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#amelie<3
wildtornado-o · 10 months
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Doodles :)
I think the Graham de Vanilys should have some cats and ferrets, Félix seems like a ferret liker <3 The doodles on the last image are old ones i never got aroun to posting, mostly consisting of the aged up designs i have 4 feligami
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astystole · 10 months
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🖤💗 ; two vampire besties ft. @magbay's new liners
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baba-the-fool · 5 months
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gentle with you, love
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vampirepunks · 2 months
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I really love all the DS2 theories I've seen so far but one thing I'm picking up is a lot of people expecting Higgs to still be on the same trajectory/goal set as he was in the first game and y'know....... I don't think that's the case.
The overall theme of DS2 from what we've seen so far + Kojima's comments seems to be the concept of opposites, inverses, and dualities, as though it's saying, "take the entire idea and turn it inside out and upside down." It appears to challenge the viewer to subvert whatever expectation/understanding they have based on the first game. It's eternal recurrence as seen through a mirror. The first game was themed around blue and black, this one is red and white. Connection becomes disconnection. Hope becomes despair. Age becomes youth. Repetition becomes change.
Buckle up, I've got thoughts.
(This pattern of contrasts illustrates a theory I've had since DS1 based on Nietzsche's "Thus Spake Zarathustra" and the three-stage journey of metamorphoses--camel -> lion -> child--required to become the overman, but that'll be a separate post. If you're already familiar with the book, just know that in this context DS1 would be the camel and thus DS2 encompasses the lion.)
So, in DS1, Higgs is a hyper-fatalist obsessed with extinction. It's easy to assume that hasn't changed, that he's still dedicated to Amelie and wants to end the world... Too easy, right? Has anything Kojima has written ever been that simple?
I raise you this: In the vein of eternal recurrence, Sam becomes Cliff and Higgs becomes Amelie/Bridget... but this is not a literal retelling, rather, a metaphorical one. A dark mirror to the stories we already know.
So if the theme is opposition, what's the opposite of extinction? Creation. What's the first thing we learn about Higgs in the DS2 trailers? He's a musician now. He sings and he plays guitar. And, arguably, music is the very essence and lifeblood of creation itself, one of the very first things mankind created when our species was in its infancy. Further, Higgs uses his own umbilical cord (yes, it's an umbilical cord), as a guitar jack, channeling his ties to life, death, and his own soul in his performance, highlighting that he has an intimate connection to this core act of creativity. More about that in this post.
Now, DS1 already has a lot of themes and motifs surrounding duality, most notably the concept of chirality: two things that are each other's opposite, two hands imperfectly overlapping, two objects that act as one another's mirror. Powerful things happen when they collide--anything ranging from drug interactions to voidouts to the very birth of the universe.
If I'm reading this right, Sam is set to become the chiral counterpart to his father's tragedy and Higgs is set to become the chiral counterpart to the extinction entity. The same narratives we know, recurring once more, but flipped to become something entirely new at the same time. A rope that becomes a stick and a stick that becomes a rope. Humanity will always need both; the stick is not evil for serving its purpose, nor is the rope inherently good for doing its job. "Whatever is done for love always occurs beyond good and evil."
I'm calling it now: Higgs is not serving Amelie, not seeking to bring her back, not trying to become her. He is rebelling against the idea of her, unshackling himself from the role she placed him in, taking back the autonomy he lost and acting to avenge the abandonment and manipulation he suffered. He's claiming her image as his own to make a mockery of what she represents, painting himself up to look like her decaying corpse, all in an effort to prove she no longer controls him, defiantly asserting, "The queen is dead... long live the king." And so, what is there left for him to do but throw himself into reckless acts of creation? Life from death. Extinction Entity? Cute. Try this on for size: Creation Entity.
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themaybug · 3 months
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fluffuary day 8: laughing together
get yourself a girlfriend who thinks pain and suffering is just as delightful as you think it is 🥰
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klauw22 · 1 year
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au revoir .
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creativeusermane · 9 days
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“death stranding is such a walking simulator!!”
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brokehorrorfan · 6 months
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Terrifier 2 returns to theaters tonight, and Sara Deck has released Art the Clown and Little Pale Girl portraits. Priced at $20, each 5x7 fine art print is limited to 125.
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cosettepontmercys · 1 year
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↳ make me choose: amélie or natasha pierre and the great comet of 1812 (asked by @coldasyou)
just a young girl who doesn't belong to anywhere, or anyone.
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altarwaiting · 3 months
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At least you'll never be a vegetable - even artichokes have hearts.
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joalenko · 4 months
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FINALLY done with this ffxiv-themed sixfanarts meme that i started all the way in june and took way too long to finish due to unforeseen circumstances
all choices courtesy of the bun hutch 🐇
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astystole · 9 months
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STEP BY STEP, BOY 💭 ; @nsves summer collection incoming!
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brupara · 4 months
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First art of January and it's Wapeach! Her design is so fun, I thought a pixel sprite with a minimal color scheme would be neat :>
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vampirepunks · 9 days
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I love that Death Stranding’s core message is essentially, “life is worth living and people are worth loving.” It’s easy to get lost in the details of its universe + characters and thus lose sight of that.
Death Stranding argues that life is worthwhile to fight for even if the world will inevitably end, because we’re still here. That people are worthy of empathy even if they’ve done horrible things, because it was their own suffering and moral efforts that led them there.
Die-Hardman was complicit in the murder of Cliff Unger and the causes of the Last Stranding. He can be forgiven because he loved Cliff and Bridget, never forgave himself, and dedicated his life to trying to make the world better, the only ways he knew how.
Higgs killed thousands and tried to end the world. He can be forgiven because he wasn’t of sound mind and is an abuse victim who never had a real opportunity to be better than he was.
Amelie sacrificed mothers and children for her own ends, and abused the two men who loved her the most. She can be forgiven because she can’t connect with human experience and made the selfless choice to be the sacrifice so humanity could have another chance.
Coffin was a terrorist that abandoned her daughter and radicalized a desperate, lonely young man into a life of violence. She can be forgiven because she believed it was necessary for the greater good, she took accountability for the harm she caused, and she loved those two kids more than anything else in the world.
The game doesn’t require you to forgive its characters, but it invites you to. It provides you with the reasons every given character became the way they are, and leaves it open to the player’s judgment. It asks, “maybe it wasn’t right, but can you understand?” It says, yes, this character did some very bad things, but can you love them anyway? Will you try?
DS argues that disconnection and isolation comes from a shortage of fellow empathy. That’s probably why Kojima went out of his way to retcon Higgs’ story and make his tragedy even more empathetic than it originally was. DS’s answer to social problems isn’t “be better,” it’s “learn how to forgive.”
Hell is other people. Heaven is each other.
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ninadove · 10 months
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All I’m gonna say is, if it IS indeed Amelie, Nathalie better keep her hands to herself
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asukiess · 10 months
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imagining a scenario where the mansion is under construction and renovation, and Nathalie’s shy and like “oh I’ll just. sleep where I always did” (which is now the bed she was dying in surrounded by boxes and wood palettes) and Amelie is like “oh, no! there’s no need for that! there’s the master bedroom done already, we can share that bed!” because there’s nothing suspicious about two adult women sharing a bed (but this is all according to Amelie’s plan)
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