#Mike Grinser

[sxyx]

so calm baby

#PIOTR KUREK #Polygome #2019 #hands in the dark #Devin Greenwood #Mike Grinser #Florent Groc #cubism #peace

[minorscienceminorscience]

Second Language LP

“Parce que c’est plus facile d’écrire sans style”

Single LP & digital, Whities, April 3rd.

Artwork by Alex McCullough, stone carving by George Mason.

Mastered by Mike Grinser @ Manmade.

Buy here

[poolaloopa]

Susumu Yokota's Acid Mt Fuji finally available on vinyl. Double Vinyl 180Gr with insert and download code Included.

Written & Produced by Susumu Yokota Originally released in 1994 by Sublime Records Re-mastered by Mike Grinser at D&M Berlin Artwork Re-Edit by @jacopo_s ©Midgar 2018

#repress #Susumu Yokota #vinyl #remastered #house #techno #acid #classics #news #12'' #midgar

[version111a]

master laquers for VERSION 010 are cut 🥁thanks 2 mike grinser @manmademastering for the lovely mastering and crisp cut 👊🏼🔊🎯 (hier: Berlin, Germany)

[burlveneer-music]

Samuel Rohrer - Range of Regularity - focused primarily on the rhythms, a la Burnt Friedman (and I actually only found this by stumbling upon a Burnt Friedman remix of one of the tracks; see below)

Samuel Rohrer - prepared drums, cymbals, percussion. & moog, mini synth, electronics, detuned zitter, prepared piano, tubes.

"Constructed almost entirely upon electronically-treated recordings of acoustic instrumentation, with a bare minimum of synthesizer voicing, RoR vibrates with a compelling organicism - as if old-growth Black Forest trees had conspired together to make an album of ultra-modern improvisational music. Indeed, the record feels limned with contributions from some ‘other’ intelligence, despite being a clear extension of the fluid, percussion-driven musical technique that Rohrer has exhibited in previous years."

All music composed, recorded and produced by Samuel Rohrer Mixed by Ingo Krauss at Candy Bomber Studio except „Lenina" mixed by Tyler Friedman & Samuel Rohrer Mastering and vinyl cut by Mike Grinser, Manmade Mastering Layout and graphic design by Ian Anderson, The Designers Republic

arjunamusic records 2017 - electronic series

Samuel Rohrer Range of Regularity REMIXES 2 by Burnt Friedman & Ricardo Villalobos

#Samuel Rohrer #Range of Regularity #arjuna music #berlin #percussion #beats #minimalism #burnt friedman #electronic #experimental #techno #2017

[lowerparts]

LP13 GALAXIAN - Dosing The Population

Galaxian aka Mark Kastner runs his own Doppelganger Records, where he has released two of his albums. More recently he collaborated with DJ Stingray on the Dutch Shipwrec label. And now he mixes up heavy industrial influences with IDM and electro to create some high impact sonic weaponry. This new offering on Lower Parts is an arresting affair that operates at absorbingly high speeds. ‘Internal Colonies’ opens things up in spaced out fashion, with cosmic lifeforms and restless machine lines all journeying deep into the cosmos. The title track is darker and heavier, with frazzled and searching synths and tough hits, ‘Token Gesture’ is a tightly coiled track with serene ambient breakdowns between pulverising drums and ‘Impossible Promises’ layers up skittish drum patterns and blurring synths into something frenzied and paranoid. After the techno stomper that is ‘Malice’ things close down with a mournful ambient piece that sounds like the end of the world.                                                                             releases March 24, 2017                                         Written & Produced by Mark Kastner aka Galaxian Mastering & Lacquer Cut by Mike Grinser @ Dubplates & Mastering, Berlin Artwork by Astytekk ©Lower Parts , Athens 2017   

Pre- Order Now at https://lowerparts.bandcamp.com/album/dosing-the-population      

#SoundCloud #music #lower parts #Electro #Techno #Experimental #IDM

[lisboabeat]

This Week

04.04.18

LISBOA ELECTRONICA - MUSICULTURE 2018

Wednesday & Thursday, 4 & 5 April Red Bull Music Academy Lectures - 

Capitólio Theatre

Starting at 2PM

Carlos Maria Trindade, Mike Grinser, Rui Vargas and Serge.

Thursday, 5 April - Ministerium Club

From 10PM till 6AM

Discobar - Robin Ordell | Lamache

RAWAX & Shift Imprint - Robert Drewek b2b DJ AL | Audiopath live feat Jerry the Cat

Trelik - Baby Ford | Alex Celler

Werkdiscs - Actress live AV | Helena Hauff

Friday, 6 April - LX Factory

From 2PM till 6AM

Assemble Music - Raresh | Altitude live | Joao Maria

Carpet & Snares Records and Groovement - Stereociti live | Ze Salvador | Jorge Caiado

Gosu - Phil Evans | Manuel Schatz

Hayes - Vil & Temudo and - 2 live

LowMoneyMusicLove - Alexander Einetter | Diogo Lacerda

Melliflow - Vera | Alexandra

Ministerium Records - Sonja Moonear | Onirik | Berllioz & Zoy

Padre Himalaya - Silvestre and Renato

Part of the Gang - tINI | Topper

Pandilla LTD - Hélio | Diogo | Tiago

Piston Recordings - Rogério Martins | Johan | Ritz

трип - Nina Kraviz | Deniro

Saturday, 7 April - LX Factory

From 2PM till 6AM

Bloop and Half Baked - Fumiya Tanaka | Greg Brockmann | Magazino | Kaesar | Cruz

Clone Records - Serge | Legowelt

Flow Records - Cardia | Kokeshi | Berberan

Helena Records - Module Werk | Gonçalo

Interzona 13 - Stellar Om Source live | Luz Retina;

PoleGroup - Oscar Mulero | Lewis Fautzi | Tensal

Sensual Records - Michael Melchner | Benjamin Stager

Slow Life - S. Moreira live | Laurine | DJ Tree

The White Man & The Arab

Traffic Records - Martyné | Patrick Klein

Lisboa Electronica Musiculture is an event created with the objective of bringing together and attracting to the city all individuals and companies operating in the electronic music industry. It has the objective of promoting the city abroad and to involve the locals and all the production technologies associated with it. It ́s program is divided between a cultural and didactic program on one side, and a party/recreational program on the other. The event goes on for 4 days, scheduled for the 4th, 5th 6th & 7th of April.

04.04.18

MUSICBOX

HOUSE by LX Music

JOHN-E

MIGUEL TORGA

RENRI CS

HOUSE by Match Attack

#ourhouseisyourhouse

EVERY WEDNESDAY

MUSICBOX LISBOA

04.04.18

RIVE-ROUGE

VARELA

05.04.18

LUX FRÁGIL

CREAM DJ Glue convida 

MONO/POLY

Holly

Dj Glue

para a próxima noite C.R.E.A.M.. No dia 5 de Abril, a partir das 23 horas, o artista norte-americano e o DJ e produtor português mostram-nos o futuro das batidas no Lux Frágil. Directamente de Los Angeles, Estados Unidos da América, Charles Dickerson tem um currículo que fala por si: lançou música pela Brainfeeder, Warp Records e Planet Mu e contribuiu para discos de Thundercat (Drunk) e Kendrick Lamar (untitled unmastered). Se isto não chegar, sugerimos que escutem Golden Skies, o álbum lançado pela editora de Flying Lotus. Não será tempo perdido… Actualmente a residir nos EUA, o produtor português mais internacional do momento regressa a casa para actuar no Lux. Em 2018, Holly lançou um novo EP em colaboração com Landim e estreou-se (também com um EP) pela Alpha Pup Records. Os beats futuristas com tracção hip hop são celebrados com pompa e circunstância no bar do Lux. Façam um favor a vocês mesmos e não faltem.

Texto: 

Rimas e Batidas

Djaak live Lobo Christinne Algures no site para “music addicts” Discogs, há um disco do trio berlinense FJAAK que é descrito como “barulho rítmico”. Isto de meter etiquetas na arte vale o que vale, mas a descrição é bastante aceitável. A música que salta, ofegante e desabrida, das máquinas destes 3 rapazes, pode bem ser vista como uma massa sonora crua à beira do colapso, a qual é domada e moldada pelo trio com habilidade e alma. A escavar fundo estas montanhas de som, estão cavernosos ritmos, que frequentemente fogem à esquadria do quatro por quatro e resvalam para breakbeats com um delirante sabor aos tempos áureos do despontar do rave e hardcore britânico. É enfim música que pega em matrizes do techno clássico mas as entrega com uma convicção e irreverência absolutamente fresca, que levou os Modeselektor, que frequentemente os editaram na extinta 50 Weapons, a qualificarem-nos como uma das “next big thing” do género. O caos controlado dos FJAAK chega ao Lux, com fortes probabilidades de gerar tanto “barulho rítmico” na pista de dança como na cabine.

06.04.18

MICROCLUB Paolo Cortes

06.04.18

LUX FRÁGIL

Soichi Terada live Hunee Tiago   Soichi Terada regressa ao Lux num contexto diferente de atenção à música electrónica japonesa. A sua produção na primeira metade da década de 90 já era produto de uma consciência muito particular desse Extremo Oriente em relação a si mesmo. A segurança de se saber descendente de um outro universo fez com que Soichi Terada reajustasse naturalmente tons familiares em house e drum & bass. Deste lado, ouvimos a sua música e quase observamos um sol nascente. Não estamos a tentar fazer poesia, ele sim. Vê-lo ao vivo é uma experiência humana especial, calorosa, um daqueles momentos em que não apenas a música mas quem a toca - ou mostra - comunica directamente connosco de acordo com a mais básica premissa: encontrar um fundo comum. E não nos vamos iludir, se estamos na pista nós estamos à procura desse fundo comum. No eterno processo de influência e inspiração que sustenta desde cedo a música popular, talvez tenha sido necessário o amor pela deep house norte-americana para Soichi Terada assumir um brasão japonês e devolver cultura ao Extremo Ocidente. Pura fantasia? Estamos cá.   Hunee Qualquer DJ que leva a sério o seu trabalho reclama um estilo pessoal, mas são os nossos ouvidos que vão ajudar a dizer a verdade. Ao assistir a um set de Hunee, captamos imediatamente o seu empenho na música, o modo concentrado como combina os discos para, uma vez acertada a mistura, mostrar uma espécie de alívio trazido pela felicidade de manter viva uma história bonita. A sua exuberância na cabine é totalmente ligada aos discos, o seu movimento acompanha o ritmo, não tenta impô-lo. Com a base universal de House, Hunee é criativo nas escolhas e espalha pelo terreno os discos e estilos que sustentam a sua mensagem. E se acreditamos que a música é de facto toda a mensagem necessária num clube, também é impossível não reparar na linguagem corporal de um DJ que transmite prazer e, logo ali, coloca-se na generosa posição de intermediário. Hunee (reparem no nome que Hun Choi escolheu) manda uma transmissão incrível de boa onda com conteúdo. Em cima disso, outra coisa especial? Reintroduziu Soichi Terada no circuito com a compilação "Sounds From The Far East" em 2015. A sério.

07.04.18

MICROCLUB

John-E

John-e was born in 1977 in Lisbon, but was in Macau and Hong Kong where he began his interest in Parties and Electronic Dance Culture. He grew up with the British movement in the early 90s, had the pleasure to follow DJs like Lee Burridge in his early stages, destroying clubs like the "Big Apple" and the famous "Fire" parties. It was undoubtedly the vibe and the music experienced in this age of gold in Hong Kong and Macau that defined his vision as a DJ. John-e was 16 when he scored his first "gig" in Coloane (Macau) and had residencies in clubs like UFO (Macau), I SPY (Hong Kong), SANTA FE (Thailand) Full Moon Party in Had Rin @ Paradise Bungalow (Thailand) Always believing in his passion for the culture and the music, he decides to leave Asia in 1997 Looking for new challenges and knowledge, Between 1998 to 2001 settled in London where he played regularly at clubs like "414" and "George IV" and acted in some Techno festivals. London was definitely a hot spot back in the day, where he had the chance to explore several musical genres: from "Break Beat", "Acid Techno", "Progressive", '' Minimal '', "Deep House", ''Disco'' or ''Funk'', the thirst for knowledge led him to play a wide variety of music styles. 

07.04.18

RIVE ROUGE

BREECHES BUOY

BREECHES BUOY é Duarte - produtor e DJ nas festas da Editora Duro. Surge frequentemente em cabines insuspeitas para dar a conhecer as suas seleções. Desde os hits underground de disco aos edits mais ousados, Breeches Buoy assegura-nos que, com ele, o inesperado é garantido. No próximo sábado, vem dar-nos música a partir das 22 horas.

08.04.18

MICROCLUB

YAKINE ABI

[burlveneer-music]

The National Jazz Trio Of Scotland - Standards Vol. IV

“It's kind of a double bluff calling it the National Jazz Trio Of Scotland,” says Bill Wells of a group that is famously neither a jazz band or a trio. “I was trying to be kind of perverse about it, calling it jazz and then deliberately not having anything that actually related to jazz.” On their latest album, Standards Vol. IV, the National Jazz Trio continue their engagement with classic and outsider pop traditions, subtly building on their characteristic blend of beguiling melodies and spare arrangements. There is even, dare we say it, a hint of jazz. “For this record, I’ve opened it out,” explains Wells. “There are drums on it, which I haven't really had before, even though they're sampled drums, and there are bits of improvisation like with the viola on ‘Passing By’ and ‘A Quiet Life’. That's the first time there's ever been anything resembling improvisation on a National Jazz Trio album. I wanted something in there that was improvised and quite out there, very out there as it happened.” That latter track also features a sampled irruption of big band jazz, as if Wells is transmitting live from a New Orleans second line, Dictaphone in hand. Stewart Smith (more at Bandcamp) (much more) BILL WELLS SAMPLES KATE SUGDEN LEAD VOCALS ABY VULLIAMY VIOLA (5, 8, 11) AND BACKING VOCALS (7,11) GERARD BLACK BACKING VOCALS (11) WITH STEVIE JACKSON HARMONICA (2) / ARRANGED, RECORDED, MIXED, AND PRODUCED 2015 - 2017 AT LOATHSOME REELS BY BILL WELLS. MASTERED BY MIKE GRINSER AT MANMADE MASTERING. / VIOLA, GUITAR AND BASS SAMPLES ORIGINALLY RECORDED AT SPAGHETTI BY NORMAN BLAKE. ALL TRACKS WRITTEN BY BILL WELLS EXCEPT FAR FROM YOU - WORDS BY AIDAN MOFFAT, AND SUMMER’S EDGE BY RICHARD YOUNGS. / ARTWORK BY ANNABEL WRIGHT. DESIGN BY A VISUAL AGENCY.

#The National Jazz Trio Of Scotland #Standards Vol. IV #glasgow #scotland #cinematic #jazz #female vocal #2018 #experimental #folk #electronic