#Maryse Alberti

[streamondemand]

'Velvet Goldmine' – David Bowie meets 'Citizen Kane' on MUBI

In Velvet Goldmine (1998), filmmaker Todd Haynes reimagines the Glam rock era and the iconic influence of David Bowie through the kaleidoscopic lens of Citizen Kane. Christian Bale plays Arthur Stuart, a reporter sent to investigate the legend of rock legend and bisexual pop icon Brian Slade (Jonathan Rhys-Myers as a not-so-thinly veiled Bowie), who disappeared a decade ago after staging his own…

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#1998 #Blu-ray #Christian Bale #DVD #Eddie Izzard #Ewan McGregor #Janet McTeer #Jonathan Rhys Meyers #Maryse Alberti #MUBI #Todd Haynes #Toni Collette #Velvet Goldmine #VOD

[facesofcinema]

Collateral Beauty (2016)

#2010s #actor naomie harris #dir david frankel #dp maryse alberti #cat melodrama #cat romance #american #brown #scarf #bokeh #brown eyes #ear #collateral beauty 2016 #collateral beauty

[junior-stargazer-goke91]

Creed (2015)

Director: Ryan Coogler

Cinematographer: Maryse Alberti

#creed 2015 #michael b jordan #slyvester stallone #ryan coogler #tessa thompson #black filmmakers #black films #black cinema #black directors #female cinematographers

[byneddiedingo]

Poison (Todd Haynes, 1991)

Cast: Edith Meeks, Millie White, Buck Smith, Anne Giotta, Larry Maxwell, Susan Norman, Scott Renderer, James Lyons, John R. Lombardi. Screenplay: Todd Haynes, based on novels by Jean Genet. Cinematography: Maryse Alberti. Production design: Sarah Stollman. Film editing: Todd Haynes, James Lyons. Music: James Bennett. 

Parody is often the sincerest form of appreciation, especially in the sections of Poison  labeled (in the end credits) “Hero” and “Horror.” The former takes on the true-crime documentary to tell the story of a boy who kills his father and then disappears; the latter smartly adopts the look and feel of old black-and-white horror movies in its account of a scientist's experiment gone awry. The third segment, “Homo,” is less parodic in nature, although it draws elements from prison movies to tell its story of an inmate's obsession with another man whom he had known in a previous incarceration. If you're used to the finesse Todd Haynes brings to his later films with big budgets and major stars, such as Far From Heaven (2002) and Carol (2015), the roughness of Poison may be a shock. But it's still a compelling and often disturbing movie. 

#Poison #Todd Haynes

[howardhawkshollywoodannex]

Ed Helms and Jason Clarke in Chappaquiddick (2017), photographed by Maryse Alberti. Mary was born in Langon, France, and has 100 cinematography credits from a 1984 video. Her entry among my best 1001 is Creed, impressively filming the fight scenes. Her recent credits include My Dinner with Herve, Hillbilly Elegy, and The Andy Warhol Diaries mini-series.

#ed helms #jason clarke #chappaquiddick

[proaudiovisualcmc]

Maryse Alberti (10 marzo 1954)

 Directora de fotografía, Jefa técnico en iluminación. Nacida en Langon, Francia.

1998: La primera película de gran presupuesto de Alberti fue  Velvet Goldmine.

2013:  Su serie de fotografía llamada The Pool Series apareció en la galería 'Show Room' ubicada en Brookyln, Nueva York.

Trabajos destacados: series y películas muy conocidas como “¿Quién es Anna?” “Creed: La leyenda de Rocky”.

#cine #directora #fotografia #jefa #iluminacion

[somebaconlover]

Creed (2015)

Directed by Ryan Coogler

Cinematography by Maryse Alberti

Starring Michael B Jordan, Sylvester Stallone and Tessa Thompson

"You can’t learn anything when you’re talking. That’s a fact of life. As long as you’re talking, you’re not listening."

#Spotify

[exposimetro]

Velvet Goldmine (1998)

#velvet goldmine #cinema #photo #waver velvet #the velvet underground #red velvet #photography #photoshoot #blue velvet #ewan mcgregor #christian bale #sandy powell #Christopher Hobbs #maryse Alberti #35mm film #Todd Haynes #boy #goldmines telefilms #gold coast #film #short film #filmography #cinematography #film stills

[mirmidones]

Favourite shots of Hillbilly Elegy (2020), directed by Ron Howard, cinematography by Maryse Alberti

my gifs - if you save/use, please reblog and credit me

#the rest of the movie was ok #i know it's based on a book #which apparently isn't very good #i don't care much #these first few shots made me weep #but they didn't keep it up for the rest of the film #hillbilly elegy #hillbilly elegy 2020 #kentucky #georgia #ohio #ron howard #maryse alberti #this has extreme trc vibes istg #fuck it #trc #mygifs #mine #holy #2nd time i'm posting this fuck you tumblr

[genevieveetguy]

The only place I get hurt is out there. The world don't give a shit about me.

The Wrestler, Darren Aronofsky (2008)

#Darren Aronofsky #Robert Siegel #Mickey Rourke #Marisa Tomei #Evan Rachel Wood #Mark Margolis #Todd Barry #Wass Stevens #Judah Friedlander #Dylan Keith Summers #Maryse Alberti #Clint Mansell #Andrew Weisblum #2008

[sesiondemadrugada]

Poison (Todd Haynes, 1991).

#poison (1991) #poison #todd haynes #maryse alberti #james lyons #sarah stollman #chas plummer #jessica haston

[absencesrepetees]

velvet goldmine (todd haynes, 1998)

#velvet goldmine #todd haynes #jonathan rhys meyers #toni collette #maryse alberti #s

[stillsmybeatingheart]

#velvet goldmine #jerry devine #eddie izzard #cigar #todd haynes #maryse alberti

[rogerdeakinsdp]

Female cinematographers: Maryse Alberti Creed (2015) Directed by Ryan Coogler

“We looked a little bit at some of the boxing sequences and the icons of the movies. I think that “Creed” becomes its own film, but in respecting the iconography of the older films. So yes, we did look at the “Rocky” films. But a strong influence for us was a French film, “The Prophet,” just for the use of steadicam, handheld and static shots. So we looked at that a lot. And then different boxing movies.” — Maryse Alberti on visual guidance for Creed

#mbjedit #tthompsonedit #doyouevenfilm #userrobin #userangela #filmedit #creed #maryse alberti #cinematography #fc #gif #* #ryan coogler: kids these days use home projectors they don't have screens #me crying: i'm poor ryan

[filmlinc]

The Female Gaze, a two-week survey of 36 films shot by 23 female cinematographers, begins July 26! This series spotlights the amazing work of such accomplished international female cinematographers as Agnès Godard, Natasha Braier, Kirsten Johnson, Joan Churchill, Maryse Alberti, Ellen Kuras, Babette Mangolte, and Rachel Morrison. Laura Mulvey’s landmark 1975 essay “Visual Pleasure and Narrative Cinema” suggested an imbalance of power in film dominated by the male gaze and heterosexual male pleasure; this series poses the question: is there such a thing as the “Female Gaze”?

This year, Morrison made history as the first woman nominated for the Best Cinematography Oscar for Mudbound, a triumph that also underscored the troubling issue of gender inequality in the film industry. Few jobs on a movie set have been as historically closed to women as that of cinematographer—the persistence of the term “cameraman” says it all. Despite this lack of representation, trailblazing women have left their mark on the field through extraordinary artistry and profound vision. As seen through their eyes, films by directors like Claire Denis, Jacques Rivette, Chantal Akerman, Ryan Coogler, and Lucrecia Martel are immeasurably richer, deeper, and more wondrous.

See the full lineup + schedule.

#cinematography #Agnès Godard #Natasha Braier #Kirsten Johnson #Joan Churchill #Maryse Alberti #Ellen Kuras #Babette Mangolte #Rachel Morrison

[mellowyknox]

“Creed″ Theatrical Trailer

Director: Ryan Coogler Cinematographer: Maryse Alberti

“Creed 2″:

Director: Steven Caple Jr. Cinematographer: Kramer Morgenthau

Year: 2015, 2018

#creed #cinema #trailer #steven caple #steven caple jr #kramer morgenthau #annapourna pictures #philadelphia #usa #boxing #ryan coogler #maryse alberti #sylvester stallone #michael b jordan #new line cinema #2015