#Masahiko Satoh

[zef-zef]

Brötzmann, Satoh, Moriyama - Yatagarasu from: Brötzmann, Satoh, Moriyama: The Heavyweights - Yatagarasu (Not Two Records, 2012)

Peter Brötzmann: Alto Saxophone, Tenor Saxophone, Tárogató, Clarinet [Bflat Clarinet] Masahiko Satoh: Piano Takeo Moriyama: Drums

#2010s #germany #japan #peter brötzmann #Masahiko Satoh #Takeo Moriyama #The Heavyweights #jazz #free jazz #improvisation #Not Two Records #2012 #Youtube

[donospl]

Co w jazzie piszczy [sezon 2 odcinek 7]

premierowa emisja 21 lutego 2024 – 18:00 Graliśmy: Rebeka Rusjan Zajc “Illusion” [fragm.]z albumu “Prelude” – Clean Feed Records Friends & Neighbors “Cecil” z albumu “Circles”– Clean Feed Records Jim Baker/Steve Hunt/Jakob Heinemann “Mozart” z albumu “Horizon Scanners”– Clean Feed Records Scheen Jazzorkester & Cortex “Weaving” z albumu “Frameworks – Music by Thomas Johansson” – Clean Feed…

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#Andy Moor #Clean Feed Records #Co w jazzie piszczy #Cortex #DL Room #Elliott Sharp #fönstret #Frank Rosaly #Friends & Neighbors #Giuseppe Doronzo #Jakob Heinemann #Jim Baker #Joana Sá #João Sousa #Jonas Cambien #Ken Vandermark #Lisa Ullen #Lol Coxhill #Masahiko Satoh #Miharu Ogura #Mike Cooper #Old Mountain #Paal Nilssen-Love #Pedro Branco #PNL Records #Rebeka Rusjan Zajc #Scheen Jazzorkester #Steve Hunt #Thanatosis Produktion #Thomas Johansson

[jacobwren]

Midori Takada・ Masahiko Satoh ‎– Lunar Cruise (1990)

#midori takada #masahiko satoh

[burlveneer-music]

VA - J Jazz Vol. 4: Deep Modern Jazz from Japan - Nippon Columbia 1968 -1981 - a new entry in BBE Music's excellent comp series

With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central. This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible style imaginable. Focussing on the key years 1968-1981, J Jazz volume 4 sees compilers Tony Higgins and Mike Peden dig even deeper into their record collections and pull-out tracks that span styles ranging from solo to big band, jazz classical interpretations and heavy jazz rock, to febrile post-bop, white hot samba fusion, and modal psychedelic wig-outs. J Jazz volume 4 features icons such as drum master Takeo Moriyama, keyboard magi Hiromasa Suzuki, Fumio Itabashi, and Masahiko Satoh, and guitar wizards Kazumi Watanabe and Kiyoshi Sugimoto, alongside big band maestros and innovators Nobuo Hara and his Sharps and Flats, and Toshiyuki Miyama’s New Herd. Thunderous basslines nestle alongside glistening runs of electric piano, bubbling synths and air-tight drumming as the heavy psychedelic modal blues of Jiro Inagaki flows with the infectious samba grooves of Takashi Mizuhashi featuring Herbie Hancock; Shigeharu Mukai’s fusion funk epics take the music to another level and Mikio Masuda’s driving keyboard rhythms brings the heat to an incendiary dancefloor zone. With 7,000 words of extensive sleeve notes, J Jazz vol 4 comes in a triple 180g vinyl set inside a deluxe gatefold sleeve with obi strip plus a 4 page insert. The double CD features two bonus tracks not on the vinyl edition. Mastered at the Grammy-nominated Carvery Studio by Frank Merritt, this latest collection is a worthy successor to the preceding three volumes that have set the bar so high. J Jazz is curated for BBE Music by Tony Higgins and Mike Peden. 

#jazz #various artists #compilation #bbe music #japan #fusion #70s #Bandcamp

[littleragondin]

when you get this you have to answer with 5 of ur fav songs and then tag your mutuals to do the same :) (no pressure <;3)

I have been tagged by the lovely @troubled-mind, thank you so much ( ´ ∀ `)ノ～ ♡ I will go with 5 current favorites/on repeat, in no particular order.

1. Valle Incantata - Satoh Masahiko w/ vocals by Nakayama Chinatsu from Belladonna of Sadness

For some reason, I've been thinking of this movie again recently. I saw it about 8 years ago in Paris, in the smallest theater I had ever been in, and the experience has stayed with me ever since. The OST is beautiful, but I especially enjoy this one. I love the haunted feeling of it, the high pitched line at the back, the way the singer's voice scraps at the start and the end, the sinister, deep laugh at the end.

2. Rebel - TVXQ!

I have been a fan of theirs since Keep Your Head Down in 2011 (yes, since it's only the two of them) and I am always happy when they have something new coming out. I really like this one, the throaty voice Yunho takes, Max holding the high notes, the way the rhythm keeps changing along, and that unexpected piano incursion at 1:41. Also the clip looks really cool.

3. fuck you i'm going underground - Grand Commander

This is my current, well, 'fuck it we ball' song for when everything just gets a little Too Much (but I realistically can't throw my work in my boss' face and run away so i need to exorcise the feelings differently). I really like Grand Commander's voice, and the music actually helps motivate me.

4. Thị Mầu - Hòa Minzy x Masew

For some reason, spotify recced me quite a few vietnamese songs recently, and I keep coming back to the last one to date (which apparently started a huge trend on tiktok). I am a sucker for songs that mix traditional and modern music so that's already a great start. I recently (like last week recently) checked the clip which is SO pretty, as well as the lyrics/story which are based on a play often adapted in traditional musical theater how cool is that?

5. Auf Wiedersehen - Mansfield. TYA

The clip is really long (but also really cool) so the song starts at 2:25. I love Mansfield. TYA, I think they are one of my favorite french groups. They do electronic music in a way I especially enjoy, I love their voices, and they have a whole universe that i vibe with. I really like this song, the synth and the battery make my bone vibrate I love it. That xylophone-like percussion is especially delicious.

If you feel so inclined, I'll take @iguessitsjustme @petrichoraline @sparklyeyedhimbo @gillianthecat @benkaaoi @dengswei and @silverquillsideas .｡.:*☆

#i had to rewrite it twice because tumblr kept glitching on me n.n #as you know I love love love to babble about the music i enjoy so thank you again for this opportunity <3 #tag games #music #video #Youtube

[mistermaxxx08]

Masahiko Satoh - Grama Grass (1979)

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[polyrhythmicbw]

Peter Brötzmann | Masahiko Satoh | Takeo Moriyama @ Cafe OTO, London, Hackney 06-09-2019 #RIP #PeterBrotzmann

#jazz #peterbrotzmann #rip

[mxjimonerobbie]

Belladonna of sadness (1973 Film)

Co directed by Osamu Tezuka

Directed by Eiichi Yamamoto

Music by

Masahiko Satoh

Edit: Masashi Furukawa

Cinematography: Shigeru Yamazaki

illustrator: Kuni Fuka

Found a wonderful style of animation yesterday! Even though this feature length film has some very dark themes to it it does convey images, music and dialogue a story about woman resilience. Even if it means making a deal with the devil.

It has achieved the psychedelic animation with pens and water colours. As well as the use of negative space and background to give focus on the characters storyline.

That and the sound track is unique and moving in this film.

With different textures of animation that involves painting animation when Jeanne found her connection to nature. Eventually helping her village find excitement and joy in life through sexual liberation and autonomy.

She lost her dignity, with someone in power taking it away from her, to her rediscovering and embodying her own sexuality and life again. Even if it meant making the deal with the devil to have control over her life again.

I will not recommend it for people who have or still processing their traumatic experiences of sexual and/or domestic violence.

And also a strobe warning for those who are are epileptic.

Here is a scene to get inspired for animation illustrator inspiration.

https://youtu.be/9BmAHCNxUto

Here is the link to the English subtitle

https://archive.org/details/kanashimi-no-belladonna

In conclusion it brings up intersting techniques to film making that is based on the editing and the intention of the animation as it doesn't have to be all animated to give narrative.

The use of space colour and animation technique gives the mood of the story, from brightly colour start at Jean and Jeanne wedding to very dark earth colours for traumatic events.

#belladonna of sadness #animation #hand drawing animation #artwork #research #inspiration #Japanese film

[holespoles]

Masahiko Satoh 1970

佐藤昌彦 1970

#Masahiko Satoh #佐藤昌彦 #Illustration

[sunkentreasurecove]

#Belladonna of Sadness #Eiichi Yamamoto #Tadami Watanabe #Yoshiyuki Fukuda #Masahiko Satoh #Shigeru Yamazaki #Mushi Production #animation #movie #cinema #anime

[crewneck]

lunar cruise by midori takada and masahiko sato (2017 reissue, wrwtfww records, WRWTFWW020CD)

#my scans #midori takada #masahiko satoh #haruomi hosono

[zef-zef]

Peter Brötzmann & Masahiko Satoh playing at ALL EARS FESTIVAL, Henie Onstad Kunstsenter, Høvikodden, Norway, January 16th, 2011.

#2010s #Germany #Peter Brötzmann #Japan #Masahiko Sato #Jazz #Free Jazz #Free Improvisation #Live Jazz #ALL EARS FESTIVAL #1972 #Norway #2011 #Youtube

[ambientyoutube]

[Text: The Medical Sugar Bank are pleased to donate this medicinal funk fusion clinic to treat acute funk syndrome of the ear holes and hips.]

#masahiko satoh #msb two #setting #Masahiko Satoh & Medical Sugar Bank #medical sugar bank #funk

[jsound]

宮沢昭, 佐藤允彦, 富樫雅彦, 荒川康男『Black Bass』

#Akira Miyazawa #contemporary jazz #post bop #free jazz #japanese music #instrumental #1969 #Masahiko Satoh #Yasuo Arakawa #Masahiko Togashi

[fischiff]

Ken Vandermark/Paal Nilssen-Love Duo

w/Yuji Takahashi/Masahiko Satoh

https://kenvandermark.com

https://www.paalnilssen-love.com

#ken vandermark #paal nilssen-love #yuji takahashi #masahiko satoh

[bluefunkymamma]

Toshiyuki Miyama

En 1921, uno de los gigantes del jazz japonés, Toshiyuki MIYAMA nació en Chiba-City, Japón. Se unió a la banda militar naval japonesa en 1939 y tocó en la cubierta de muchos buques de guerra japoneses . Poco después de la Guerra Mundial, demostró su habilidad como saxofonista alternativo y formó una banda de jazz Jive Aces en…

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#japón #jazz japonés #masahiko satoh #orquesta de jazz #orquestras #toshiyuki miyama