey Merchandise
,
Somerset Patriots
$49.95
BUY NOW
Dixie’s Daughters: The United Daughters of the Confederacy
Beer
,
Explore New Jersey Merchandise
$30.00
BUY NOW
inhzoy Kids Boys Soccer Goalie Shirt Goalkeeper Jersey Long
Explore New Jersey Merchandise
,
New Jersey Generals
$13.39
BUY NOW
Zeiyignr Men Women Fashion Unisex 3D Printed Graphic
Explore New Jersey Merchandise
,
Music
$12.99
BUY NOW
Think Like a Pony on the Ground: Step 3 Workbook
Explore New Jersey Merchandise
,
Music
,
The Stone Pony
$17.94
BUY NOW
2022 Topps Pro Debut Brick by Brick #BB-8 Anthony Volpe RC
Explore New Jersey Merchandise
,
Somerset Patriots
$10.95
BUY NOW
From Saloons to Steak Houses: A History of Tampa
Beer
,
Explore New Jersey Merchandise
$28.00
BUY NOW
zdhoor Boys Padded Protection Goalie Shirt Football
Explore New Jersey Merchandise
,
New Jersey Generals
$12.99
BUY NOW
Zeiyignr Mens Womens Cool Graffiti Print Hoodie Pullover
Explore New Jersey Merchandise
,
Music
$16.99
BUY NOW
2022 Topps Pro Debut Chrome #PDC-77 Anthony Volpe Somerset
Explore New Jersey Merchandise
,
Somerset Patriots
$59.95
BUY NOW
1000 Piece Puzzle Ventnor, New Jersey, Lifeguard Stand
Beer
,
Explore New Jersey Merchandise
$29.99
BUY NOW
Custom Mesh Practice Football Jerseys Uniform for Men Women
Explore New Jersey Merchandise
,
New Jersey Generals
$12.99
BUY NOW
Zeiyignr Hoodies For Men Pullover Long Sleeve Solid Color
Explore New Jersey Merchandise
,
Music
$21.99
BUY NOW
0 notes
nofatclips-home · 2 years
Video
youtube
Endless Summer by Superchunk, live on KEXP
23 notes · View notes
mergerecords · 5 years
Video
youtube
Listen to Bob Mould’s new song “What Do You Want Me To Do” and pre-order the forthcoming album Sunshine Rock, out February 8. http://smarturl.it/SunshineRock
Watch a mini-doc about the album ⬇︎
youtube
5 notes · View notes
mxdwn · 3 years
Text
Jason Narducy’s Band Split Single Announces New Album Amplificado for June 2021 Release and Shares New Song “(Nothing You Can Do To) End This Love”
Tumblr media
https://music.mxdwn.com/2021/04/27/news/jason-narducys-band-split-single-announces-new-album-amplificado-for-june-2021-release-and-shares-new-song-nothing-you-can-do-to-end-this-love/
0 notes
sinceileftyoublog · 3 years
Text
Split Single Interview: The Grift Is On
Tumblr media
Photo by Nathan Keay
BY JORDAN MAINZER
After five years, Jason Narducy’s got a lot to say. Amplificado (Inside Outside Records), the new third album from Split Single, his solo project with a rotating cast of musicians, was mostly written and recorded by June of 2019. Its themes of Trump-era urgent anger were only heightened by a global pandemic that exacerbated many of the issues that rose to the surface in an era of political turmoil. 
Since his second Split Single album, Metal Frames, came out, Narducy’s been nonstop touring and recording with Superchunk and Bob Mould, not to mention writing a musical, Verböten, named after and about his childhood punk rock band. Any free time’s been spent on canvassing for Democratic state legislature candidates, Narducy feeling like he needed to stay politically involved and motivated. There’s no more perfect soundtrack to his exhausted mind than Amplificado’s opener, titled and stylized “caPtAIN calamity’S crUde pRoCessiON”. The off-kilter, minute-long instrumental is less purposeful avant-garde experimentalism than 6th grade marching band practice with weird ringtones going off, as percussionist Dan Leu’s tempos change nonsensically and Narducy introduces tack piano and sound effects of cash registers. The song’s got a lot of hidden meaning, as Narducy would explain to me in a phone interview in early May, but from the surface, it’s most significant as a way to let the listener know that the rest of the record--for the most part quintessential Split Single power rock--was born from this place of confused chaos. 
Indeed, besides the opener and the honest, stark “Adrift”, Amplificado is big and burning. “Blood Break Ground” is a song about breaking out from oppression. “Condescension comes with a price / Tear away all lingering ties,” Narducy belts, with drummer Jon Wurster providing propulsive blasts and the other main bandmate here, none other than R.E.M.’s Mike Mills, on bass and backing vocals. “Stone Heart World” calls out GOP hypocrisy, self-described “pro-life” politicians who speak about “barefoot children holding on to desperate mothers” as “others” and “animals.” Lead single “(Nothing You Can Do) To End This Love” is just as pressing, but positive, a message of support for the LGBTQ+ community.
As much as Amplificado deals with serious issues, from the pandemic-addled depression and isolation-themed “Worry” to songs like “Blood Break Ground”--the guy behind “The Sexiest Elbows in Rock Music” hasn’t lost his sense of humor or storytelling. Narducy writes about a formative childhood experience with a music teacher on “Bitten by the Sound”, a character in dire straits on “Belly of Lead”, and a ditty about aging inspired by being yelled at by his dentist on “Mangled Tusk”. And maybe the funniest thing about the album is its bio, written by comedian Jon Glaser. (“It has always been a dream of mine to write a bio for the third album of a somewhat known indie band,” Glaser writes, as he then goes on to describe his lunch, nightmares, and video game playing that preceded him writing the actual few-sentence bio for the record.) If you’ve ever seen Narducy play, whether on one of his many lawn shows he did last summer through SPACE in Evanston or opening for Guided By Voices, you know he, too, is both earnest and genuinely hilarious.
Read my interview with Narducy about Amplificado below, edited for length and clarity. He’s got a sold out record release show tomorrow night at 7 PM at Sketchbook Brewing Co. in Skokie!
Since I Left You: When you were writing the lyrics to these songs, did they come instantly or were they workshopped? They feel very emotional and direct.
Jason Narducy: Sometimes they took a while. The song “Mangled Tusk”, the demo was called “Jangle Tusk” because the guitar part felt like jangle pop to me. It was just a working title. The drum beat on the demo, which we didn’t end up using on the record, was kind of like Fleetwood Mac’s Tusk. It reminded me what song it was, instead of calling it “Song Number 32″ or whatever. I was recording vocals, and “Jangle Tusk” was last, and the recording engineer at Electrical Audio, Taylor Hales, asked, “When do we get to work on ‘Jangle Tusk’?” And I responded, “I don’t know, I’m still working on lyrics on that one...you’ve never even heard it, why are you so excited to work on that one?” He said, “I love the title!” And I thought, “I’ll put some thought into that, but those two words aren’t conjuring that much imagery for me.” I really like the word “mangled,” and I had just gone through this ordeal with my teeth and having to wear a nightguard. [laughs] So I started writing lyrics about gnawing and the enamel chipping away. It’s a song about aging, in a way, but I got that stern talking-to from my dentist: “We made you a nightguard years ago and you didn’t wear it, we made you one four years ago and you didn’t wear it, we’ll make you another one and you have to wear this.” I said, “That’s all I have to hear! I’ll wear it every night.” Those lyrics just came based on an odd encouragement from the engineer that liked one other word. 
The process of writing is so strange. With “(Nothing You Can Do) To End This Love”, the lyrics came so fast, and I was just done. I might have written the bridge this year, but the verses and choruses are the heart of the song. There’s a song we recorded called “3/4″--again, a working title based on the time signature--but we couldn’t get lyrics to it, so it’s sitting on the curb, lonely, without words attached to it. Lyrics are last for me every time. “Belly of Lead”, I was recording the demo in my friend Grant [Sutton]’s house, Clampdown Studio. I didn’t have lyrics to the song, so I picked up a lyric book of Lead Belly’s songs, and I was reading random words off every page so I’d have something documented on the demo. From that, I came up with the word “Belly of Lead” and wrote a story based on someone who made poor decisions in their life, coming to the end, trying to write a letter to his son and others, saying goodbye.
SILY: Was this your first time working with Mike Mills?
JN: I had opened up a show for his group The Baseball Project. I met him a number of times, the first time at the 40 Watt Club in Athens in 2006, when Jon and I were playing with Robert Pollard from Guided By Voices. Mike Mills was at that show, and Jon knew him--Jon actually recorded with R.E.M. on one of their Christmas singles. But he introduced me back in ‘06, and throughout the years, we’d run into each other at shows, or Scott McCaughey would be coming through. Just a lot of mutual friends. We always got along great. I didn’t expect him to say yes when I asked him to record. I felt like it was a longshot. I’m really grateful. I like him as a person and am a huge fan of his work with R.E.M.
SILY: What are some of the Easter eggs in the opening track’s title and aesthetic?
JN: There are a lot of layers, for it being a 1-minute instrumental. This [album] is my re-entry into doing Split Single work, since the last one came out in 2016. I write pretty consistently, so there were some songs I had the ideas down for already. But because I was so frustrated with the direction our country was going in, I kept putting down the guitar and thinking, “I can’t do this right now, I need to get out and do something.” I became very involved in this group called Sister District [Project], and I was doing postcard parties where I’d gather friends and others from the community and started working on state senate races across the country. It was very rewarding work. It provided some camaraderie with others who were wondering what the hell we could do. It also had an impact. I canvassed with a state senate candidate in Michigan, I wrote postcards for state senate races all across the country. Thankfully--and I think this has to do with the technological vetting Sister District does--all the candidates we worked for won. That was rewarding. It felt like I had an impact. I was also working on a musical about my very first band Verböten, and that took up a lot of time. Between Verböten and activism, my focus wasn’t on making another Split Single record. Plus Superchunk and Bob Mould were very busy making and touring records.
Back to the song: I wondered if there was a short audible message that I could make that was a little bit of a set up song. “Blood Break Ground” is such a gut punch, so how could I set this up after four and a half years? The sound of that marching band is sort of what I was feeling and hearing during those years. “That’s not supposed to be there: Why is there a tack piano in the marching band? This tempo isn’t right. Why is it slowing down now?” I put in an old cash register sound, so [it’s like] the grift is on. This is all about making money. If you look at the title, if you look at the letters in the title that are capitalized, it spells “PAIN IS UR CON”.
SILY: Sequencing-wise, you have “Adrift” as the emotional and personal centerpiece. It’s not outwardly political like the other songs. It’s also very downtempo. Did you consciously try to mix the album up in terms of tempo, aesthetic, and subject matter?
JN: There’s a defiance in the first three songs [after the opener]. I thought “Adrift” was a really strong song that kind of sounds like an album closer, but I didn’t want to put it last because I felt like it was too important. It was very difficult to figure out what would come after it, since it was so different. “Bitten by the Sound” has that long intro that builds up, so I thought it was a good transition. You can hear thematically how “Belly of Lead” is a completely different, not personal story, and [the album] closes with “Worry” and “Satellite”, which are very personal. Overall, the up-tempo songs are the ones I’m excited to play live. Besides “Adrift”, you could play all of them that way.
SILY: On “Belly of Lead”, you sing, “My word will make no difference.” Your experience with Sister District Project was the antithesis of that sentiment, but was that line in any way referential to anxiety you had about speaking out?
JN: No, that was just the character [in the song]…in “95 Percent”, though, I addressed something I felt and that a lot of liberal-minded Americans feel, which is we’re very clear that we’re not 100% behind the ones we support. There are things I disagree with Barack Obama about. We’re not a part of a cult. I support equality and equity and true justice, not law and order justice, as the other side claims.
SILY: On “Bitten by the Sound”, you sing, “Sat in a classroom led by an old nun / Sister thought she knew all about rock n roll / But instant karma got the best of her / When she lied about holding Lennon’s hands in her own.” What’s the story behind that line?
JN: I had a music teacher that was a nun in 6th grade. She had a story about meeting John Lennon and holding his hands in hers and giving him advice. Even [as a] 6th grader, [I] looked around and thought, “She’s full of shit.” Now that I’m older, I think if you’re gonna want to impress people and make up some bullshit, why pick a famous person who just died who can’t back up the story? It was part of my childhood that affected my relationship with authority and trusting adults. Music was everything to me, so don’t fuck with that! Don’t make up a John Lennon story. In the song, I talk about that. I was 9 or 10 years old, and my mom lived on the South Side of Chicago, 53rd and Woodlawn, and we woke up one morning and looked out the window, and her car was sitting on brick. All 4 tires were stolen. I just didn’t even know that was a thing. Those are formidable years. You discover music and find solace and peace. Everything feels good with music when everything around you is shaken and uncertain.
SILY: I don’t know whether it’s the mixture of the Christianity and the rock history references, but I heard the line and could hear Craig Finn singing it.
JN: That’s funny. I should mention that I was not at a Catholic school, which is why it’s weird a nun was teaching a music class. That song not so much [musically]. I think the song “95 Percent” definitely has some Hold Steady in it. There’s something about The Hold Steady that’s unabashed, “We’re gonna play rock and roll.” It’s a cool thing. “Yeah, I’m gonna take a guitar solo here.” It’s not too-cool-for-school indie rock. “95 Percent” was influenced by Mac [McCaughan] from Superchunk, a little bit of Springsteen, a little Hold Steady. Just need to add a girl’s name, and it would be very Hold Steady.
SILY: Were there any other prominent or newfound influences on this record?
JN: “Adrift” is so different for me. I learned this from Bob Mould: He writes way more songs than the record needs. You never know. A number of times, he’ll have a song that he thinks should be a B-side, and I’ll raise my hand and say, “I think that should be on the record.” “Fire in the City” is an example of that. I was like, “This song is too good.” It ended up on Beauty & Ruin. We don’t always end up using it, but it’s a good influence. I went into this record and thought, “I have extra time--it can’t hurt to keep going.” I ended up going back to a power pop song that I don’t even know had a title. There was one part of it I really liked. I picked up an acoustic guitar and didn’t even have a pick near me. I strummed the chords with my thumb very quietly and slowly and “Adrift” just fell out. Words and everything, just super fast. I had never recorded a song that vulnerable, that personal, that dark. I don’t think I’ve recorded a song without a guitar pick either. You can hear my stomach growl at some point. 
It just so happened I got a text from Alison Chesley who was in Verbow with me, and I asked, “Can I send you a song? Can you put some cellos on here?” She came back with this beautiful arrangement and even a piano part. I think it really elevated it and made it a much more engaging song. That’s the first time Alison and I had recorded in 22 years.
SILY: I thought maybe the experience of looking back with Verböten inspired you to reach out to her. It’s funny that it was just a random text from her that started it.
JN: I think the musical influenced this record in two ways. Not that one. I wrote so many punk rock songs for Verböten, that it reminded me that I like it when I write up-tempo songs. I definitely pushed more high energy songs for the record. [And the other is] “Blood Break Ground” happened because I had to do so much revisiting of emotions from my childhood [for Verböten] that there were other parts of my childhood that I hadn’t addressed yet.
SILY: How did the album’s bio come about? Did you want Jon Glaser to write a legitimate bio, and he came back with something absurd instead?
JN: I mean, he’s a comedian. I know it’s the job of the publicist and the journalist to have as much information presented as possible, but I also think there’s value in not taking it too seriously.
SILY: What’s the inspiration behind the record title?
JN: The trauma of the Trump years combined with the incredible trauma of the pandemic, which will take a very long time for many of us to recover from. I feel like everything’s amplified. I thought about calling the record Amplified but found that there were a lot of other albums called that, and it was also a pretty basic word. So I thought, “What’s a little twist we can put on that?” A friend of mine, Alberto, is fluent in Spanish, so I asked him for the proper version of that word for this situation.
Tumblr media
SILY: What about the cover art?
JN: That’s a Chicago artist named Yvonne Doll. I follow her on Instagram and have been friends with her for years. She’s a musician and a painter. That particular piece came up, and I couldn’t stop looking at it, so I asked whether we could use it for the artwork. Thankfully, she was cool with that. When I presented that and some other photos, the designer, [Chris Tillman], ran with that red theme.
SILY: How was the experience of playing lawn shows during the pandemic?
JN: It was incredible. I was so thankful to Jake [Samuels, Managing Partner and Talent Buyer] and SPACE for coming up with the concept and thankful that people were enthusiastic about doing them. I did about 53 of them last year. It sort of emotionally and financially saved me. I loved how creative it was. I could tell you so many crazy stories about different situations like planning for a rainstorm to come, a small crowd, a huge crowd where the cops showed up. It was great. I’m excited to do more of those. 
On Saturday, I played at Thalia Hall to a private show of 20 people. It was honestly euphoric. It was the first rock club show I had done since January 3, 2020 with Superchunk at the Cat’s Cradle in Carrboro. So many things that I hadn’t thought about, like setting up on a stage and the camaraderie with the crew and talking about different lighting setups and sound options, walking to the dressing room. It was incredible. It felt so good. Even for 20 people. And they were there to party. They weren’t just sitting down drinking wine. They were standing up, dancing, leaning up on the stage and screaming. It’s gonna take time, and it needs to be safe, but certainly with the outdoor shows, there are a lot of options being explored, and hopefully by the fall, there will be many more people vaccinated.
SILY: The album’s really up-tempo, as you’ve said. Have you thought about adapting these songs to a solo style of play?
JN: I think any of the songs besides the marching band one I could do live.
SILY: Anything you’ve been listening to, watching, or reading that’s caught your attention?
JN: Oh my god, there are so many new bands I’ve been listening to. New Pagans. There’s this band called Kestrels. It’s very 90′s, like if Built to Spill or Dinosaur Jr. had a baby. CONTROL TOP. I like the new Real Estate record. Sinai Vessel. I love that English band Shame. I think their new record’s really cool. Miss Grit. I get really inspired by newer artists. It’s something I spend a lot of time with.
youtube
0 notes
thekylemeredith · 4 months
Text
This week on the Kyle Meredith With... podcast, I'll welcome Carrie Brownstein and Corin Tucker of Sleater-Kinney, Michael Shannon and Jason Narducy, & Neck Deep!
And on WFPK (6p ET), Dove Cameron, Gracie Abrams, Michiel Huisman, Niousha Noor, and Dolly Parton will be dropping by!
Tumblr media
3 notes · View notes
thebowerypresents · 5 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Bob Mould Takes Brooklyn Steel on an Incredible Career-Spanning Ride
Bob Mould Band – Brooklyn Steel – February 21, 2019
Has the unthinkable really happened? Is Bob Mould actually happy? It may seem like a strange question to ask, but when you look back over the nearly 40 years of recorded output from the legendary Hüsker Dü frontman, a sunny disposition is probably the furthest thing from your mind. Sure there were bright moments, as songs like “Makes No Sense at All” and his short-lived ’90s band Sugar’s “If I Can’t Change Your Mind” borrowed their fair share of bubblegum-pop sensibilities to soften his lyrical hailstorms. But something has changed with Mould over the past few years. After a trio of fantastic solo records that dealt with the death of his parents and his current place in the world, Mould has emerged from that uncertainty with one of the most joyous and life-affirming records he’s ever released, Sunshine Rock. It’s a step forward in other ways as well, with bombastic strings layered over the majority of the songs and Mould’s vocals crystal clear in the mix. (Is this really the same guy who sang “I’ll Never Forget You”?)
He’s currently touring with bassist Jason Narducy and drummer Jon Wurster, and they swung by Brooklyn Steel last night to celebrate the new album’s release. Mould briefly greeted the adoring crowd before letting the sonic onslaught commence. If you’ve never seen this band before, you’re truly missing out on one of the tightest and most powerful trios in all of rock. And it certainly doesn’t hurt to have a far-reaching and rewarding catalog from one of pioneers of modern guitar music. The band opened with the ringing chords of “The War,” from 2014’s Beauty & Ruin, and barely let up during their 22-song main set, which included selections from Mould’s entire discography from every project he’s been a part of throughout the years. But the lion’s share of the material came from Sunshine Rock. These songs burst with energy live and were a thrill to witness without their coat of strings propelling them. The set closed with an absolutely ferocious version of Zen Arcade standout “Chartered Trips,” which featured an extended noisy jam. I imagine Mould’s thick distortion and shouts shook the walls of the bodega around the corner.
For the encore, Mould came out solo and serenaded the audience with a stirring rendition of Hüsker Dü’s “Never Talking to You Again,” originally sung by Grant Hart, who passed away in 2017. It took on a new meaning with Mould singing it, as you could genuinely sense a man missing his old friend and artistic counterpart. Afterward, the band returned for more Hüsker Dü classics with their rendition of “Love Is All Around” (The Mary Tyler Moore Show’s theme song), “Flip Your Wig” and “Makes No Sense at All.” Once they finished powering through, the crowd’s volume peaked as Narducy and Wurster again exited the stage, leaving behind Mould and his guitar’s feedback washing over the venue. The frontman was overcome with emotion as the audience cheered, and you could tell that playing such a large venue as part of a career resurgence just blocks from where he used to live while writing the classic Sugar album Copper Blue really had a strong effect on him.
He sat on the drum riser for a few minutes as the feedback continued before Wurster and Narducy came out again for a second encore. They launched into the rolling hook-laden riffs of “What Do You Want Me to Do,” proving there was clearly more left in the tank. Then they slowed the pace as Mould showed off his guitar heroics on the brooding “Black Confetti,” from 2016’s Patch the Sky. Just as fans thought that was clearly it for the night, Mould began to play the iconic opening guitar lines to “Celebrated Summer,” from Hüsker Dü’s New Day Rising. Once it concluded, there was nowhere else to go. No more emotion left to be rung. Just a big smile on the face of one of alternative rock’s living legends as he clasped his hands giving thanks to those people who have taken the ride with him over all these years. —Pat King | @MrPatKing
Photos courtesy of Mike Benigno | www.mikebenigno.com
0 notes
beginningspod · 7 years
Photo
Tumblr media
This is Jason Narducy of Split Single, as well as a touring musician with some of the best bands of the last 20 years including Bob Mould, Superchunk, Guided by Voices and more. Split Single’s album Metal Frames was one of my favorite albums last year, so I was really glad to have Jason up to the Beginnings studio while he was in town for a few days. We talk about how troubles at home when he was a kid led him to find family in the punk scene, what it was like being in a band when he was just 10-years-old, therapy and a ton more. Jason’s an awesome musician and a rad person, and you can hear it all tomorrow on the show!
2 notes · View notes
funnyordie · 7 years
Video
What Should Musicians Do On Stage IN BETWEEN The Songs?
Do you think this stuff is just improvised?
11 notes · View notes