Shakespeare Weekend!
This weekend we return to Nicholas Rowe’s (1674-1718) The Work of Mr. William Shakespear; in Six Volumes. Published in London in 1709 by Jacob Tonson (1655-1736), perhaps the most prolific of Shakespeare publishers, this second edition holds an important place within Shakespearean publication history. The Work of Mr. William Shakespear; in Six Volumes is recognized as the first octavo edition, the first illustrated edition, the first critically edited edition, and the first to present a biography of the poet.
This week, we introduce you to the second which consists of all comedies, including A Midsummer-Night's Dream, Merchant of Venice, As You Like It, Taming of the Shrew, All’s Well that Ends Well, Twelfth-Night; or What You Will, and The Winter’s Tale. A full-page engraving by the French Baroque artist and book illustrator François Boitard (1670-1715) precedes each play.
In addition to Rowe’s editorial decisions to divide the plays into scenes and include notes on the entrances and exits of the players, he also normalised the spelling of names and included a dramatis personae preceding each play. The only chronicled critique of Rowe’s momentous editorial endeavor is his choice in basing his text on the corrupt Fourth Folio.
Perhaps of interest to some of our readers is the exceptional use of signature marks and catchwords throughout the volumes of The Work of Mr. William Shakespear; in Six Volumes. Found on the bottom of the pages, the signature marks and catchwords helped the bookbinder or printer make sure the pages were sent to the press in the right order and that subsequent leaves were bound in the correct order. Signature marks through the use of a letter and number combination marking the first page of a leaf or section, and catchwords by way of anticipating the first word of the following page.
View more volumes of The Works of Mr. William Shakespear; in Six Volumes here.
View more Shakespeare Weekend posts.
-Jenna, Special Collections Graduate Intern
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hamlet/horatio is rly some of the most boring shakespeare yaoi in my honest opinion. like even putting aside whatever i got going on with iago/cassio and edgar/albany (my problematic favs) there’s also like. toxic caesar death polycule. the undeniable potency of antonio/sebastian. the kind of epic fool4fool slay that is touchstone/jaques. rosalind/celia yuri. olivia/viola also. and these are just off the top of my head
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Hello!! When I tell you I literally use your blog as a Shakespeare resource ALL THE TIME like I just have so much respect for all your takes and your ability to hold so much in your head?? Insane. I am vv curious to hear your thoughts & feelings about Maria from Twelfth Night?? I just got cast as her in a very cool production and while I’m working on my own interpretation I am very curious and interested in what you think are important things to bear in mind with her!! <3
HI ANON!!! SORRY THIS TOOK ME SO LONG TO ANSWER YOU HAVE PROBABLY FIGURED OUT EVERYTHING ABOUT YOUR OWN MARIA BY NOW AND PERHAPS HAVE EVEN DONE YOUR SHOW (IN WHICH CASE I HOPE IT WENT WELL; IF NOT THEN GOOD LUCK!)
but yeah! yeah! maria! i think about her! she fascinates me, actually, because it's--i was going to say "hard to tell whose side she's ever on," but that makes twelfth night sound like some kind of war plot, when the gulling subplot is in fact just an elaborate prank. but i guess i can say that she fascinates me because her feelings toward olivia and toby are never entirely clear. she's olivia's maid, and they seem to have some fondness for each other, but she's also not above imitating olivia's handwriting (and thus kind of? impersonating her?) for a prank that olivia doesn't get to know about (and depending on how you interpret malvolio and olivia, this could be either maria going "haha this'll be so funny" or maria just not caring if this man makes olivia uncomfortable). and she seems to care about toby as well, and certainly jokes around with he and andrew, but it's also clear that she is exasperated if not harried by his constant bullshit. and yet she marries him--does that prove that she loves him, and the annoyance she feels about him partying at odd hours is just that, annoyance, because the people we love have flaws? or does she marry toby because it's her shot at social mobility? how much does she resent being a maid? is toby her stepladder or her true love or both? does she recognize that irony that by marrying toby she's doing exactly what malvolio hoped to do and can't--marrying up and becoming part of the household nobility? and does she feel bad for him?
anyway beyond all that i think she's fucking awesome. when toby was like "maria you could step on my throat" he was right. don't worry queen i know you're the root of some have greatness thrust upon them
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not sure if images work. i am once again asking for thy trans shakespeare headcanons please & thank you. i will Stop entering your ask box and leaving just not tonight
by the way in response to trans tn response (<3 love it) i raise thee t4t seb and ant (tn) (but also tempest) (reasoning: hits you w transgenderification beam)
ALL of my current Shakespeare trans HCs in one post??? I am going to try...
Hamlet:
Hamlet- he/they, transmasc (afab) (I’ve talked about this theory a few times, and I like it a lot for a variety of reasons! See my other posts.)
Ophelia- she/they, ftnb (projection. PROJECTION!!!)
Horatio- either mtnb he/they OR everybody’s token cis friend (Non-binary Horatio makes for 1. a beautiful t4t couple/throuple if Ophelia is here too and 2. a fun story about Horatio’s gender crisis upon meeting Hamlet. Token cis friend Horatio is just funny. Hamlet and Ophelia discuss their shared genderqueer experience and Horatio gives them a thumbs-up like “I don’t understand this but I love you.”)
Laertes- she/him, genderfluid. (I saw Laertes played by a woman the first time I saw this play and now that experience has combined with all the masc Laerteses I have seen to create genderfluid Laertes.)
Rosencrantz- he/they, mtnb (Their name shortens to “Rose”. There is no way he’s cis.)
Macbeth:
Malcolm- they/he or they/them. I cannot decide which direction they’re trans in. (I am generally very attached to Malcolm. Maybe I’ll write a post about this later because there is way too much to say here.)
Lady Macbeth- she/they (Lady Macbeth would insult you for “having pronouns in your bio” but would also hit you for using their pronouns incorrectly.)
I HC like all the minor characters in Macbeth to be trans in one direction or another (not for any good reason, I just think they should be) so trans Macbeth characters speedrun: Caithness- she/they, transfemme; Angus- she/her, transfemme, Ross- he/him, transmasc.
Twelfth Night:
Sebastian- he/him, ftm (Explains identical twins of different genders and I like the complexity it adds to his relationships- see my other post.)
Viola/Cesario/Vi/Visario- they/them, ftnb (Again, this explains the twin thing and I really like the idea of Vi using their identity as Cesario to explore their gender.)
Antonio- he/him, either ftm or token cis man (Similar to Horatio, you either get a great t4t pairing or a slightly confused cis man pulling a guy out of the ocean and inadvertently getting a lesson about trans people.)
Maria- she/her, mtf (Literally no reason, I just think she is transfemme.)
Much Ado:
I haven’t read this one in a hot minute, but Beatrice is a she/they icon.
A Midsummer Night’s Dream
Puck- they/them (Fairy gender doesn’t work like human gender, but they’re queer even for a fairy.)
Moth- she/they (Fairy gender things. Honestly, this goes for all Titania’s attendants.)
Titania- she/they
Oberon- he/they
Peter Quince- he/they (literally no reason, it just works)
Helena- she/her, transfemme perhaps (maybe he/they Lysander also?)
Romeo & Juliet:
I saw an all-trans/nb production of this play and now pretty much everybody is trans.
Romeo- he/they, ftm (t4t R&J!!!!)
Juliet- she/they, mtf (t4t R&J!!!!)
Mercutio- they/he, probably performs drag shows in his free time (the queerest person in this play, I love them.)
Juliet’s Nurse- she/her, mtf (Transfemme elders deserve love)
And that is all of my trans HCs off the top of my head.
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