SUNEOHAIR
is a Japanese musician, actor, and music producer.
His real name is Kenji Watanabe.
His short name is "SUNEO".
One-man project by Kenji Watanabe.
In the fourth grade of elementary school, his parents bought him a Casiotone keyboard, which awakened his interest in music.
In his second year of junior high school, he bought an electric guitar with his New Year's gift. He expanded his musical activities by forming a guitar unit.
In high school, he joined the soccer club, but when he learned of the existence of a light music club, he immediately joined.
Moved to Tokyo when he entered university, and became interested in theater in his junior year. After graduating from college, he continued to work with various theater companies, but in 1997, he quit the theater and resumed his music career.
In 1998, he sent a demo tape to cafe au label and started his music career in earnest. In August of the same year, he became a supporting member of Sugarfields, playing bass guitar.
In January 1999, he played his first live concert. In February of the same year, he made his independent debut with "SUN!NEO!AIR".
In May 2002, he made his major label debut with the single "Ivory" from Epic Records Japan. In October of the same year, his first major album "Sunestyle" was released.
March 16, 2018-, published his first newly written novel "Kanashimi".
In 2022, he starred in the movie "Nikko Monogatari".
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Nami Sano, the creator of "Sakamoto desu ga" and "Migi & Dali" has unfortunately passed away on the 5th of August, 2023 due to cancer.
The Migi & Dali anime is set to air later this year.
Thank you, Nami Sano. Not only for sharing your wonderful work with us but also for bringing so much joy to so many people!
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I love anime characters that are so stupidly over powered that normally it would be insufferable but it just loops back around to being cool again. Hak from Akatsuki no Yona. Saitama from One Punch Man. Helck from Helck. Sakamoto from Sakamoto desu ga?. Alucard from Hellsing. It's a fine line.
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I was the one who made this back in 2016, posted on my old tumblr account (deactivated due to several reasons) and since then has been reposted everywhere.
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apparently I can't accept the premises of comedy anime at face value even though the whole point is to have a status quo to keep the main focus on the comedy, instead of a focus on the plot
saiki k: all the 'world reset' factors and the amount of control he has on the world around him means he is far more alone than the 'haha i hate life' goes. the show is somewhat about his god position without adressing it, but I think it wouldn't have taken him a year to figure out the volcano. I think he was considering wheter to save everyone or not for those six years.
spy x family: loid and yor probably know about what the other does, or at least notices all of the odd things. however the family being the first normal thing about both of their lives, (and probably first emotional connection in many years), they will risk all of that suspicious activity. they don't want to clarify things, they don't even really develop their relationship (ive only read 50ish chapters)(debatable but let me run with it), they just want stability
sakamoto desu ga? : the fatal/chronic illness theory. i got the vibes before reading the essays. look it up if you want
tanaka kun wa itsumo...: honestly i don't really headcannon this as i wouldn't ruin the slice of life bible but i do wonder why Tanaka is like that all the time.
this brings me to isekai quartet which itches this scratch so damn well. idk if anyone dismisses this as a stupid chibi show for kadokawa to sell more kadokawa, but the concept of taking the 'status quo reset' part of a comedy show and making it a mechanic in the plot? brilliant. of course it's stupid but it's also good
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A day early, but happy birthday Sakamoto >:))
Getting violent kyoya flashbacks with this one, the only distinguishing feature in my art would be the mole 🥲
Sketch below
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so far every comedy anime/manga i've watched and read with a sakamoto in it has been comedy gold.
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