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writemarcus · 2 years

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Gingold Theatrical Group to Present SPEAKERS' CORNER New Play Development Workshops

Featuring: Karma Sutra Chai Tea Latte, Vigil-Aunties, There Goes The Neighborhood, and Howl From Up High.

by Chloe Rabinowitz May. 18, 2022

Gingold Theatrical Group, now in its 17th Season, is continuing its new play development with the Plays-In-Progress AEA-approved Showcases of this year's SPEAKER'S CORNER Writers Group. This season, writers Aeneas Sagar Hemphill, Divya Mangwani, Marcus Scott and Mallory Jane Weiss are developing works in response to prompts from the revolutionary activist humanitarian writings and precepts of George Bernard Shaw. These Actors Equity Association approved 29-hour workshops culminate with a presentation as an opportunity for each playwright to assess where they are with their work and to determine the next steps to be taken. These invitation-only presentations will take place at ART-NY Studios (520 8th Avenue). Space for each final presentation is extremely limited and reservations must be made, so to request the opportunity to attend any of these events please email [email protected] This year's showcases will be:

Howl From Up High

by Mallory Jane Weiss, Directed by Lily Riopelle Thursday May 19th at 6pm Purva Bedi, Tori Ernst, Jacqueline Guillen, Sarah Rose Kearns, Adam Langdon, Collin McConnell; Assistant Director, Margaret Lee

Vigil-Aunties

by Divya Mangwani, Directed by Arpita Mukherjee Friday May 20th at 7pm Anya Banerji, Aadya Bedi, Sayali Niranjan Bramhe, Rahoul Roy, Mahima Saigal, Salma Shaw, and Rita Wolf; Assistant Director, Sara Vishnev

There Goes The Neighborhood

by Marcus Scott, Directed by Dev Bondarin Friday June 3rd at 7pm Phillip Burke, Shavanna Calder, Anthony Goss, Ashley Jossell, Olivia Kinter, Monique Robinson, David Rowen, Cliff Sellers; Stage Manager Elliot J. Cohen.

Karma Sutra Chai Tea Latte

by Aeneas Hemphill, Directed by Arpita Mukherjee, Monday June 6th at 2pm Shawn, Jain, Sean Devare, Salma Shaw, Khyati Sehgal, Mahima Saigal; Stage Manager Elliot J. Cohen

"Among the many programs we've developed over the last 17 years, developing new plays with the intent to produce and publish, has always been the most ambitious dream of all of us at Gingold. While we continue to produce our annual full off-Broadway productions of plays by George Bernard Shaw, we plan to add at least one new play to our schedule to share with our devoted patrons," said David Staller. Named after the corner of London's Hyde Park where George Bernard Shaw and other political speakers have delivered speeches since 1855, GTG's SPEAKERS' CORNER brings together six to ten writers each year who will spend the year exploring a specific Shaw play and writing individual new plays in response to that text and Shaw's forward thinking humanitarian ideals. Speakers' Corner members meet bi-monthly, and GTG will host showings of the works that Speakers' Corner develops at the end of the season. The group's members were identified through an open application process under the guidance of Becker, GTG Artistic Director David Staller, and this season's Speakers' Corner Readers and Advisory Committee: Ilana Becker, Stephen Brown-Fried, Ralph B. Peña, Daphne Rubin-Vega, Sharon Washington, along with Speakers' Corne alumni Hank Kim, and Lorenzo Roberts.

WRITERS:

Aeneas Sagar Hemphill (he/him) is an Indian-American playwright and screenwriter based in NYC and DC. Weaving through many genres, his work builds new worlds to illuminate our own, investigating the ghosts that haunt our lives and communities with passion, pathos, and humor. He was a 2019 Resident Artist with Monson Arts Center and 2017-2018 Playlab fellow at Pipeline Theatre, as well as semi-finalist for the 2019 Princess Grace Award, semi-finalist for the 2019 Mabou Mines Resident Artist Program, and finalist for the 2017 Many Voices Fellowship. His plays include: Black Hollow (Argo Collective, Dreamscape Theatre), The Troll King (Pipeline), Childhood Songs (Monson Arts), The Republic of Janet & Arthur (Amios), The Red Balloon (Noor Theatre), A Stitch Here or There (DarkHorse Dramatists, Slingshot Theatre), A Horse and a Housecat (Slingshot Theatre). MFA Playwriting, Columbia University. Divya Mangwani is a writer and theatre artist from Pune, India, based in New York. She examines the absurdities of the social, political and mythical. Her work focuses on global identity and belonging. Divya was the founder and Artistic Director of Moonbeam Factory Theatre, where she wrote, directed, and produced plays in India, Singapore and Glasgow. In New York, she has developed work with UNICEF, Soho Rep, New York Theatre Workshop, Gingold Theatrical Group, Rattlestick Theatre, Mabou Mines, Hypokrit Theatre, The Flea, Project Y, Pipeline Theatre, Rising Sun, and Governors Island. Divya is a recent fellow of the Soho Rep Writer/Director Lab and the Gingold Theatrical Group Speakers Corner and was a NYTW 2050 Artistic Fellow, Hypokrit Theatre Tamasha playwright, Project Y Writers Group and Playlab fellow at Pipeline Theatre. Divya has also worked as a journalist and editor at The Times of India, ESPN, Crisis Response Journal, and Daily News & Analysis. Marcus Scott is a dramatist & journalist. Selected work includes Tumbleweed (finalist for the 2017 Bay Area Playwrights Festival; semifinalist for the 2022 Eugene O'Neill Theater Center National Playwrights Conference, the 2022 Blue Ink Playwriting Award & the 2017 New Dramatists Princess Grace Fellowship Award), Sibling Rivalries (finalist for the 2021 Seven Devils Playwrights Conference; semi-finalist for the 2022 Lanford Wilson New American Play Festival, the 2021 Blue Ink Playwriting Award & the 2021 New Dramatists Princess Grace Fellowship Award) and Cherry Bomb (recipient of the 2017 Drama League First Stage Artist-In-Residence). He was commissioned by Heartbeat Opera to adapt Beethoven's Fidelio (Librettist/Co-writer; The Met Museum; NY Times Critic's Pick). Recently developed at Gingold Theatrical Group (Speaker's Corner), Zoetic Stage (Finstrom Festival Of New Work), Queens Theatre (New American Voices series) and The Road Theatre Company's Under Construction 3 Playwrights Group and Cohort 2 of the Southern Black Playwrights Lab at the Mojoaa Performing Arts Company. Scott is a 2021 NYSAF Founders' Award finalist and a 2021 Doric Wilson Independent Playwright Award semi-finalist. His articles appeared in Architectural Digest, Time Out New York, American Theatre Magazine, Playbill, Elle, Out, Essence, The Brooklyn Rail, among others. MFA: GMTWP, NYU Tisch. Mallory Jane Weiss's plays include Big Black Sunhats (The O'Neill National Playwrights Conference 2022; Clubbed Thumb Biennial Commission finalist 2020), Lights Out and Away We Go (Clubbed Thumb reading June 2022), The Page Turners (The O'Neill National Playwrights Conference finalist 2021), Pony Up (Princess Grace Finalist 2019; SPACE on Ryder Farm semi-finalist 2020), Howl From Up High (in development with Gingold Theatrical Group), Evermore Unrest (Red Bull Short New Play Festival 2020), Dave and Julia are stuck in a tree (Playing on Air's James Stevenson Prize 2020), and Losing You, Which Is Enough (workshop readings at The Lark and Cherry Lane Theatre). She is a member of Clubbed Thumb's Early Career Writers' Group (2021-2022), The COOP's Clusterf**k vol. 2 (2021), Gingold Theatrical Group's Speakers Corner, and Fresh Ground Pepper's BRB Retreat (2019). Mallory earned her B.A. from Harvard University and her M.F.A. in playwriting from The New School. She also works as a Senior Writer for Ethena, where she creates harassment-prevention training in the form of short-form articles, graphic novels, audio plays, and more. In addition to Speakers' Corner, GTG's on-going play development also includes PRESS CUTTINGS, which, in recognition of Shaw's career as a theatre critic, supports the development of new plays written by theatre journalists. Press Cuttings has commissioned new plays by Jeremy McCarter, Robert Simonson, and David Cote, and, in June of 2017, presented an AEA workshop of David Cote's Otherland directed by May Adrales. This fall, GTG returned to live, in person performance with the acclaimed revival of Bernard Shaw's Mrs. Warren's Profession starring Robert Cuccioli, David Lee Huynh, Alvin Keith, Nicole King, Raphael Nash Thompson, and Tony® Award winner Karen Ziemba as Mrs. Warren, which recently completed its acclaimed Off-Broadway engagement at Theatre Row, directed by David Staller. Terry Teachout, reviewing Mrs. Warren's Profession in The Wall Street Journal, declared "Mr. Staller, who knows everything there is to know about Shaw, has not only staged the play but edited the text with his accustomed skill. All the more reason, then, to praise David Staller, the artistic director of Project Shaw, a long-running series of semi-staged concert readings of the playwright's 60-odd shows. In addition to Project Shaw, Mr. Staller's Gingold Theatrical Group presented fully staged small-scale off-Broadway versions of Heartbreak House in 2018 and Caesar and Cleopatra in 2019, and now they're doing Mrs. Warren's Profession. The production is completely satisfying... Sprinkled with tart, school-of-Wilde epigrams ('There are no secrets better kept than the secrets everybody guesses') and overflowing with glittering talk, it's a foolproof vehicle for six accomplished actors and a director who, like Mr. Staller, knows better than to let the play become a static chat-fest. Instead, he keeps the actors moving and the pace brisk, and the results are immensely pleasurable." GINGOLD THEATRICAL GROUP creates theater that supports human rights, freedom of speech, and individual liberty using the work of George Bernard Shaw as our guide. All of GTG's programs are inspired by Shaw's humanitarian values. Through full productions, staged readings, new play development, and inner-city educational programs, GTG brings Shavian precepts to audiences and artists across New York, encouraging individuals to breathe Shaw's humanist ideals into their contributions for the future. Shaw created plays to inspire peaceful discussion and activism and that is what GTG aims to accomplish. GTG's past productions include Man and Superman (2012), You Never Can Tell (2013), Major Barbara (2014), Widowers' Houses (2016), Heartbreak House (2018), and Caesar & Cleopatra (2019). Founded in 2006 by David Staller, GTG has carved a permanent niche for the work of George Bernard Shaw within the social and cultural life of New York City, and, through the Project Shaw reading series, made history in 2009 as the first company ever to present performances of every one of Shaw's 65 plays (including full-length works, one-acts and sketches). GTG brings together performers, critics, students, academics and the general public with the opportunity to explore and perform theatrical work inspired by the humanitarian and activist values that Shaw championed. All comedies, these plays boldly exhibit the insight, wit, passion and all-encompassing socio-political focus that distinguished Shaw as one of the most inventive and incisive writers of all time. Through performances, symposiums, new play development, and outreach, as well as through our discussion groups and partnerships with schools including SUNY Stony Brook, Regis, the De La Salle Academy, and The Broome Street Academy, GTG has helped spark a renewed interest in Shaw across the country, and a bold interest in theater as activism. Young people are particularly inspired by Shaw's invocation to challenge the strictures society imposes, to embrace the power of the individual, to make bold personal choices and to take responsibility for these choices. GTG's new play development lab, Speakers' Corner, created to support playwrights inspired by Shaw's ideals, is now in its second cycle. Through monthly prompts and feedback, writers develop work inspired by or in response to a specific Shaw text. Plays developed through Speakers' Corner will be nurtured in workshops and readings with the expectation that GTG will publish or produce them. GTG encourages all people to rejoice in the possibilities of the future. All of GTG's programming is designed to inspire lively discussion and peaceful activism with issues related to human rights, the freedom of speech, and individual liberty. This was the purpose behind all of Shaw's work and why GTG chose him as the guide toward helping create a more tolerant and inclusive world through the exploration of the Arts. For more information about the Workshops or any of Gingold Theatrical Group's projects, please call 212-355-7823, email [email protected], or visit online at www.gingoldgroup.org.

#Gingold Theatrical Group #GTG #Speakers' Corner #Mallory Jane Weiss #Divya Mangwani #Aeneas Hemphill #Arpita Mukherjee #Lily Riopelle #Dev Bondarin #Marcus Scott #MarcusScott #WriteMarcus #Write Marcus

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ao3feed-brucewayne · 1 year

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Lucifer's toys

read it on the AO3 at https://ift.tt/QuqHErc

by KidFlash0212

The devil defeated all heroes and villains, but the most hottest in the world still on earth, now they are the toys of the king of hell, but isn't bad as it seems, they're immortal and all the useless needs and useless emotions were replaced by an endless lust, the ones that were sometimes the most heroic Earth's strongest and most feared villains, now they are the horniest heroes in the universe.

Words: 61, Chapters: 1/?, Language: English

Series: Part 1 of Movies are horny.

Fandoms: Lucifer (TV), Man of Steel (2013), The Avengers (Marvel Movies), Spider-Man (Tom Holland Movies), Shazam! (Movies - Sandberg), X-Men (Movieverse), The New Mutants (2020), Arrowverse - Fandom, The Flash (TV 2014), Black Lightning (TV)

Rating: Explicit

Warnings: Rape/Non-Con, Underage

Categories: M/M, Multi

Characters: Steve Rogers, James "Bucky" Barnes, Thor (Marvel), Winn Schott Jr., Clark Kent, Kon-El | Conner Kent, Hal Jordan (Green Lantern), Guy Gardner, John Constantine, John Stewart (DCU), John Diggle (DCU), William Clayton (Arrow TV 2012), Oliver Queen, Barry Allen, Tim Drake, Jason Todd, Dick Grayson, Roy Harper, Fandral (Marvel), Clint Barton, Pietro Maximoff, Helmut Zemo, Peter Quill, Billy Batson, Freddy Freeman (DCU), James "Jimmy" Olsen, James Howlett (X-Treme X-men), Scott Summers, Alex Summers, Hank McCoy, Sam Guthrie, Roberto da Costa, Lucifer Morningstar (Lucifer TV), Erik Lehnsherr, Nate Heywood, Ray Palmer, Ralph Dibny, Mark Mardon, Hartley Rathaway, Eddie Thawne, Ronnie Raymond, Khalil Payne, Damian Wayne, Bruce Wayne, Quentin Beck, Peter Parker, Malcolm Merlyn, Hunter Zolomon | Jay Garrick, Adrian Chase, Christopher Smith | Peacemaker, Arthur Curry (DCU), Scott Lang, Hank Hall, Mark Blaine, Johnny Storm, Pedro Peña, Sam Alexander

Additional Tags: Plot What Plot/Porn Without Plot, Himbo, Mind Control

read it on the AO3 at https://ift.tt/QuqHErc

#IFTTT #bruce wayne #batman #the dark knight #the cape crusader #gotham #dc universe #ao3 #ao3feed

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duncandiffusions · 2 years

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AI Art Renderings - from the prompt "Seth Rogen, Michael Peña, Daniel Kaluuya, Christine Baranski, Judy Greer, and Cheryl Lee Ralph in a remake of the movie Clue"

Made with Dream Studio

#dream studio #ai art #ai art generator #stable diffusion #ai artwork

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byneddiedingo · 2 years

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Robert Mitchum, Jane Greer, Patric Knowles, John Qualen, and William Bendix in The Big Steal (Don Siegel, 1949) Cast: Robert Mitchum, Jane Greer, William Bendix, Patric Knowles, Ramon Novarro, Don Alvorado, John Qualen, Pascual García Peña. Screenplay: Daniel Mainwaring, Gerald Drayson Adams, based on a story by Richard Wormser. Cinematography: Harry J. Wild. Art direction: Ralph Berger, Albert S. D'Agostino. Film editing: Samuel E. Beetley. Music: Leigh Harline. Can film noir be funny? The Big Steal is unquestionably noirish, reteaming as it does the pair from the über-noir Out of the Past (Jacques Tourneur, 1947), Robert Mitchum and Jane Greer, and involving a lot of twists and turns in its plot centered on a payroll heist. But director Don Siegel and his cast give it a lightness and wit that elicits as much amusement as suspense. Ramon Novarro has some droll moments as a Mexican police inspector.

#The Big Steal #Don Siegel #Robert Mitchum #Jane Greer

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hardlyinteresting · 2 years

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Pedro Pascal Characters as classic novels (Characters and book list below the cut) Please reblog if you save! Pedro characters Writing Masterlist

Max Phillips-- The Invisible Man by Ralph Ellison Din Djarin-- The Hobbit by J.R.R Tolkin Dave York-- Crime and Punishment by Fydor Dostoyevsky Marcus Moreno--The Count of Monte Cristo by Alexandre Dumas Oberyn Martell-- Little Women by Louisa May Alcott Jack Daniels--Anna Karenina by Leo Tolstoy Marcus Pike--The Picture of Dorian Gray by Oscar Wilde Pero Tovar--Jane Eyre by Charlotte Brontë Javier Peña--To Kill a Mockingbird by Harper Lee Maxwell Lord--The Great Gatsby by F. Scott Fitzgerald Frankie Morales-- A Farewell to Arms by Ernest Hemingway Ezra Prospect--We Have Always Lived in the Castle by Shirley Jackson

#din djarin x reader #frankie morales x reader #marcus pike x reader #javier pena x reader #jack daniels x reader #agent whiskey x reader #ezra prospect x reader #pero tovar x reader #maxwell lord x reader #max phillips x reader #dave york x reader #pedro pascal characters #pedro pascal

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tintinwrites · 3 years

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What Cologne Pedro Characters Wear but I’m an Asshole to the Characters

Love Pedro and love reading headcanons, this is for fun!!

Agent Whiskey: No cologne, only original Old Spice deodorant. That’s what my grandpa wears too!

Comandante Veracruz: Axe. He asks Commander Axe if he can have some free products because he thinks that he owns the company.

Dave York: You know when you were a kid and you’d go into your parents’ bedroom and there was this frosted glass bottle of cologne on your dad’s nightstand that was definitely from the 80′s but only half empty? That’s it.

Din Djarin: Okay, listen. He doesn’t always have the time or the means to bathe and we can all admit that, so he’s a little...questionable. When he does get to bathe it’s just standard soap, kinda gross. Like the soap you use in a KFC bathroom.

Ezra: So everyone likes to say he’s disgusting since he lives on the Green and they’d risk all his gunk in their genitals and it makes me gag I’m begging you to stop. He probably does have a way to bathe and is perfectly clean, but much like Din, it’s like the soap in a KFC bathroom.

Frankie ‘Catfish’ Morales: Polo by Ralph Lauren, but it’s in a metal spray can and it cost ten dollars.

Javier Peña: I don’t think he puts on cologne very often so he’s probably just soapy and deodorant-y, but he might sometimes use Eternity by Calvin Klein which he only has because he was going to get laid and didn’t have time to shower so he bought the first cologne he found and spritzed it in the necessary places.

Marcus Pike: CK One which is what he’s been wearing since he was a teenager, which is maybe why women leave him I don’t know.

Marcus Moreno: No cologne. Men’s Dove body wash and Gain laundry detergent.

Maxwell Lord: He probably had a bunch of cologne and mostly used something by Cartier but now he’s poor so he relies on Right Guard deodorant and cologne samples from department stores.

Max Phillips: Obsession for Men and if you ask him what he’s wearing he whispers it as seductively as possible.

Oberyn Martell: Probably gets like sex baths all the time. He’s floral for a solid second and then he fucks and it’s cum. Just cum.

Pero Tovar: Bathes once a month after lots of travel/farming/physical work and uses lye and beef tallow as soap. And if you think that’s gross, guess who gets to use the bath water after him!!

#pedro character headcanons

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kvetchlandia · 4 years

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Dennis Stock Gerry Mulligan (baritone sax), Jimmy Giuffre (tenor sax), Jim Hall (guitar), and Ralph Peña (bass) Rehearsing Prior to Their Appearance at the Newport Jazz Festival 1957

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themovieworldaccordingtotps · 3 years

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WORST MOVIES OF 2020

1. Angry Asian Murder Hornets Director: Dustin Ferguson Cast: Clint Beaver, Jarad Allen, Elizabeth Barstow Critic’s Notes: There have been many cheap COVID-exploitation movies that popped out last year. And this is perhaps the worst since its less-than-80-minutes running time is filled with disconnected old trailers and ads. 2. Artemis Fowl Director: Kenneth Branagh Cast: Ferdia Shaw, Lara McDonnell, Josh Gad, Tamara Smart, Nonso Anozie. Colin Farrell, Judi Dench Critic’s Notes: Eion Colfer’s YA series is an intriguing antihero’s journey. So, of course, Disney butchered its adaptation with a hastily packaged fantasy that diluted Artemis’ menacing personality and failed capturing its “Die Hard with fairies” setup. 3. Bobbleheads The Movie Director: Kirk Wise Cast: Cher, Jennifer Coolidge, Hala Finley, Karen Fukuhara, Khary Payton, Julian Sands, Brenda Song, Luke Wilson Critic’s Notes: From the producers of Foodfight. It is what you expect. But this is more painful to watch, as it contains the most nightmare-inducing final dance scene in an animated movie. 4. Dolittle Director: Stephen Gaghan Cast: Robert Downey Jr., Antonio Banderas, Michael Sheen, Emma Thompson, Rami Malek, John Cena, Kumail Nanjiani, Octavia Spencer, Tom Holland, Craig Robinson, Ralph Fiennes, Selena Gomez, Marion Cotillard, Jason Mantzoukas Critic’s Notes: With cast and prestige like that, one can expect a true Oscar caliber. However, it is in a family adventure bomb with an embarrassed Downey Jr. phoning it in. 5. Fantasy Island Director: Jeff Wadlow Cast: Michael Peña, Maggie Q, Lucy Hale, Austin Stowell, Jimmy O. Yang, Ryan Hansen, Portia Doubleday, Michael Rooker Critic’s Notes: Blumhouse’s take on the classic Ricardo Montalban TV series does not bear its charm or subtleties. Instead, expect a snore-worthy version of Truth Or Dare. 6. Force of Nature Director: Michael Polish Cast: Emile Hirsch, Kate Bosworth, Mel Gibson, David Zayas, Stephanie Cayo Critic’s Notes: Force of Nature makes The Hurricane Heist look like The Impossible. And the presence of one Mel Gibson makes it a droning sit. 7. Homeward Director: Michael Johnson Cast: Joey Lawrence, James Cullen Bressack, Kim Little, D.C. Douglas, Dylan Vox, Jamey Rimawi, Tom Green Critic’s Notes: Of course, The Asylum is active in bringing mockbusters. And out of their animated rip-offs, Homeward bears the most egregious resemblance to its superior source, Onward. 8. Songbird Director: Adam Mason Cast: KJ Apa, Sofia Carson, Craig Robinson, Bradley Whitford, Peter Stormare, Alexandra Daddario, Paul Walter Hauser, Demi Moore Critic’s Notes: This is Michael Bay’s COVID-exploitation movie. So, it obviously contains numbing action scenes and tedious subplots in-between. Plus, given the situation, Songbird is tasteless. 9. The Last Days of American Crime Director: Olivier Megaton Cast: Édgar Ramírez, Michael Pitt, Anna Brewster, Patrick Bergin, Sharlto Copley Critic’s Notes: There have been many movies last year that were released in bad timing. This actioner that glorifies its lawless violence is one of them. And it is best left rotting.

10. The Last Thing He Wanted Director: Dee Rees Cast: Anne Hathaway, Ben Affleck, Rosie Perez, Edi Gathegi, Mel Rodriguez. Toby Jones, Willem Dafoe Critic’s Notes: A pure disappointment, given the huge talent on and behind the camera, The Last Thing He Wanted adapted an enriching source material about journalism and does nothing with it. Ironically, the title is enough a sign. Dishonorable Mentions: Christmas in the Rockies, Come Away, A Fall From Grace, Hillbilly Elegy, Wild Mountain Thyme

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avarkriss · 4 years

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I was tagged by the wonderful @beskars thank you 💕

five favorite books:

Ghosts by Henrik Ibsen (and really all of his work, it's hard to pick just one)

The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures by Anne Fadiman

Othello by Shakespeare

One Hundred Years of Solitude by Gabriel Garía Márquez

The Curious Incident of the Dog in the Night-Time by Mark Haddon

five favorite drinks:

Tea: especially with ginger, lemon, and honey; cold or hot, I really love tea

Strawberry lemon mint infused water

Mango carrot ginger juice

Diet coke, especially the cherry kind

Tequila 🤷‍♀️

five favorite songs (at the moment):

Sinful - Illangelo Remix: Rhye

Cravin': Stileto ft Kendyle Paige

Mi Gente: J. Balvin

Vultures: Asking Alexandria

The Jester: Badflower

five favorite quotes:

"The truth is this: every monster you have met or will ever meet was once a human being with a soul that was as soft and light as silk; Someone stole that silk from their soul and turned them into this. So when you see a monster next always remember do not fear the thing before you fear the thing that created it instead." Nikita Gill

"You cannot do a kindness too soon, for you never know how soon it will be too late." Ralph Waldo Emerson

"Though my soul may set in darkness, it will rise in perfect light; I have loved the stars too fondly to be fearful of the night." Sarah Williams

"Always forgive your enemies - nothing annoys them so much." Oscar Wilde

"Above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it." Roald Dahl

five favorite fictional characters:

Javier Peña (to no one's surprise)

Francisco Catfish Morales

Din Djarin (and that cute lil gremlin that follows him around)

Obi-Wan Kenobi (especially the spicy version 👀)

Thor (mostly the comic book version, but I'll take the Ragnarock iteration too)

Always no pressure tags! @pedropascalito @huliabitch @ababysupernova @opheliaelysia @spookyold-saintjm @seawhisperer @winters-buck

#tag game #about me #i typed this whole thing and didn't drop my phone once and I'm very proud of me

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odk-2 · 4 years

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Frank Sinatra with Nelson Riddle and Orchestra - Summer Wind (1966) Music by Heinz Meier / Lyrics by Johnny Mercer from: "Strangers in the Night" LP

Traditional Pop

JukehostUK (left click = play) (320kbps)

Personnel:

Vocals: Frank Sinatra Conductor: Nelson Riddle

Trumpets: Pete Candoli Don Fagerquist Cappy Lewis Ray Triscari

Trombones: Dick Noel Tommy Pederson Tom Shepard

Bass Trombone: George Roberts

Woodwinds: Chuck Gentry Justin Gordon Bill Green Harry Klee Abe Most

Saxophones: Chuck Gentry Justin Gordon Bill Green Harry Klee Abe Most

Violins: Victor Arno Israel Baker Victor Bay Alex Beller Herman Clebanoff James Getzoff Anatol Kaminsky Ralph Schaeffer Paul Shure

Violas: Paul Robyn Barbara Simons

Cellos: Justin DiTullio Elizabeth Greenschpoon Armand Kaproff

Piano: Bill Miller Organ: Artie Kane Guitar: Al Viola Bass: Ralph Peña Drums: Irv Cottler Percussion: Victor Feldman

Arranged by Nelson Riddle Produced by Sonny Burke

Recorded: @ Studio 1, Western Recorders Studios on May 16, 1966 in Hollywood, California USA

#Nelson Riddle #Johnny Mercer #Traditional Pop #1966 #Frank Sinatra #Summer Wind #1960's

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queenofangrymoths · 4 years

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Book Log of 2019

I kept a record of how many books I read in 2019. I liked most of them so I would recommend you give any of them or read.

So on with the list! If it has an X next to it then it means I didn’t finish reading it.

#1: Warcross by Marie Lu.

#2: Children of Blood and Bone by Tomi Adeyemi.

#3: Kingdom of the Blazing Phoenix by Julie C. Dao.

#4: Bruja Born by Zoraida Córdova.

#5: A Thousand Beginnings and Endings by Roshani Chokshi, Alyssa Wong, Lori M. Lee, Sona Charaipotra, Aliette De Bodard, E. C. Myres, Aisha Saeed, Preeti Chhibber, Renée Ahdieh, Rahul Kanakia, Melissa De La Cruz, Elsie Chapman, Shveta Thakrar, Cindy Pon, and Julie Kagawa.

#6: The 57 Bus by Daska Slater

#7: The Dark Descent Of Elizabeth Frankenstein by Kristen White.

#8: Three Dark Crowns by Kendare Blake

9#: Broken Things by Lauren Oliver.

10# The Raven Boys by Maggie Stiefvater

11# A Study In Charlotte by Arthur Doyle

12# Simon Vs The Homo sapiens agenda by Becky Albertalli

13# The Dream Thieves by Maggie Stiefvater

14# Blue Lily, Lily Blue by Maggie Stiefvater

15# The Raven King by Maggie Stiefvater

16# Carry On by Rainbow Rowel

17# Teen Trailblazers, 30 fearless girls who changed the world before they were 20 by Jennifer Calvert

18# Evermore by Sara Holland

19# The White Stag by Kara Barbieri

20# One Dark Throne by Kendra’s Blake

21# Six of Crows by Leigh Bardugo

22# A Blade So Black by L.L. McKinney

23# King of Scars by Leigh Bardugo X

24# Truly Devious by Maureen Johnson

25# The Vanishing Stair by Maureen Johnson

26# Death on the Nile by Agatha Christie

27# Mythology by Edith Hamilton

28# Percy Jackson Greek Gods by Rick Riordan

29# Two Can Keep A Secret by Karen M McManus

30# The Hazel Wood by Melissa Albert

31# Murder on the Orient Express by Agatha Christie

32# Superman: Dawnbreaker by Matt De La Peña

33# The Phantom of The Opera by Gaston Leroux

34# Roseblood by A.G Howard X

35# Catwoman: Soulstealer by Sarah J Maas

36# Wonder Woman: Warbringer by Leigh Bardugo

37# Velvet Undercover by Teri Brown

38# Through The Woods by Emily Caroll

39# The Wicked Deep by Shes Ernshaw

40# Wicked Lovely by Melissa Marr

41# Girls of Paper and Fire by Natasha Ngan

42# Where She Fell by Kaitlin Ward

43# Modern Herstory: Stories Of Women and non binary people rewriting history by Blair Imani

44# White Rabbits by Caleb Roehrig

45# To Kill A Mockingbird by Harper Lee Adapted by Fred Fordham

46# Wicked Saints by Emily A. Duncan

47# Ever The Hunted by Erin Summeril

48# Four Dead Queens by Astrid Scholte

49# Lost Souls, Be At Peace by Maggie Thrash

50# Honor Girl by Maggie Thrash

51# The Giver by Lois Lowry adapted by P.Craig Russell

52# My Plain Jane by Cynthia Hand. Brodi Ashton, and Jodi Meadows

53# What If It’s Us by Becky Albertalli and Adam Silvera X

54# An Assassin’s Guide to Love & Treason by Virginia Boecker

55# The Count Of Monte Cristo by Alexandre Dumas adapted by Nokman Poon and Crystal S. Chan

56# The Fellowship Of The Ring by J.R.R Tolkien

57# What is someone I know is gay? By Eric Marcus X

58# Last Seen Leaving by Caleb Roehrig

59# The Two Towers by J.R.R Tolkien

60# The Hobbit by J.R.R Tolkien X

61# The Return of The King by J.R.R Tolkien

62# Lafayette by Nathan Hale

63# Aurora Rising by Amie Kaufman and Jay Kristoff

64# We should all be feminists by Chimamanda Ngozi Adichie

65# The Storm Crow by Kalyn Josephson

66# Frankenstein by Mary Shelly

67# Norton Volume Of English Literature

68# Beowulf by Unknown

69# The General Prologue by Chaucer

70# 20/20 by Linda Brewer

71# Always in Spanish by Agosim

72# The First Day by Edward P. Jones

73# Bullet in the Brain by Tobias Wolff

74# Writing Fiction by Burroway

75# Murderers by Leonard Michaels

76# Greatness Strikes Where It Pleases by Lars Gustaffson

77# Cathedral by Raymond Carver

78# A Conversation with My Father by Grace Paley

79# Gooseberries by Anton Chekhov

80# The Lives of the Dead by Tim O’Brien

81# Head, Heart by Lydia Davis

82# Richard Cody by Edwin Arlington Robinson

83# “Out- Out-“ by Robert Frost

84# The Ruined Maid by Thomas Hardy

85# I wandered lonely as a cloud by William Wordsworth

86# Poem by Frank O’Hara

87# On being brought from Africa to America by Phillis Wheatley

88# On her loving two equally by Aphra Behn

89# Because you asked about the line between Prose and Poetry by Howard Nemerov

90# Ars Poetica by Archibald MacLeish

91# Ars Poetica? By Czeslaw Milosz

92# Ars Poetica #100: I believe by Elizabeth Alexander

93# Poetry by Marianne Moode

94# “Poetry makes nothing happen”? By Julia Alvarez

95# Introduction to Poetry by Billy Collins

96# In Memory Of W.B. Yates by W. H. Auden

97# The kind of man I am at the DMV by Stacey Waite

98# The Changeling by Judith Oritez Carer

99# Going to war by Richard Lovelace

100# To the Ladies by Mary, Lady Chudleigh

101# Exchanging Hats by Elizabeth Bishop

102# History Of Ireland Volume 1 by Lecky X

103# A Modern History of Ireland by E. Norman X

104# The Tempest by William Shakespeare

105# Gender by Lisa Wade & Myra Marx Ferree

106# Trifles by Susan Glaspell

107# The Shroud by Jacob and Wilhelm Grimm

108# King of the Bingo Game by Ralph Ellison

109# Sonny’s Blues by James Baldwin

110# Fences by August Wilson

111# Where are you going, where have you been? By Joyce Carol Oates

112# Daddy by Sylvia Plath

113# What is our life? By Walter Raleigh

114# May I compare thee to a midsummer day? By William Shakespeare

115# The love song of J. Alfred Prufruock by T. S. Eliot

116# À unr passante by Charles Baudelaire

117# In a station of the metro by Ezra Pound

118# The Fog by Carl Sandburg

119# The Yellow Fog by T.S. Eliot

120# On first looking into Chapman’s Homer by John Keats

121# the Road Not Taken by Robert Frisr

122# Paradise Lost Book 1 & 10 by John Milton X

123# The Victory Lap by George Saunders

124# The Tempest by William Shakespeare

125# The Vanity Of Human Wishes by Samuel Johnson

126# Wayward Son by Rainbow Rowell

127# When to Her Lute Corinna Sings by Thomas Campion

128# Sir Patrick Spens by Anonymous

129# Ballad of Birmingham by Dudley Randall

130# A Prayer, Living and Dying by Augustus Montague Toplady

131# Homage to the Empress of the Blues by Robert Hayden

132# The Times They Are A-Changin’ *

133# Listening to Bob Dylan, 2005!by Linda Pastan

134# Hip Hop by Mos Deff

135# Elvis in the Inner City by Jose B. Gonzalez

136# Acquainted with the Night by Robert Frost*

137# Terza Roma by Richard Wilbur

138# Stanza from The Eve of St. Agnes by John Keats

139# Stanza from His Coy Mistress by Andrew Marvell

140# Stanza from Sound and Sense by Alexander’s Pope

141# Stanza from The Word Plum by Helen Chasin

142# Do Not Go Gentle into That Good Night by Dylan Thomas

143# Myth by Natasha Trethewey

144# Sestina by Elizabeth Bishop

145# Sestina: Like by A.E. Stallings

146# l)a by E.E Cummings

147# Buffalo Bill by E.E Cummings

148# Easter Wings by George Herbert

149# Women by May Swenson

150# Upon the breeze she spread her golden hair by Franceso Petrarch

151# My lady’s presence makes the roses red by Henry Constance

152# My mistress’s eyes are nothing like the sun by William Shakespeare

153# Not marble, nor the gilded monuments by William Shakespeare

154# Let me no to the marriage of true minds by William Shakespeare

155# When I consider how my light is spent by John Milton

156# Nuns Fret Not by William Wordsworth

157# The world is too much with us by William Wordsworth

158# Do I love thee? By Elizabeth Barrett Browning

159# In an Artist’s Studio by Christina Rossetti

160# What lips my lips have kissed, and where, and why by Edna St. Vincent Millay

161# Women have loved before as I love now by Edna St. Vincent Millay

162# I, being born a woman and distressed by Edna St. Vincent Millay

163# I will put Chaos in fourteen lines by Edna St. Vincent Millay

164# First Fight. Then Fiddle by Gwendolyn Brooks

165# In the Park by Gwen Harwood

166# Something Like a Sonnet for Phillis Miracle Wheatley by June Jordan

167# Sonnet by Billy Collins

168# Dim Lights by Harryette Mullen

169# Redefininy Realmess by Janet Mock

170# Lusus Naturae by Margaret Atwood

171# The House Of Asterion by Jorge Luis Borges

172# Death Fuge by Michael Hamburger

173# Clifford’s Place by Jamel Bickerly

174# We are seven by William Wordsworth

175# Lines written in early spring by William Wordsworth

176# Expostulation and Reply by William Wordsworth

177# The Tables Turned by William Wordsworth

178# Lines by William Wordsworth

179# Recitatif by Toni Morrison

180# Volar by Judith Ortiz Cofer

181# The Management Of Grief by Bharati Mukherjee

182# Interpreter of Maladies by Jhumpa Lahiri

183# Jesus Saves by David Sedaris

184# Disabled by Wilfred Owen

185# My Father’s Garden by David Wagoner

186# Practicing by Marie Howe

187# O my pa-pa by Bob Hicok

189# Mr. T- by Terrance Hayes

190# Late Aubade by James Richardson

191# Carp Poem by Terrance Hayes

192# Pilgrimage by Natasha Trethewey

193# Tu Do Street by Yuaef Lomunyakaa

194# Diving into the Wreck by Adrienne Rich

195# Elena by Pat Mora

196# Gentle Communion by Pat Mora

197# Mothers & Daughters by Pat Mora

198# La Migra by Pat Mora

199# Ode to Adobe by Pat Mora

200# Barbie Doll by Marge Piercy

201# The Silken Tent by Robert Frost

202# Metaphors by Sylvia Plath

203# The Vine by James Thomsen

204# Questions by May Swenson

205# A Just Man by Attila József

206# the norton anthology of world literature

207# Pan’s Labyrinth by Gullernio de Toro and Cornelia Funke Xw

208# The prince and the dressmaker by Jen Wang

209# Rejected Princesses: Tales of History's Boldest Heroines, Hellions, and Heretics by Jason Porath

210# The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

#BOOKS #I READ A LOT #210 #THAT'S MY AVERAGE APPARENTLY #HAPPY NEW YEAR #NEXT LIST WILL BE OUT ON JAN 1 2021 #me #reading log #2019

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writemarcus · 2 years

Text

SPEAKERS' CORNER New Play Development Plays-In-Progress 29-Hour Equity Workshops to Continue

Coming Up: Karma Sutra Chai Tea Latte by Aeneas Hemphill, Directed by Arpita Mukherjee; and There Goes The Neighborhood by Marcus Scott, Directed by Dev Bondarin.

by Chloe Rabinowitz May. 31, 2022

Gingold Theatrical Group, now in its 17th Season, is continuing its new play development with the Plays-In-Progress AEA-approved Showcases of this year's SPEAKER'S CORNER Writers Group. This season, writers Aeneas Sagar Hemphill, Divya Mangwani, Marcus Scott and Mallory Jane Weiss are developing works in response to prompts from the revolutionary activist humanitarian writings and precepts of George Bernard Shaw. These Actors Equity Association approved 29-hour workshops culminate with a presentation as an opportunity for each playwright to assess where they are with their work and to determine the next steps to be taken. These invitation-only presentations will take place at ART-NY Studios (520 8th Avenue). Space for each final presentation is extremely limited and reservations must be made, so to request the opportunity to attend any of these events email [email protected]. This year's final two showcases will be:

There Goes The Neighborhood

by Marcus Scott, Directed by Dev Bondarin Friday June 3rd at 7pm Phillip Burke, Savanna Calder, Broderick Clavery, Anthony Godd, Ashley Jossell, Olivia Kinter, Monique Robinson, Cliff Sellers Stage Manager: Elliot J. Cohen.

Karma Sutra Chai Tea Latte

by Aeneas Hemphill, Directed by Arpita Mukherjee Sunday, June 5th at 5pm Rajesh Bose, Shawn Jain, Mahima Saigal, Salma Shaw, Khyati Sehgal, Imran Sheikh Assistant Director: Sarah Vishnev Stage Manager: Elliot J. Cohen

This season's two previous showcases, Vigil-Aunties by Divya Mangwani, directed by Arpita Mukherjee, and Howl From Up High by Mallory Jane Weiss, directed by Lily Riopelle, were held in May. "Among the many programs we've developed over the last 17 years, developing new plays with the intent to produce and publish, has always been the most ambitious dream of all of us at Gingold. While we continue to produce our annual full Off-Broadway productions of plays by George Bernard Shaw, we plan to add at least one new play to our schedule to share with our devoted patrons," said David Staller. Named after the corner of London's Hyde Park where George Bernard Shaw and other political speakers have delivered speeches since 1855, GTG's SPEAKERS' CORNER brings together six to ten writers each year who will spend the year exploring a specific Shaw play and writing individual new plays in response to that text and Shaw's forward thinking humanitarian ideals. Speakers' Corner members meet bi-monthly, and GTG will host showings of the works that Speakers' Corner develops at the end of the season. The group's members were identified through an open application process under the guidance of Becker, GTG Artistic Director David Staller, and this season's Speakers' Corner Readers and Advisory Committee: Ilana Becker, Stephen Brown-Fried, Ralph B. Peña, Daphne Rubin-Vega, Sharon Washington, along with Speakers' Corner alumni Hank Kim, and Lorenzo Roberts.

WRITERS:

Aeneas Sagar Hemphill (he/him) is an Indian-American playwright and screenwriter based in NYC and DC. Weaving through many genres, his work builds new worlds to illuminate our own, investigating the ghosts that haunt our lives and communities with passion, pathos, and humor. He was a 2019 Resident Artist with Monson Arts Center and 2017-2018 Playlab fellow at Pipeline Theatre, as well as semi-finalist for the 2019 Princess Grace Award, semi-finalist for the 2019 Mabou Mines Resident Artist Program, and finalist for the 2017 Many Voices Fellowship. His plays include: Black Hollow (Argo Collective, Dreamscape Theatre), The Troll King (Pipeline), Childhood Songs (Monson Arts), The Republic of Janet & Arthur (Amios), The Red Balloon (Noor Theatre), A Stitch Here or There (DarkHorse Dramatists, Slingshot Theatre), A Horse and a Housecat (Slingshot Theatre). MFA Playwriting, Columbia University. Marcus Scott is a dramatist & journalist. Selected work includes Tumbleweed (finalist for the 2017 Bay Area Playwrights Festival; semifinalist for the 2022 Eugene O'Neill Theater Center National Playwrights Conference, the 2022 Blue Ink Playwriting Award & the 2017 New Dramatists Princess Grace Fellowship Award), Sibling Rivalries (finalist for the 2021 Seven Devils Playwrights Conference; semi-finalist for the 2022 Lanford Wilson New American Play Festival, the 2021 Blue Ink Playwriting Award & the 2021 New Dramatists Princess Grace Fellowship Award) and Cherry Bomb (recipient of the 2017 Drama League First Stage Artist-In-Residence). He was commissioned by Heartbeat Opera to adapt Beethoven's Fidelio (Librettist/Co-writer; The Met Museum; NY Times Critic's Pick). Recently developed at Gingold Theatrical Group (Speaker's Corner), Zoetic Stage (Finstrom Festival Of New Work), Queens Theatre (New American Voices series) and The Road Theatre Company's Under Construction 3 Playwrights Group and Cohort 2 of the Southern Black Playwrights Lab at the Mojoaa Performing Arts Company. Scott is a 2021 NYSAF Founders' Award finalist and a 2021 Doric Wilson Independent Playwright Award semi-finalist. His articles appeared in Architectural Digest, Time Out New York, American Theatre Magazine, Playbill, Elle, Out, Essence, The Brooklyn Rail, among others. MFA: GMTWP, NYU Tisch. In addition to Speakers' Corner, GTG's on-going play development also includes PRESS CUTTINGS, which, in recognition of Shaw's career as a theatre critic, supports the development of new plays written by theatre journalists. Press Cuttings has commissioned new plays by Jeremy McCarter, Robert Simonson, and David Cote, and, in June of 2017, presented an AEA workshop of David Cote's Otherland directed by May Adrales. This fall, GTG returned to live, in person performance with the acclaimed revival of Bernard Shaw's Mrs. Warren's Profession starring Robert Cuccioli, David Lee Huynh, Alvin Keith, Nicole King, Raphael Nash Thompson, and Tony® Award winner Karen Ziemba as Mrs. Warren, which recently completed its acclaimed Off-Broadway engagement at Theatre Row, directed by David Staller. Terry Teachout, reviewing Mrs. Warren's Profession in The Wall Street Journal, declared "Mr. Staller, who knows everything there is to know about Shaw, has not only staged the play but edited the text with his accustomed skill. All the more reason, then, to praise David Staller, the artistic director of Project Shaw, a long-running series of semi-staged concert readings of the playwright's 60-odd shows. In addition to Project Shaw, Mr. Staller's Gingold Theatrical Group presented fully staged small-scale off-Broadway versions of Heartbreak House in 2018 and Caesar and Cleopatra in 2019, and now they're doing Mrs. Warren's Profession. The production is completely satisfying... Sprinkled with tart, school-of-Wilde epigrams ('There are no secrets better kept than the secrets everybody guesses') and overflowing with glittering talk, it's a foolproof vehicle for six accomplished actors and a director who, like Mr. Staller, knows better than to let the play become a static chat-fest. Instead, he keeps the actors moving and the pace brisk, and the results are immensely pleasurable." GINGOLD THEATRICAL GROUP creates theater that supports human rights, freedom of speech, and individual liberty using the work of George Bernard Shaw as our guide. All of GTG's programs are inspired by Shaw's humanitarian values. Through full productions, staged readings, new play development, and inner-city educational programs, GTG brings Shavian precepts to audiences and artists across New York, encouraging individuals to breathe Shaw's humanist ideals into their contributions for the future. Shaw created plays to inspire peaceful discussion and activism and that is what GTG aims to accomplish. GTG's past productions include Man and Superman (2012), You Never Can Tell (2013), Major Barbara (2014), Widowers' Houses (2016), Heartbreak House (2018), and Caesar & Cleopatra (2019). Founded in 2006 by David Staller, GTG has carved a permanent niche for the work of George Bernard Shaw within the social and cultural life of New York City, and, through the Project Shaw reading series, made history in 2009 as the first company ever to present performances of every one of Shaw's 65 plays (including full-length works, one-acts and sketches). GTG brings together performers, critics, students, academics and the general public with the opportunity to explore and perform theatrical work inspired by the humanitarian and activist values that Shaw championed. All comedies, these plays boldly exhibit the insight, wit, passion and all-encompassing socio-political focus that distinguished Shaw as one of the most inventive and incisive writers of all time. Through performances, symposiums, new play development, and outreach, as well as through our discussion groups and partnerships with schools including SUNY Stony Brook, Regis, the De La Salle Academy, and The Broome Street Academy, GTG has helped spark a renewed interest in Shaw across the country, and a bold interest in theater as activism. Young people are particularly inspired by Shaw's invocation to challenge the strictures society imposes, to embrace the power of the individual, to make bold personal choices and to take responsibility for these choices. GTG's new play development lab, Speakers' Corner, created to support playwrights inspired by Shaw's ideals, is now in its second cycle. Through monthly prompts and feedback, writers develop work inspired by or in response to a specific Shaw text. Plays developed through Speakers' Corner will be nurtured in workshops and readings with the expectation that GTG will publish or produce them. GTG encourages all people to rejoice in the possibilities of the future. All of GTG's programming is designed to inspire lively discussion and peaceful activism with issues related to human rights, the freedom of speech, and individual liberty. This was the purpose behind all of Shaw's work and why GTG chose him as the guide toward helping create a more tolerant and inclusive world through the exploration of the Arts. For more information about the Workshops or any of Gingold Theatrical Group's projects, please call 212-355-7823, email [email protected], or visit online at www.gingoldgroup.org.

#Gingold Theatrical Group #george bernard shaw #Marcus Scott #MarcusScott #WriteMarcus #Write Marcus #Dev Bondarin

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ao3feed-brucewayne · 1 year

Text

Lucifer's toys

by KidFlash0212

Words: 61, Chapters: 1/?, Language: English

Series: Part 1 of Movies are horny.

Rating: Explicit

Warnings: Rape/Non-Con, Underage

Categories: M/M, Multi

Additional Tags: Plot What Plot/Porn Without Plot, Himbo, Mind Control

source https://archiveofourown.org/works/47030587

#IFTTT #bruce wayne #batman #the dark knight #the cape crusader #gotham #dc universe #ao3 #ao3feed

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architectureofdoom · 5 years

Text

Tags - Architects/designers I-Z

I.M. Pei Ignaty Milinis Ignazio Gardella Igor Vasilevsky Ilia Golosov Isamu Noguchi Ivan Fomin Ivan Leonidov Ivor Smith and Jack Lynn J.B. Hourlier J.B. Ingwersen J.F. Staal J.J.P. Oud L.J. sert J.M. Lamuniere J.M. Stokla James Gowan James Stirling Jan Duiker Jan Wils Jean Bourgon Jean Dubuisson Jean Prouve Jean Renaudie Joao Filgueiras Lima Joaquim Guedes Johann Georg Gsteu John Andrews John Bancroft John Dinkeloo John Hejduk John M. Johansen John Madin John Pawson John Portman John Storrs Jorn Utzon Jos Bedaux Josef Schulz Joseph Salerno Jozsef Fischer Juan O'Gorman Juliaan Lampens Jurgen Sawade Justus Dahinden K.L. Sijmons Kalff Karl Ehn Karl Moser Karl Schwanzer Kenzo Tange Kevin Roche Kisho Kurokawa Kiyonori Kikutake Konrad Wachsmann Konstantin Melnikov Kunio Mayekawa Kurt Schlauss Kurt Schwitters Le Corbusier Lebbeus Woods Leonardo Savioli Leonid Vesnin Leslie Martin Lev Rudnev Lina Bo Bardi Louis Fumet Louis Kahn Louis Noiray Louis Sullivan Lucio Costa Ludwig Hilberseimer Luigi Figini Luigi Moretti Luis Barragan Luis Peña Ganchegui Lutyens Malevich Manfred Hermer Marcel Breuer Marcel Lods Marcello Piacentini Mario Pani Marius Duintjer Mart Stam Martin Elsaesser Martin van Treeck Max Abramovitz Max Berg Mendelsohn Michel de Klerk Mies Minoru Yamasaki Moholy-Nagy Moisei Ginzburg Moshe Safdie MVRDV Neave Brown Neutra Nicholas Grimshaw Nikolai Kolli Noi Trotsky O Studio Olivier-Clement Cacoub Olson Kundig OMA Oscar Niemeyer Oswald Ungers Otto Herbert Hajek Ove Arup Owen luder P.V. Jensen Klint Pancho Guedes Panteleimon Golosov Paolo Portoghesi Paolo Soleri Paul Baumgarten Paul Ludwig Troost Paul Nelson Paul Rudolph Paul Stohrer Paul Virilio Paulo Mendes Da Rocha Pei Cobb Freed Peter Behrens Peter Eisenman Peter Märkli Peter Zumthor Philip Johnson Pier Luigi Nervi Pierre Jeanneret Pierre Koenig Pierre Parat Piet Blom Piet Elling Piet Mondriaan Piet Zanstra Pietro Belluschi Pietro Lingeri Pot Keegstra R.M. della Rocca Raimund Abraham Rainer Disse Raj Rewal Ralph Erskine Ray Eames Reinhard Gieselmann Rem Koolhaas Renaat Braem Rene Gages Renzo Piano Ricardo Bofill Ricardo Legorreta Richard Meier Richard Rogers Richard Seifert Richard Sheppard Robert Geddes Robert Mallet-Stevens Robert van ’t Hoff Robert Venturi Roger Anger Rudolf Schwarz Rudolf Steiner Ruy Ohtake Sachio Otani Sant'Elia Sérgio Bernardes Sergio Musmeci Shoji Sadao Sigurd Lewerentz Simon Ungers Smithsons SOM Speer Stanley Tigerman Superstudio Sverre Fehn Tadao Ando Team X Terragni Theo Bosch Theo van Doesburg Tony Garnier Ulrich Franzen Val Michelson Valerio Olgiati Van den Broek en Bakema Vann Molyvann Vico Magistretti Victor Bodiansky Viktor Vesnin Vilanova Artigas Viljo Revell Vittoriano Vigano Vladimir Bodiansky Vladimir Shukhov Vladimir Tatlin Volker Theissen Wallace Harrison Walter Forderer Walter Gropius Walter Netsch Wang Shu Wassili Luckhardt Wells Coates Werner Allenbach Werner Düttmann Werner March Wiel Arets Willem Dudok Willem van Tijen William Pereira Willy Guhl Willy Kreuer Willy Van Der Meeren Wim Quist Yakov Chernikov Yoshinobu Ashihara Zvi Hecker

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larryland · 6 years

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(Pittsfield, MA– November 1, 2018) Barrington Stage Company (BSC), the award-winning theatre in the Berkshires under the leadership of Artistic Director Julianne Boyd, is honored that two plays that premiered at BSC – American Son and The Chinese Lady – can now be seen in New York.

“We’re thrilled that both American Son and The Chinese Lady are reaching wider audiences in NYC this fall,” said Julianne Boyd. “In the case of American Son, it’s extremely rewarding to know that a play we commissioned, developed and premiered at Barrington Stage has found a home on Broadway. The collaboration with the Ma-Yi Theatre Company on The Chinese Lady has been a true partnership, and we are excited to be following this important play to its new home on Theatre Row in NYC.”

American Son by Christopher Demos-Brown was commissioned by BSC and won the Laurents/Hatcher Foundation Award for its world premiere at BSC in 2016. Directed by Julianne Boyd, the BSC production starred Tamara Tunie and Michael Hayden.

“Barrington Stage is a phenomenal place to develop new work,” said playwright Christopher Demos-Brown. “It’s a beautiful place to spend time in the summer, there’s a sophisticated audience and Julie Boyd is a fantastic director who pours her heart and soul into the process.”

The Broadway production starring Kerry Washington and Steven Pasquale began previews October 6 for a November 4 opening at the Booth Theatre.

Lloyd Suh’s The Chinese Lady had its world premiere at BSC July 20 through August 11 earlier this year in a co-production with Ma-Yi Theater Company and will arrive Off Broadway at The Beckett Theatre on Theatre Row from November 7 – 18.

Daniel K. Isaac and Shannon Tyo in “The Chinese Lady” at Barrington Stage in 2018. Photo by Eloy Garcia.

Tamara Tunie and Michael Hayden as Scott Connor in “American Son” at Barrington Stage in 2016. Photo by Scott Barrow.

“Opening The Chinese Lady at Barrington Stage this summer gave us a chance to play before enthusiastic, savvy theatergoers —not unlike what we would have in New York,” said director Ralph Peña. “We learned a lot there, and we’ve made tweaks for the Off Broadway run that help the storytelling a bit more.”

Barrington Stage Company recently announced three productions for its upcoming 25th season – Into the Woods, the musical classic by Stephen Sondheim and James Lapine; the world premiere new musical Fall Springs, by Niko Tsakalakos and Peter Sinn Nachtrieb; and Gertrude and Claudius, a new play by Mark St. Germain.

2019 Season Passes are now on sale and available at www.barringtonstageco.org or by calling 413-236-8888 or visiting the Wolfson Box Office (122 North Street, Pittsfield, MA). Single tickets for Into the Woods, Fall Springs and Gertrude and Claudius will be available in March 2019.

ABOUT BARRINGTON STAGE COMPANY

Barrington Stage Company (BSC) is an award-winning regional theatre located in Pittsfield, MA, in the heart of the Berkshires. Co-founded in 1995 by Artistic Director Julianne Boyd, BSC has a three-fold mission: to present top-notch, compelling work; to develop new plays and musicals; and to find fresh, bold ways of bringing new audiences into the theatre—especially young people. Barrington Stage garnered national attention in 2004 when it premiered William Finn and Rachel Sheinkin’s musical hit The 25th Annual Putnam County Spelling Bee, which later transferred to Broadway where it won two Tony Awards. In 2009, BSC premiered Mark St. Germain’s Freud’s Last Session, which later moved Off Broadway and played for two years. St. Germain’s Becoming Dr. Ruth (which premiered at BSC as Dr. Ruth, All the Way) played Off Broadway at the Westside Theatre. BSC’s all-time record-breaking musical On the Town was originally produced at BSC in 2013 before transferring to Broadway, where it was nominated for four Tony Awards including Best Musical Revival. In 2016, Barrington Stage swept the first annual Berkshire Theatre Awards by winning 20 out of the 25 awards. Also in 2016, BSC produced the world premiere of American Son, which won the Laurents/Hatcher Award for Best New Play and opens on Broadway in November 2018. In 2017, BSC produced the much-lauded revival of Stephen Sondheim and George Furth’s Company, starring Aaron Tveit. In 2018, BSC produced the critically-acclaimed production of West Side Story in honor of Leonard Bernstein and Jerome Robbins’ 100th birthdays. BSC has won the Best of the Berkshires Readers’ Choice for Best Live Theatre for the past two years. 2019 marks BSC’s 25th Season Anniversary.

Barrington Stage Company is Pleased to Announce Two Plays Now in New York – “American Son” and “The Chinese Lady” (Pittsfield, MA– November 1, 2018) Barrington Stage Company (BSC), the award-winning theatre in the Berkshires under the leadership of Artistic Director Julianne Boyd, is honored that two plays that premiered at BSC - …

#American Son #Barrington Stage Company #Booth Theatre #BSC #Christopher Demos-Brown #Julianne Boyd #Julie Boyd #Kerry Washington #Laurents/Hatcher Foundation Award #Lloyd Suh #Ma-Yi Theatre Company #Ralph Peña #Steven Pasquale #The Beckett Theatre #The Chinese Lady

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