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may8chan · 2 years

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The Toxic Avenger - Michael Herz & Lloyd Kaufman 1984

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steponremix91 · 2 months

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Thrill Kill Video Club (1991) dir. Robert Prichard

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joearlikelikeswrestling · 7 months

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#Jake Roberts #Brother Love #Bruce Prichard #The Model #Rick Martel #wwf #world wrestling federation

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brokehorrorfan · 1 year

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The Toxic Avenger Collection will be released on August 29 via Troma. The box set collects all four films in the cult classic superhero horror comedy franchise on 4K Ultra HD and Blu-ray.

1984's The Toxic Avenger is directed by Michael Herz and Lloyd Kaufman and written by Joe Ritter. Mitch Cohen, Mark Torgl, Andree Maranda, and Pat Ryan Jr star.

1989's The Toxic Avenger Part II is directed by Herz and Kaufman and written by Gay Partington Terry. Ron Fazio, Phoebe Legere, John Altamura, Rick Collins, Rikiya Yasuoka, Tsutomu Sekine, and Mayako Katsuragi

1989's The Toxic Avenger Part III: The Last Temptation of Toxie is written and directed by Herz and Kaufman. Ron Fazio, Phoebe Legere, John Altamura, Rick Collins, Lisa Gaye, Jessica Dublin, and Michael Kaplan star.

2000's Citizen Toxie: The Toxic Avenger IV is directed by Kaufman from a script he co-wrote with Trent Haaga, Patrick Cassidy, and Gabriel Friedman. David Mattey, Clyde Lewis, Heidi Sjursen, Paul Kyrmse, Joe Fleishaker, Debbie Rochon, and Ron Jeremy star.

The unrated director’s cuts of all four films have been newly restored in 4K from the original camera negatives with HDR as well as English DTS 2.0 Stereo audio. A Toxic Avenger postcard is included. Special features are listed below.

The Toxic Avenger special features:

Introduction by The Toxic Avenger creator Lloyd Kaufman (new)

Audio Commentaries with Casts and Filmmakers

Prologue by Director Lloyd Kaufman

Introduction by Director Lloyd Kaufman

Interviews with Actors Jennifer Baptist, Robert Prichard, Mitch Cohen, and Dan Snow

Interview with Co-Director Michael Herz

Interview with Actor Aark Torgl

Behind the Scenes Photo Gallery

Trailers

The Toxic Avenger II special features:

Introduction by The Toxic Avenger creator Lloyd Kaufman (new)

Audio Commentaries with Casts and Filmmakers

Prologue by Director Lloyd Kaufman

Introduction by Director Lloyd Kaufman

At Home with Toxie Mockumentary

Interview with Actress Lisa Gaye

Japanese News Report on the Filming

Radiation March - Short Film Directed by Lloyd Kaufman

The American Cinematheque Honors 40 Years of Troma

Trailers

The original negative of The Toxic Avenger Part II, while complete, was missing several short dialogue sequences in the opening third, which had been removed for pacing reasons. Although no film materials for these sequences could be located, in order to present the most complete version possible, these short segments were inserted from the highest quality digital master.

The Toxic Avenger Part III: The Last Temptation of Toxie special features:

Introduction by The Toxic Avenger creator Lloyd Kaufman (new)

Prologue by Director Lloyd Kaufman

Audio Commentary by Director Lloyd Kaufman

Audio Commentary by Actor Joe Fleishaker

Behind the Scenes of the "Return to Nuke 'em High Vol. 1" screening at MOMA

The American Cinematheque Honors 40 Years of Troma

Make Your Own Damn Horror Film - Behind the Scenes of Old 37 with Kane Hodder and Bill Moseley

Radiation March - Short Film Directed by Lloyd Kaufman

A Halloween Carol - Short Film Co-directed by Lloyd Kaufman

Rabid Grannies Blu-ray Infomercial

Citizen Toxie: The Toxic Avenger IV special features:

Introduction by The Toxic Avenger creator Lloyd Kaufman (new)

Audio Commentaries with Casts and Filmmakers

Prologue by Director Lloyd Kaufman

Apocalypse Soon: The Making of Citizen Toxie

Tribute to Lemmy Kilmister

The American Cinematheque Honors 40 Years of Troma

Trailers

Pre-order The Toxic Avenger Collection.

#the toxic avenger #toxic avenger #troma #lloyd kaufman #horror #80s horror #1980s horror #citizen toxie #debbie rochon #ron jeremy #horror comedy #the toxic avenger 2 #the toxic avenger 3 #dvd #gift

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pers-books · 4 months

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The 2024 Shortlist

The BBC’s 13th Annual Celebration of Audio Drama

2023 marked the centenary year for audio/radio drama at the BBC. For 100 years of this unique genre, audio drama and comedy have provided enjoyment, diversion, illumination, insight and escape for listeners, evolving in approach and style as audio practitioners have responded to new ideas and technology with ingenuity, imagination and inspiration. These awards celebrate the creativity of actors, writers, directors, producers, musicians, sound designers and all who work in this vibrant art-form.

The winners will be announced on Sunday 24 March 2024 in a ceremony in the Radio Theatre at BBC Broadcasting House London. The winners of the Imison and Tinniswood Awards (judged and administered by the Society of Authors and the Writers’ Guild of Great Britain) will also be announced at this ceremony.

Best Original Single Drama

Benny and Hitch by Andrew McCaldon, producers Neil Varley and Tracey Neale, BBC Audio Drama London

Churchill versus Reith by Mike Harris, producer Gary Brown, BBC Audio Drama North

Dear Harry Kane by James Fritz, producer Sally Avens, BBC Audio Drama London

Eat and Run by Paolo Chianta, producer Lorna Newman, BBC Audio Drama North

Rare Earth by Richard Monks, producer Nicolas Jackson, Afonica

Voices From the End of the World by Lucy Catherine, producer Sasha Yevtushenko, BBC Audio Drama London

Best Adaptation

The Age of Anxiety by W.H.Auden, adapted by Robin Brooks, producer Fiona McAlpine, Allegra Productions

Beowulf Retold based on the version by Seamus Heaney, producer Pauline Harris, BBC Audio Drama London

Bess Loves Porgy by Edwin DuBose Heyward, adapted by Roy Williams, producer Gill Parry, feral inc

The Dark is Rising by Susan Cooper, adapted by Robert Macfarlane and Simon McBurney, producer Catherine Bailey, Catherine Bailey Productions and Complicite

If on a Winter’s Night a Traveller by Italo Calvino, adapted by Tim Crouch and Toby Jones, producer Nadia Molinari, BBC Audio Drama North

One Moonlit Night by Caradog Prichard, adapted by Rhiannon Boyle, producer Emma Harding, BBC Cymru Wales

Best Original Series or Serial

The 5000 by Sebastian Baczkiewicz, producers Gaynor Macfarlane, BBC Scotland

An Eye for a Killing by Colin Macdonald, producer Bruce Young, BBC Scotland

Flirties, written and produced by Jess Simpson, Audiocraft

There’s Something I Need to Tell You by John Scott Dryden and Misha Kawnel, producer Emma Hearn, Goldhawk Productions

The Tomb by Sebastian Baczkiewicz, producer Joby Waldman, Reduced Listening

Trust by Jonathan Hall, producer Gary Brown, BBC Audio Drama North

Best Actor

Hiran Abeysekera, Dear Harry Kane, director Sally Avens, BBC Audio Drama London

Max Irons, The Bronze Horseman, director Susan Roberts, BBC Audio Drama North

Toby Jones, If on a Winter’s Night a Traveller, director Nadia Molinari, BBC Audio Drama North

Lorn Macdonald, Confessions of a Justified Sinner, director Kirsty Williams, BBC Scotland

Tim McInerny, Benny & Hitch, director Tracey Neale, BBC Audio Drama London

Tom Walker, Call Jonathan Pie, Alison Vernon-Smith, Yada-Yada Audio

Best Actress

Gabrielle Brooks, Bess Loves Porgy, director Michael Buffong, feral inc

Dinita Gohil, Victory City, producer Alison Crawford, BBC Bristol

Maxine Peake, The Women of Troy, director Nadia Molinari, BBC Audio Drama North

Rosamund Pike, People Who Knew Me, director Daniella Isaacs, Merman

Lydia Wilson, Happy Birthday, Mr President, director Gaynor Macfarlane, BBC Scotland

Fenella Woolgar, Lines in the Sand: The Journeys of Gertrude Bell, director Jessica Mitic, BBC Audio Drama North

Best Supporting Performance

Sacha Dhawan, Anna Karenina, director Nadia Molinari, BBC Audio Drama North

Erin Doherty, The Seagull, director Toby Swift, BBC Audio Drama London

Mark Heap, Kafka’s Dick, director Dermot Daly, Naked Productions

Sophia Del Pizzo, There’s Something I Need to Tell You, director John Scott Dryden, Goldhawk Productions

The Marc Beeby Award for Best Debut Performance

Izzy Campbell, Of a Night, director Jessica Mitic, BBC Audio Drama North

Rosie Ekenna, Faith, Hope and Glory, director Anastasia Osei-Kuffour, BBC Audio Drama London

Rosalind Eleazar, Hindsight, director Gaynor Macfarlane, BBC Scotland

Jadie Rose Hobson, Exposure, director Anne Isger, BBC Audio Drama London

Dan Parr, The Test Batter Can’t Breathe, director Tracey Neale, BBC Audio Drama London

Olivia Triste, Rise, director Dermot Daly, Naked Productions

Best Sit Com or Comedy Drama

Call Jonathan Pie by Tom Walker, producer Alison Vernon-Smith, Yada-Yada Audio

Kat Sadler’s Screen Time by Kat Sadler and Cameron Loxdale, producer Gwyn Rhys Davies, BBC Studios Audio

Michael Spicer: Before Next Door by Michael Spicer, producer Matt Tiller, Starstruck Media

Mockery Manor by Lindsay Sharman, producer Laurence Owen, Long Cat Media

She Stoops to Conquer by Oliver Goldsmith, adapted by Barunka O’Shaughnessy, producer Emma Harding, BBC Cymru Wales

Where to, Mate? devised by Jo Enright, Peter Slater, Abdullah Afzal, Nina Gilligan, Andy Salthouse, Keith Carter, Jason Wingard, producer Carl Cooper, BBC Studios Audio

Best Stand Up Comedy

Daliso Chaponda: Citizen of Nowhere by Daliso Chaponda, additional material Meryl O’Rourke, producer Carl Cooper, BBC Studios Audio

Janey Godley: The C Bomb by Janey Godley, producers Julia Sutherland and Richard Melvin, Dabster Productions

Maisie Adam: The Beautiful Game by Maisie Adam, producer Georgia Keating, BBC Studios Audio

Olga Koch: OK Computer by Olga Koch and Charlie Dinkin, producer Benjamin Sutton, BBC Studios Audio

Rob Newman on Air by Rob Newman, producer Eloise Whitmore, Naked Productions

Sarah Keyworth: Are You a Boy or a Girl by by Sarah Keyworth, additional material Ruby Clyde, producer James Robinson, BBC Studios Audio

Best Use of Sound

The Adventurers, sound by Alisdair McGregor, producer Boz Temple-Morris, Holy Mountain

The Dark is Rising, sound by Gareth Fry, producer Catherine Bailey, Catherine Bailey Productions and Complicité

Hamlet Noir, sound by David Chilton, Lucinda Mason Brown, Weronika Andersen, producers Charlotte Melén, Carl Prekopp and Saskia Black, Almost Tangible

Slow Air, sound by Alisdair McGregor and Eloise Whitmore, producer Polly Thomas, Naked Productions

Voices From the End of the World, sound by Peter Ringrose, producer Sasha Yevtushenko, BBC Audio Drama London

The Women of Troy, sound by Sharon Hughes, producer Nadia Molinari, BBC Audio Drama North

Best Podcast Audio Drama

Badger and the Blitz by Richard Turley and Darren Francis, producer Richard Turley, Roxo Ltd

Below by Aaron Gray and Paul Skillen, producer John Wakefield, HTM Television

Flirties, written and produced by Jess Simpson, Audiocraft

The Haunter of the Dark – The Lovecraft Investigations by Julian Simpson, producer Sarah Tombling, Sweet Talk Productions

The Salvation by Justin Lockey, Jeffrey Aidoo, and AK Benedict, producers John Hamm and Boz Temple-Morris, Holy Mountain and Free Turn

Tagged by Brett Neichin and John Scott Dryden, producer Emma Hearn, Sony Music Entertainment and Goldhawk Productions

Best European Drama

Evicted by Karel Klostermann, adapted by Tomáš Loužný, producer Renata Venclová, CZR Czech Radio

Faust (I Never Read It) by Noam Brusilovsky, producer Andrea Oetzmann, SWR Südwestrundfunk with Deutschlandfunk

Irina’s Soul Is Like a Precious Piano by Rona Žulj, producer Katja Šimunić, Croatian Radiotelevision

The Sick Bag Song by Nick Cave, adapted by Kai Grehn, producer Lina Kokaly, Radio Bremen

The Supervisor by Nis-Momme Stockmann, producer Michael Becker, NDR Norddeutscher Rundfunk

This Word by Marta Rebzda, producer Waldemar Modestowicz, Polish Radio Theatre

-- WooHOO! The Haunter of the Dark, part 4 of The Lovecraft Investigations, is up for a BBC Audio Drama Award! I am made up!

#The Lovecraft Investigations #Writer: Julian Simpson #BBC Audio Drama Awards 2023

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wkrehdidh · 1 year

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드라마 카지노 4회 4화 E04 다시 보기

드라마 카지노 4회 4화 E04 다시 보기 디즈니플러스 보세요.

카지노 4회 4화 E04 다시 보기 누누 링크 <

손석구 주연 영화 드라마 입니다.

Simiso Buthelezi, Miracle Amaeze 및 Luis Quiñones는 스포츠 경력을 추구하고 세계 타이틀에 대한 꿈을 쫓다가 올해 사망한 재능 있는 권투 선수들입니다. 그것은 직업의 허용된 위험입니다. 권투 반대 활동가인 Manuel Velazquez가 처음 수집하고 전자 무술 및 과학 저널에 업데이트된 데이터베이스에 따르면 1890년에서 2011년 사이 링에서 입은 부상의 직접적인 결과로 1,604명의 권투 선수가 사망한 것으로 추정됩니다. 이는 연간 평균 13명입니다. 이는 프로 스포츠로서는 충격적인 통계이지만 그다지 놀라운 것은 아닙니다. Hartford Healthcare의 스포츠 신경학 프로그램 책임자인 Stephanie Alessi-LaRosa가 지적했듯이 "상대를 신경학적으로 손상시키는" 싸움에서 권투 선수의 목표입니다. NFL과 축구는 뇌진탕의 영향과 씨름하는 두 가지 주목할만한 스포츠이지만 권투는 훨씬 더 그렇습니다. Alessi-LaRosa는 전투기가 머리를 맞았을 때 겪는 급성 뇌진탕을 드라마 카지노 4회 4화 E04 다시 보기 "뇌의 기능 장애"가 발생하는 "대사 위기"로 설명합니다. 머리에 대한 지속적인 타격의 결과는 치명적일 수 있습니다.

올해 초 남아공 경량급 복서 Buthelezi는 시합 도중 상대를 외면하고 링의 빈 구석 방향으로 싸우는 것처럼 보였습니다. 심판은 Buthelezi가 병원으로 이송되기 직전에 싸움을 중단했습니다. 남아프리카 권투 선수는 며칠 후 사망했습니다. Alessi-LaRosa에 따르면 복싱은 총 라운드 수를 줄이고 스포츠 신경과 전문의를 도입하는 등 스포츠를 더 안전하게 만들기 위해 많은 진전을 이루었습니다. 그러나 그녀는 또한 더 많은 일이 필요하다고 생각하며, 특히 복서가 되는 것이 신경학적 결과에 대해 선수와 부모를 교육하는 것이 필요하다고 생각합니다. "NFL이 그랬던 것처럼 신경외상 컨설턴트를 의무화할 수 있거나 모든 복싱(최소한 프로 복싱) 경기에 신경과 전문의를 두도록 의무화할 수 있다면 큰 진전이 될 것이라고 생각합니다."라고 말했습니다. 알레시-라로사.

Deontay Wilder는 복싱에서 가장 어려운 펀처 중 한 명으로 알려져 있으며 그의 경력에서 단 두 번 졌습니다. 그러나 Wilder조차도 2015년에 Terrel Williams와 싸웠을 때 Prichard Colón에게 일어난 일을 언급하면서 올해 초 자신이 선택한 직업의 위험에 대해 생각하면서 눈물을 흘렸습니다. 그 후 Colon은 뇌출혈로 221일 동안 혼수 상태에 빠졌습니다. 콜론의 부모는 2017년 컬럼비아 특별구 상급법원에 제기한 소송에서 경기장 의사와 싸움과 관련된 프로모터로부터 5천만 달러 이상을 요구하면서 콜론이 "풀타임 보살핌이 필요한 지속적인 식물인간 상태"에 남겨졌다고 말했습니다. .” 와일더는 지난 10월 로버트 헬레니우스(Robert Helenius)를 1라운드에서 넉 아웃시킨 후 언론에 "너희 모두 우리가 겪고 있는 일을 이해하지 못하고 있다"고 말했다. 올해 복싱의 죽음뿐만 아니라 10월에 큰 기대를 모으고 있는 Chris Eubank Jr.와 Conor Benn의 경기를 처리하는 데 복싱의 명성이 타격을 입었습니다. Benn이 배란에 어려움을 겪는 여성이 사용하는 배란 촉진제 인 클로미펜에 대해 양성 반응을 보인 후 한판 승부가 취소되었습니다. 로말 누리는 1년 전 가족과 함께 아프가니스탄을 탈출했다. 그곳에서 가족은 그가 미국 정부를 위해 거의 10년 동안 일했기 때문에 탈레반 통치 아래 위험에 처해 있었습니다. 미주리 주 남서부에서 가족의 안전을 찾은 이후 누리는 자신의 새 집으로 돌려주는 데 집중했으며 미국에서 집을 만드는 것은 오랫동안 산타에게 착한 척 선물을 받거나 최악의 경우 장난꾸러기 석탄 덩어리를 받는 일이었습니다. 명랑한 성 니콜라스가 오랫동안 필수품이었지만 휴가철은 역사적으로 유럽 전역에 불길한 면이 있었습니다.

이교도와 기독교 이전의 다른 전통에서, 최고의 행동을 하지 않는 사람들에게 더 극단적인 처벌을 내리기 위해 동지 주변의 긴 밤 동안 등장한 신화적 존재에 대한 전설이 생겨났습니다. 다음은 미국이 국가가 된 것보다 더 오랫동안 유럽인을 괴롭힌 캐릭터의 일곱 가지 이야기입니다. 크람푸스(Krampus)는 "발톱"을 의미하는 독일어 "크람펜(krampen)"에서 유래한 이름으로 드라마 카지노 4회 4화 E04 토렌트 유럽의 동부 알프스 지역에서 온 반인반염소 괴물입니다. Krampus는 Krampusnacht라고도 알려진 12월 5일 저녁 장난꾸러기 아이들을 채찍질하거나 먹거나 지옥으로 끌고 가는 방식으로 벌을 준다는 소문이 있습니다. 그의 자애로운 상대인 성 니콜라스는 다음 날 성 니콜라스 축일로 알려진 좋은 일을 한 아이들에게 선물을 줄 것입니다. 두 사람이 관련된 축하 행사는 기독교 이전 시대인 6세기까지 거슬러 올라갑니다. 오늘날 많은 유럽 도시에서는 남자들이 Krampus 복장을 하고 날뛰며 혼돈을 일으키는 Krampuslauf 또는 Krampus run 이벤트를 개최합니다. 사람들은 또한 Krampuskarten이라고 하는 Krampus가 등장하는 연휴 카드를 보냅니다. Yule Lads는 각각 고유한 이름과 설명을 가진 13명의 장난꾸러기 소년으로, 크리스마스까지 13일 동안 대혼란을 일으킵니다. 그들은 부모와 고양이와 함께 산간 동굴에 살고 있습니다. 그들의 아버지 Leppaluoi는 게으르고 동굴에 머물며 그들의 어머니 Gryla는 그녀의 스튜에 추가할 장난꾸러기 아이들을 찾는 거인입니다. 그들의 고양이 이름은 Jolakotturinn이며 Yule Cat으로도 알려져 있습니다. Yule Cat은 새 옷을 입지 않은 사람을 삼키기 위해 시골에 숨어있는 거대한 검은 고양이입니다. Yule Lads의 첫 번째 언급은 17세기 시에 카지노 4회 4화 E04 있었으며 1746년 아이슬란드 정부는 부모가 자녀에게 자신에 대한 무서운 이야기를 하는 것을 금지했습니다. 오늘날 그들은 즐거운 의미를 가지고 있으며 축하하고 즐겁게 하기 위해 산에서 내려온다고 합니다. Berchta 및 기타 변형으로도 알려진 Frau Perchta는 중세 초기 알파인 이교도의 여신입니다. 그녀는 1월 6일 크리스마스 이후 12번째 밤에 열리는 Berchtentag 또는 Fest of the Epiphany와 관련이 있습니다. 그녀의 이름은 "밝은 자"를 의미합니다. 왜냐하면 당신의 행동에 따라 그녀는 밝고 발랄한 여성으로 나타날 수도 있고, 긴 코, 큰 발, 너덜너덜한 옷, 치마 아래 칼을 가진 무서운 나이 많은 마녀로 나타날 수도 있습니다. . Perchta는 크리스마스 12일을 제대로 지키지 않은 사람들을 괴롭히는 것으로 알려져 있습니다. 카지노 4회 4화 E04 명절에 실을 뽑거나 잔치를 제대로 하지 않으면 잠든 사이 퍼치타가 집에 찾아와 배를 가르고 내장을 뜯고 짚과 자갈로 대신한다고 한다.

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tpnga003 · 1 month

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WEEK 7: The Algorithmic Gaze - How Social Media Feeds Promote Sexualization

Social media platforms have become a crucial part of our lives. We scroll down endless feeds with various content which is managed and promoted by invisible algorithms. But what if these algorithms, designed to maximize engagement of sexualization content?

The Start of Sexualization Feedback Loop

Social networking platforms develop on the basis of user engagement (Jha & Verma 2023). Metrics such as likes, shares, and comments act as a form of digital currency, and platform algorithms are continually upgraded to prioritize content that generates them (Tenenboim 2022). This system may motivate the posting of sensitive content to attract the attention and interaction of the public.

McLeod (2024), citing Maslow's Hierarchy of Needs, identifies sex as a fundamental human physiological need. Given this inherent importance, it is unsurprising that people are attracted to sexual topics. The development of society has demonstrably helped people feel more comfortable to mention sex issues, and social media platforms provide a global connection to discuss widely about these topics. However, it raises concerns about a potential link between the algorithmic engagement and the present oneself in a sexualized manner.

Social Comparison and Self-Objectification in the Digital Age

Festinger's Social Comparison Theory (1954) sheds light on how social media usage influences self-evaluation through comparisons with others. This theory points out that humans have an inherent desire to assess themselves by drawing parallels with others. These comparisons include various aspects, including evaluating our performance in relation to others' abilities and comparing our opinions to theirs.

Furthermore, research suggests a correlation between increased social media use and self-objectification, particularly among young women (Ward et al. 2023). Fredrickson and Roberts' (1997) Objectification Theory shows that women are often socialized to internalize the observer's perspective as the primary way to view their physical selves. This internalized objectification can manifest in compulsive body monitoring, potentially leading to feelings of guilt and anxiety in women. In addition, it can be the barrier to achieve peak motivation and decrease their awareness of internal bodily signals.

These two theories claim a compelling framework to understand the growing prevalence of sexualization on social media platforms. On one hand, the human interest in sex promotes the increase of sexual content, leading others to receive these messages and potentially change their behavior to conform to perceived standards. On the other hand, some users recognize the attention-grabbing potential of sexual content and deliberately create controversial content to attract engagement.

Women Pornification on Social Media

Social media platforms have become a stage for a specific kind of performance: the presentation of a sexualized self. Several scholars have pointed out that, for many women, selfies on these platforms are the product of a form of labor that emphasizes their physical attractiveness (Drenten, Gurrieri & Tyler 2019). This trend goes beyond selfies, with research suggesting that women often curate a highly sexualized online persona, conforming to idealized notions of beauty heavily influenced by heteronormative standards (Carrotte, Prichard & Lim 2017).

This emphasis on sexuality frequently aligns with the aesthetics of commercial pornography, with women adopting poses and styles that mirror what is seen in pornographic content (Tyler & Quek, 2016; Lynch 2012; Drenten, Gurrieri & Tyler 2019). Scholars have termed this phenomenon “pornification” (Drenten, Gurrieri & Tyler 2019). This “pornchic” aesthetic caters primarily to a male gaze, reinforcing traditional heteronormative ideas of beauty and sexual desirability (Drenten, Gurrieri & Tyler 2019).

Breaking the Cycle

Reducing this issue requires a multi-dimensional approach. Social media platforms can prioritize algorithms that promote diversity and positive body image. Schools and parents can educate young people about the curated nature of online content and the potential dangers of social comparison. Furthermore, research suggests that promoting media literacy can empower young people to critically evaluate online content.

Social media offers a valuable platform for connection and expression. By acknowledging the potential for bias within algorithms and promoting media literacy, we can work towards a more positive and inclusive online experience for all users.

Reference List

Carrotte, E, Prichard, I & Lim, MSC 2017, ‘“Fitspiration” on Social Media: a Content Analysis of Gendered Images’, ‘Fitspiration’ on Social Media: a Content Analysis of Gendered Images, vol. 19, no. 3, viewed 21 March 2024, <https://www.burnet.edu.au/system/publication/file/4654/Carrotte_et_al_2017.pdf>.

Drenten, J, Gurrieri, L & Tyler, M 2019, ‘Sexualized Labour in Digital culture: Instagram influencers, Porn Chic and the Monetization of Attention’, Gender, Work & Organization, vol. 27, no. 1, viewed 21 March 2024, <https://onlinelibrary.wiley.com/doi/abs/10.1111/gwao.12354>.

Festinger, L 1954, ‘A Theory of Social Comparison Processes’, Human Relations, vol. 7, no. 2, pp. 117–140, viewed 21 March 2024, <https://journals.sagepub.com/doi/10.1177/001872675400700202>.

Fredrickson, BL & Roberts, T-A 1997, ‘Objectification Theory: Toward Understanding Women’s Lived Experiences and Mental Health Risks’, Psychology of Women Quarterly, vol. 21, no. 2, pp. 173–206, viewed 21 March 2024, <https://journals.sagepub.com/doi/10.1111/j.1471-6402.1997.tb00108.x>.

Jha, AK & Verma, NK 2023, ‘Social Media Platforms and User Engagement: a Multi-Platform Study on One-way Firm Sustainability Communication’, Information Systems Frontiers, vol. 26, viewed 21 March 2024, <https://link.springer.com/article/10.1007/s10796-023-10376-8>.

Lynch, A 2012, ‘Porn chic: Exploring the Contours of Raunch Eroticism’, Faculty Book Gallery, Berg Publishers, London.

McLeod, S 2024, ‘Maslow’s Hierarchy of Needs’, Simply Psychology, viewed 21 March 2024, <https://www.simplypsychology.org/maslow.html>.

Tenenboim, O 2022, ‘Comments, Shares, or Likes: What Makes News Posts Engaging in Different Ways’, Social Media + Society, vol. 8, no. 4, p. 205630512211302, viewed 23 March 2024, <https://journals.sagepub.com/doi/full/10.1177/20563051221130282>

Tyler, M & Quek, K 2016, ‘Conceptualizing Pornographication’, Sexualization, Media, & Society, vol. 2, no. 2, p. 237462381664328, viewed 21 March 2024, <https://journals.sagepub.com/doi/pdf/10.1177/2374623816643281>.

Ward, LM, Jerald, MC, Grower, P, Daniels, EA & Rowley, S 2023, ‘Primping, performing, and policing: Social Media Use and self-sexualization among U.S. White, Black, and Asian-American Adolescent Girls’, Body Image, vol. 46, pp. 324–335, viewed 21 March 2024, <https://www.sciencedirect.com/science/article/abs/pii/S1740144523000979>.

#MDA20009 #Week7 #Algorithm #Sexualization #Pornification

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cavenewstimes · 5 months

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Jake Roberts Shares Memories Of Former WWE Stars Tammy Sytch And Chris Candido

Read More Wrestling Inc. By /Nov. 30, 2023 5:06 am EST In early 1995, Tammy Sytch and her real-life boyfriend, Chris Candido, made waves on WWE TV as a couple of in-shape athletes poking fun at their opponents and fans for not sharing their good looks. They even added Tom Prichard (Zip) to their Bodydonnas stable and captured the WWE Tag Team Championship from The Godwinns at WrestleMania…

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jedivoodoochile · 9 months

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Willie Brown

Today on his birthday, we remember a very important figure from the early days of the Delta Blues… Willie Brown.

Willie Brown was a guitar player and vocalist, who played with Son House and Charley Patton, and Robert Johnson. While he would play solo, he was known to enjoy accompanying other musicians like the ones mentioned.

Speaking of Robert Johnson, Willie Brown was mentioned in Robert’s famous song, Crossroad Blues. (Lyric - “my friend Willie Brown".)

In the movie Crossroads, Joe Seneca did an amazing job playing a fictionalized version of the real Willie Brown.

Sadly, Willie Brown passed away in 1952 from heart disease.

📸 A photo of Willie Brown’s gravestone. Prichard, Mississippi.

📸 Also, a scene from the movie Crossroads, where Joe Seneca played a fictionalized version of Willie Brown. Also in the pictured is Ralph Macchio.

#Willie Brown #crossroads

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slugheadstrashyatticsblog · 1 year

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Halloween Parody #5 Escape from New York Worked more on the parody today. I inked the background last night after work. This morning, I took it easy and chilled. Around three, I starting drawing the crowd on the left. Drawn George Jefferson, Linnea Quigley from Return of the Living Dead, Robert Prichard, Lauren Heather McMahon from Class of Nukem High Issac Hayes as The Duke and the rest were made up or improvised from references I scrolled across while researching. I always have a selection of comic books to use as inspirational material. A artist by the name of Anthony F. Tallarico aka Tony Williamsune (as he signed his artwork in "Eerie Magazine") was a huge discovery for me today. For someone like me, that's makes life worth living. #horrorfanatic #illustration #sketchbook #artist #troma #artwork #stressrelief #comics #eerie #lovemyjob #mentalhealth #oldschool https://www.instagram.com/p/Ck7M7ikNudy/?igshid=NGJjMDIxMWI=

#5 #horrorfanatic #illustration #sketchbook #artist #troma #artwork #stressrelief #comics #eerie #lovemyjob #mentalhealth #oldschool

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puertoricanflagsup · 2 years

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Deontay Wilder gets emotional when he mentions Boricua Prichard Colon Reposted from @tabdeportes Deontay Wilder se emociona y llora luego de la pelea en conferencia de prensa luego de de KO a Robert Helenius, mientras habla sobre los peligros del boxeo y y habló del Boricua, Prichard Colon, quien sufrió una lesión cerebral que le cambió la vida. #boxeo #boxing #tabdeportes #prichardcolon #wilder #prflagsup #puertoricanflagsup https://www.instagram.com/p/Cj0PaPQD1n3/?igshid=NGJjMDIxMWI=

#boxeo #boxing #tabdeportes #prichardcolon #wilder #prflagsup #puertoricanflagsup

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thisislong · 2 years

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The heavenly bodies wrestling

The heavenly bodies wrestling series#

In 1995, The Bodies defeated PG-13 ( JC-Ice & Wolfie D) to capture the USWA Tag Team Championship.

The heavenly bodies wrestling series#

Prichard and Del Ray unsuccessfully challenged for the WWF Tag Team Championship at SummerSlam 1993 and successfully defended the SMW Tag Team Championship against The Rock 'n' Roll Express three months later at Survivor Series 1993. SMW formed a working agreement with the WWF that allowed The Heavenly Bodies to appear on WWF programming. In 1993, SMW's unique cross-promotional deal with the WWF than the WCW allowed The Heavenly Bodies and The Rock 'n' Roll Express to wrestle on the two competitor's pay-per-view shows. They continued their feud with The Rock 'n' Roll Express in these promotions and began new rivalries with The Steiner Brothers ( Rick & Scott Steiner), and The Smoking Gunns ( Bart & Billy Gunn). Over the next few years, the new duo competed not only in SMW but also in the World Wrestling Federation (WWF), Extreme Championship Wrestling (ECW), and United States Wrestling Association (USWA). Later that year, Lane left the team and was replaced by "Gigolo" Jimmy Del Ray. They lost their match to The Rock 'n' Roll Express. A cross-promotional deal with World Championship Wrestling (WCW) allowed The Heavenly Bodies to appear at WCW's SuperBrawl III pay-per-view event on February 21, 1993. Their feuds were often highlighted with hardcore matches and numerous title changes. Managed by Jim Cornette, Prichard and Lane became the first ever SMW Tag Team Champions.ĭuring their tenure in SMW, The Heavenly Bodies had long running feuds with the likes of the new Fantastics ( Bobby Fulton & Jackie Fulton) and The Rock 'n' Roll Express ( Ricky Morton & Robert Gibson). In 1992, veteran wrestlers Tom Prichard and Stan Lane first formed The Heavenly Bodies in Smoky Mountain Wrestling (SMW).

#The heavenly bodies wrestling

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jimrmoore · 2 years

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SURF REALITY ~ Serious Pratfalls ~ June 27th, 1998

June 27th, 1998 Notes on this show presented at Surf Reality from producer/founder Robert Prichard. Jeff Eyres, Host 1) Rev. Hank AKA Hank Flynn 2) Margaret Trigg, Margaret starred in an ABC sitcom in 1996 called Aliens in The Family which was ABC’s attempt to get on NBC’s 3rd Rock From The Sun train. Margaret used to rent Surf for showcases so that her industry connections could see her…

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timetravel-tv · 2 years

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WHOOVERVILLE 13

Well, what a day it was! Great fun with lots of friends.

Our table was busy all day and Robert Dick and I managed to film some inserts with Keith Jayne for his upcoming Myth Makers release.

Then there was the premiere of DOCTOR ON DISPLAY - LONGLEAT. It was fantastic to see it on the "big screen" and my, my, did it look good! Sophie Aldred's presentation and voiceover were perfection as always.

I did a quick intro to the screening and it was followed by a Q&A with me, David J Howe (Telos Publishing), Bedwyr Gullidge (Author - Doctor Who Exhibitions) and Roger Stevens (Director/Editor).

I even had time to spend with my family ... Harry and Anastasia (it was our wedding anniversary!). Harry and Anastasia manned the Reeltime dealers table - Harry was doing a sassy hard sell to the Reeltime regulars! That's my boy!

Very grateful thanks to Steve Hatcher and Andrew-Mark Thompson for inviting Reeltime along!

Thanks to Robin Prichard, Paul Griggs and Chris Hoyle for use of their photos!

#Keith Jayne #Keith Barnfather #Doctor on Display #Doctor Who #Whooverville #Reeltime Pictures

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2022digitalcommunities · 2 years

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Digital Communities - Body Modification (Week 8 )

Social media acts as a space for people to promote and celebrate each other and spread positivity. This can be done through things such as public health campaigns, which shed light on certain topics, to raise awareness and sometimes money for charities. An example of this is the Movember campaign which occurs every year in the month of November where men grow beards in order to raise money and awareness of men’s health issues such as prostate and testicular cancer as well as mental health. However social media can also be linked to “Aesthetic Templates” which are usually linked to digital influencers who promote unhealthy body ideals. Aesthetic templates can be seen across all social media platforms, especially from celebrities and influencers as well as microcelebrities. “Microcelebrity as an online performance involves creating and manipulating an online identity that resembles a branded good…to gain status through visibility” (Marwick 2013; Senft 2012). Visibility on social media has become reliant on tactics that acquire status with an audience one of which is Aesthetic Labour.

Aesthetic labour involves poses, accessories, props or body work which are all used in cohesion in order to embody attributes that will resonate with customers for commercial benefit (Dean, 2005; Witz, Warhurst and Nickson, 2003). Body work can involve a range of behaviours that can change a person’s physical appearance to make them look more feminine, which can be done through posing and editing. An example of body work being used is on the social media pages of that Kardashian’s and the Jenner’s. Kim Kardashian is a perfect example of this as her social media pages are often planned out according to a certain template and aesthetic to promote herself and her brand. Likewise, Instagram is “naturally suited to plastic surgery” (Dorfman, Vaca, Mahmood atl. 2018) which Kim Kardashian also promotes. Similarly, this aesthetic and use of body work can lead into the realm of pornification, where it has been argued that women are presenting a highly sexualised version of [themselves] online (C. Prichard and Lim, 2017). In contrast masculinity is presented as being athletic and dominant. Pornification is also directed at men, but in a different way. All of these aspects can have an impact on public health.

References

Carrotte, E. R., Prichard, I., & Lim, M. S. C. 2017, ‘Fitspiration’ on social media: A content analysis of gendered images. Journal of Medical Internet Research, 19(3).

Dean, D 2005, Recruiting a self: Women performers and aesthetic labour. Work, Employment & Society, 19(4), pp.761– 774.

Marwick, AE 2013, Status update: celebrity, publicity, and branding in the social media age. New Haven: Yale University Press.

Robert G Dorfman, Elbert E Vaca, Eitezaz Mahmood, Neil A Fine and Clark F Schierle, ‘Plastic Surgery-Related Hashtag Utilization on Instagram: Implications for Education and Marketing’, Aesthetic Surgery Journal, Volume 38, Issue 3, March 2018, pp 332–338

#aestehtic #influencer #influence #body

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filmap · 7 years

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The Toxic Avenger Michael Herz, Lloyd Kaufman. 1984

On the car 30 Montgomery St # 225, Jersey City, NJ 07302, USA See in map

See in imdb

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