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#Listen I need to relate with the characters
meimi-haneoka · 2 days
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Clear Card Trivia 3 ~ Sakura's journey of growth and self-understanding throughout Cardcaptor Sakura Clear Card
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Hello and welcome back to my "Clear Card Trivia" series, a collection of informative posts where I delve into certain aspects of the story of Cardcaptor Sakura Clear Card! ✨
The topic I will talk about today has been on my "to-do list" for long time. It's something I felt the need to talk about, and I won't hide the reason why: the desire to fully eviscerate this topic grew particularly after reading around certain criticism of Clear Card Arc. But also after listening to CLAMP's Twitter Spaces, particularly the ones towards the end of the story.
It's something that, setting aside my obvious love for the new characters, will always make me think that Clear Card Arc has been a very welcome addition to the series.
This post will delve into Sakura's growth throughout Clear Card Arc.
Sakura grew up considerably during the story, and had a character development that sadly not many people truly realized.
I'm not talking about an evolution of the character design which, despite changing and evolving throughout the story (as it's expected for a long-running serialization), kept depicting Sakura consistently with quite young looks...no, I'm talking about her mental growth, in relation to her self-knowledge and her relationship with her magic powers.
A journey that might almost feel "frustrating", because it is full of "up and downs", and Sakura sometimes seems to be taking one step forward and two back. Aside from the obvious practical reasons (the plot had to develop several other storylines simultaneously), it very much reflects the realistic growth of a pre-teen, which is never a straight line but is made of improvements and relapses.
Along the journey, I couldn't really avoid mentioning some bits of the development of Sakura's relationship with Syaoran, which will get its own deep and detailed post another day.
There's also an extra about the significance of the Clear Cards in the story, at the end.
I have to be honest, the post is very long, but I tried to insert visual elements to make it easier on the eye. If you're curious to know how the hell I found so much to talk about for this specific topic, follow me under the cut and dive into Sakura's journey throughout Clear Card (it's also a good way to review the story)! ✨
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A Disconnected Beginning
Clear Card Arc starts in a very "festive" and happy way: everything is peaceful, a new exciting chapter of Sakura's educational life is starting with the beginning of middle school, Syaoran is back to Tomoeda, this time to stay forever with his beloved girl...everything seems so perfect. And precisely in chapter 1, before everything takes an unexpected turn, we have this scene here, which I consider the "true" beginning of everything:
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Sakura says "I haven't been using this lately...well, that's for the better".
At the beginning of Clear Card Arc, Sakura seems to be feeling disconnected from her natural gift.
Despite she had to go on a quest to collect all the Clow Cards, which later she gave a new life to by changing them into Sakura Cards, we have to remember that Sakura was born with magic powers. They weren't bestowed on her by Kero-chan, nor by the contract with the Clow Book: she always had magic in her blood, and it apparently "woke up" on that fateful day she found the Clow Book in the library of her father.
At the beginning of this arc, Sakura seems to think that the purpose, the meaning of this natural gift which is literally part of herself, has been fulfilled by transforming all the Cards, and splitting Eriol's power as he had requested. Her words here seem to be suggesting a general idea of "if I have to use this key (therefore, my magic powers), it means something troublesome is happening, so it's better if I'm not using it because it means everything is okay".
And although we can't really deny that what happened afterwards is far from being able to be considered "peaceful", this scene here always left a bad taste in my mouth because there's almost a negative vibe attached to the idea of her magic, transpiring from Sakura's words. It's almost as if she's politely rejecting it.
Precisely after she places her Star Key in her jewelry box, probably hoping to never have to use it again, she has her first premonitory dream of the events that will shake her life afterwards. Almost as if her powers were trying to tell her "no my dear, this is you and you'd better come to terms with it as soon as possible".
Then, as we all know, the Cards turn blank. Sakura produces a new key while having another dream and a quest to fight and "secure" some strange phenomena happening around her begins, leaving her in a state of increasing confusion.
This is the beginning of the part of the story that I quite literally call "Sakura loses sight of herself".
At this very early stage of the story, she still doesn't know that she started losing control over her increasing magical power, and it is definitely not a coincidence that all of this began when she thought of shutting her main magic tool away in a box, hoping to ignore it forever. For plot reasons, this also happens simultaneously to Syaoran taking the spirits of the Sakura Cards away from her (because in the beginning, you had to be tricked into thinking he was up to something shady and was the real mastermind behind all the incidents).
Syaoran expected for Sakura to lose control over her powers, as his mother predicted a general period of trouble for her that could lead her to unhappiness, albeit without any clear indication of what could happen: Syaoran came to Japan knowing something was bound to happen to his girl and her powers, and that something was going to lead her to grief, but he had no idea about all the rest. So his uncertain and reckless approach, which ended up in some cases worsening the situation, is also somewhat understandable. He was acting like a worried, overprotective boyfriend at his wit's end.
The strange events, which Sakura materializes into a new set of Cards, surely leave her distraught and confused, not to mention the situation with the Sakura Cards and Eriol's missing replies, but I feel that what really destabilizes her core are the constant dreams she gets, sometimes even in the middle of her waking hours, making her faint on the spot wherever she is.
Premonitory dreams are a part of her natural gift that she began to express ever since the OG manga, but she never seemed to really understand them or take them seriously.
This time around, she keeps seeing this cloaked figure and this terrifying dragon, no one speaks a word despite her relentless questions and the cloaked figure seems to be wanting to take her newly made key away (Lilie!!! what were you trying to do!! *facepalm* she probably tried to pull her closer so she could talk to her), so it's just normal that all of that leaves her increasingly stressed and anxious, even though initially you never see her openly and verbally stating that, due to her overall positive nature ("I'll manage it, somehow" is part of her "everything will be alright" invincible spell, and this is indeed what she keeps telling herself in the beginning of the arc, even though in some occasions it turned out to be a double-edged sword, as sometimes it looked more like sweeping her fears under the carpet, to me).
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"Something Is Not Right"
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Dream after dream, Card after Card, Sakura begins to have these general feelings of discomfort and of "something is not right, here", as she openly states to Syaoran in this scene of volume 4, chapter 14. There's something about this situation that is pricking her sixth sense, and makes her uneasy, but she can't quite put her finger on it yet. All she can do is to keep "fighting" these phenomena happening around her, hoping to find out more along the way. She reiterates the same feeling of uneasiness at the end of chapter 15, after what I consider one of the most concerning side-effects of her poor control over her powers: Sakura seems almost "in trance" while she leads her guardians to the exit of the maze, and acts in a very uncharacteristic, cold way by shoving her bag in front of Yue to make him hold it for her. It's almost as if her magical sixth sense worked too strongly and warped her personality in that moment: an effect that has been mentioned several times in relation to powerful magicians like Clow, Eriol and later Kaito too, so it's not farfetched at all to attribute this one-off occurrence to her loss of control over her strong powers, which ended up affecting her personality too. Luckily, it didn't happen again in the rest of the story and the capture of this Card was completely changed in the anime (a wise decision imho, since the JP fandom is particularly fussy about the integrity of Sakura's character, and she needed to stay "Sakura" in order to do what she did at the end).
At the culmination of a "mini arc" (the visit to great-grandpa Masaki) characterized by uncontrolled visions of Nadeshiko, another frightening dream (one that ended up dragging even Akiho in, due to the synchronization) and Sakura for the first time ever confronting Syaoran about the things he's been hiding from her, we reach the following scene of volume 5, chapter 23.
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"I Wish I Had A Mirror"
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I always considered this scene extremely important, because for the first time Sakura spells out clearly the inner turmoil that's been gnawing at her soul ever since this ordeal with the new Cards started.
"The truth is...I'm the worst at understanding myself. And that is probably causing lots of concern to everyone." "I wish I had a mirror. A mirror that could reflect the real me. Then, I would probably understand how to not make everyone worry"
Here, Sakura clearly spells out the frustration of knowing, feeling in her bones that there's something wrong with her, something that she's not understanding about herself, and that something is causing problems, but most importantly, is causing her loved ones to worry about her. Let's not forget that not only Syaoran, but also Yukito, Touya, Fujitaka, Tomoyo, Eriol & his family have all been watching her situation in apprehension, each of them making decisions and moving discretely in a direction they felt was right (and admittedly, not all instances were so).
Sakura can somehow feel all of that, she can feel that it's related to something she still hasn't realized about herself. This tends to be forgotten because it happens in a relatively early part of the plot, but notice how this is the same problem Kaito suffers from. A quite stunted ability to understand oneself. Sakura and Kaito definitely have lots in common, when it comes to this specific part of themselves. Keep this in mind, because it'll be relevant later.
And then, the situation worsens.
Sakura's dreams start to terrify her, because they begin to show Syaoran's face under the cloak of the mysterious figure who's scaring her in her dreams. An apparent truth she cannot accept, she won't accept, even though she's still unsure about what exactly these dreams she's having are. Despite her boyfriend has been acting shady for long time, she decides to trust him and wait for him to talk to her about all the stuff he's holding inside, instead of putting him through the wringer. This also means, though, that Sakura will keep all her fears to herself, eventually bottling up.
Furthermore, Kaito starts to rewind time to fix a situation without a way out (in chapter 28, Akiho was on the verge of going berserk completely and unleash the artifact), creating an additional sense of confusion when Sakura can feel that her finger is numb due to strain, but she can't understand why (she had fought Kaito's time magic unconsciously). Whenever Kaito will rewind time, even later on, Sakura's magical sixth sense will try to wake her consciousness up more and more, giving her these vibes of "deja vu" or making her act in an apparently inexplicable way.
In the first part of Clear Card, Sakura sometimes literally looks like a soul wandering about in confusion, dragged by the events.
I wish to point out that this is not a flaw in the characterization, it is a precise design by CLAMP. Sakura IS, in this part of the story, confused and lost, overwhelmed by the events. She has no idea how to approach this matter other than "treating the symptoms" as they come. This happens because she's still, surprisingly, quite reluctant to embrace a fundamental part of herself: her innate magic power, which expresses itself mainly through her intuition. But we'll gradually get there.
Around chapter 30, before the big realization, Sakura's situation reached a point where:
- her Sakura Cards unexpectedly became blank; - almost everyday (sometimes multiple times a day) there's a new incident that she secures into new transparent Cards; - she constantly sees ominous dreams (in scattered order) with a cloaked figure acting in a questionable way and a scary dragon, and at some point she starts seeing her boyfriend under that cloak; - her boyfriend acts shady, Eriol doesn't reply to her messages; - there's a general feeling of "something is not right" with her magic and some stuff starts to not make sense to her (because Kaito rewinds time)
It is at this point that Sakura finally moves one (giant) step forward and connects all the "puzzle pieces" she collected (particularly, how much more "obvious" the creation of a Card became) and understands that she's been the one causing subconsciously each and every single incident that lead to the creation of a new transparent Card.
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"I'm Angry At Myself"
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And with Syaoran finally coming clean with her (because at that point he had no reason to keep things hidden anymore, as the thing he was trying to delay ultimately happened - and believe me, I'm sure he partly felt relieved to not need to lie anymore, as that took quite a toll on him too), Sakura can at last give an explanation to at least a part of the things that are happening. And she finally realizes that the doubt that was tormenting her was true: she DID, in fact, not understand something very important about herself, she didn't realize that it was her own power going out of control and that all the incidents that happened bore "her magic signature", so to speak. She failed to "tune in" with her magic.
For the first time ever, Sakura expresses anger at herself.
She will direct that anger (to a lesser extent) to Syaoran too, but I'll tackle that in a separate post.
This is a moment of deep reflection and regrets for Sakura: the poor understanding of herself, the poor "communication" between her heart and her magic powers brought to a situation where her most beloved person was putting himself in danger in order to protect her, while trying to not make things escalate. This is a very sensitive, beautiful and important moment, steeped in conflicting and complex feelings (and remember, Sakura is just a pre-teen. It is normal for a pre-teen like her to not understand herself, but there's just one tiny detail: she's not a common pre-teen, due to her natural gift, and she needs to take that into account). Eventually Sakura calms down, and after creating Rewind, her resolute face while hugging tightly Syaoran suggests that from now on she'll face this matter from another, more courageous and determined perspective.
Or at least, these were her good intentions. Because unfortunately, insecurities are hard to eradicate and in the central part of the story it's shocking to realize how far longer Sakura will insist in shutting away her emotions and refusing to listen to her heart (and intuition) fully.
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"It's Just My Imagination"
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Part of Sakura's anxiety might have been sedated with the revelation that the Clear Cards are produced by the girl herself, but unfortunately the true core of her problems was not solved at all and will only surface more clearly in the next 20 chapters.
Sakura actively starts having "premonitory bad feelings" when she sees Akiho in volume 7 chapter 34, a bad feeling that she does check with Syaoran, but quickly dismisses as "well, it's just my imagination". This will basically be one of the major problems preventing her from reaching the complete control of her magic. Sakura, knowing her magic potential, should've given way more credit to her sixth sense, but her anxiety, her insecurity and her crippled connection to her innate gift still pushes her to dismiss these "signs" as nothing really important or true. Timely as hell, a few hours later something bad will indeed happen to Akiho, where she completely loses consciousness for the first time and the clan/Association actively starts to absorb Sakura's power through the artifact implanted in Akiho. All of this was caused by the high concentration of magic that "triggered" Akiho's artifact (and here I have to sarcastically "applaud" Kaito, just like Syaoran he's another one who does stuff before thinking through, ultimately worsening the problem).
Once trapped in Akiho's artifact, thanks to her power Sakura can see the most horrifying glimpse of Akiho's past, when she was turned into a magic artifact, by living it on her own skin. And even though Kaito is forced to rewind time once again to save the situation, erasing these memories from Sakura's head, her heart (which is tightly connected to her magical sixth sense - I'd daresay her heart is straight up the source of her magic) DOES REMEMBER, pushing Sakura to act in an apparently irrational way, crying and hugging Akiho tight in empathy. Sakura is particularly shaken by this feeling, still in pain even hours later, but once again she doesn't understand where it comes from. However, she does express with Syaoran an intention to talk to him about it once she's able to put it into words, and in the meantime do her best with all the rest. At least, there's an intention to understand better this part of herself, but it's still soon to see actual results.
Aaand CLAMP really seem to be wanting to test Sakura in this arc, because at this point of the plot, they add the electrocution spell. 😅 No one seems to understand who caused it (it's not Sakura, nor Kaito, but now we know it was none other than Yelan!!) and Sakura's anxiety increases once again. The fact only Syaoran gets affected by it inevitably reignites the doubts in her mind, unwittingly reminded of that terrifying dream of Cloaked Syaoran she keeps seeing...but she stubbornly keeps telling herself "no, it's not like that, it's just a dream". It's undeniable that this situation where she cannot understand her foretelling dreams yet, and the way they show her scattered hints because her power is out of control, has surely contributed to Sakura's insecurity when it comes to trust her own intuition.
Her power is so out of control at this point, that even when Kaito shrinks her and throws her in a hole carved into a tree (landing in a "world" created with magic where he hopes she'll create the right Card) her dreams take over again (it's apparent by the "shaaan" sound and how everything turns suddenly pitch black, a common background of her dreams), showing her Akiho in the dress she was wearing when she was turned into an artifact and, inevitably, Sakura's biggest fear, "Cloaked Syaoran". Pay attention because these visions she's getting here thanks to her power match what will happen later on: what the talking flowers tell her here will turn out to be the beginning of the lyrics of the main theme of the "Alice in Clockland" play. This vision of Cloaked Syaoran seemingly "about to do something" to Akiho horrifies Sakura to the point of screaming in terror and creating one of the most unsettling Cards, "Break". It is after this very scary moment that Sakura starts to wonder very specifically for what purpose she is creating all these Cards. The purpose is actually more than one, but she definitely posed herself THE RIGHT question, as this brings her one step closer to the core of the problem and eventually embracing her own magic abilities.
Then, between chapters 43 and 45 we finally start to see some changes in Sakura: surprisingly, she begins to listen more to her sixth sense, first catching Yukito red-handed while activating a newly acquired magic, and then wondering about a strange painful feeling in her chest when her father tells her that lately she and Akiho became even more similar. We were all lead to believe that this was the foreshadowing of Akiho taking her place (cause everything in the plot at this point deceivingly hints at Kaito wanting to switch them), but she actually was getting foreshadowings of the "rewritten world", where Sakura would genuinely feel wrecked to know that someone important to Akiho was missing, precisely when Akiho would've become part of her family as her twin. In fact, in chapter 45, before falling completely asleep, she hears again the ominous "you won't be able to come back" (the Association's threat to Kaito), wondering WHO wouldn't be able to come back - somehow, Sakura knows that it's not directed at her.
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"Just Tell me Honestly How You Feel"
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And then, we reach another moment that I consider pivotal for Sakura's growth during this Clear Card Arc. The moment when she's on the verge of breaking down and finally lets all her feelings out.
Her anxiety over the dream with the Cloaked Figure reached the highest peak, so much that she finally manifests a Card, Mirage, that challenges her precisely with that appearance. While Sakura battles that Card (which at the moment she still believes it's an actual person), she seems resoluted to get to the bottom of this story, and to pull down that hood to know the truth. You can really feel that she's so done with all this psychological torture. The fact the real Syaoran appears right at that moment and she finds out the person she saw was just a Card is partly a relief for her, but also throws Sakura again in despair because who the hell is that person in the dream, then??
Syaoran, as the good and attentive boyfriend he is, can just feel that Sakura is stressing over something, so he brings her to his home to help her calming down. And to her umpteenth attempt at sweeping her negative emotions under the carpet, beating around the bush commenting over the tea with a fake smile, he cuts immediately her bullshit and just tells her : "You don't need to force yourself. Just tell me how you feel right now". When she hears that she's allowed to speak out her emotions with honesty, Sakura wears on her face one of the most heartbreaking expressions of the entire manga. She's literally about to break down in tears of exhaustion, as you can see it above. ☝️ Listening to her, gradually, Syaoran encourages Sakura to get out all that's been torturing her lately, particularly about the dream with the Cloaked Figure. It is a very difficult moment for her, because she has to relive the dream, and expose in front of him all the fears and doubts that were trying to tamper with her trust in him. Courageously, she goes through with it, even though her denial ("it's just a dream!") is so strong that she ends up creating another Card: "Dreaming". Sakura at first seems relieved to see the Card, in the hope that everything she saw was indeed a mere messed up dream and nothing else (see? she's again self-sabotaging her relationship with her magic) but Syaoran with his frankness is quick to bring her feet on the ground: the kanji on the Card show "yumemi", and the word can also indicate a "foretelling dream".
Although Sakura seems disheartened at first, her next dream with the Cloaked Figure is much more relaxed, so much that even the dragon doesn't particularly scare her anymore: our girl's intuition makes her correctly feel a sense of loneliness in this dream, which she attributes to the hooded figure, not realizing that it was more likely coming from the dragon itself (aka, Kaito). After all, in chapter 72, Lilie will confirm that her presence ended up distracting her from the one "character" she should've paid all of her attention to. Her intuition, despite being misattributed, ended up having a positive effect through the synchronization with Akiho: the girl will wake up with the same feeling of discomfort of her friend, and as if guided by hitsuzen, she will head to the garden where she'll find a sickly Kaito staring at the moon - most likely feeling the loneliness Sakura perceived in her dream. I like to think that in this scene of chapter 48, Sakura subconsciously helped Akiho comforting Kaito, by waking her up with the unresting feeling, precisely when Kaito needed it the most. Still not completely embraced her magical sixth sense yet, but a significant improvement.
The road between chapter 48 and chapter 52 is paved with lots of struggles, as the Mirror Sakura Card gets stolen by Kaito, Sakura runs the risk of being absorbed into Akiho's artifact again, she meets Momo for the first time and she's even given a hint about Kaito's plan (or what Momo thought was his plan, as he had benignly lied to her about that), but almost all of that gets rewound and erased when Kaito intervenes. Moreover, despite not remembering anything consciously, Sakura is left with a sense of unhappiness when she looks at her home, a remnant of her brief journey in the world of Momo's book which straight up threw her into despair, showing her what her life would be if everyone forgot about her. She also finds once again a Card produced out of nowhere, "Time": I'm convinced she produced this Card because her conscience was awake while Momo and Kaito talked in stopped time, and their conversation triggered her sixth sense to produce Time as a result. Needless to say, all of this worsens her state of mind once again, which leads to the other pivotal, and finally resolutive, scene of chapter 52.
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Never Avert Your Eyes From Your Heart
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We finally get to what I consider THE scene, the one that will definitively shake Sakura from her deadlock, from the anxiety that stunted her connection with her innate gift and her deepest emotions. And the one who helps her overcoming all her fears is, of course, the love of her life - with a honorable mention for none other than his mother Yelan!!
Chapter 52 got a very, very special place in my heart, because it's basically one giant parallel between SyaoSaku and YunaAki. The two pairings experience similar situations, but the response from one side of each pairing is quite different. Let's remind you for a moment of the part earlier in this post when I told you that Kaito and Sakura, for most of Clear Card, surprisingly have one thing in common: they don't seem to understand themselves well enough, and both have a tendency to look away from feelings that cause unrest to their hearts - anxiety for Sakura, love for Kaito.
Syaoran, always attentive and observant towards his girlfriend, notices immediately that Sakura is suffering, as soon as he sees her at school. Despite being unable to touch her to comfort her, he offers all of himself to support and listen to her concerns. Sakura is visibly and pleasantly surprised of how the boy could read behind her mask, that usual contrived smile with which she tries to dissimulate her emotions and not make him worry. A bad habit she's consolidated lately, but that Syaoran is gently determined to dismantle. After opening up with him (and this is where Sakura differs from Kaito - by having an established relationship made of love and trust with Syaoran, Sakura lowers her walls with him), she falls once again into the usual trap of "but maybe it's just my imagination" and I love to see how Syaoran is her anchor to the ground, making her see the concreteness of this situation: he straight up tells her "you produced a Card out of it, it cannot be 'just your imagination'. " And then, like a precious family gift, he passes on to her the priceless words of wisdom of his mother Yelan, an advice that not only Sakura, but also the other "lost soul" of the other paralleling pairing should listen to:
"People with magical power should never ignore the turmoil and stirring in their hearts, the so-called 'intuition'. And it’s not limited to people with magical powers. People should never avert their eyes from the changes in their heart."
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This is a turning point for Sakura. These words seem to positively "break" something inside of her, showing her the correct path to follow. CLAMP beautifully portray this process of "embracing and assimilating" the words she's just heard, by making her place her hand over her heart. I love when they do that (they used the same visual when Akiho heard Kaito's true name, and 'wrote it' on the most important page of the book of her life). Sakura is truly grateful for the words Syaoran relayed to her, precisely what she needed to get out of her impasse with her feelings and magic. She knows she can always count on the support of her soulmate even in the darkest moments, and she's thankful for having him in her life.
From this moment onwards, Sakura will experience several instances where her magical premonitory senses give her signals through the "stirring" of her heart. Contrarily to before, she starts to actively take them seriously, listening, without dismissing them as the delirium of an anxious little girl. This allows her to activate the Siege Card in the fraction of a second, successfully shielding herself from Kaito's time magic, making her the first person ever who achieved that. This also leads her to effectively remember that she saw Kaito using magic, even when time was rewound by him, and contact immediately Syaoran to talk about it, planning how to move from that moment onwards. A little relapse on her bad habit is immediately dispelled by Syaoran, and our girl even goes as far as saying "there's something inside Akiho", even though she's not sure exactly why she's feeling that way. But it's an intuition she's having and she decides to not dismiss it anymore, with everyone trusting and supporting her in that direction. By listening more and better to what her heart tells her, Sakura also decides to not confront Akiho about Kaito and his magic, because she's well aware of the feelings Akiho got for Kaito and she doesn't want to potentially disrupt their relationship. So, she decides to wait for her friend to talk about it first.
Thanks to this better understanding of her own intuition, she also says in chapter 57 that she wants to meet the guardian of the book "Alice in Clockland" once more, despite not remembering if and when she's met her before. This also ultimately leads her to accept the role of Alice in the upcoming play scripted by her friend Naoko, because her sixth sense tells her that it's inevitable for her to do so. It's important to emphasize how the other characters support and encourage her to listen to her innate gift, at this point, without trampling over her self-determination like they did before.
It is a moment of big growth and character development for everyone.
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The Ultimate Growth: Finding a Meaning and a Purpose
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What happens afterwards is history: the fateful "Alice in Clockland" play unfolds, and Kaito completes his plan to push Sakura to create the Card he needs, exchanging his magic artifact (the watch) with Akiho's one (the book), in addition to activating the forbidden magic to rewrite the memories of everyone, to fit Akiho as part of Sakura's family.
Sakura's intuition will be crucial to wake her true self up while in Clockland, succeeding in beating Kaito's magic multiple times, till Syaoran comes in and gives the "final blow", cutting off the spell definitively.
And even when everything seems lost because Kaito successfully activated the fobidden magic, changing their memories and erasing himself from their existence, Sakura's magic and sixth sense keep making her say things she either already said or heard before in the "unrewritten world". Not only that, but even after meeting Lilie in a dream and forgetting her face (due to the strong influence of the forbidden spell), bit and pieces of that conversation keep coming back to her, and she listens dutifully to every single one of these "feelings". Kaito might have overridden part of their memories (only the ones concerning him, Akiho and the events connected to the creation of the Cards), but the experience, feelings and personal growth of each character were left untouched, that's why the chemistry between Sakura and Syaoran is the same as before the play started, but also Sakura's personal relationship with her magic is far better than before (an information that might have seemed random and unimportant is that now Sakura summons Mirror even just to chat, an indication of her completely changed perspective on her magic).
Now that Sakura finally embraced her magical power, all that's left for her is to find a true purpose for it.
A question echoes in my mind, "What am I creating these Cards for?". Sakura poses herself this question halfway through the story, and she finds the answer to it precisely at the end of the journey.
Her powerful magic intuition, combined with her immense empathy, leads her to realize that somebody is missing from their reality, and that person is the one Akiho loves. At this point Sakura is unstoppable: she wants to listen to the voice in her heart that's screaming "Go and help them!! Give the true happiness back to Akiho!", and everyone can only follow her lead as she assertively puts into practice what her heart is telling her to do.
Sakura in this final part of the story shines brighter than ever. She's more assertive and self-confident than ever. All of this is because there's something she strongly wants to do with her innate gift, as Eriol unequivocally says in chapter 75: her power grows exponentially again, but this time it's not out of her control - it is Sakura herself who's voluntarily boosting it, thanks to her strong wish. And that allows her to control it and use it exactly as she wants.
In chapter 79 her growth reaches the highest peak, by handling the resolution of Akiho and Kaito's personal problems in an admirable way (she steps aside for a moment to give Akiho all the agency she needed), but also finding herself in front of an uncomfortable dilemma, which leads her to an unavoidable reality: Sakura quickly understands that she cannot be on everyone's side and there are lines to be drawn at some point. She can't be a pure and oblivious girl forever. She needs to grow up. There are choices to be made, especially when dealing with real evil people.
And Sakura choses to go on with the people she loves, even if that means she has to "stain" her "moral record" a little bit.
Empowered by this strong wish to fix the situation, she literally gives life to a miracle, protecting her dear friend and her beloved from the grasp of their abusers, simultanously giving everyone their true memories back. The effort exerts her greatly, but what she achieved is by far the most important thing she's ever done with her magic power till now: she helped two dear people lost in a life-and-death situation. Her magical growth went along with her personal, mental one.
This is also the reason why the accusations of "the other magicians should've trained her" end up being in vain: Sakura's problem with her powers was mainly on a personal level, not on a technical one. This was a journey she had to mainly walk by herself, finding the right balance and confidence in her abilities, deep down in her heart.
No one could've done that for her.
Merely training the practical aspect of it would've just worsened the situation, because Sakura wouldn't have been truly "in it" with her heart and mind. She needed to go through this process of growth, before reaching this stage of self-awareness in relation to her magic powers. I truly feel this is the reason why CLAMP made certain choices inside this story. Again, as I always say, a good part of Cardcaptor Sakura does revolve around magic, but the main focus and linchpin of this story is and always will be the main character's heart, her growth and the interpersonal relationships with her loved ones.
This makes Clear Card Arc, in my opinion, a worthy sequel and a full-fledged part of the Cardcaptor Sakura series. I think those who decide to skip it or read it with a superficial approach miss a journey of tremendous growth for our beloved protagonist.
So much for those who kept saying "This is not Sakura's story".
How can all that ☝️ NOT be Sakura's story?
I'll let you judge. 😊
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Extra: The Significance of the Clear Cards
I want to digress for a moment about a thorny topic: the significance of the Clear Cards in this story.
Sakura isn't always completely passive towards the events happening around her, but wonders several times during the story why all those Cards are manifesting like that. While the first and easiest answer is of course "because her powers are going out of control" (and this is something Momo herself questions Sakura about in chapter 50), it becomes apparent at some point that the more the story goes on, the more the Cards that are created by her are particularly relevant and connected to the events that will happen in the final part of the story.
I know this is a sore spot for many who complain about not understanding the purpose of the Clear cards. It's because people tend to compare this set of Cards with the ones Sakura captured previously. That's not the right way to look at them, because their origin and purpose are different and change throughout the story. Forget about the Sakura Cards, even though so many of these "Clear Cards" (which are never called so, not even once, in the story itself, but just "new cards" or "transparent cards") might look so similar in purpose to the previous ones.
First of all, the Clear Cards are an outlet for Sakura to vent in a healthy way her power in excess. Power that if kept inside, untapped and confined in her body, might have unpredictable harmful effects on her (<- probably the grief Yelan foresaw). God bless the Clear Cards for existing and allowing Sakura to vent out these bouts of uncontrolled power in a relatively safe way.
The Cards that Sakura produces in the beginning are sometimes reminiscing of the Sakura Cards, because her power manifests itself basing on Sakura's experiences, feelings, thoughts and wishes. The Sakura Cards are an important part of her life (before Syaoran took them, she literally acted like their "mom", keeping them alive with her power) so it's only normal that the first base for some of these new Cards would be a magic tool that she already knows. In this sense, it becomes easier to understand why many of the "captures" seem so easy, way too easy compared to what a reader would expect from a sequel: the goal of the capture here isn't to make her power and experience in capturing cards grow. She already had 2 arcs to do all of that. The capture of the Cards in this third arc becomes something new and unexpected: a "damage control" of a regrettable situation with Sakura's powers, while she learns to dominate them and enter into harmony with her supernatural abilities. The growth Sakura needs here is mainly a mental one. Performing her magical power aimlessly without having a true connection with it and a true understanding will only exacerbate the problem. This is the reason why, despite having a "capture" element, Clear Card derails from the previous arcs in the purpose of the capture. It's a pity that an element that should've brought freshness to the plot was in many cases received as an actual flaw.
In the beginning, as Sakura's power is completely out of her control, some Cards might look completely random too - they don't look based on Cards, thoughts or wishes (like Appear, Reflect, Action, etc.). But pay attention, because the more the story goes on, the more the Cards begin to become particularly specific to something that shook Sakura's heart in that moment, or referencing events/feelings that will become pivotal to the events Sakura will experience later. Especially regarding Kaito's plan. Many of the later Cards Sakura produces are a direct reflection of the feelings and wishes that Kaito infused in the activation of the forbidden magic, with the creation of "the story for Akiho", the one he wanted to absolutely have a happy ending for. Cards like Repair, Promise, Choice, Kindness, True and False, Synchronization, Rewind....many of them didn't even get to express their magical abilities in a "conventional way" (everyone expected to see Sakura literally activating them like she does with all the others), but it's just because at that point the Cards Sakura is producing are born following her premonitory intuition: thanks to the hints/speeches that those Cards give her in Clockland, Sakura little by little regains consciousness of her true self (it's a pity that many English readers will never realize all the times Sakura was about to "wake up" in Clockland, because the translation didn't respect the change in fonts of the JP text). Sakura wasn't supposed to "use" them in a conventional way (how do you "use" Kindness? You force people to be "kind"? 🤨 and what about Choice??), she was supposed to listen to them and let them guide her towards the truth. This is also the reason why all of these Cards bear the face of her loved ones. Think of them as tarots. Which is, incidentally, another use of the original Clow/Sakura Cards. I am basically sure of this interpretation because the kanji of some of those Cards I mentioned above are brought up during the climax: particularly when Akiho talks to Kaito in chapter 78, she uses two specific verbs, referring to Kindness (慈愛 - a kind of gentle and tender love) when she describes the love and support her family gives her in this rewritten world, and to Choice (選択) when she questions Kaito about his choice to disappear completely from her life. So to summarize, the last Cards Sakura produced "accidentally" weren't accidental at all, but were actually specifically produced by her power in reference to Kaito's plan, to help her finding the way out to a dire situation. This represents a very important indicator in the plot: at that stage of the story, Sakura started to listen more and more to her intuition and her sixth sense, finally quitting her bad habit of downplaying it ("maybe it's just me") but actually giving it credit and taking it seriously, trusting her instinct to lead her in the right direction. And this was, of course, all thanks to the speech Syaoran gave her back in chapter 52. It is also the case of the Rewind Card, which Sakura will ultimately understand the purpose of on her own, at the very end of the series. That's the moment where everything will become clear and make sense to her: "This Card, too...I created it precisely for this moment". The Clear Cards ultimately became the embodiment of her foretelling powers. Which then led to the birth of the first two consciously created Cards, Blank & Remind, which will become so important in the climax.
If we ever get a new arc in the next years, we'll certainly deal with a more mature Sakura, who's more in sync with her magical powers 🩷.
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2goldendarkness · 3 days
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I usually reblog, rather than make my own posts, but seeing everyone in the gaze community deal with their grief by writing things down has given me some courage to do the same. I hope it will help me in my grieving process and i hope to help everyone who does relate to what i write. So this will be my farewell letter.
Dear Reita,
I got the news seven days too late, like how it usually is for me coming into a fandom.
I became a fan about 8 years ago, i was doing a creative education as a designer, listening to random music on Youtube with autoplay. Suddenly i found Red, the first song that got me into the Gazette, i was glued to my screen and intrigued with the looks of all members. But why the hell was that one guy wearing a band around his nose? I needed to get into it. So i did.
The gazette then became my first and favorite Visual kei band, i’ve been trough a lot in my life and whenever hardship struck me, there was always an interview that would make me laugh. When i had boring days in school we even played a game, my friends would ask me “why is he covering his nose?” And i would make up the weirdest stories on the spot. That resulted in some charms with titles like ‘reita and the smelly drummer.’ And ‘reita the drugs dealer.’ It varied from poking fun and making up the stupidest thing, to making you some cool guy who fought bad guys. It would always make us laugh, even though, i was making up these stories to friends who weren’t even necessarily in the fandom, because everyone who saw you once, knew your name and so knew who you were.
I wrote fanfiction, many in where you play a big part of the story, not as a love interest, but as a brother of a character based off of me. All because you once said in a radio show that you feel like you’d be a great older brother, hell did i take you up on that one.
I never got to see The Gazette live, i used to curse you all for skipping my country and forcing me to travel for 5 hours to see you all. In 2018 i was almost at that point, but i couldn’t go because of my exams and because i had no friends who wanted to come with me. I always promised myself: one day, i will see them.
It hurts me to realize that day will never come, at least you won’t be there anymore. I accidentally open instagram, and find a grief post written by Hiroto of Alice nine, in the hashtags your name. Shock, that’s the first thing i felt. I must be going crazy. But next up was Miyavi’s post and as i read that it slowly starts downing upon me, my heart sinks to my stomach and a lump forms in my throat as i rush to jrocknews to confirm they aren’t just playing a sick joke.
I start crying like most of the sixth guns, but only after i start reading the members messages. Why am i crying? We’ve lost a talented bass player who inspired so many people to also start making music. The world lost ‘the world’s Reita’ who was always poking fun at the drummer. The bookstores lost their most unexpected romance buyer. Many lost their source of love and joy. I’ve lost my fictional brother.
But most importantly, your actual family lost a loving family member who bought his mother an entire house to repay her for raising him well. The Gazette lost a member. Kai lost his fear during interviews of whatever you are going to say next. Ruki lost being in your personal space no matter how big the dressing room. Aoi lost the person who’s jokes he could laugh the hardest about. Uruha lost his longtime best friend, and now can no longer feel your heart racing before the show, nor can he feel your hand searching for his heart.
I hope everyones feelings reach you, i hope that whichever way you passed, was peaceful and without pain. I hope that whenever it is our time, you come in your mustang to pick everyone up. Usually as a driving instructor i call shotgun, but i’ll leave that space to your close relatives. That way i can’t judge you for turning around while parking, rather than using your mirrors.
Thank you for everything Reita, you will never be forgotten. Once my grief is gone, i promise to remember you with a smile rather than cry. I also promise to be a fan of The Gazette no matter what they decide to do now you’re gone.
And to whomever read my entire message, thank you for reading this unhinged post.
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feroluce · 1 year
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When Al Haitham dreams, it's in shades of sandy blonde and red, metallic gold and feather-blue. His nightmares are colored much the same.
Kaveh leisurely strolls ahead of him, shoes leaving deep treads in the soft desert sand. He keeps a careful distance, arms length, and in return Al Haitham keeps an eye on him, the other man's back dead center in his sights.
He curses the sand in his boots and the long line of footprints he steps into, already the exact shape of the soles of his shoes.
They aren't lost. Al Haitham knows where they are. They've been here before. They are still here.
Kaveh doesn't watch their feet. His head is constantly tipped back with his eyes on the stars and their constellations (of which Al Haitham only knows two, Vultur Volans and Paradisaea). He'll walk right into a cactus like that. Al Haitham yells ahead for him to watch where he's going.
Kaveh reaches up to touch the side of his head in a strange motion, but otherwise there's no acknowledgement. They press on into the dark of night.
Something squelches beneath Al Haitham's boot.
It stops him short, pulls his attention like a magnet and as much as he wants to, he can't ignore it. He doesn't want to lose any more ground. But something won't let him move on. Al Haitham watches as red seeps into the golden sand, spills beyond the border of his bootprint until he slides his foot aside.
It's an ear.
It's a human ear, and there's a heavy earring attached, metallic gold, gems red and green, a familiar shape, a familiar shade-
Al Haitham opens his mouth to yell. Chokes. Swallows the lump in his throat as he quickly restarts his pace. Tries again.
"Hey!"
Another squelch under a hurried footstep. He doesn't stop to look. Al Haitham is pretty sure he knows what it is.
"Kaveh, hey!"
The path becomes littered, little slices and small pieces, fingertips and knuckles, Kaveh's arms once held casually behind his back now strewn along the sands. Every time Al Haitham extends his hand to him, reality warps and bends like the twisted image in a broken mirror, lines mismatched and edges jagged. Kaveh flits just beyond his grasp, fleeting fae, no longer able to hear him or to reach out to him. Al Haitham can only grit his teeth and follow.
His right foot marches forward. His left follows. His right again. His left suddenly doesn't follow, and Al Haitham is thrown off balance and pitches forward, swinging his arms outward to land on his palms and keep his face off the ground, because he's been in the desert enough times to know what a foot suddenly being stuck can mean.
Quicksand.
Al Haitham curses and swears in just about every language he knows as he tries to spread his weight as evenly as possible, stay afloat at the top of it because if he sinks, he knows he'll be done for, and shit, Kaveh.
His neck cranes uncomfortably in his search, Kaveh had only been a few feet in front of him, he can't be sunk much further, and he's in the desert much more often than Al Haitham anyway, he'll be familiar with what to do-
Kaveh stands in front of him, empty sleeves fluttering loose. Still just out of his grasp, still watching the stars. The quicksand is already up to his calves.
"Say, Al Haitham..." It's the first he's spoken this whole time. His voice resonates somewhere deeply nostalgic in Al Haitham's chest, produces a ripple that momentarily stuns his heart.
Kaveh is sinking.
Al Haitham stretches out on his belly as far as he's able, it's quickly up to his knees, Kaveh isn't even trying to redistribute his weight or pull himself out, it's at his thighs, Al Haitham sucks in a breath and yells for him, his hips, yells louder, his waist, Al Haitham's trembling fingertips can almost reach, his chest, Kaveh drops level with him, quicksand about his neck like a noose.
Kaveh's head tips back, back, impossibly far back, until it hangs, angle awkward, and he's looking right past Al Haitham with his tired smile and gouged, blinded sockets full of starlight.
"Do you believe in karma?"
The quicksand swallows him entirely and Al Haitham dives, shoves his arms deep and pushes off with the one foot he'd had left on safe ground, because he can't, he can't, it's not the same without Kaveh, not anymore, he needs him, no one else keeps him sharp, no one else challenges him like Kaveh, if he can just grab him, if he can just pull him back up-
Al Haitham thrashes, against the sands, against gravity, against the hardwood of his bedroom floor. Clumsily scrubs the back of his hand across his face to rub the grit of quicksand and sleep out of his eyes.
Sometimes he thinks he preferred it when the Akasha was still harvesting his dreams.
He pops his head out from under his weighted blanket and lays where he'd fallen out of bed for a moment, blinking blearily against the lamplight shining from his desk in the corner. Deep breaths. His consciousness shifts along the blurred line of nightmare and reality, crosses over the slow transition into wakeful awareness.
He's home, Kaveh is home. It's dark out. The house is dead silent.
He's just going to go check, he tells himself as he peels himself out of his sweat-soaked shirt and roots around for a replacement. He's already losing memories of his nightmare, the details spilling away from him like wet ink, but he knows he needs to see Kaveh. It'll feel better to do something, anything, than try to go straight back to sleep.
He's quiet when he slips out of his bedroom door, because they both keep late hours but their bedrooms are right next to each other, and Al Haitham will never hear the end of it if he wakes his roommate up.
Lights off, door shut. Nothing conclusive. He moves out to the main room.
Kaveh sits on one of those ridiculous sofas he'd ordered three of for some reason, back to him as he tucks a lock of hair behind his ear. A mostly-empty wine bottle stands tall on the table, next to the cobbled-together remains of an architectural model that's been picked and fussed over for four days straight now.
"Kaveh? What are you doing?"
This earns him an exaggerated startle, but Kaveh doesn't turn to look at him, preoccupied with whatever new sketch or blueprint he probably has in his hands. "Ohhh, nothing," he slurs cheerfully. "Just working. Just thinking."
Kaveh has always been the world's chattiest drinker. Al Haitham waits for the rest of it.
"Say, I think...I think I asked you this years ago, back then, but you never answered me." Al Haitham feels all the blood drain from his face in ominous familiarity, drip cold down the length of his spine. Kaveh sinks into the couch until he can tip his head over the back of it, looking up at him with a tired smile and exhausted eyes.
"Do you believe in karma?"
#genshin impact#haikaveh#al haitham#kaveh#kavehtham#these two have had me chewing concrete lately god#3.6 got me frothing at the mouth#something about al haitham trying to save kaveh from himself and his own guilt complex and self-sabotage wheeee my heart#and he's normally so self-assured but he fucked it up spectacularly the first go around- good job baby-#and now it's years later he's trying again but it's something he's barely chipping away at not to mention Kaveh not wanting his help lol#and so some of Al Haitham's nightmare is objective fact and some of it is his own subjective pov#Kaveh loses his arms and ears bc al haitham is frustrated that he won't hear him out or reach out for help#and he keeps his eyes up and eventually blinds himself bc al haitham thinks of him as too idealistic and blind to reality#and kaveh does all this to himself bc when you ask al haitham about his troubles he talks about people who cause trouble for themselves#kaveh pondering the concept of karma in relation to his bad luck and misery and guilt about his father's death in the quicksand *fans self*#al haitham starting to get just a little nervous that maybe he really he can't do anything about this#or that one day it'll be too little late ough. love when I can whump character by whumping the other.#two for one special buy one get one two birds stoned at once type of deal#i have a Vision about them and their stupid dumbass relationship dynamic that I need to yell about later but for now: this#written while listening to A Sadness Runs Through Him by The Hoosiers which hilariously was introduced to me as a pla Emmet song#'but here was a man mourning tomorrow; he tried to finally drown in his sorrow'#'oh he could not break surface tension; he looked in the wrong place for redemption'#'don't look at me with those eyes; I tried to unheave the ties; turn back the tide that drew him in'#'but he couldn't be saved'#'a sadness runs through him'#extremely kaveh and haikaveh song for me ough#my fics#gore#body horror#I mean it's pretty unrealistic but still just in case
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apotelesmaa · 2 months
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> looking for a tenma siblings relationship study
> ask the op if the study is actually about the tenmas or just treating saki like an accessory to tsukasa
> they don’t understand
> pull out an illustrated diagram explaining the difference
> they laugh and say “it’s a good relationship study sir”
> click the post
> it’s treating saki like an accessory to tsukasa
#project sekai#listen I love tsukasa as I love all the wxs members but i also love saki and cannot stand u people#don’t even get me started on when people fridge saki for contrived tsukasa angst. I’ll kill you.#i could also go on a rant abt how saki is so disrespected in general by pjsk fans#& as sm1 with a (less severe) chronic illness I do not appreciate how her illness is only explored in relation to how tsukasa feels abt it#but I think I would get too frustrated#gripping ur shoulders. read the doll story again.#also if ur talking abt tsukasa’s character & don’t mention saki u have automatically failed#before any of his relationships saki is the most important like it’s not subtext it’s literally just text#did we forget the dazzling event where he finally has a breakthrough in his role bc he talked to saki.#or the main story where he’s like yea saki is literally the reason I pursued acting#or the doll event where he’s despondent bc he thinks saki is mad at him & then when honami comes to his school#his first reaction is to sprint over like WHAT HAPPENED 2 SAKI IS SHE OK (sprints home)#or saki canonically being his no.1 fan. smh. u cannot separate them. and why would u want to. they’re so funny.#+ saki saying he made her hospitalizations more bearable. picking up on his mannerisms. crying during the doll festival bc they had a fight.#the dolls being her favorite things bc of how it symbolized their bond.#the complex tenma sibling mental illness web in general makes me crazy.#saki is like I love u but I wish u wouldn’t worry abt me so much and rely on me more & then tries to hide issues to make him not worry#tsukasa is like I’m always worried abt u and I don’t want to burden u because I feel like I need to always be a rock for u#ough. love them.
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feline-evil · 5 days
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Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.
#metalocalypse#jay talkin#I'm sorry they wrote that awful gross little man far too likeable and relatable to on a trans level#for me not to hoot and holler and cheer for the trans pickles agenda#changes nothing about his character arc or any of the show anyone is capable of being the kind of person he is#don't make the mistake of thinking thats exclusive to cis men#his transness wouldnt change that#only adds on an extra layer to him that i think works fantastically.#Listen that dude was rejected by his family driven to drink and drugs young to escape that ran away to be in a band#is called fucking Pickles of all things and refuses to tell anyone his real last name;#over the span of four seasons and two movies he slowly starts to learn to be for others what he never had#he becomes more caring more supportive#it's not a stretch to say he undoes some of the toxic masculinity he's been keeping himself shielded behind#and learns how to be a kinder man.#all of which have no contradictions with him being trans!#In fact it doesn't take much extra thought to find ways a lot of this can line up with some trans masculine experiences#i mean. Did no one else have a younger phase where they swung as far as they could into crass rude and uncaring ways#to try and assert their masculinity only to grow and realise that you can be a man and be more caring.#Did no one else have father issues. 1 800 come on now i know those are both shared experiences a lot of us have had LOL.#at the end of the day this show aired nearly 20 years ago and is finished. we're not getting more of it#so nothing is altered nor changed if pickles is canonically trans or not ok. its fine#i mean hell i dont even need canon confirmation hes trans to me and thats all i care abt#but i think if yr getting suuuuuper weird abt needing him not to be canonically trans you have some issues#and bio essentialist ideals of gender if you think only a cis man can act like he does#again. anyone can be like that. its not exclusive. him being trans would not change him in any way shape or form lol#AND ALSO GODDDUUUGH for once i love getting to see a guy pushing 50 whos depicted as trans#do you have any idea how dire and barren it is out here. we never get to see a trans guy older than 30 and whos not a pristine model#I WANT MORE OLD SHLUBBY SHITHEAD TRANS GUYS IN MEDIA
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xxlovelynovaxx · 2 months
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Hey asshole.
People literally are the fictional characters that are their kintype.
They're not "acting entitled to your art" to tag it as their very real literal identity - and one that neither they nor you can control.
You're perfectly within your rights to block. You cross the line when you invalidate the core identity of who someone is.
When someone says "I literally am Rarity", they don't usually mean "I figuratively am Rarity". The fact that you have a problem with someone making it clear they're not just finding something relatable, but deeply meaningful to who they are, as you openly admit, "cringe" and "uncomfortable" is a you problem.
Again, you can block over it. Otherkin literally block doubles (when another person shares their kintype) for basically the same reason - that it makes them uncomfortable.
But you have zero right to say "I know better than you who you, an internet stranger, is." Not only that, but while it's not recognized as such by many people, being anti-kin and not acknowledging kintypes as real is very literally bigotry - discrimination against and denial of a person's immutable identity and subjective internal experiences.
Oh, and btw, even if someone kins your OC, that's still not fucking something that you have the right to say is not their identity. I fully fucking understand blocking over that or being uncomfortable, but that doesn't make them any less a real, breathing person who is that character.
Their deeply personal sense of identity and not denying who they truly are, honestly, matters more than something that to you is deeply personal, but still only fictional.
I hold this to be true of my own OCs, and I have fictives of many of them.
Oh, and btw, you are not safe for systems, either. Some fictives (and other introjects) are literally their source and you have no right to tell them otherwise.
Anyway, go fuck yourself. Catch a block for this shit. One of us is denying someone's actual identity and potentially triggering depersonalization. One of us is doing actual harm. The other is pretending like it's a personal attack or even that they could at all be harmed by someone else kinning their fanart of canon characters from a media property they don't own the rights to, and pretending they're entitled to tell other people who they are or what it's possible to be.
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avisisisis · 11 months
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Love how we all thought Pavitr would end up getting traumatized or killed from his “Being Spider-Man is so easy!” line but then it turns out that his entire plot is about NOT having any Spider-Man related trauma
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dangerous-advantage · 6 months
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i refuse to believe mxtx has not listened to at least one or both of the songs 'viva la vida' by coldplay, and 'pompeii' by bastille. i refuse
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gutsfics · 1 month
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i was reading @cadybear420's review of Ride or Die and when she mentioned that Kaneko's death was the only part that really got her emotionally i suddenly remembered that i'd wanted to make an oc from his backstory that was his Romance Partner bc tbh i found him way more compelling than literally any li and i
what if in my hc world i made Kaneko's ex/Colt's mother be another Casil
tyin it all back to the Casil family, baybee!!!!!
i'm thinking of her being the Aunt Bella that Avery inherits the house on Vermilion Lane from. like she retired from a life of crime to live a "normal" life in The World's Worst HOA Suburb. bc that would be funny as hell imo
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allegorism · 2 months
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while i think it's fair to worry about how much they're going to change certain stuff, i also think there's Way too much doomposting surrounding bg3's changes in characterisation
#'they changed lae'zel' its literally a greeting.#which changes w different levels of affinity#and according to what i've read it was always in the game files but wasn't working?#she's pretty much still the same in the main plot and in her romance#and the whole thing w gale being more lenient about the magic items is literally bc he would leave if you closed the inventory#without giving him anything#like literally the only real change in characterisation that i've seen has been astarion and his opinion on the mizora thing#that and the gortash gay letters that were changed#other than that the changes have only added scenes (mostly related to epilogue stuff which may have felt lacking at first) and fixed bugs#i will also say that wyll's part in all of this has been Very lacking because he truly needs more content in comparison to astarion#but if they're willing to listen to fans? maybe they Will add stuff?#and about the added lines to the gortash scene.... adding more dialogue options is Not changing the characterisation of a character#it's literally giving you more options. if you don't like them you can literally NOT press the button#OH. i've just remembered. halsin's new thing. not going romantic on you if you didn't flirt with him#that's also another characterisation change i noticed. but that's a coherent one#if you didn't flirt with halsin why would he. yk.#anyways. i'm seeing too much doomposting. worrying about this is normal but people are being so pessimistic#mona.txt
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essektheylyss · 1 year
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Okay, I am going to try SO SO HARD to actually keep up with One (1) podcast even without a commute so I'm listening to all of the newly-released Worlds Beyond Number things including the short preview, and I am quietly cackling over, underneath all the crosstalk of, "Games are fun and we're really fun!, Aabria just, "I'm not fun."
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redfurrycat · 1 year
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The Man from U.N.C.L.E and Top Gun Fusion - Hangster & Icemav [part 5]
[Before the GunTop Agency Debacle –unofficially called the Wingvorce by Ice and Mav's colleagues–, when they were still partners.]
Agent Iceman invites his partner, Agent Maverick, to dinner. It’s supposedly to celebrate the latest accomplished mission, but it’s in fact a date. They’re in a cute little Mexican restaurant, eating spicy food.
Maverick is talking excitedly about what happened during the mission, when both agents were separated, and Mav ended up in a fight with a MiG agent. Iceman is listening, a bit distractedly, to his love partner while drinking a lemon juice. (He’s not particularly fond of spicy food, however, he’s fond of –t–his spicy-loving dumbass.)
Mav: …and we were in the men toilets, smashing the doors and everything. And then I did him good, Ice, very good. I double-fisted him real hard!
Ice is doing a very good impression of a spitting alpaca on a poor waiter who came to ask them if they wanted a dessert.
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Ice: YOU DID WHAT?!
Mav: Yeah, you know, the double-fist move. I got tone and knocked him out quickly after that.
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Ice, relieved: Yeah. Of course. Thank fuck… Well done, Mav. Do you want a dessert?
Mav: Sure. I want the fried thingies with the milk jam.
Ice to the server: dos raciones de churros con dulce de leche y chocolate, por fa.
[part 1] - [part 2] - [part 3] - [part 4] - [part 5]
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bibiana112 · 2 years
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Okay, so what is we know the devil and should I watch it? Because your reblog spam you do every so often has me intrigued and I would like to hear you talk about it if you want to
We Know The Devil is a short little indie game about three kids on a summer camp for "bad kids" that is clearly a metaphor for conversion camps and they are in charge of beating the devil with their magical girl radios, the devil is also clearly a metaphor for queerness since it's something they insist is "just a phase" and something the camp goers are encouraged to shame others for "letting into their hearts". It's a visual novel style html game iirc, the prose is really interesting, super weird and informal but full of meaning once you get the full picture and I love how the pov in it shifts depending on the ending and the segments after 3AM just feel like very poignant poetry I wanna chew on it, and the choices you get to make is which one of the trio of protagonists gets together in the end! It's marketed sort of as a choose your own ship kind of thing, and it totally definitely doesn't have heart wrenching character exploration of how it feels to be the one left out in that sort of trio dynamic, totally not :)
It really is super short and accessible, found a really good playthrough of it too if you'd still like someone making voices for the characters, I think I got an ending in less than two hours and all the endings take around the same amount of time, and there are four endings total. I call it the poly lesbian body horror game because it has very light but still eery vibes and because of that I wanted to save it to play on Halloween but I'm gay and full of gay thoughts at the moment so ended up playing it again this week akshsk still at only 2/4 endings though so I'll keep reblog spamming sporadically lol
#I listened to Daughter of God and The Dawn that Gxd Misplaced one too many times on my way to college#all the characters have very well defined perspectives and beliefs and motifs and it's just exactly the kind of thing I like#few very well defined very colorful characters (despite the game being in black and white)#those songs reminded me of that because ugh the amount of running themes from each character are so good and well illustrated in them#made me miss the source material#I think people perceive me a lot like Jupiter but I relate most to Neptune btw#that's just something I've been itching to write about#but I don't know maybe I'll get into it later? maybe not#but people have seen me try my best at like regular social things and school but when it comes to church things and moral goodness#then I don't think anyone who knows me would argue that the way I tend to view those things is more reminiscent of Neptune's approach#never had any internalized bs about being queer I just wish people would leave me alone instead of trying to fit me into their mold#and I don't know how to be nice about it even if they ''mean well''#especially if they mean well actually fuck that#so yeah <3#I got into this game because someone made a classpect analysis of them <3#yo I did make the google forms about the aspect test to send you I just forgot about it.#just lwt me know if you still wanna take it and I'll send you the link •3•#a tag for asks#we know the devil#I need to put my tags for that game in order holy hell
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s-ccaam-era-crepe · 2 months
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have I told you guys how much I care about princess mary btw
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sickgraymeat · 10 months
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It’s Friday morning “crying real tears about how Nina from Molly of Denali reacted to Molly surprise visiting her on her birthday” hours
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luxrayz64 · 2 months
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jill tuck
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