French Country Exterior - Stone
Example of a huge french country beige two-story stone house exterior design with a shingle roof
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Chicago Traditional Exterior
Inspiration for a large timeless white two-story brick exterior home remodel with a hip roof
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Mediterranean Exterior in San Diego
An illustration of a sizable, two-story stucco home exterior in tuscan beige
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San Diego Mediterranean Entry
Ideas for a spacious Mediterranean entryway with a metal front door and beige walls
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Pool Lap Los Angeles
Large transitional backyard concrete and custom-shaped lap pool photo
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Stucco Exterior in New York
An illustration of a massive white three-story stucco house with a hip roof and shingle roof.
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…. winked at a car that was parked facing me when my sweaty palm cartoonishly flew off my crooked door’s knob while trying to lodge it back into its frame…
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it is a pretty small detail, but I’m going a little insane with the use of balcony in First kill. As a retelling of Romeo and Juliet, I think that having so many balcony sets is not only really fun, but really interresting. Is it overdone? maybe, but I love it.
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Tile in Surrey
Example of a large transitional white two-story stucco exterior home design with a tile roof
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While I’m on my Par Amour feels, I just want to talk about this little idea I’ve been kicking around for awhile about an alternate staging for the song that could work.
So this direction will be for concert purposes (or if a production really needs to save up on some desperately needed stage time but also still wants to keep the song), but I’m thinking of beginning it with RetJ still together on the balcony. Le Balcon has just ended and they are holding each other, flushed in the triumph and ecstasy of their love…
And then the somber strings/piano beginning of Par Amour plays. The Friar enters stage left unbeknownst to them, looking up at them heavily.
“Par amour on devient fous (For love, you go mad),” he sings, and the lovers look down…maybe in surprise, but more in recognition.
“Mais sans lui on est rien du tout, (But without love we are nothing at all),” Romeo answers.
The song continues as usual, with RetJ above joining forces and answering the Friar. At the musical interlude, the Friar finally makes his decision. He beckons Romeo; he descends, parting reluctantly with Juliette. He kneels before the Friar, who gives him a blessing before bidding him rise. Juliette sings with the chorus, but all three sing the final chord.
After that you can have dialogue by the Friar saying he will marry them or something, but yeah, that’s the end of the scene.
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