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#She doesn't want to hear it
revedetendresse · 2 years
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puppetmaster13u · 6 months
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Prompt 74
When a new black-haired blue-eyed person appeared in the manor, one could easily be forgiven for thinking that Bruce’s adoption problem had struck again. So color many a batkid surprised that no, this kid isn’t a new sibling, no he didn’t get grabbed from the street, and actually he’s here for Alfred. Apparently Alfred never found it important to mentioned that he has a husband- that the kid kind of implies isn’t human what with the casual way he says he himself is half human- and that this kid is apparently their child. For once it’s Bruce’s turn to come home to a surprise sibling. 
Danny on the other hand just learned that his Clockpa has a semi-mortal partner who has offered to take him in, (in another dimension even! And there’s aliens!!) while the ancient takes care of some stuff at home. And yeah it’s in a rich-manor but Sam has proved that not all rich people are evil, and based off of Mr Pennyworth’s stories the Waynes weren’t bad either. Though based off of the others’ reactions perhaps he should wait to mention that there wasn’t one new family member but three…
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luna-lovegreat · 2 months
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I want. Four to get appreciation. Because
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
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So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
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Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
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He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
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Also- because of his placement in this scene
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I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
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Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
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Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
.
Art and comic from Jojo @linkeduniverse au :)))
#epona is so important#Lu four#linkeduniverse#linked universe#I work with horses and#Epona is INCREDIBLE- she's extremely attuned to humans and emotions. she doesn't scare easily and can keep her cool in a fight#but it's still super stressful to suddenly be in a fairly large and populated town- separated from her person#and for such an empathetic horse? Four going and TALKING to her- gently petting her nose and just being near her#means so so much! that literally matters so much to a horses mental state in a foreign situation- just having company#he checked on Epona and gave her company like !!!!!! it's so considerate and means so much for Epona! Four I love you !!!!!#uhhhh yeah!#with the food- I don't think the innkeeper would have free/complimentary food out- but wars wallet def had it covered#then wild showed up with potions in a cooking frenzy- but four was still shown with food behind him- he thought of everything#I don't know what's gonna happen with the shadow crystal and stuff. but no matter what happens in the future- this matters.#he did a ton of small things no one else thought of it matters he cares so much didjdkdksjfjj#I have a lot of posts I'm making/editing and trying to get to. I'm just a little gal trying my best :/#so many ideas and so little time... I love you guys and this fandom so much :))#(if I said anything off or offensive let me know... I'm always nervous about that but I want to hear from you if I'm wrong)#(also you are so so cool and valuable don't forget that ok? I love you and you are important)#:)
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booasaur · 9 months
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Special Ops: Lioness - 1x07
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tutterypuff · 8 months
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tbh though if you look at the older episodes, Betty was always like absolutely 100% fully and irrevocably unhinged, and her going insane was barely a departure from the status quo at all
like this woman is and always was nuts, and I think it's for everyone's benefit that they're both equally obsessed with each other, because that means nobody else ever has to get involved with their fucked up dynamic
I think it's less that she put her life on hold for Simon's benefit, but that she's a scary lady who knows exactly what she wants, and what she wants is a relationship with a nice autistic guy who's really into femdom
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ghouljams · 11 months
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Truly a shame I am giving out Cowboy gold when I’m shadow-banned. Here’s some fluff of the gang dealing with Momma Duck getting home. Just pure domestic while I wait on support.
Simon pulls open the door on your third knock, it looks like you just woke him up. He’s still in his boxers and tee, scratching his chest as he leans against the door. His eyes drag from your sleep shorts, to your tank, to the shower caddy in your hand, just barely seeming to register any details but your bare skin. You really like sleepy Simon, but he’s not what you’re here for.
“Can I use your shower?”
“Use the one at the house,” He rumbles, voice thick with sleep and just a little too low for this early in the morning.
“Can’t,” you tell him pushing past him and into his little house, “Momma got in late last night so her and Daddy are hoggin’ all the water.” 
Simon hums and shuts the door behind you, following as you make your way to his bathroom. He grabs the door handle before you do, crowding you against the door as he holds it shut. The warmth of him makes you press back against the wood, his easy morning smile and tired eyes just made to lull you into compliance.
"You wanna stay here tonight?"
"Not on your life. My momma just got home I'm tryin'a enjoy her while I got her."
"You sure?" Simon drops to his knees like it's his job, hands sliding over your thighs to tug you closer in a way that makes your stomach drop and your panties wet. "Nothin' I could do to convince ya'?" You can feel the labor in each breath you take as Simon's lips ghost over your thigh, teeth just scraping the sensitive skin. Oh there is plenty he could do to convince you of anything. If he said the sky was red you might just believe him.
You swat at him quickly to stop yourself from folding. The devil is in his chuckle, just gotta remind yourself of that. He lets you go and you are quick to fall backwards into the bathroom, closing the door on him to ensure he doesn’t try anything funny.
Ghost hears the shower turn on and sits back on his heels with a sigh. You were going to be the death of him. He rubs a hand down his face, feeling the rough stubble, as he stares at the closed bathroom door. Might as well go put the kettle on while you get cleaned up.
He’s just turned the burner on when there’s another knock at the door. Simon truly wonders sometimes if God hates him. He crosses the short distance to his front door and pulls it open.
“Ah good, you’re up,” Soap says pushing past him, “I need your shower.”
“Goose is already in there,” Ghost tells him, holding on to the faint hope that might inspire him to leave. It doesn’t.
“Steamin’ hell, how early does that lass get up?” Soap swears, making a beeline for the kitchen, “You got coffee in here?”
“What I have is company.”
“Anno, and she’ll want coffee when she’s out,” Soap agrees, grabbing the little coffee pot from the corner and turning on the tap. Ghost sighs, and grabs the little coffee tin from the top shelf. He tosses it to Soap who eagerly sets about fixing a pot. The kettle whistles and Ghost grabs it to fix himself a mug of tea, the only sensible person in the small house.
There’s another knock at the door. Ghost draws a breath, when did he become a babysitter, and opens it.
“Can I-” Gaz starts.
“Goose’s already in there,” Soap calls from the kitchen.
“You hear the Captain and Missus too?” Gaz asks, shouldering past Ghost to join Soap in the kitchen.
“This isn’t a fucking common area.” Ghost grumbles, watching Gaz snag his tea. He sighs and shuts the door to go make another cup.
The shower shuts off as the coffee pot dings. Soap and Gaz discuss potential plans for the day, voices loud enough Ghost almost doesn’t hear the bathroom door open or your soft footsteps out. He looks up from his phone to watch you toweling off your hair, one of his sleep shirts fitting you like a dress.
“Where’d you get that?” He asks, holding out an arm to wrap around your waist as you settle on his lap.
“Nipped it from your hamper.” You settle back against his chest, reaching for the only untouched mug on the table. Simon hums behind you, moving your damp hair out of the way to press his lips to your neck. Simple and sweet. Soap gags loudly.
“Weird seeing you like this, mate.” Gaz says, earning a sympathetic shoulder pat from Soap as he gets up to grab the shower.
“Give your balls a tug, Garrick.” You tell him peaceably, feeling Simon smile against your skin.
“Oh you are- She is mean in the morning!” Gaz gasps, Simon’s shoulders shake behind you.
“Be nice,” Simon tells you, though he doesn’t even sound like he half means it.
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sincerely-sofie · 2 days
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*Skitters up to you on all fours and drops this in your lap, then scrambles up the walls and onto the ceiling and immediately falls asleep*
Comic time! Lucky wakes up in the middle of the night and has a chat with Sen in this one.
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#ah yes. the struggle of seeing yourself as a machine incapable of truly having an emotional connection with others#no matter how deeply you long for such things#whilst simultaneously seeing that deep longing within you as a mistake. a flaw. an imperfection#you were made to be absolute and impartial#to be biased in favor of your charges beyond that which your ‘programming’ dictates is shameful#you are broken. you are flawed. you want and you want and you want and you’ve never stopped /wanting./#you aren’t supposed to worry or care or love. you weren’t made for it.#and if you were not made for it then you simply cannot worry or care or love.#these /things/ that haunt you and make you inefficient are not emotions.#they are your imperfections; flaws in your make; symbols of your failures to live up to your purpose#you are broken. you are flawed. and you want so deeply that you can scarcely keep the longing inside you#such a failure you are; to not only survive the fall of the metropolis you were built to give your life to defend#but also to stoop to and revel in such indulgent imperfections as these false emotions the moment your makers are gone to dust#Fun Fact! Sen doesn’t require sleep#and spends every evening standing outside of Sharpedo Bluff / whatever campsite the gang have set up to guard the entrance.#she doesn't stay inside at night because it wasn't something done in the metropolis she hails from.#sentries are meant to watch over their charges. they are not meant to indulge in the pleasant and dry warmth of their homes.#Kip hears about this eventually (he thought it was just Sen not trusting people enough to sleep around them) and FLIPS OUT#“PLEASE would you come inside IT'S LITERALLY HAILING”#Sen is taking so much hail damage and has the gall to look at him and say “You should return to your home. the weather is unfavorable”#Kip just screams into his hands because he might have found someone even worse at self-care than Twig#And with that#it is beddy-bye time for Sofie :)#the present is a gift au#pmd oc#pmd ocs#pokemon mystery dungeon#pokémon mystery dungeon#pmd explorers#pmd eos
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getvalentined · 1 month
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After four years, I finally have video proof of Purra* making that horrible noise that is one of the three sounds she makes. The other two are "radio static" and "creaking door hinge." She does not meow. Or growl. All the noises she makes are some combination of these.
She's a freak and I love her.
*Full name Purramid Head, special thanks to @aftepes for giving us the name way back in 2020 when we were calling her "the Silent Hill kitten" because of the noises she made.
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lakemichigans · 1 year
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“I forgot you do that. Whenever we get – what’s the word – close? Anywhere in the neighborhood of emotional vulnerability? You back off, or make some joke, or find any way to shut the door on me.”
FAVORITE SPN COUPLES (1/?) → Dean & Cassie
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agentark · 4 months
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in the span of maybe an hour, clara oswald goes from, "I already know - don't say it." to, "people like you and me should say things to each other" and I'll never get over it
she literally gets pulled out of time the moment before her death and learns he's been clawing his way back to her for 4.5 BILLION years?? Just to save her??? I would also suddenly and urgently have words
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salemontrial · 28 days
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Why the FUCK didn't Sasha apologize to Quinni.
#no im so pissed about that.#dude you don't give an autistic person a meltdown that big over something that hurtful#and just#walk away scot free#last time someone gave me a meltdown that hardcore I cut them off for a month.#that might just be the bpd tho#but still#quinni doesn't seem like the type to just. be chill without an apology and hearing sasha explain herself#and then she makes her her vice??????????#she already acknowledged sasha is only in it for the power trip#sasha didn't even do anything in the investigation she just followed quinni around#which as she should#but she hasn't made up for how she treated quinni AT ALL#in fact she's just gotten MORE of a performative activist#like why the fuck was she such a bitch to missy abt spider#i get it yea. ur friends sometimes have dogshit taste in men but you don't need to make them feel like trash abt it#and the way she was like 'he fetishizes u for being black omg its probably asian girls next omg i dont feel safe'#THIS ISNT ABOUT YOU????????.#also she 100% jumpstarted quinnis identity crisis#with how she was constantly switching between infantilizing her and undermining her autonomy over her own decisions#and treating doing things quinni wanted to do and the specific way she needed to do them as a chore#and then victimizing herself!!!!!!!#like from experience that relationship dynamic IS abusive to autistic people it just is#idk if nt people get it but it's really fucking awful to come from your partner#anyway. until sasha apologizes to both quinni and missy this will continue to be a sasha hate page.#heartbreak high#heartbreak high season 2#quinni gallagher jones#sasha so#missy beckett
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possamble · 22 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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somnimagus · 1 year
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I'm always with you, even if you can't see
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sweetronancer · 4 months
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GUYS GUYS HEAR ME OUT!!!
...
jealous nancy wheeler.
(in ronance context)
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hephaestuscrew · 5 months
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When Minkowski hugs Eiffel in Ep31 Sécurité, she just grabs hold of him without making a sound, and the listener only knows about the hug because of the "oof" noise Eiffel makes in reacting to having "the wind knocked straight out of him", and the script directions say that Minkowski has "tears silently streaming down her face", and Eiffel is the one who directly acknowledges the hug verbally ("Don't apologise for hugging"). If all we had was Minkowski's side of the interaction, we probably wouldn't know that they hugged. 
When Eiffel hugs Minkowski in Ep54 The Watchtower, he first tells her "C'mere, give us a hug!", and he makes a happy sound of effort as he squeezes her, and Minkowski - under the influence of Pryce's restraining bolt - doesn't seem to have any reaction at all, which Eiffel doesn't appear to notice. Once again, if all we had was Minkowski's side of the interaction, we wouldn't know that they hugged. 
The question of 'in what ways is the hug made audible?' feels much more significant in audio than it would in any another medium, and I do think it reflects something about these characters and their willingness to be open with their affection. Minkowski "grabs him and hugs him" hard enough to knock the wind out of him, but she does so silently. In a somewhat similar but also very different moment of reunion, Eiffel "embraces her" and he's not quiet as he does it. There's something about how Communications Officer Eiffel is always the one who verbalises their physical affection, whether or not he's the one who initiated the hug. The closest Minkowski gets to verbally acknowledging a hug is through an apology; Eiffel is the one who makes the hugs real for the listener.
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commsroom · 1 year
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beating my fists against the wall thinking about how eiffel hallucinating hera in mayday is the only time (that isn’t from her perspective) that her voice doesn’t have the usual filters on it. what that suggests about how eiffel sees her and how it aligns with her own self perception. what it implies, when hera’s glitching is such a literal manifestation of her self doubt and eiffel’s belief in hera and her ability is so unshakable and absolute, while her voice in mayday speaks for the part of him still strong enough to hold onto hope.
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