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popculturebuffet · 3 years

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Star Vs: Monster Bash Review or “Holy Shit Concentrated Into An Episode”

Hello everybody! I’m Jacob Mattingly and welcome back to my tom lucitor retrospective, where I go through every major apperance of everyone’s faviorite demon boy boy. In case you watch my schedule or reguarlly read this blog, and if so thank you.. especially you Kevin your a peach, you’ll know this one got pushed back two weeks because the day it was scheduled.. was the day AFTER the US Capitol Insurgency. So yeah an episode HEAVILY dealing with racisim, with a downer ending and a lot to dig into on the same day a bunch of racists stormed the captail to try and illegally keep another racist in office due to his bullshit claims the electoin was fraud, when it wasn’t he just can’t admit he lost, and their own idocy, violence and hatred was not something I could handle that day and I did some mickey mouse instead. But while the effects of said riot are still being felt, and unlike many republicans are saying we shouldn’t just “move on” or “try to heal” because the wound needs to be properly examined so the people who carved our country open with a rusty knife can be prosecuted for it, enough time has passed that I can get back on the horse and eat that horse when it comes to this episode. Also expect new tomtrospective weekly with some exceptions till it’s done. So with the real world reasons for the delay out of the way, on with the show. Previously on Star Vs: Star had a full subplot dealing with her super powered mewberity form, which was now golden and creating bunches of portals. While she wanted to just let it go loose on Eclipsa’s suggestoin, eventually it caused too much damage and Hekapoo was livid when Marco revealed he’d been covering for her and Star, realizing her friend was running himself ragged and ruined a friendship to help her, went to the source of all magic to fix things, metting the baby unicorns and with thier help gaining control over her form. While she does not use it given she JUST got it before this episode, it’s very relevant and makes her come off very stupid but we’ll get to that

In more directly relevant stuff, and our main event, we need to talk about Ms. Henious. Ms. Henious was introduced all the way back in Season 1 as head of St. Olga’s School for Wayward princsesses. She’s voiced by Jessica Walter, aka Malory Archer, Lucille Bluth and .. Fran Sinclair from dinosaurs?

I’ll process that later. Point is she’s a talented lady and voiced Henious perfectly. Henious ran the school as a nightmarish hellhole that stripped away princsesses indviduality when they became too much for their parents. Granted some did genuinely need to be reigned in, Pony went there and so did princess squishy a princess that tried to reinact the plot of face off despite her and star not even being the same species let alone looking remotely similar.. she also liked to say camera phone a lot despite all phones being camera phones for over a decade.

But again like most reform schools it’s a hell hole dedicated more to beating and psyihholically tourturing the rebel or asshole out of you than actually helping so Star and Marco broke in to break out. It naturally was difficult and strenious but in the process our heroes freed the other girls and Marco became feminsest icon Princess Marco. And Marco’s possible gender fluidity, or being trans, was well loved and while he was later said to hate the princess marco idntenity later.. I still dont’ quite buy it and feel Disney just wanted to nip any implications in the bud. Because their stupid and often non-inclusive to the queer community and have to be fought to get inclusivity in there half the time. Could’ve been clumsy writing and the writers not getting people really relating to marco possibly being gender fluid or trans, which given this season’s clumsy writing with marco in general I could buy, but i’m banking more on disney, where one executive can somehow stonewall gay representation because apparnetly one guy was the one who objected to enchanting grom fright.. and he can also go fuck himself with an old rhino’s horn. Which horn is up to you. Also we got two major hints at the future iwth her: a creepy mural star found of monsters and Henious being revealed to have cheek marks she supressed with her very own brainwashing machine.

Our heroes revolution had uintetional side-effects as St.O’s became a party school, though it’s students actually still came back better for the moast part. Henious was thrown out, reduced to sleeping in her car with her manservant gemini and sending Rasticore, a septarian mercinary afer star.. and then carrying his arm around when he got reduced to that.. not because of star but because of a rogue gift card. We don’t have time to unpack that, so she later tried attacking one more time in season 2, in one of the single worst episodes of the series, as she attacked and Marco’s Parents, instead of being concerned about the strange woman and man and lizard man arm attacking thier children, were more concerned about.. tehir cool neighbors. which could’ve been funny but just got frustrating, especially because Marco defended himself well, pointing out while he trashed her school, and gets merchandising rights from princess marco merch, she you know, brainwashed innocent to semi innocent children and was in general horrible and his parents are only humoring her because they were both out of hte loop, which due to this being shortly before star and marco leaves amounts to nothing, and because of the stupid plot.

So after that we got one more apperance in season 3 with her trying to expose marco as a boy to turn the princsses against him and get her school back.. but it was clearly a desperate and flimsy plan and they knew that already, and don’t care because their accepting. And again have done better without her so she gets thrown out and swore revenge on Marco, and here we are. Finally, since returning Star’s been more active in monster rights, replacing their old batshit insane and patronizingly racist expert with Buff Frog and starting a position to get royal signatures. Obviously this dosen’t sound like the most effective way to do things but it’s both teenager accurate and not the worst plan i’ve heard from a teenager this week.. granted that’s also because I covered a teenager trying to win back her good for not a lot 23 year old boyfriend by stabbing his current girlfriend he left her for a bunch, so it’s not exactly a high bar to clear. So outside of the golden form thing, which i’ll get to in the review proper why I brought that up, that’s what’s all built up to this the mid season finale. While Stump Day DID come after this, I chose to cover it before it since it both takes place before that and feels out of place in the very story heavy episodes after it. So with that out of the way we’ll be taking a look at the full episode and Star’s horrible, no good, very bad night under the cut.

We open at the Monster Temple, that place Ludo and Toffee were headquartered at for season 2 and the battle of mewni mini, where Star is holding a PARTY!

This.. this came up when I typed party. I don’t know why and I don’t WANT to know. I mean party is in the name.. is that a party line? Is this phone sex? No.. just no.. I don’t want dirty sweaty pigs in my phone sex.. I want Rocko like a gentlemen.

Now THAT’S hot. And honestly with what i’ve admitted about myself at this point, can you genuinely tell if i’m joking or not? Point is Marco and Rich Pidgeon are pitching in. Oh yeah those of you who didn’t get this far in the series, again hi kevin, might wonder wait whose that... well he’s a rich pidgeon, part of the pidgeon kingdom a kingdom of pidgeons that moved into another family’s castle, presumibly killed them, the book wasn’t specific on that and is now just a large bunch of pidgeons that don’t talk human except rich and get all creepy. They also have an excutioner which is as great a visual as you imagine.

That and Marco tried faking singing rich singing it by shving a pien in his foot and making him sign it.. he didn’t know he was fully sapient but still. But it’s also season 3 marco. The fact he didn’t accidently burn the castle down trying to impress star and being mad when she wasn’t happy he comitted arson is an achievement. Rich apparently holds a grudge but says just kiddng.. maybe.. i’d be prepared for a pidgeon with a machete if I were Marco. Thankfully i’m not.. I mean I hate myself enough.

Anyways the party is in full swing, as both monsters and mewmans are there. On the mewman sides are the royals we met at the Silver Bell Ball and on the monster side are a bunch of monster teens who look up to star we previously met during the Ludo arc in season 2. Pony arrives bringing a photo booth. And kelly!

And also Johnny Blowhole...

That dolphin what showed up a few times, including in the comic and the show, like most of it’s supporting cast, just sorta forgot. Also was going to be my porn name, just in case till it ended up attached to a fictonal teenager. Did.. did not think naming a character “blowhole” through did they?

Anyways the party is at “middle school dance” levels of awkward with the monsters and humans on other sides. Rock seems to be getting ready for a racist tyrade and singles out a yak like monster.. only to instead compliment the guy’s ripped jeans and the two compliment each other on horns... turns out the ones Rock always wear aren’t decorative but part of him due to a boating accident. Shame we never got more of this kid. that’s a good kid I tell you what. But honestly and since the moment is right given their all in this episode.. we never get a lot of the other royals outside of tom and star PERIOD. While Penelope would show up one last time and Larry would make a cameo for the most part their just.. background filler. Even this pettitoin arc was two episodes long. Rich is BRAND new and he gets way more focus.. and even he only gets to show up again for the big “Gondor calls for aid moment” in season 4 where star summoned whoever she could get on short notice. And is the ONLY royal to besides Ponyhead. Larry has an intresting enough design but the underwater kingdom only got featured in the deep trouble tie in comic that got cut short, and he wasn’t created yet so he doesen’t even show up for it. Jagg’s is such a footnote to the creators she dosen’t ever show up after this, and finally Rock, despite being star’s COUSIN and despite his kingdom being specifically mentioned as the hardest to make sympathetic to eclipsa during her own entirely ignored arc trying to win over the other kingdoms, and despite it being where River comes from and thus possibly providing some more insight into that awesome, awesome man.. we get nothing. Hell the Cloud Kingdom of the Ponyeheads ONLY gets two visits despite being home of one of the main cast.. god I just realized Ponyhead was part of the main cast.

So while I grapple with that, Star figures the punch is too warm and while Marco goes to get ice, she tries to remind him she can do magic and accidently puts it in your standard cartoon ice block.. and being star gets her tounge stuck. Thankfully her savior comes in the form of tom who being.. you know.. tom.. can simply melt it down and reminds her he’s been there the whole time. She’s just been a bit distracted with you know, trying to ease centuries of racial tension in a well meaning but ultimately pointless at best and risky at worst, partay. And dosen’t seem to get WHY she dosen’t want to dance.. even if they do have a REALY fucking cute moment where he leans in to kiss her, she catches him on it.. then blows a raspberry into his mouth when he does and smooches him on the cheek a bunch.

But the whole thing leaves him as a grumpus venting to marco and boiling the punch.. though at least Marco gets to use that ice now so silver linings and all that. And when marco tries to explain he tells him he dosen’t “talk politics”

My baby boy.. i’m so disapointed in you. And Marco points out as he leaves “your a prince everything you do is political. “. Which is.. HALF true. I mean tom going to the bathroom or eating a taco or taking his grandpa fo ra walk on his leash so he dosen’t gouge anyones eyes out isn’t political.. but he’s also not wrong that being the half demon half mewman son of two royals, DOES mean tom can come off political and one previous episode which he made a cameo in even had Tom being profiled, with a shopkeep who shoed out another monster kid tried that on tom.. only to realize who he was dealing with and beg for mercy he probably only got because Tom’s trying to be a better person now. And I don’t think i’ts even malcious on tom’s part, tom isn’t the most empathetic guy. He’s nice, he’s sweet, and once he knows you he can be really thoughtful.. but as we’ve seen throughout this retrospective.. empathy is something he’s struggled with. He stalked star because he didn’t see HER side of him creeply and obessively persuing her until Marco got through to him. He missed the point of his therapy assignment, seeing it as a goal to get passed instead of hwat brian intended: for him to geninely make amends with someone he hurt. He didn’t get that while star didn’t, at the time, want to date him ignoring her would hurt her... though that on’es not on him. He’s not a bad guy at all but he’s not at all great at reading people or being selfless.

He’s getting there, stump day showed him put stars needs before Marco’s and not out of any selfish dick measuring contest but because he knew what she wanted and what made her happy, but it’s hard to have empathy for a problem you don’t get how bad it is. To tom it’s just getting stopped once in a while and then having to glower or literally roast someone. To these monsters... it’s a life of being denied a decent standard of living, housing and being treated as a crminal and a beast just for existing. Tom has a fancy castle, loyal subjects, tons of money.. his privlage has insulated him from the real dangers of being the minority he is, of getting beaten up by the cops or arrested just for being a monster. And yes i’m using real world paralells.. but so does the end of this episode so shhh. It’s also a moral that hits home since as a white person, the last year has hit me HARD with just how much I didn’t know about the racial situation in america and how complacient i’d become. I wasn’t actively racist.. but like many americans I had the bad tendency to forget the horrible things that happpend on a daily basis to people of color in this country when it got out of the news. Privlage can blind you, and I cannot speak for if it does so for any real life minorties as i’m not touching a subject i’m not qulaified to talk on due to being super white with a ten foot pole, but I can speak for me that sometimes you just.. dont’ notice a problem unless i’ts happening to you. And while it has happened to tom it’s such a minor inconvience he probably just forgets about it and moves on. And these next two episodes with him, though we have some plot stuff to get too before we get back to Tom in feburary, are him getting his bubble popped and realizing just WHAT Star has been fighting against. And Star’s own privlage will be an issue later.. but we’llg et to that in it’s own time. So while Tom skulks off Rich startles Marco to get him to do his kung fun hand pose “the sword hand dance” and everyone uses it to dance which Marco understandably objects to until kelly asks him to dance. Cue adorable ship tease.. again this is why i’m thrownig in the kelco episode in the next batch: because the trajectory of this relationship eeerily lines up with tom episodes. No sense avoiding the ONE other episode about the ship , especially if i’m going out of my way to cover the Meteora arc on top of it and my other 80 projects. And regular coverage. And comissions. And you get the idea it’s a lot but i’m happy to do it.

Meanwhile we meet Slime, a friendly slime monster who introduces himself to penelope and her massive spider bite... and then drips a bit giving her the wrong impression. Thankfully.. this does not turn into the PG-Rated versoin of BLue from the heathers musical.

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No he just was offering to aloe up her spiderbite, and she’s all too happy to accept since her family never thought about it.. though as we see next season their not against it suprisingly. They are still dicks though. But not racist, though that’s a very low bar to clear and only gives them credit because mewni as a whole is pretty racist when it comes to Monsters. Point is I hate their parents but love these ship as the two share some ship tease and go downstairs.. only to get attacked. Meanwhile, Marco’s getting a goblin dog while being watched by Henious.. who despite Gemini’s objections.. no longer cares about her cheeks as she grins sinesterly and has him play her music, some heavy metal. FORESHADOWING!

Back at the party, Star adreses her public and is all proud and blushy.. till Penelope stumbles in, covered in scars, telling the crowd something took Slime.. and both sides start blaming one another, especially since it turns out a LOT of the monsters have gone missing. So with everything she worked towards and had achieved crumbling, Star calms the crowd and says she’ll investigate. Outside Marco is getting a goblin dog with roy, and wondering why he has strawberry, who orders a strawberry.. who wants that? And then decides to get one out of curiosity which I would but i’m also fat and love strawberries so i’m not a beacon of good decisionmaking.

So Star grabs him before he can roll that metaphorical dice and passes tom who tries to downplay her concerns and get her to go make out, thinking that’s what’s going on despite that.. making no sense, as a ton of them are missing and 6 is a bit much for polyamory.. I mean it works for some people

But not everyone can be a majestic space grandma whose also a caterpillar. And their too young to orgy so that’s out too. Point is Tom is an idiot this time and Star RIGHTFULLY calls him out for belitting her cause, not really caring about it, or the other teens who are in danger right now from god knows what and tells him to either help or get out of the way.

So while Tom licks his well earned wounds, Star and Marco journey into the depths and find a campsite with fresh dog eared pages indicating whoevers behind the abudictions is not only sapient, but still here... oh and it somehow gets worse as they find out WHOSE behind it.

And a second question you might be having: Who dis. Well this is Mina Loveberry, solarian warrior, whose a legend in Mewni and was one of star’s childhood heroes who she found wondering around homeless and clearly not mentally well in the park on earth.. and then tried to conquer it, but the electoral process stopped her... I don’t know why but a half crazed maniac being defeated by due electoral process makes me feel all warm and fuzzy right now, on this specific day this is coming out late on. Hmmmm.. INTERESTING aint it?

Point is Mina is a super powerful, super not in her right mind super warrior, who is naturlaly the kidnapper, as this episode also reveals she’s violently racist and assuemed something was up and whiel Star, who despite said cou still loves and respects her and gets she’s not well, tries to talk her down it increasingly becomes clear there’s no reasoning with her. And really with most racists.. there isn’t. Racisim isn’t something that’s rational and while some people are just indocrinated at a young age and CAN be turned around on it.. some are just so deeply up their own ass with hatred you can’t reason with them or save them. You just have to stop them. Via impeaching them, making sure they get called out and taken out of office.. or in this case using rainbows on them. But we’ll have to wait a second as a bunch of debris falls on mina taking her out!

.. Only to reveal Henious and while Marco’s willing to fight her and her posse, Raasticore grabs star and henious hooks him up to the brainwash machine, probably planning to kill him with it while playing the music

But before she can kill or do worse to one of our heroes.. the door behind them opens up.. and reveals a child’s play room.

And Henious.. gives up on the attack and enters, disturbing Gemini as she looks around in what’s easily one of the best scene sin the entire series: her slow walk, the way the animation follows her as it sinks in just what Metora might be.. and her picking up two dolls, the ones seen above.. her dolls to Gemini’s increasing discomfort. And while the animation is stellar and utterly moving as we slowly put the pieces together... it’s Walter’s delivery that REALLY STUNS.Gone is the harsh, unforgiving nightmarish woman we’ve known.. and instead is someone whose confused.. and remembering. Remembering WHY she has those cheek marks, remembering this was her room, her home.. and those were her parents. She remembers now.. and Mina rises to say of course she did “I knew you’d be back here one day meteora!” And as Gemini tries to refute this.. Meteora agrees with MIna, no longer henious at last freed form her deep and abusive brainwashing we’ll cover soon enough. And deeply confused. And as everyone else is deeply confused... Mina, not realizing this whole thing was covered up, again we’ll get to that soon too, spells it out for them and the audience in case you missed it. When Star asks how Eclipsa plays into any of this? “Don’t you ding dongs know anything? She’s her mamma!” (Marco and Star stare in shock as it sinks in) Marco: “Wait HENIOUS is a princess?!” Star: “she’s a butterfly”

Yeah quite obviously this is one of the biggest wham episodes in the entire series. In one moment we not only find out Henious is indeed a butterflfy as fans thought.. but Eclipsa’s daughter, half monster, and her entire existance raises questions of how much her family hid and if not WHO DID. I mean some of you alreayd know the answer but the rest of you can wait a week.. or a few mintues it’s hinted at soon enough. Point is Star has questions.. questions the violent racist whose pretty messed up in the head for a variety of the reasons and spent decades hunting her.. is not willing to hear out and instead prepares to smite her. While Star tries DESPERATLEY to talk her friend out of this it’s very clear Mina’s not going to listen... so Star rainbow fists her.. and prepares to face her former friend and inspiration for Meteora’s saftey and the answers she BADLY needs right now. Oh and just in case you thought “oh well the magical girl who sounds like amy sedaris can’t be that big a threat”... Yeah I didn’t mention broly for nothing.

Mina bulked up. Meet Solarian Mina. And like the Legendary Super Sayian form from Dragon Ball.. i’ts a beserker of a form that turns the already obessive and insane Mina.. into an unstoppable rage fuled killing machine with horrifying levels of power who can beat down anyone nearbye. And unlike Broly, where he was just a one in a million fluke in both versions... Mina was PLANNED to be this. The solarian program was something Eclipsa’s mom came up with, a series of spells that slowly turn the target into a rampaging super soldier. It’s like if Nuke from marvel comics, a vietnam era version of captain america who dind’t turn out so good, was INTETIONAL;

As you can see it removes fear.. but also the targets concisce, so Mina is incapable of empathy or being cure dof her racisim. Solaria turned her from a humble volunteer just hoping ot help and improve her station into the crazed monster star now faces. And as the Broly comparision should make clear... yeah Star dosen’t do so good and neither does Marco. She shrugs off Star’s hits and while botht he kids and meteora escape, both just piss Mina off MORE, and put star in more danger as she’s thrown around like a ragdoll. She then runs into tom who shows off his growht: While he was a dick up there.. unlike before where he assumed he was always the wronged party.. he realized he crossed a line and while he dosen’t know WHY he did, is still willing to apologize and presumibly talk about it. A bit clueless yes but it’s effort and his tone is sincre so it’s less “I’m apologizing for whatever I guess” bullshit and more “I genuinely don’t know wha ti did wrong please tell me so I can say sorry”.. which given how awkard tom is with people and how I pointed out his trouble relating to them over htis retrospective, is the more beliviable one. Naturally while Star does appricate it she’s kinda busy.. and when Tom see’s what’s going on he leaps in with NO hesitation. And given how close the luictors once were and are again with the butterflies it’s doubtful he hadn’t heard of mina so he likely KNOWS what he’s going up against..a nd dosen’t care. His girlfriend needs his help and this person’s trying to hurt her. That’s all he needs to kick her ass. Or try.. unlike with the z warriors.. our heroes don’t win this one. Tom tries a really cool move i’m dubbing the onyx coffin, a black coffin with runes and chains.. that does nothing to her. She breaks out and our heroes flee and Mina causes a massive ruckuss above, and the only reasons our heros don’t die.. is that the knights and Rhombulus of the high comission arrive. And since the high comission are going to be vastly important a refresher: The high comission were created by glossaryck, the little man who lives in stars book who used to be voiced by an asshole and next season is voiced by keith motherfucking david, to police the multiverse and it’s various issues. The four we know are Lekmet: a goat man who died last season and controlled entropy and could heal at the cost of his own life hence the death, Hekapoo, a close assiocate of marcos who controls the scissors beings use to cross dimensions and can do so herslef effortlessly, Omnitraxus Prime, a powerful and giant antler skulled being who watches space time and timelines and is voiced by Karl Weathers so...

And Rhombulus, a diamond headed he-man reject with snakes for hands becaue his dad is a well documented dickhead.. no really that’s the entire explination i the book of spells: Glossaryck turned his hands to snake to teach him the lesson i’ts hard to get through life with snake hands. He’s a gung ho guy who imprisons the wrost of the worst criminals thus his presence here as Mina clearly had a falling out with the comission and thus flees. So while Star and Tom are given blankets afterwords and some cocoa, Tom comforts her and admits if nothing else.. he gets it now, having been finally faced with the type of horrible shit monsters have had to deal with in the past and sees why his girlfriend tried hard to help it. But Star.. realizes she can’t fix this that easy. That she dosen’t know enough and clearly ther’es even more than she ever could’ve thought possible she has ot know if she’s going to fix this.. and that it’s not an EASY problem to fix. You really CAN’T fix racisim you can just make society better, but you’ll never be rid of people like Mina. Though this arc will.. yeah in one of the more baffling decisions Mina is given this huge reindrocution, with Amy Sedaris showing that while a very funny lady and a very talented actress as bojack had previously shown off for both.. she can be FUCKING TERRIFYING. But nope, she’s just..g one outside of a cameo, gets beatne off screen and dosen’t become big bad for a season. And I get it, the metora arc needed room.. but you had a WHOLE EXTRA EPISODE to have her defeat mina. Inastead you used it for Marco Jr which amounted to almost nothing and could’ve been saved for season 4 wher eit probably woudln’t of been terrible. I”ll get to that one some day. Point is it’s bad storytelling.

So yeah Star’s feeling lost, her family history is in flux, she got beaten badly, not horribly injrued but still lost handily, her party ruined and she was hit with the realization her plans were overly idealistic. Well meaning sure but a party was never going to cure this. Oh and Rhombluus naturally isn’t coming clean about why the temple is off limits or what’s going on here so that dosen’t help. And somehow.. IT STILL GETS WORSE. The Wizard Cops try to take the monsters in , profling them and not having done so and star thankfully talks them out of it but the monster kids turn down any afterparty or anything. They get she means well tbut hte moment’s over. And their not even excesivley sad.. their just.. used to the police treating them like this. Like less than human, like automatic suspects when THEY were the victims. IT’s nothing new... and god does this feel relevant as hell.

And this i where I meant Star’s privlage bites her: While not as bad as tom, it took some very harsh reality for her to see that solving racisim.. is not only nigh imposisble but not that easy. To her it was easy as a party and friendship and what’s worked before in her fairly shelted world. Advetnures or not she’s still a princess whose never experinced prejudice. In both worlds she’s in the majority. It’s probably why Marco conttoned on to monster racism in seconds during “Menipendence Day’ when Star hadn’t her whole life: to Marco, whose latix and thus dealing with all kinds of racist shit his whole life, it was easier to pick it up. He’s firmly part of his culture.. and thus probably firmly aware of the racism he faces. Star is so insulated she just dosen’t get it till it nearly beat her to death. So yeah Star’s at her lowest point, having failed to make things better, the answer to her questions being lost and not sure what’s real. Metora on the other hand as they dodge the cops.. has ascended. As Gemini calls her henious once last time.. she says that’s not her name.

“My name is meteora”

SHe’s been dreaming the wrong dream.. and it’s long past time she woke up.

Final Thoughts; Monster Bash.. is one of the best episodes in the series. Unlike a lot of Seasons 3 and 4 it dosen’t suffer from lack of proper payoff, as the next few episodes deal with how the fuck any of this is happening and why the fuck any of it happened. Mina’s absence nonwithstanding.. this is one of the series best and most gripping arcs. And the swerve is great: you think i’ts Henious doing the kindappings, only for her not to be the threat again just yet. And for her to be something far more. It’s just masterful, starting iwth fun hyjinks and ending in one of the best nad most nightmarish fights in the series if not the best, watching as our heroes slowly but surely LOOSE.. and THEN it gets worse. Out and out a must watch for the series and a sad sign of what it COULD’VE been had it moved past it’s worst insitncts next season and become what i should’ve been. Next week: We take a tom break as Eclipsa nad Mon investigate all of this and we get the SECOND biggest wham episode in the series.

Until the next rainbow, be excellent to each other.

#star vs the forces of evil #star vs #star butterfly #marco diaz #tom lucitor #startom #rich pidgeon #kelly #lilica ponyhead #meteora butterfly #gemini #mina loveberry #slime #penelope spiderbite

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iwillhaveamoonbase · 4 years

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Replay ch. 4

Callum gulped as he sent the text to Rayla. She was fully in her rights to reject a drawing session in the woods. Not only that, but he was asking her to bring her own clothes because he didn’t know her exact measurements. Was he asking too much? He read the text again. ‘If it’s not too much trouble, I was really imagining drawing you among the trees, like a faerie or an elf. If you have any flowy clothes that you are alright with getting dirty, please wear those. I’ll send you the location if you’re comfortable. If not, we can do the beach or my backyard. I just can’t imagine drawing you in a confined space like my studio. I don’t think it would fit your spirit.’

Callum internally screamed. Did he really send that? She was going to rescind her acceptance of his request to draw her, wasn’t she? ‘Her spirit’? He had met her once! What was wrong with him? It was true, though. That was something about her that, despite the suit and the situation that they met in, made him feel like she would be more at home running barefoot through the forest or relaxing by the sea.

Either way, now all he had to do was wait for her to reply back. If she rejected the offer, well, he didn’t want to think about that, because that meant he probably was never going to see her again. Meeting her once was enough to make her haunt his every thought for the past three days. While he and his friends had finally ironed out how they were going to go full-time with YouTube, she had been right in the back of his mind.

He had looked up her name and ran across a few things. She really was the daughter of two bodyguards of the British royal family and her adoptive fathers ran a famous Celtic jewelry shop in Aberdeen, the designs being a mix of traditional shapes and styles and new materials. She did dance for years as a way to channel her energy. There was even a video online of her at sixteen doing a ballet routine to a Kylie Minogue and Madonna compilation. She had inserted traditional Irish step dance in a way Callum never would have thought worked but it did. Maybe that was because of the sheer joy on her face as she moved. That made her departure from dance all the stranger and it’s also where information about her basically stopped. The most recent thing he found was that she worked for Patel and Associates Anti-Fraud Law Office.

A lawyer…his faerie was a lawyer. It certainly explained the suit but it was almost absurd. Here he was imagining her running through the trees and she was surrounded by paperwork in her daily life. Did she enjoy it? Did she like spicy food? What was her type?

Callum hit his head against his desk. He needed to stop letting his mind drift to her and whether or not she could ever be interested in him. There was no way someone like him was her type. She couldn’t hide just how toned her long legs her in her suit. She probably worked out often while he was a lazy twig that indulged in sleeping in too much. Also, she was a lawyer. A lawyer falling for a YouTuber/artist? Yeah, right.

A stray chip hit his forehead. Callum looked up to glare at Soren. “What?”

“You thinking about that hot girl at the cheese shop again?”

“What? No!” Callum could feel the blush creepy up on his cheeks and all the way to his ears.

“It’s fine if you were. She was smoking hot. I never thought I would find white hair hot, but DAMN.”

Claudia hummed in acknowledgement. “I’m calling it now; she’s Bi or Pan.”

“What makes you say that?” Soren mumbled around a bunch of chips.

Claudia winked. “Gaydar.”

“Wishful thinking?”

“Maybe some of that, too,” Claudia shrugged.

“She’s got two dads,” Callum mumbled.

Soren, Claudia, and Ezran all turned to him. “Does she now?” Claudia asked.

“Yeah. She told me at the shop. It was the painting of Aunt Amaya and Aunt Janai that made her accept my offer. She was raised by her parents’ friends, hence, two dads. They run Gael Jewelers in Aberdeen.”

Claudia immediately pulled out her phone, probably to look them up. Shortly after, she whistled. “Wow. She comes from a really good-looking family. Her mom is a totally MILF.”

Soren rolled his eyes. “Claudia, you can’t just-” Claudia shoved the picture in his face. “MILF alert.”

“Mm-hmm.” Claudia scrolled through. “Ethari and Runaan and are also incredibly attractive. Damn. What is in the water in Scotland?”

Callum rolled his eyes. “Guys. Let’s focus. Do we need a production manager?”

Claudia shrugged. “My vote is you’re in charge of creative for group projects, we run our own channels, and we hire an editing assistant.”

“We also need a social media manager. Ez can’t do it all on his own while he’s in school.”

Ezran nodded. “It’s nice that you guys do your own channel stuff, but, sometimes, it would be nice to have some help.”

“Do we need a strong social media presence? We have YouTube and Twitter. Isn’t that enough?”

Ezran scratched the back of his neck. “Maybe? Claudia’s got a large following on Tumblr ever since she came out during one of her make-up tutorials. Her super casual ‘my ex-girlfriend taught me how to do this and this is the first time I’ve done this eyeliner look since we broke-up’ just made her blow-up and our channel gained thousands of followers over-night.”

Callum nodded. “We gained a lot of followers after I did that art tutorial with Janai, too. A lot of people just went gaga over her and I see a lot of requests for her to come back on the channel.”

“Which is where a social media manager could come in handy. Maybe they could track requests so we don’t have to?”

Soren sighed, taking another handful of his chips. “We also need someone to help us with events. Getting us into them, working booths…being famous is hard work.”

“We aren’t famous, Soren.”

“Beg to differ. I get stopped all the time.” Soren flexed his arm. “And it’s not just because of these guns.” The other three in the room rolled their eyes.

“Himbo,” Claudia coughed, no-so-subtly.

“WHAT DOES THAT MEAN?! Stop using words I don’t know!”

“Stop being a himbo.”

“CLAUDS!”

Ezran and Callum shared a look, snorting at their childhood friends’ teasing. Soren and Claudia couldn’t go five minutes without teasing each other or making a serious situation humorous. “Can’t take them anywhere,” Callum whispered.

Ezran nodded. “Bait is better behaved.”

Callum eyed the frog in the glass bowl Ezran took with him wherever he could. “He’s glaring at me again.”

“Because you won’t stop thinking about that girl.”

“It’s not my fault she won’t leave my head. You saw her, Ez.”

“Yeah, she’s beautiful, but she’s not running through my head like she is your’s. Are you even ready for another relationship? After Melissa-”

“Melissa was a nightmare. She constantly asked to be introduced in our videos. I didn’t know at the time, but you were right, she approached me because she wanted to piggyback off our growing fame.” Callum ran a hand through his hair. “I was an idiot.”

Ezran put a hand on his shoulder. “I wasn’t going to say that. I was going to say that Melissa really hurt you and I want you to be careful. You didn’t even like her that much, if I remember correctly.”

“She was nice, pretty, liked some of the same things I did. But she didn’t really inspire me to be better or push my art. She only encouraged the YouTube thing, not what I actually like.”

“She is why we got almost fifty thousand subscribers in one week, though. That story broke and you had to give that little video and it really stuck with people.”

Callum remembered that video. As a way to quiet down any questions, he had made a short video detailing how they had met (in a coffee shop), why they had never gone public (he had wanted to keep his private life and his YouTube life separate), that she had met his family but they kept it hush-hush (impossible not to meet Ezran after knowing Callum for a week), and that the break-up had not been mutual. Callum had broken-up with her because he had felt that it wasn’t working because they wanted different things. Melissa pushed the YouTube thing, and there was nothing wrong with that, but, if Callum was going to be known for social media and videos, he wanted to be proud of what he put out into the universe. He loved his art more, and, if he could, that would be all he did. Melissa had wanted to do sponsorships and Callum hadn’t. They just had different values and desires and no one else was owed this knowledge, but Callum had been forced to do damage control because people would not stop asking. “Yeah. I was really surprised that that happened.”

“People value honesty. I think it comes across in our videos and your art tutorials that you are not in this for the fame. We’ve done meet and greets and you are just awkward as anything. Melissa showed her true colors on her own with posts afterwards.” Callum didn’t even want to think about how Melissa had tried to monetize their break-up. It had been bizarre to see her sponsored by a make-up wipe company to tell her side of the story, which basically confirmed everything in Callum’s video, but with the caveat that she had wanted him to reach new heights and that YouTube and not his ‘lame art’, as she had put it, was the way to do that. Their fans had not taken kindly to that and Melissa had lost thousands of followers she had gained overnight in even less time.

“Social media is weird, Ez. No matter what, we have got to stay away from the drama. We do not want to be involved in any of that.”

“Yep. That’s why I think a social media manager could help. A good one.”

“I’m all for it if that’s what keeps our noses clean.” Callum straightened when his phone alerted him to a text.

He opened it to see it was from Rayla ‘The woods? OK. I’m still bringing my friend. When’s good for you? It would have to be on a weekend for me because of work. Sorry about that.’

“Holy shit,” Callum whispered.

“What?” Ezran looked over his shoulder to read the text. “That text sounds weird. Callum-”

“I know, Ez, but she didn’t say ‘no’. She didn’t reject me.” Ezran raised a brow. “You know what I mean.”

“You’ve got it bad.”

“I just need to draw her to get her out of my system.”

“Either that or she is your muse. Poor Aunt Janai. She was having so much fun being your muse. So was Khessa.” Callum chuckled. Khessa, Janai’s older sister, did enjoy modeling for Callum. His exhibit on women of color had been a smash hit in part because of her always accepting when he asked. She had once modeled with a crown while sitting on a throne and that particular piece now hung in her house in her living room, showed off to everyone who came over. Callum smiled as he remembered that exhibit. His crowing achievement, to this day, was the portrait of his mother, eyes softened, and an easy, loving smile on her lips. People thought of her as this rough former military general and tactician who once taught at military academies. They didn’t know that she had a sweet tooth or that her relationship with Callum’s father had led her to leaving the military because she saw that the push for peace was more important.

She was now known for her discussions on US-South Korean and US-Thai relations because both her parents were immigrants and her own history in South Korea. Sarai and Amaya had both spent half their childhoods in South Korea in Korean schools, helping Sarai learn how the rest of the world saw the States. She and Amaya and joined the military because it helped pay for university, but both found they were really good at it. So good at it, they extended their contracts before finally leaving to focus on family and peaceful negotiations. Callum was proud of his mother’s work and was proud of the picture showing the softer side of her so many people didn’t see.

He shook his head and sent a quick text to Rayla that next Saturday worked for him if it worked for her. This Saturday was in a few days and, if things went how Ezran wanted, they were probably going to be doing interviews all weekend for a social media manager. “Let’s get a social media manager, Ez.”

“YES!”

------------------------------------------

Rayla smiled at the text. The woods was a bit of a strange option, but she was excited. She hadn’t had a chance to go running through the trees barefoot in years. She was going to have to ask Corvus if he was willing to head out early so she could do so. She mentally thought of her wardrobe and realized she didn’t have anything flowing that she was willing to get dirty. She was going to have to go thrift store shopping.

Was she really going to go buy a dress so a random artist that she had met one time could draw her surrounded by trees? Yeah, she was and she was going to look so good she was going to haunt his mind like he haunted her’s. His voice followed her and she had watched all of his videos in three days. She barely slept because she wanted to hear him more or see him smile or laugh. She felt like one of those stalkers who was convinced a famous person was in love with them, but she had met him in real life. He had approached her, he had asked to draw her. Either way, she wanted him to be tongue-tied when he saw her and, hopefully, she was going to quell some of the fire that refused to leave her belly since they had shaken hands.

#replay #rayllum #rayllum fanfic #tdp #the dragon prince #au #moonbase fanfics

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schaddenfreude · 4 years

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Tonight's prompt is going to be a complete departure from my last one. To be honest, I've been putting off writing it because I haven't wanted to put myself in a depressive mindset. Alas, the idea just won't leave me alone, so here it is. All that is to say that you will be needing tissue. Enjoy!

Heavy is the Head That Wears the Crown

The mood was solemn over the old Victorian manor. Passersby could have no way of knowing the significance of the day's events unfolding just beyond the wrought iron gates inside the walls of the old mansion. Still, even to non magical residents of the quaint New Orleans neighborhood, the heaviness was unmistakable.

Steven watched the pedestrians come and go on the streets below, occasionally stopping to stare inquisitively up at his perch on the second floor balcony. It was almost as if they sensed the immense power thrumming through his being. It was a power he had earned well, but he still couldn't help feeling as if it didn't truly belong to him...especially when his mother lay on her death bed without it.

That was how he came to be standing at the balcony overlooking the street. It had long been a favorite spot of his; a place he could come to clear his mind and stop the noise, if only for a little while. It seemed he'd been visiting his spot with increasing frequency in recent months. Years if he were being completely honest.

Steven had never sought power. In fact when he came to understand what exactly his ascension would entail, he grew to despise the idea of it. He was nearly a man of 30 now and, for nearly a decade, he had stalled the seven wonders for as long as he could; still in denial that he was meant to be Supreme. Inevitably, Cordelia grew weaker and the day came that he couldn't hide from the truth: she was going to fade whether or not he took the test. Still, he grappled with that truth in stubborn refusal to complete all seven wonders on the same day; Sterling himself for the inevitable. His mother's Supreme powers were her only tether on to life, and after today, she didn't even have that. The rest of the coven held a vigil at her bedside as he took some time to himself to come to grips with the next few hours.

She'd always been such a pillar of strength for the entire coven, even at her weakest and most drained. He wasn't sure he could bear to watch her fade completely. It was difficult enough feeling his new power surge higher as hers weakened.

Silent tears streamed down his face as the weeping guitar of a gentle Fleetwood Mac ballad wafted to him from inside his parent's bedroom. It grew louder as the terrace door opened. At first, he thought it might be his other mom, but then there was the sound of a lighter a moment before the scent of tobacco met his nostrils.

Madison.

He turned to look at her with a vaguely amused expression hidden under layers of pain. She always did know just where to find him.

In the low light of the setting sun, he was still able to read her expression, how the red and puffy appearance of her eyes have away that she was hurting even if she still tried to hide the pain after so many years among her surrogate family.

"Fancy meeting you here." He said fondly, her cigarette smoke wafting around them.

She remained silent for several moments, leaning her fore arms against the railing as the croaking of frogs and chirping of crickets filled out the space between them.

"I didn't think you should be alone." She spoke in a matter-of-fact manner.

Madison always had been the most protective of his aunts. An odd twist of fate from her days as a vapid starlet.

He could feel her eyes on him as they took in the silence together.

"What?" He finally asked.

"Nothing."

He shot a pointed look in her direction in a way that reminded her distinctly of Cordelia in her prime and it made her smile sadly at the fleeting memory of days gone by.

"Okay, it's just that you've grown. I mean...I'm impressed with the man you are."

Steven grew sullen rather abruptly at that statement.

"I feel like I've been riding my mother's coat tails for most of my life." He lit a fire pit on the balcony as a show of his power. "Even now. This power coursing through me? Hardly feels like mine."

"But it IS." Madison spoke firmly, standing as tall as her short frame would allow to look him squarely in the eye.

"There was a time I would've killed to be in your position." Neither of them needed to point out that she did, in fact, kill to try to become Supreme.

"But I've learned something from watching Cordy over the years. Sometimes even Fiona before her. No Supreme ever really feels like they've earned it. It's okay to feel like a fraud, as long as you can pretend you don't."

"You've never been Supreme." He attempted to tease, wanting to let her words soothe him.

"No, but I am very perceptive." She offered him one of her little impish grins. "Now, would you quit moping and please go see Cordelia? She's asking for you."

"She's right." A third voice broke into their conversation from the door into the second floor. Misty had a short exchange with Madison before the former star retreated back inside and Misty was left in her place.

Steven let out a deep sigh and ran a hand through his shaggy head of curls.

"I don't know if I can do it, mom....see her, I mean. Knowing that this is her power and I'm the reason she's dying."

Misty's eyes shed a wave of fresh tears as her heart broke for the umpteenth time that day; this time for her son. She took him in her arms and held him in a way she hadn't since his teens, letting him feel every ounce of her love for him. In turn, she could feel the thrum of his heightened powers; could feel how the goosebumps raised on her skin in response to it's raw intensity. The way it used to feel to be near her wife in the early days of her reign.

"It's not your fault, darlin'. It's not."

Steven suddenly felt as if he were a boy again, safe in the refuge of his mom's embrace. He began to shake with sobs as he burrowed into her shoulder. She sobbed quietly herself, moved by the heaviness of their shared grief.

"I don't want to let her go. How can I? How am I supposed to lead this coven?"

Misty held him for a few moments longer, shushing and soothing him as they stood in anguish. Eventually, she pushed him away gently so they could look each other in the eye.

"Sometimes the things we have to do seem impossible. Come on," She took his hand gently, offering him courage that she wasn't entirely sure she possessed either.

"It's time to lead by example."

#Stevie #ahs coven #ahs apocalypse #misty day #cordelia goode #madison montgomery #schaddenfreude prompts

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antihero-writings · 4 years

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A Touch of Song and Salem (Ch2)

Fandom: Hetalia (Firefly Crossover)

Summary: Earth got used up. They got used up. So the nations of the world had to flee into the black...but they'll only ever be half alive now.

America forgot how to smile at the academy...but maybe a day out planetside is all she needs. Hopefully the people on said planet won't try to burn her down.

(A fusion-style crossover with fem!America and Canada from Hetalia in the Firefly universe, cast as Simon and River during the dance and witch scenes of the episode "Safe.")

Notes: Written for my friend @ladynephthyss’ birthday!! The characterizations of the Hetalia characters are based on her characterizations of them!! (She plans on posting some Hetalia stuff soon, please go check her out!!)

We both love Firefly, especially Simon and River, and as I love writing fusion-style crossovers I thought this would be perfect!!

I’ll reblog this with links to Ch1, as well as reblog ch1 with ch2 soon!!

If you enjoy this fic, please consider commenting and/or reblogging!! It really means the world to me!!

Chapter 2:

Amelia doesn’t remember everything. She doesn’t remember every war between countries, every petty squabble between her family. She doesn’t remember all the things Jackson said when he was angry, and Roosevelt when he was calm. She doesn’t quite remember how she felt when it rained after too-long summers. She doesn’t remember the feeling of wildfire, of too-long winters where they had to eat the men after all. Of every man hunt over silly things like color, if we’d like to share everything after all. Not entirely. She doesn’t quite remember what it was to have fields, open and untamed.

She doesn’t remember Roanoke; she doesn’t remember Salem. She tries not to.

She doesn’t remember how the sea boiled, the earth choked, and the sky burned when they had to move off world.

She doesn’t remember what it felt like to burn.

She doesn’t remember everything from the academy. She doesn’t remember how school was more like that of fish; that they had to stick together or they’d be picked off one by one and devoured. She doesn’t remember how they shoved needles into her brain like toothpicks, and gobbled up the pieces, her thoughts appetizers—(so what was the main course?).

She, smart girl, sane girl, doesn’t remember sending letters made of jumbled notions, speaking of monuments and worlds they’d never seen, events to which they’d never been. A fraud in coded verity. She doesn’t remember laying, eyes open, knowing tomorrow would not be molded together out of sunshine, and rain, and open air, it would be sewn out of blood and their own brains.

What she does remember...fragments. A flash here. An emotion there. She sees ghosts. Some benign. Some…not so. And she’s not always sure what’s a ghost and what’s a figment, a figment of yesterday, or just today’s unlucky daydreams. Though perhaps she’s always seen them.

She feels things. Too much.

She doesn’t remember everything. All of American history is too much for one girl’s head.

But she does remember Matthew.

She remembers how much he risked to save her from the needles. She remembers the feeling of his arms around her for the first time since she left him—(all for the sake of a little knowledge…She hated how she could be so petty sometimes). The way he still, after all this time, smelled like maple, and freshly fallen snow, and cigarette smoke. How he saved her.

(Though some of her got left behind.)

She remembers how Matthew danced with her, long ago—though the occasions bleed together.

They never much liked parties.

She remembers sitting curled up with him, and a good book, by the fire, petting a dog with her toes. Thinking of home. Knowing they were close enough.

So when they take him…she forgets how to smile.

It’s a game, surely. Hide and seek. She remembers that, at least. She must be “it”.

That thought alone keeps her from breaking. Breaking. Breaking the world down, herself in it.

So she counts to ten, and she runs. Through the forest, each tree—(no sweet sap from them this time of year)—like scarecrows pointing no particular way, just there to scare off the birds, and maybe a sensitive child or two.

She remembers the farms, and the wind over the wheat, scarecrows like sentries.—Why do they say ravens are bad omens?—The farms, the plantations, and the songs gliding over them, songs of a home those working in the fields could never return to.

And she finds him. He wasn’t hiding altogether well. In fact, he’s with people out in the open, some strangers—Are they friends? Are they playing too?

“Found you~!” The smile returns. It’s okay. He’s safe. They can go back to dancing now.

The horror in his eyes tells her the world might just have to break after all.

“Amelia! Amelia, no!” He breaks free from the not-so-friends holds, grabbing her too tightly, pushing her away.

“Found you—!” She repeats the words, though the tone is entirely different, choked ang confused, as the men wrap their arms around her, and their grip is not kind, and they smell like blood.

Well…if they are to return to the needles…at least they will be together.

******

Matthew knocks lightly on the door to Arthur’s study and walks in, despite having been given no sign of welcome.

Arthur is sitting at his desk, his glasses on the tip of his nose, scrutinizing a book, his brow creased a little too hard.

Matthew sits in the chair across from him, and sets the letters down in front of him; the topic of conversation.

There is a full cup of tea on the table in front of Arthur.

Full? Yes. Steaming? No.

Arthur never lets tea go cold.

That alone would be enough to warrant the next words;

“Something’s wrong.”

Arthur looks up, those blue eyes stormy and perfectly clear at the same time. “Yes, I gathered that as well.”

“You called me in here?” France knocks lightly before marching in. Despite it being Arthur’s study, Matthew is the one who responds;

“Yes.” The Canadian is tapping his foot a little too much, a little too quickly, a dull ache in his bottom lip. “It’s about Amelia’s letters.…Didn’t they seem strange to you?”

“I’m glad I’m not the only one.” Francis sits by the bookshelf. “They seemed quite odd indeed. Especially the part about the Darbanville’s. We don’t know anyone by that name.”

“What do you think is going on?” Arthur’s eyes fix on Matthew.

Matthew looks between them, then at the letters, the words rearranging themselves on the pages. He hoped they wouldn’t think he was crazy.

“I think there’s a code.”

The two older men exchange a glance, slight surprise on their faces, then resolve. Matthew presses on.

“We get a few letters, then nothing, then this? …She’s trying to tell is something.” The knot in his stomach just keeps getting tighter, the ache in his lip sharper. “Something that someone doesn’t want her to say.”

There’s a moment of thought

“…What do you suggest we do?”

He looked down, fidgeting with his hands before looking up, fire in his eyes.

"We go get her.”

******

The moon is particularly bright this night. Not whole. Almost. Just a little bit off. Like them.

The moon. In the sky. Where it belongs. Something from a spellbook, that would turn them into wolves when drunk on starlight. Not just a dull hunk of rock in the vacuum-shield in front of them.

On better worlds this would have been a quiet night. There would be crickets and frogs, and a brother and sister would have smoked weed or tobacco, lying on the grass and named the stars. On better worlds they would have spoke of life, and politics, and absolutely nothing at all.

On better worlds Salem had ended.

But this is not a better world.

So everything is so loud. The shouts of a people who forgot they lived in a universe where superstition was just that renders the silence speechless. They speak of God, and broken little girls, and this not-Earth resonates with their tones. One word rings through the mob like gunshots, and everything sounds a little too much like yesterday.

The word, the yesterday it conjures, mix into poison in his veins, which turns to venom on his tongue.

Matthew marches up to the patron. A respectable man, with a sense of justice. A cruel man; a sense, yes, but he filled the blanks in the wrong order. The words a bitter demand, and not a plea. No desperation in his voice, no hesitation; his head is level, and he thinks the patron’s is too. The trade would be fair and simple. There’s still hope. There’s no reason to resort to anything drastic just yet. The anger in his voice is barely bleeding through;

“Take me instead. Take my life for hers.”

“The witch must die. God commands it.” He didn’t even ponder it in that thick, empty skull of his.

At those statements, the two fists shaking at his sides, want to take this man’s neck and snap it between them, singing an old war song, and throw his body over a cliff, letting hungry waves devour him, or better yet out the airlock, where he will float breathless into the void for eternity…or maybe just lead him into the fire they’re intending to feed his sister to.

He could do it. He wanted to. He could fly away on Serenity’s wings and never have to answer for such a crime. He’s killed better men in wars before. And sometimes outside them.

But, no. He must sit quietly, and watch, and wait for the end. Amelia may not be very happy if her brother killed a man in front of her. Or…

He tried not to indulge the thought that maybe she would.

And when he sees the other men holding torches, torches licking their lips, about to let them lose on his sister—

—Lighting a poor girl on fire for the simple the charge that there was a demon inside her, like we all don’t all have ten or twelve—

All that anger comes pouring out. And before he fully comprehends what he’s doing he runs to them.

“Get away from her!” that venom drips off his lips, his hands fangs, grabbing at their clothes and wrenching them and their orange beasts away.

One of them throws a punch at him. Matthew may look weak, but he has been in far worse brawls against far bigger men, in far darker streets, and these ones just so happen to intend to hurt his sister, so it’s no trouble for him to knock the three of them down.

Once they’re on the ground or clutching their faces he turns to the crowd, rage boiling in his gut—

—Why? Why? Why is it always her? Why do they do this to her? When she was just a girl who wanted to live her life in peace?—

“She has done nothing to you!”

Because she never did. She never did anything to hurt anyone, and they always found some reason to kill her for it. Some charge worthy of death. Some reason to light her on fire. They always do that with the good ones. She knows this better than anyone. And he says the words he always wanted to say, to all of them, sadness breaking through the venom—It was so simple, why couldn’t they get that seeing ghosts is no charge worthy of burning?—

“If she dies tonight it won’t be God’s will that killed her! It’ll be you! Your lunacy! Your ignorance!”

He stares out at them, and they don’t respond in word or action: they don’t try to refute his words, or pull him away. They just stare, their eyes blank, a court of zombies. They’re at a stalemate, neither giving up the floor.

And he does what he should have done long ago, what he should have every time, every time he saw her in pain, every time they persecuted her to the point of torture, or death:

He raises his heel, and takes a step back onto the platform beside her.

“That’s not gonna stop us.” Says one of them.

He resists the urge to say Never once did I think it would.

Amelia turns to him, and he expects to see fear and bloody memory in her eyes—

But she smiles. Like she had hours ago. Like nothing’s wrong. Like they’re still dancing. Playing war games. And she says, calling back to something he told her earlier today;

“Post holer. Digging holes for posts.”

He looks at the post behind them; the one she’s tied to. The one that just might be the death of her.

Post holer. For the ground.

Long ago she had ground. In America. When they caged her wild plains in with fences and wire and laws, plowing holes and raking lines across her amber fields, and it wasn’t always bad, some were nice, there were farmers who just wanted to make an honest living, a pair of explorers, once, who just to see a little bit of the world…

They weren’t always bad, no…but she’d rather be free.

And now they dug a hole, and put in a post to burn a not-quite-girl, with her golden locks, and her wild fantasies—wild fantasies like being happy, some day—this girl who, earlier today, was smiling for the first time since the academy. Some savage mob on an innocuous world dug a hole for a post to burn America down.

He wraps his arms around her, and she is warm, and she smells like hay, and summer, strawberries, and gunpowder.

There’s no hesitation, no pain, nor even anger in the words this time. They are sheer resolve:

“Light it.”

He is willing to die for her. With her. If they can die at all. If they can, it’d be fitting it’d happen out here on a twisted echo of a worse America.

They’ve spent too much time starving in the black.

“Time to go.” Amelia says softly. And the words are not pained or afraid…there’s almost longing there.

If this is it, if this is how things will end, he thinks, it’s not the worst way to go. Fire’s certainly better than water, because at least in fire you can breathe. It’s better than the cold, because the cold has a way of ridding you of feeling before the end. At least in fire you can feel something. Because the cold is slow, and makes you rather eat your friends after all…People don’t do that with fire. He always thought burning would be a fitting end for the Great White North. It’s not the worst way to go; by his sister’s side.

This will be how America and Canada end: on some nameless world, tied to a post, devoured by flames and ignorance. And…they’re alright with that.

Then there’s another sound. A sound that isn’t shouts or flames or anything natural. Something that sounds mechanical. If he was delusional he’d think it was the whirring of a ship’s engine.

He feels a gust of wind brush by him, and a bright light forces him to open his eyes, squinting.

“Well look at this,” Out of the smoke a voice breaks through, and he says it like he came upon a good game of cricket. “Looks like the twins have got themselves into a spot of trouble.”

Arthur is marching through the crowd holding a gun, Francis at his side.

“It appears we arrived just in time. What does that make us?”

“Ehh, how would le’Amerique say it?” France puts a finger to his chin as if thinking, then says in his best attempt at an American accent; “Big damn heroes.”

“Ain’t we just.” England does the same. Then, as he arrives in front of the platform, in his normal accent: “So sorry for the interruption, gents. But it appears you have something that belongs to us. And we’d very much like it back.”

“This is a holy cleansing, you cannot think to thwart God’s will.”

“…Would you be ever so kind as to direct your attention to the lovely lady hanging out of the spaceship with the rather large gun?”

Matthew did the same, only to see Ireland; red hair like flames in the light, another line of red piercing the air as she aimed the gun around, looking like she’d like nothing more than to pull the trigger. He’d been privy to such a look on her face only a few times, and he could confirm hesitation was not in her vocabulary.

“I’d like to introduce you to my sister. She has taken a liking to the girl currently tied to the post, and she might just be in the mood to kill one or two of you. So rather, it’s her will you ought worry about thwarting.” He backs up, speaking to the twins now. “I must say, the two of your’s ability to get yourselves into trouble is near miraculous.”

“…Yes I’m very proud.”

“Cut her down.” And there’s a sting to his words this time.

“She’s a witch.” The patron says, as if, upon hearing the words, Arthur will reply Oh? A witch? I wasn’t aware. Go about your business.

“Quite frankly, I’m surprised you’re bright enough to notice. Yes, she is. But she’s our witch.”

His eyes aim at the respectable man, and they’re far more threatening than the gun pointing at his head. The words contain a venom related to Matthews, but it’s the way his eyes blaze that remind Matthew that he’s watched the world burn more than once;

“So cut her the hell down.”

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moro-nokimi · 6 years

Text

some thoughts I’ve had in rewatching dn part 1

DICKHEAD

he’s pretty oh fuck

Light Yagami you glorious bastard

she’s so pretty

HE’S SO OVERDRAMATIC

SHE’S SO SMART

this animation is shit

I’ve aged ten years why is he like this

bitch I love this opening

THE FUCK

god this is weird since IT’S FUCKING RESTER’S VOICE ACTOR AS RAYE PENBER

Naomi Misora more like Goddess™

take a guess you nasty shitlord

oh shit

everything is green tinted

BITCH WHY DIDNT HE RECOGNISE THE VOICE

Light won’t hesitate, bitch,

he is Shook™

wow for once Light and I agree

THIS IS WHY YOU DIED RAYE

ominous

you really thought through this Raye 👀

wow that’s freaky deaky

his eyebrows are great. sad that he’s an ass

why do Raye and Gevanni look so much alike the fuck

I love David Hurwitz

THOSE NAMES ARE AWFUL

you’re pretty smart Raye

I’ve nearly called him Roy like three times thanks Gryphon

I can’t believe someone had to grunt into a microphone live to imitate the sounds of Agony

his handwriting is really nice fuck him

he fuckin dead

oh this is going to really cause a falling out

is that Trevor Devall

OH FUCK HE DIDNT

where’s my wife

can you believe Naomi Misora invented crying

I’m ready for death

ah yez. The Hidden Eyes Of Emo™

this soundtrack is awesome

that babyface tho

Aizawa gets so hot after the second arc

MATSUDA!!!!!!!

I have one emotion right now. it’s bisexuality

YOURE SO RIGHT

Matsuda was so awkward looking in the manga

shut up you eyebrowless fuck

THATS THE WHOLE POINT OF HIM STAYING IN THE SHADOWS AIZAWA JESUS CHRIST

tho,, you do have a point,,

Ide……………… you’re right, but jesus christ you’re dense

wow these guys can be dense

he sure did

oh my god Ide

haha aizawa’s face

that bone structure tho

why the focus on his groin

I really expected him to be hot the first time I watched this series. thanks, Alessandro Juliani, voice of my childhood,

IT’S THE BOYS

I keep thinking about the Pieta clue in llp every time I see that frame whoops

that hair is ridiculous

Is He An Itchy Boy

rookie mistake Soichiro

did AJ even take a breath saying that

the fuck

Aizawa is an Angery Boy

what makes you think anyone wants to listen to you that long you egotistical fuck

nasty

not this shit

this is an amazing series where a smart ppl isnt actually written by a smart ppl it’s just loads of bullshit and I have to admire Ohba for that

oh no it’s this episode can’t wait to cry loudly

stg the director’s got a foot fetish

this theme but in eight bit

Ohba’s got a foot fetish fuckin knew it

I can’t believe Takada and I have a similar fashion sense

this is it she’s bisexual too

WHERES UR FUCKING BACKUP YOU NO SHOWERING FROG

Death Note doesn’t pass the bechdel test at all jesus christ

why are all the ladies storylines focused around men or have literally no other personality either due to lack of development or Ohba killing them off

that fucking face tho

WHY DOES HE NOT HAVE A NOSE

HE’S VOLDEMORT IN DISGUISE

Naomi’s hair is probably really soft

Oh No™

why do Light and Sayu have such a nice relationship if Quinn asked me to help them with their homework i’d tell them to fuck off

her voice is really nice

wow Naomi and I have the basic same fashion sense I don’t know how to feel about this

BITCH THATS TREVOR DEVALL BUT IN MIDO’S VOICE RATHER THAN AIZAWA’S

she has such good eyebrows

who the fuck murders someone over insurance fraud—wait, the mafia would

she’s so skeptical

oh dear

“who is this woman” A WOMAN WHO I WOULD LET KICK MY ASS AMIRITE

god she’s so smart

why are the chins in this series Like That

haha this animation is awful

she manipulated him with alcohol is what she did

girl your fiance is a fool and a half

DICKHEAD

i love this ending

#death note #alcohol mention #long post

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ahouseoflies · 4 years

Text

The Best Films of 2019, Part V

(Sorry for the long wait.) GOOD MOVIES

43. Luce (Julius Onah)- For every subtle, graceful moment, there's a spelled-out, maladroit moment, but this movie has a lot on its mind regarding race. Naomi Watts is great as a mother whose unwavering support of her son is as admirable as it is foolish, and Octavia Spencer plays a very real type that I hadn't seen in a movie, a teacher who uses her students to validate her own worldview. The film takes a long time to judge its characters, to the point that the title character could have done none of the things he's accused of (unlikely), some of the things he's accused of (likely), or all of the things he's accused of (unlikely). The dialogue is sometimes theatrical, but thankfully, so is the ambiguity. 42. A Beautiful Day in the Neighborhood (Marielle Heller)- I appreciated the deft touch of Marielle Heller--stuff works in this movie that would look silly on the page--but I wasn't fully connecting. That is, until Chris Cooper got a tear lodged in the corner of his eye and said: "It's not fair. I was just starting to figure out how to live my life." That achieved what it was supposed to achieve. 41. Little Women (Greta Gerwig)- Gerwig takes chances with the structure, and it takes a long time for that gambit to pay off. Once it does though, such as when Jo comes downstairs to see a hearty Beth, which is only there to contrast Jo coming downstairs minutes later to an empty kitchen without Beth, the reinvention pays dividends. I liked whenever the film was winking at the audience, showing its own strings, but that first half was a lot of "Amy, you're Amy, right? And the audience can tell us apart, right, Amy?" The Chalamet-Pugh scenes, to use a phrase that a Sacramentonian like Gerwig might approve of, just hit different. Especially in the scene that most directly addresses Alcott's division between obligation and personal responsibility, their chemistry crackles. Can someone please cast those two as reporters stepping over each other while trying to crack the same scoop? Please? 40. Dark Waters (Todd Haynes)- In the Todd Haynes filmography, this is an effective if weird entry: He makes the procedural, research-based parts of a legal thriller exciting while the actual courtroom stuff falls flat. And it's a strange challenge for a director with such a sumptuous eye for design to capture the flat textures of Cincinnati office space or the sacky suits of a guy who is consumed by a case. That being said, the film is a work of conscience and compassion. It's no small feat to call out DuPont by name over a hundred times. The first half moves nimbly. When it works, such as the creative montage that explains Teflon to the audience, it resists the crutches of its genre. But the story suffers from having to compress so many years in the second half. Those broad strokes affect both the supporting performances--only Tim Robbins is able to sell his character's change of heart in limited screen time--and tone. Sometimes the "None of this matters" scenes are right next to the "Maybe I've made a difference" scenes, and it's jarring. 39. One Child Nation (Nanfu Wang)- It's a cool trick for something so handmade and personal to also stand in as a story of a country. And it's as affecting as you would imagine images of discarded fetuses would be. If I sound dismissive though, it's because I don't know quite to do with this. China...sucks? 38. Ford v. Ferrari (James Mangold)- Hard to argue with the craftsmanship of a film that cares so much about its structure on a scene-by-scene level. Ford v. Ferrari is two-and-a-half hours (four hours on TNT every Sunday forever), but, if anything, the forty minutes dedicated to Le Mans could be longer. Josh Lucas nearly tanks the thing with his smugness, but the other performances are fun. My take on why the film is a guide for being a Republican is still charging.

37. Us (Jordan Peele)- Us made $70 million in its opening weekend, which is a lot for a David Lynch movie. It's amazing that a film this artsty and accusatory toward its audience (Us=U.S.) is immensely popular. The imagery of Us is arresting (and so so funny). Within the first two shots, you know you're in good hands, and my Tumblr feed is going to be full of, say, Elisabeth Moss, whose expressions are the best effect in movies, giving herself a smile with scissors. Scissors that always create a division in their "tethered" subject, that are handled by Freddy Krueger gloves that are clearly an influence on Jordan Peele, that make construction paper cut-outs that mirror the bougie family decal on the back of the Wilson Family's station wagon. This device is a thought-out visual component. But Us is all too often a subtext in search of a text. When we really start to unpack the shadow people, they might not even make literal sense. I say this as I plan a second viewing that the movie deserves. On one hand, I admire Peele's search for a metaphor for political division or homelessness or late capitalism. On the other hand, a metaphor for everything is a metaphor for nothing. 36. Richard Jewell (Clint Eastwood)- Like most Eastwood directorial efforts, things are a little too neat and fixed in the setup: This character saying something a bit too on-the-nose and biographical, those characters probably not being in the same place at the same time. And the female characters, especially Olivia Wilde's rapacious, promiscuous Kathy, would have felt out of place thirty years ago, let alone now. There's barely anything on the page for her, and, to be honest, I don't think she does much with what she was given. Once the film settles into what it's actually about though, the drama is graceful and potent. The attorney-client relationship is specific and interesting, and in a less loaded year, Paul Walter Hauser and Sam Rockwell would be clearing their mantles. Hauser, in particular, is great, free of any of the vanity that might go into making Jewell more perceptive or self-aware. 35. The Peanut Butter Falcon (Tyler Nilson and Michael Schwartz)- Derivative of even something like Mud from a few years ago, poisoned by an abrupt ending, but ultimately sweet as hell. Shia and Dakota play off each other with Movie Star fireworks, so the film kicks into a different gear when they're together. The scene in which LaBoeuf stands at the Salt Water Redneck's screen door is a heartbreaker. 34. Pain and Glory (Pedro Almodovar)- A little less formally inventive than I was expecting, Pain and Glory is mostly good and sometimes great, especially in the heartbreaking Federico sequence. In another mother-son story, one that brings up the word "autofiction" without prompting, Banderas is even styled to look like Almodovar. This might be his first "old man" role, and he wears it well. 33. Where’s My Roy Cohn? (Matt Trynauer)- The Donald Trump section, the one that all of Cohn's situational morality and empty power-grubbing had been leading to all along, is illuminating because it goes deep into specific deals. (And because the relationship is recent enough for the interview subjects to have first-hand knowledge.) I wish that Trynauer had slowed down that much elsewhere--especially to get to the bottom of the frog collection. But if the object is to get you to go, "What an asshole," then mission accomplished. 32. The Lighthouse (Robert Eggers)- Eggers lays the doubling on pretty thick in the last half-hour, but he goes to great lengths to make this like nothing you've ever seen or heard before otherwise. He's a filmmaker who cares deeply about the composed image on a shot by shot and possibly a frame by frame level. The Lighthouse was less thematically rich than its predecessor, but I'm pretty sure I felt as confined and unnerved (and as tickled by the salty dialogue) as I was supposed to. 31. Amazing Grace (Sydney Pollack and Alan Elliot)- Amazing Grace is one of the best reviewed movies of the year, in part because no one is going to say that listening to Aretha Franklin sing is a bad experience. It's not. But she's stationary as a performer, and I would be lying if I said that the movie didn't get tedious. In its best moments though, one of which is Aretha's dad wiping sweat off her face while she ignores him and plays the piano, it's high, high art. 30. The Inventor: Out for Blood in Silicon Valley (Alex Gibney)- A typically solid Gibney effort: never boring, articulate in its aims, poised to expose fraud for the public good. The film builds quite a bit of momentum as it gauges Elizabeth Holmes on the scale of American showmanship and Silicon Valley's fake-it-till-you-make-it ethos, and its strangest moments are its best. (See: The C.E.O. and C.O.O. giddily jumping on a bounce house because one of their two hundred tests got approved by the FDA.) I like that no one explicitly comments on Holmes's looks, using words like "captivating" or "presence" instead, letting her undue influence on men hang over the proceedings the same way it did in real life. There's a lot left unsaid about how she might have been held back but then pushed forward, underestimated until she was overestimated, because of the lack of women in her field. At the same time, the film repeats itself and ties itself into knots by insisting that Holmes is a complicated figure. She's a person so driven by a desire for greatness that she can't listen to reason or admit defeat. Are we sure that's revolutionary or unique? 29. Dragged Across Concrete (S. Craig Zahler)- A) All of S. Craig Zahler's movies are above average in execution and downright special in aspiration. B) All of S. Craig Zahler's movies are too long. C) If S. Craig Zahler's movies were not long, they would not be special.The guy keeps introducing characters and threads, but each one is interesting, and I keep rolling with him. (Until the Jennifer Carpenter subplot, which is ten minutes of emotional manipulation.) That same critical tangle extends to the idea of whether or not this movie endorses the racism that it depicts. I thought it did until I didn't, and maybe that wishy-washiness--dingy, dingy wishy-washiness--is what I'm supposed to feel. 28. Honey Boy (Alma Har’el)- Honey Boy isn't much of a movie, but it is an exorcism. Especially in the Lucas Hedges rehab arc that we've seen a million times, the story is thin. The film's reason to exist is emotional catharsis though, and it has that in spades. It's worth seeing for the traumatic three-way phone conversation alone. Hedges banks another good performance in what is basically a Shia impression: falsely gruff voice, t-shirt collar in mouth, crew socks peeking out of combat boots. But what LaBoeuf himself is doing is a force of nature. His performance in American Honey was my previous favorite, and he taps into the inverse of that charisma here: seductive in the former, repellent in Honey Boy. Most people can play insecure motormouths, and most people can evince pain. But to play a person who talks non-stop as a coping mechanism for pain, and getting across to the viewer that even the character knows he's not good at such a thing? Those are some shades of gray.

27. Once Upon a Time...in Hollywood (Quentin Tarantino)- Tarantino's best film, Inglourious Basterds, is gauged for maximum suspense and audience involvement. This one, which is one of his worst on this first viewing for me, is made entirely for himself. I appreciate that artistically, but the film never stops--especially in the clunkily paced middle--indulging itself. Oh, I get it: It's a film about growing older and dealing with possible obsolescence, but the nuts-and-bolts storytelling is too digressive for me. That dilly-dallying is the point, of course, as the film attempts to hang on to a dying moment, luxuriating in its painstakingly recreated setting and hanging out with men's men played by actors who are at their absolute peak of Movie Stardom. It's a Tarantino film, so it's not without its sublime pleasures. Hell, I'll go back just for that montage of the neon signs turning on. 26. Her Smell (Alex Ross Perry)- Grating in a way that Alex Ross Perry's films have not been before and redemptive in a way that his films have not been before. Over the course of five mammoth real-time scenes--Perry cites Steve Jobs as a structural influence--the viewer is dragged through scuzzy, abusive ugliness right to the authentic final line. It's a rewarding experience that I never want to experience again. More than anything else, the film is an additional exhibit in the case that Elisabeth Moss can do anything. She shined in Perry's Listen Up Philip and gets a similar long zoom here to showcase ten emotions at once. She plays the part of Becky Something like a glass on the edge of a table: that delicate and precarious, useful but with the potential for harm. She screams, she cries, she sings, she plays guitar, she plays piano, and she could probably float if the screenplay really required it. 25. Transit (Christian Petzold)- The only thing I knew about Transit going in was that it took place in an indeterminate time period. And that one studied aspect of the film, the ideological rootlessness of the fascists responded to with a papers-focused isolation, is what powers everything. Manohla Dargis aptly called it "temporal dissonance," and it adds real teeth to the film's allegory. The second half becomes more contemplative and less literal though, and I think it's less urgent as a result. I didn't know quite where Petzold wanted me to go in the final moments. But the stateless throng of people waiting for their number to be called at a consulate? I know what that is supposed to make me think about. 24. Mary Magdalene (Garth Davis)- I didn't like Garth Davis's last film, Lion, because the protagonist seemed listless and dumb and weak. Turns out, Jesus Christ and Mary Magdalene are upgrades. There's a feminist bent to the proceedings, thanks to its two female screenwriters and a focus on the agency needed for a woman in 33 to spurn marriage and family to follow a whispery firebrand. Phoenix's performance is uneven, but, especially when he passes out bringing Lazarus back to life, he does a great job of showing how exhausting it must have been to transcend this world. The film kind of comes across as a greatest hits of Jesus, but so do the Gospels. 23. Sword of Trust (Lynn Shelton)- Sword of Trust, as thin and bite-sized as it is, carefully parcels out backstory and deepens as it goes. Without really forcing the issue--Lynn Shelton never does--it becomes a timely and witty story about the consequences of a society relativist enough to give consideration to even the most absurd viewpoints. Toby Huss as Hogjaws is a Best Supporting Actor nominee for me, and I am not kidding at all.

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laurendcameron · 7 years

Text

How to Get Unstuck and Build Your Online Business – Jason van Orden

Episode: 305 Who: Jason van Orden Website/Blog: JasonVanOrden.com

Do you ever feel stuck or dissatisfied with your business?

Are you feeling like you need a change, but you’re not sure where to start?

Today, I’m talking to Jason van Orden, who has worked with more than 6,000 students and clients over the past twelve years, teaching them about how to monetize their unique brilliance with content marketing, scalable courses, and automated sales systems. In September 2005, Jason co-founded the first ever podcast about internet business and online marketing, which quickly became one of the top business podcasts in the world and one of the most profitable on iTunes.

Listen to This Episode

He’s also the author of the bestselling book Promoting Your Podcast, and his work has been used to teach marketing at the university level. In case that’s not enough for you, he has also been featured on Forbes.com and Entrepreneur.com.

I brought Jason on today because he and I have been chatting lately about a topic that’s near and dear to my heart. We’re gonna talk about changes that are happening and need to happen in the industry.

Jason’s Story

Jason actually has a double degree in Jazz Guitar and computer engineering. He kind of fell into business and podcasting. He says that he didn’t know he wanted to be an entrepreneur.

Jason Van Orden

Jason enjoys programming (he has done it since age 5), but he really did not enjoy working in a corporate atmosphere. Like a lot of us, he was tired of the “Sunday night dread” and hitting the snooze button a million times.

It was long, zig-zagging journey to find his niche. He was opened up to real estate investment through reading books like Rich Dad, Poor Dad, for example. It was a step by step process. Once Jason realized he was good at real estate marketing, he started teaching people what was then called “information marketing.” This was around 2004, pre-social media and pre-online video, and he was looking for more ways to market his seminars.

So when podcasting showed up in 2005, it was intriguing to Jason for a number of reasons. He very quickly set the goal of becoming “the business podcasting guy.”

His podcast, Internet Business Mastery, very unexpectedly turned into a six-figure business and beyond. It quickly became a primary focus for Jason and continued to be the backbone of his business until he moved into consulting 2 years ago.

Internet Business Mastery Website

Jason calls his journey a “zig-zaggy, circuitious path.” I think will resonate with a lot of us: you go in a direction, and you don’t know where it will take you. You think the outcome will be one thing, but you find out that’s not where you needed to go. So you are constantly changing the plan and reinventing yourself.

Taking Your Own Path

Jason very quickly set the goal of becoming “the business podcasting guy.”

Nowadays, it sounds totally reasonable to start a podcast to help your business. But back in 2005, no one was doing it like that! So I want to know what made Jason go in that direction when no one else was doing it that way. It’s intriguing to me because there wouldn’t have been a mentor to lead him toward business podcasting at the time.

Jason says that he had no reason to think podcasting was going to take off the way it did, except that he had a gut feeling about it. So he followed his gut. And of course, there was a little bit of luck involved. But when I ask him why he went that way, Jason answers, “I almost didn’t, honestly!”

Thankfully, his wife really encouraged him to go for it. She had helped him to process the fear of quitting his engineering job back in 2003, and now she was helping him face the fear of going into podcasting. As Jason emphasizes, it is hugely important to have those advocates in your life, whether it’s your spouse, your mentor, or your Mastermind group.

Making a Change

About three years ago, Jason needed to make some changes. The industry was really starting to wear on him.

Jason needed to make some changes. The industry was really starting to wear on him.

He was living in Paris at the time with his wife and daughter. This was the pinnacle of his lifestyle dreams: he had always wanted to live in Paris, even before he went to college. And he says that he was “loving it.”

But there was a big “but”. All of a sudden, the business he had built wasn’t fulfilling him the way it used to. Keep in mind that his job was advising people to choose their niche carefully because it needs to fulfill you and can’t just be a money maker. But suddenly, he felt like he was not being fed by his work. He wasn’t enjoying it.

Jason says he felt like a fraud: what would his students and customers think if they knew that he didn’t actually enjoy the work himself?

This led to a prolonged period of soul-searching. Jason kept asking, “Why do I feel this way? What’s out of alignment?” He needed to discover what it was that had to change.

His wife stepped in again and recommended taking a retreat. He says that she recognized some of the stuff she had seen over a decade before when Jason wasn’t satisfied in his job as an engineer, and she knew he was avoiding really digging into “the meat of the matter.”

Would Jason say he was depressed at that time? Yes: he says that it “absolutely was the beginning of depression”. He uses the analogy of a frog sitting in boiling water: the feelings of dissatisfaction were slowly eroding “all the things that I depended on as an information-based business owner.” He had to stop ignoring it and putting it off in order to recognize depression.

Give yourself space to get out of your usual element, and to give yourself time.

Now, when you’re a podcaster, you have to show up and perform on a weekly basis. When I turn on my microphone, I know that I have a mission to complete. But when you’re feeling a lack of fulfillment, it must be difficult to show up.

Jason agrees that it took a lot more energy to podcast when he was feeling depressed. He hasn’t gone back to listen, but he’s sure people noticed that the tone of the show was changing. He was mustering energy rather than being excited to share new things.

Jason now realizes that his momentum had ceased. He had been doing the same thing for ten years and had gotten complacent. He uses the image of a shark to explain what he means: sharks need to move through water in order to get oxygen through their gills. They’ll suffocate if they don’t move because the water isn’t bringing them that oxygen. That’s how Jason was feeling: stuck and suffocated.

He figured out that he needed to give himself space. When we find ourselves stuck, it can be easy to isolate ourselves. We might be feeling guilty, or shameful and, according to Jason, we ”isolate ourselves from the very input that we need.” Talking to others helps you get “unstuck.” If you’re feeling suffocated, Jason recommends giving yourself space to get out of your usual element, and to give yourself time.

So after he took the retreat his wife recommended, Jason realized he needed more time and took a sabbatical. This allowed him to learn that his drive was gone because he wasn’t being challenged, wasn’t pushing self to master new things. It was time to change some things up, and he had gone too long without listening to those needs.

Getting Unstuck

When he came back to New York City in 2015 to speak to his business partner, Jason was worried. How is the business supposed to survive if they don’t show up and create the content?

Luckily, his partner was feeling kinda the same way. He was very supportive and suggested that they come up with a creative solution to give themselves some time to rejuvenate the business.

In the end, they found a way to just show up to do the podcast and hire someone else to do the rest. This started as a 3-month break, but it became 18 months. Jason continued to make the same money as before, but he only had to work about 4 hours a month. This wasn’t sustainable long term, but it gave him the room to figure out next steps and reinvent the business.

His advice when you’re feeling depressed, dissatisfied, or stuck?

1. Don’t isolate yourself.

Sharing how hard things have been or how down you’re feeling will help you to unlock and process this stuff.

2. Get out there and have conversations with people.

This should be people you trust as well as new people. You never know who will spark an idea.

3. You're not the only one.

Remember that you’re not the only one that goes through these things (even though it feels like that in the moment). Every entrepreneur has these struggles from time to time.

4. Don’t neglect your mental health.

Our minds are a part of our products, and if your mental health is suffering, so is the value that you create. You’ve got to take care of yourself, too!

Jason also recommends asking yourself questions like these:

What would be fun to try right now?

What fascinates me?

Where do I find my curiosity pulled?

The answers can be hard to find when the market seems to pull you in a particular direction, or when “everyone” is doing the same things. For Jason, moving into one-on-one work was a total change of direction, but it was exactly what he needed to do. He enjoyed it so much that he still does it.

Jason says that if you pay attention to where you get energy and ask yourself what you enjoy, you’ll find what feeds you as a content creator.

It’s easy to get caught up in what everyone else is doing. But just because everyone else is doing it, that doesn’t mean you have to do it, too. It goes back to Jason’s start in podcasting: he started because it was interesting to him, not because it was what everyone else was doing.

Changing the Industry

So I want to know: where does Jason see things that need to change? Or things that derail us and distract us from what’s really important?

He’s got a few ideas! These apply to the industry as a whole, but Jason says they apply to individuals, too:

“The noise floor has just gone up and up and up as more people have come online” trying to sell or establish a brand.” – Jason Van Orden

First of all, we need to realize that marketing is always going to depend on these very sexy stories about the one thing that makes a difference or the story that seems like the overnight success. According to Jason, “the noise floor has just gone up and up and up as more people have come online” trying to sell or establish a brand.

Because of that rhetoric, it’s easy to get caught up in the feeling of “OMG I gotta go and do that. I can’t miss out! #FOMO!” Jason finds this really aggravating. Everyone feels like there’s only one or maybe two ways to do it “the right way.”

That’s just not true, Jason says. Things have become more homogenized online, but there are so many ways to share your voice, show up online, and share your products. We need more innovation in how we create and deliver value.

This isn’t just helping us feel more fulfilled, by the way. The audiences that we’re trying to reach are shifting, too. They are looking for a fresh voice and getting fed up with what’s been done for the last 5 years.

So how do you break the cycle? Here are Jason’s suggestions:

1. STOP Comparing yourself to others.

If that means unsubscribing, do it. Go on a social media fast if you need to, or at least unsubscribe from anyone on Instagram who triggers feelings of anxiety. You do not need to follow everyone in order to “do it right.” Filter out the stuff that doesn’t feed your creativity.

2. Go back to fascination, curiosity, and fun.

Give yourself the space to hear your own approach. If there are hundreds of ways to get where you want to go, you might as well choose the journey that excites you, rather than going with what someone else says because they want you to buy their program. The bar has to be raised because the noise level keeps going up. You can chart your own course.

3. Don’t buy the hype.

We don’t do a good job as human beings to looking back and seeing all the variables that affected us on our journeys. So be wary of anyone saying “this ONE THING made all the difference!” That might be their impression, but it’s probably not true.

I’ve gotta interject for a minute here: this is all crazy talk! I mean, I agree with all of it, but it goes against everything we’re taught when it comes to online marketing.

I believe in everything Jason is saying, but I also have an online course and a membership site, and an ebook. I teach people to blog in a particular way. How do you balance that kind of structure with the knowledge that everyone who goes through a program is a unique individual?

Find a thought leader that you resonate with, that you share values with, that you enjoy listening to, who also has authority, expertise, and experience.

Jason says that he continues to look for answers to this question. We all understand the appeal of a blanket digital course, but evergreen passive income doesn’t really exist. Yes, you want a scalable business and a successful business, but only if it empowers you more and more to pursue your “why”.

Digital courses by nature, end up being created for the “common denominator”: what is the methodology that will work best for most people? Jason has gravitated toward one-on-one work for this exact reason: it allows for more nuance in teaching.

What does this mean for you as a consumer? Find a thought leader that you resonate with, that you share values with, that you enjoy listening to, who also has authority, expertise, and experience. And then understand that there may also be part of what they teach that isn’t wrong, but doesn’t resonate with you or isn’t right for you.

Jason says that he used to be very prescriptive with courses because he wanted people to have the greatest chance of succeeding. Now, he realizes that you also need to make space for people to experiment and make it their own, otherwise they won’t be as successful and fulfilled as they could be. And we need to make clear, as teachers, that that is part of the process.

Frameworks vs Formulas

Keep a healthy balance between teaching a system and making room for individuality.

Jason has a great model (which he borrowed from a friend) for keeping a healthy balance between teaching a system and making room for individuality.

Think about the difference between frameworks and formulas.

A formula says, “just do it the way I did it, and you’ll be fine.” It doesn’t allow for creativity or change.

But a framework is something that can be applied to a number of scenarios that still has room for leeway and nuance. It accounts for a wider range of learners and needs.

So take a look at your content: are you offering formulas or frameworks?

And look at who you’re learning from: are you getting prescriptions (formulas) or flexibility (frameworks)?

Building a Business Model

Jason has some final tips for anyone looking to adjust their business model to help shake things up.

1. Think about positioning.

Find your voice and figure out your ethics. When you read or listen to something online, think about how you would’ve said something similar.

2. Find the best channels to communicate that positioning.

The audience for this podcast is mostly interested in blogging, but challenge yourself to branch out, too.

3. Look at packaging: how do you want to present your knowledge and perspective?

There are alternatives to the digital course model. Everyone right now is talking about funnels and being scalable, but that’s all about creating a customer journey.

Those aren’t the only paths. Think about maximizing the value to and value from each student or customer at every point on their journey. Just as there are lots of different customers, there are lots of ways to set up a customer journey that delivers maximum value to them, and therefore maximum income to you.

Remember: there are lots of ways to snap all these pieces together. Jason says that if you’re feeling uncomfortable making a change, remember that it’s not square peg/round hole situation because there are infinite shapes that your business can take. You might have a dodecahedron-shaped business, and that’s great!

Want to know more?

The best places to find Jason are at www. jasonvanorden.com or the Jason Van Orden page on Facebook.

Resources Mentioned

Jason Van Orden website

Jason Van Orden Facebook page

Internet Business Mastery

Books:

Promoting Your Podcast– Jason's best-selling book

Rich Dad Poor Dad

Infographic

How to Get Unstuck and Rejuvenate Your Blogging Business

The post How to Get Unstuck and Build Your Online Business – Jason van Orden appeared first on Become A Blogger by Leslie Samuel.

from Lauren Cameron Updates http://www.becomeablogger.com/25355/jason-van-orden/

0 notes

cherylxsmith · 7 years

Text

How to Get Unstuck and Build Your Online Business – Jason van Orden

Episode: 305 Who: Jason van Orden Website/Blog: JasonVanOrden.com

Do you ever feel stuck or dissatisfied with your business?

Are you feeling like you need a change, but you’re not sure where to start?

Listen to This Episode

Jason’s Story

Jason actually has a double degree in Jazz Guitar and computer engineering. He kind of fell into business and podcasting. He says that he didn’t know he wanted to be an entrepreneur.

Jason Van Orden

So when podcasting showed up in 2005, it was intriguing to Jason for a number of reasons. He very quickly set the goal of becoming “the business podcasting guy.”

Internet Business Mastery Website

Taking Your Own Path

Jason very quickly set the goal of becoming “the business podcasting guy.”

Making a Change

About three years ago, Jason needed to make some changes. The industry was really starting to wear on him.

Jason needed to make some changes. The industry was really starting to wear on him.

Jason says he felt like a fraud: what would his students and customers think if they knew that he didn’t actually enjoy the work himself?

This led to a prolonged period of soul-searching. Jason kept asking, “Why do I feel this way? What’s out of alignment?” He needed to discover what it was that had to change.

Give yourself space to get out of your usual element, and to give yourself time.

Getting Unstuck

When he came back to New York City in 2015 to speak to his business partner, Jason was worried. How is the business supposed to survive if they don’t show up and create the content?

Luckily, his partner was feeling kinda the same way. He was very supportive and suggested that they come up with a creative solution to give themselves some time to rejuvenate the business.

His advice when you’re feeling depressed, dissatisfied, or stuck?

1. Don’t isolate yourself.

Sharing how hard things have been or how down you’re feeling will help you to unlock and process this stuff.

2. Get out there and have conversations with people.

This should be people you trust as well as new people. You never know who will spark an idea.

3. You're not the only one.

Remember that you’re not the only one that goes through these things (even though it feels like that in the moment). Every entrepreneur has these struggles from time to time.

4. Don’t neglect your mental health.

Our minds are a part of our products, and if your mental health is suffering, so is the value that you create. You’ve got to take care of yourself, too!

Jason also recommends asking yourself questions like these:

What would be fun to try right now?

What fascinates me?

Where do I find my curiosity pulled?

Jason says that if you pay attention to where you get energy and ask yourself what you enjoy, you’ll find what feeds you as a content creator.

Changing the Industry

So I want to know: where does Jason see things that need to change? Or things that derail us and distract us from what’s really important?

He’s got a few ideas! These apply to the industry as a whole, but Jason says they apply to individuals, too:

“The noise floor has just gone up and up and up as more people have come online” trying to sell or establish a brand.” – Jason Van Orden

So how do you break the cycle? Here are Jason’s suggestions:

1. STOP Comparing yourself to others.

2. Go back to fascination, curiosity, and fun.

3. Don’t buy the hype.

I’ve gotta interject for a minute here: this is all crazy talk! I mean, I agree with all of it, but it goes against everything we’re taught when it comes to online marketing.

Find a thought leader that you resonate with, that you share values with, that you enjoy listening to, who also has authority, expertise, and experience.

Frameworks vs Formulas

Keep a healthy balance between teaching a system and making room for individuality.

Jason has a great model (which he borrowed from a friend) for keeping a healthy balance between teaching a system and making room for individuality.

Think about the difference between frameworks and formulas.

A formula says, “just do it the way I did it, and you’ll be fine.” It doesn’t allow for creativity or change.

But a framework is something that can be applied to a number of scenarios that still has room for leeway and nuance. It accounts for a wider range of learners and needs.

So take a look at your content: are you offering formulas or frameworks?

And look at who you’re learning from: are you getting prescriptions (formulas) or flexibility (frameworks)?

Building a Business Model

Jason has some final tips for anyone looking to adjust their business model to help shake things up.

1. Think about positioning.

Find your voice and figure out your ethics. When you read or listen to something online, think about how you would’ve said something similar.

2. Find the best channels to communicate that positioning.

The audience for this podcast is mostly interested in blogging, but challenge yourself to branch out, too.

3. Look at packaging: how do you want to present your knowledge and perspective?

There are alternatives to the digital course model. Everyone right now is talking about funnels and being scalable, but that’s all about creating a customer journey.

Want to know more?

The best places to find Jason are at www. jasonvanorden.com or the Jason Van Orden page on Facebook.

Resources Mentioned

Jason Van Orden website

Jason Van Orden Facebook page

Internet Business Mastery

Books:

Promoting Your Podcast– Jason's best-selling book

Rich Dad Poor Dad

Infographic

How to Get Unstuck and Rejuvenate Your Blogging Business

The post How to Get Unstuck and Build Your Online Business – Jason van Orden appeared first on Become A Blogger by Leslie Samuel.

from SEO and SM Tips http://www.becomeablogger.com/25355/jason-van-orden/

0 notes

stevenshartus · 7 years

Text

How to Get Unstuck and Build Your Online Business – Jason van Orden

Episode: 305 Who: Jason van Orden Website/Blog: JasonVanOrden.com

Do you ever feel stuck or dissatisfied with your business?

Are you feeling like you need a change, but you’re not sure where to start?

Listen to This Episode

Jason’s Story

Jason actually has a double degree in Jazz Guitar and computer engineering. He kind of fell into business and podcastings. He says that he didn’t know he wanted to be an entrepreneur.

Jason Van Orden

So when podcasting showed up in 2005, it was intriguing to Jason for a number of reasons. He very quickly set the goal of becoming “the business podcasting guy.”

His podcast, Internet Business Mastery, very unexpectedly turned into a six-figure business and beyond. It quickly became a primary focus for Jason, and continued to be the backbone of his business until he moved into consulting 2 years ago.

Internet Business Mastery Website

Jason calls his journey a “zig-zaggy, circuitious path.” I think will resonate with a lot of us: you go in a direction, and you don’t know where it will take you. You think outcome will be one thing, but you find out that’s not where you needed to go. So you are constantly changing the plan and reinventing yourself.

Taking Your Own Path

Jason very quickly set the goal of becoming “the business podcasting guy.”

Making a Change

About three years ago, Jason needed to make some changes. The industry was really starting to wear on him.

Jason needed to make some changes. The industry was really starting to wear on him.

Jason says he felt like a fraud: what would his students and customers think if they knew that he didn’t actually enjoy the work himself?

This led to a prolonged period of soul-searching. Jason kept asking, “Why do I feel this way? What’s out of alignment?” He needed to discover what it was that had to change.

Give yourself space to get out of your usual element, and to give yourself time.

Jason now realizes that his momentum had ceased. He had been doing same thing for ten years and had gotten complacent. He uses the image of a shark to explain what he means: sharks need to move through water in order to get oxygen through their gills. They’ll suffocate if they don’t move because the water isn’t bringing them that oxygen. That’s how Jason was feeling: stuck and suffocated.

Getting Unstuck

When he came back to New York City in 2015 to speak to his business partner, Jason was worried. How is the business supposed to survive if they don’t show up and create the content?

Luckily, his partner was feeling kinda the same way. He was very supportive and suggested that they come up with a creative solution to give themselves some time to rejuvenate the business.

In the end, they found a way to just show up to do the podcast and hire someone else to do the rest. This started as a 3-month break, but it became 18 months. Jason continued to make the same money as before, but he only had to work about 4 hours a month. This wasn’t sustainable longer term, but it gave him the room to figure out next steps and reinvent the business.

His advice when you’re feeling depressed, dissatisfied, or stuck?

1. Don’t isolate yourself.

Sharing how hard things have been or how down you’re feeling will help you to unlock and process this stuff.

2. Get out there and have conversations with people.

This should be people you trust as well as new people. You never know who will spark an idea.

3. You're not the only one.

Remember that you’re not the only one that goes through these things (even though it feels like that in the moment). Every entrepreneur has these struggles from time to time.

4. Don’t neglect your mental health.

Our minds are a part of our products, and if your mental health is suffering, so is the value that you create. You’ve got to take care of yourself, too!

Jason also recommends asking yourself questions like these:

What would be fun to try right now?

What fascinates me?

Where do I find my curiosity pulled?

Jason says that if you pay attention to where you get energy and ask yourself what you enjoy, you’ll find what feeds you as a content creator.

Changing the Industry

So I want to know: where does Jason see things that need to change? Or things that derail us and distract us from what’s really important?

He’s got a few ideas! These apply to the industry as a whole, but Jason says they apply to individuals, too:

“The noise floor has just gone up and up and up as more people have come online” trying to sell or establish a brand.” – Jason Van Orden

So how do you break the cycle? Here are Jason’s suggestions:

1. STOP Comparing yourself to others.

2. Go back to fascination, curiosity, and fun.

3. Don’t buy the hype.

I’ve gotta interject for a minute here: this is all crazy talk! I mean, I agree with all of it, but it goes against everything we’re taught when it comes to online marketing.

Find a thought leader that you resonate with, that you share values with, that you enjoy listening to, who also has authority, expertise, and experience.

Frameworks vs Formulas

Keep a healthy balance between teaching a system and making room for individuality.

Jason has a great model (which he borrowed from a friend) for keeping a healthy balance between teaching a system and making room for individuality.

Think about the difference between frameworks and formulas.

A formula says, “just do it the way I did it, and you’ll be fine.” It doesn’t allow for creativity or change.

But a framework is something that can be applied to a number of scenarios that still has room for leeway and nuance. It accounts for a wider range of learners and needs.

So take a look at your content: are you offering formulas or frameworks?

And look at who you’re learning from: are you getting prescriptions (formulas) or flexibility (frameworks)?

Building a Business Model

Jason has some final tips for anyone looking to adjust their business model to help shake things up.

1. Think about positioning.

Find your voice and figure out your ethics. When you read or listen to something online, think about how you would’ve said something similar.

2. Find the best channels to communicate that positioning.

The audience for this podcast is mostly interested in blogging, but challenge yourself to branch out, too.

3. Look at packaging: how do you want to present your knowledge and perspective?

There are alternatives to the digital course model. Everyone right now is talking about funnels and scalables, but that’s all about creating a customer journey.

Want to know more?

The best places to find Jason are at www. jasonvanorden.com or the Jason Van Orden page on Facebook.

Resources Mentioned

Jason Van Orden website

Jason Van Orden Facebook page

Internet Business Mastery

Books:

Promoting Your Podcast– Jason's best-selling book

Rich Dad Poor Dad

Infographic

How to Get Unstuck and Rejuvenate Your Blogging Business

The post How to Get Unstuck and Build Your Online Business – Jason van Orden appeared first on Become A Blogger by Leslie Samuel.

from SEO and SM Tips http://www.becomeablogger.com/25355/jason-van-orden/

0 notes

sandranelsonuk · 7 years

Text

How to Get Unstuck and Build Your Online Business – Jason van Orden

Episode: 305 Who: Jason van Orden Website/Blog: JasonVanOrden.com

Do you ever feel stuck or dissatisfied with your business?

Are you feeling like you need a change, but you’re not sure where to start?

Listen to This Episode

Jason’s Story

Jason actually has a double degree in Jazz Guitar and computer engineering. He kind of fell into business and podcastings. He says that he didn’t know he wanted to be an entrepreneur.

Jason Van Orden

So when podcasting showed up in 2005, it was intriguing to Jason for a number of reasons. He very quickly set the goal of becoming “the business podcasting guy.”

Internet Business Mastery Website

Taking Your Own Path

Jason very quickly set the goal of becoming “the business podcasting guy.”

Making a Change

About three years ago, Jason needed to make some changes. The industry was really starting to wear on him.

Jason needed to make some changes. The industry was really starting to wear on him.

Jason says he felt like a fraud: what would his students and customers think if they knew that he didn’t actually enjoy the work himself?

This led to a prolonged period of soul-searching. Jason kept asking, “Why do I feel this way? What’s out of alignment?” He needed to discover what it was that had to change.

Give yourself space to get out of your usual element, and to give yourself time.

Getting Unstuck

When he came back to New York City in 2015 to speak to his business partner, Jason was worried. How is the business supposed to survive if they don’t show up and create the content?

Luckily, his partner was feeling kinda the same way. He was very supportive and suggested that they come up with a creative solution to give themselves some time to rejuvenate the business.

In the end, they found a way to just show up to do the podcast and hire someone else to do the rest. This started as a 3-month break, but it became 18 months. Jason continued to make the same money as before, but he only had to work about 4 hours a month. This wasn’t sustainable longer term, but it gave him the room to figure out next steps and reinvent the business.

His advice when you’re feeling depressed, dissatisfied, or stuck?

1. Don’t isolate yourself.

Sharing how hard things have been or how down you’re feeling will help you to unlock and process this stuff.

2. Get out there and have conversations with people.

This should be people you trust as well as new people. You never know who will spark an idea.

3. You're not the only one.

Remember that you’re not the only one that goes through these things (even though it feels like that in the moment). Every entrepreneur has these struggles from time to time.

4. Don’t neglect your mental health.

Our minds are a part of our products, and if your mental health is suffering, so is the value that you create. You’ve got to take care of yourself, too!

Jason also recommends asking yourself questions like these:

What would be fun to try right now?

What fascinates me?

Where do I find my curiosity pulled?

Jason says that if you pay attention to where you get energy and ask yourself what you enjoy, you’ll find what feeds you as a content creator.

Changing the Industry

So I want to know: where does Jason see things that need to change? Or things that derail us and distract us from what’s really important?

He’s got a few ideas! These apply to the industry as a whole, but Jason says they apply to individuals, too:

“The noise floor has just gone up and up and up as more people have come online” trying to sell or establish a brand.” – Jason Van Orden

So how do you break the cycle? Here are Jason’s suggestions:

1. STOP Comparing yourself to others.

2. Go back to fascination, curiosity, and fun.

3. Don’t buy the hype.

I’ve gotta interject for a minute here: this is all crazy talk! I mean, I agree with all of it, but it goes against everything we’re taught when it comes to online marketing.

Find a thought leader that you resonate with, that you share values with, that you enjoy listening to, who also has authority, expertise, and experience.

Frameworks vs Formulas

Keep a healthy balance between teaching a system and making room for individuality.

Jason has a great model (which he borrowed from a friend) for keeping a healthy balance between teaching a system and making room for individuality.

Think about the difference between frameworks and formulas.

A formula says, “just do it the way I did it, and you’ll be fine.” It doesn’t allow for creativity or change.

But a framework is something that can be applied to a number of scenarios that still has room for leeway and nuance. It accounts for a wider range of learners and needs.

So take a look at your content: are you offering formulas or frameworks?

And look at who you’re learning from: are you getting prescriptions (formulas) or flexibility (frameworks)?

Building a Business Model

Jason has some final tips for anyone looking to adjust their business model to help shake things up.

1. Think about positioning.

Find your voice and figure out your ethics. When you read or listen to something online, think about how you would’ve said something similar.

2. Find the best channels to communicate that positioning.

The audience for this podcast is mostly interested in blogging, but challenge yourself to branch out, too.

3. Look at packaging: how do you want to present your knowledge and perspective?

There are alternatives to the digital course model. Everyone right now is talking about funnels and scalables, but that’s all about creating a customer journey.

Want to know more?

The best places to find Jason are at www. jasonvanorden.com or the Jason Van Orden page on Facebook.

Resources Mentioned

Jason Van Orden website

Jason Van Orden Facebook page

Internet Business Mastery

Books:

Promoting Your Podcast– Jason's best-selling book

Rich Dad Poor Dad

Infographic

How to Get Unstuck and Rejuvenate Your Blogging Business

The post How to Get Unstuck and Build Your Online Business – Jason van Orden appeared first on Become A Blogger by Leslie Samuel.

from Julia Garza Social Media Tips http://www.becomeablogger.com/25355/jason-van-orden/

0 notes

felixdgreen · 7 years

Text

How to Get Unstuck and Build Your Online Business – Jason van Orden

Episode: 305 Who: Jason van Orden Website/Blog: JasonVanOrden.com

Do you ever feel stuck or dissatisfied with your business?

Are you feeling like you need a change, but you’re not sure where to start?

Listen to This Episode

Jason’s Story

Jason actually has a double degree in Jazz Guitar and computer engineering. He kind of fell into business and podcastings. He says that he didn’t know he wanted to be an entrepreneur.

Jason Van Orden

So when podcasting showed up in 2005, it was intriguing to Jason for a number of reasons. He very quickly set the goal of becoming “the business podcasting guy.”

Internet Business Mastery Website

Taking Your Own Path

Jason very quickly set the goal of becoming “the business podcasting guy.”

Making a Change

About three years ago, Jason needed to make some changes. The industry was really starting to wear on him.

Jason needed to make some changes. The industry was really starting to wear on him.

Jason says he felt like a fraud: what would his students and customers think if they knew that he didn’t actually enjoy the work himself?

This led to a prolonged period of soul-searching. Jason kept asking, “Why do I feel this way? What’s out of alignment?” He needed to discover what it was that had to change.

Give yourself space to get out of your usual element, and to give yourself time.

Getting Unstuck

When he came back to New York City in 2015 to speak to his business partner, Jason was worried. How is the business supposed to survive if they don’t show up and create the content?

Luckily, his partner was feeling kinda the same way. He was very supportive and suggested that they come up with a creative solution to give themselves some time to rejuvenate the business.

In the end, they found a way to just show up to do the podcast and hire someone else to do the rest. This started as a 3-month break, but it became 18 months. Jason continued to make the same money as before, but he only had to work about 4 hours a month. This wasn’t sustainable longer term, but it gave him the room to figure out next steps and reinvent the business.

His advice when you’re feeling depressed, dissatisfied, or stuck?

1. Don’t isolate yourself.

Sharing how hard things have been or how down you’re feeling will help you to unlock and process this stuff.

2. Get out there and have conversations with people.

This should be people you trust as well as new people. You never know who will spark an idea.

3. You're not the only one.

Remember that you’re not the only one that goes through these things (even though it feels like that in the moment). Every entrepreneur has these struggles from time to time.

4. Don’t neglect your mental health.

Our minds are a part of our products, and if your mental health is suffering, so is the value that you create. You’ve got to take care of yourself, too!

Jason also recommends asking yourself questions like these:

What would be fun to try right now?

What fascinates me?

Where do I find my curiosity pulled?

Jason says that if you pay attention to where you get energy and ask yourself what you enjoy, you’ll find what feeds you as a content creator.

Changing the Industry

So I want to know: where does Jason see things that need to change? Or things that derail us and distract us from what’s really important?

He’s got a few ideas! These apply to the industry as a whole, but Jason says they apply to individuals, too:

“The noise floor has just gone up and up and up as more people have come online” trying to sell or establish a brand.” – Jason Van Orden

So how do you break the cycle? Here are Jason’s suggestions:

1. STOP Comparing yourself to others.

2. Go back to fascination, curiosity, and fun.

3. Don’t buy the hype.

I’ve gotta interject for a minute here: this is all crazy talk! I mean, I agree with all of it, but it goes against everything we’re taught when it comes to online marketing.

Find a thought leader that you resonate with, that you share values with, that you enjoy listening to, who also has authority, expertise, and experience.

Frameworks vs Formulas

Keep a healthy balance between teaching a system and making room for individuality.

Jason has a great model (which he borrowed from a friend) for keeping a healthy balance between teaching a system and making room for individuality.

Think about the difference between frameworks and formulas.

A formula says, “just do it the way I did it, and you’ll be fine.” It doesn’t allow for creativity or change.

But a framework is something that can be applied to a number of scenarios that still has room for leeway and nuance. It accounts for a wider range of learners and needs.

So take a look at your content: are you offering formulas or frameworks?

And look at who you’re learning from: are you getting prescriptions (formulas) or flexibility (frameworks)?

Building a Business Model

Jason has some final tips for anyone looking to adjust their business model to help shake things up.

1. Think about positioning.

Find your voice and figure out your ethics. When you read or listen to something online, think about how you would’ve said something similar.

2. Find the best channels to communicate that positioning.

The audience for this podcast is mostly interested in blogging, but challenge yourself to branch out, too.

3. Look at packaging: how do you want to present your knowledge and perspective?

There are alternatives to the digital course model. Everyone right now is talking about funnels and scalables, but that’s all about creating a customer journey.

Want to know more?

The best places to find Jason are at www. jasonvanorden.com or the Jason Van Orden page on Facebook.

Resources Mentioned

Jason Van Orden website

Jason Van Orden Facebook page

Internet Business Mastery

Books:

Promoting Your Podcast– Jason's best-selling book

Rich Dad Poor Dad

Infographic

How to Get Unstuck and Rejuvenate Your Blogging Business

The post How to Get Unstuck and Build Your Online Business – Jason van Orden appeared first on Become A Blogger by Leslie Samuel.

from IM News And Tips http://www.becomeablogger.com/25355/jason-van-orden/

0 notes