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#and im still not sure i like it
skrunksthatwunk · 19 days
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see 0 note flop posts aren't that bad when they're personal but 0 note fandom posts feel literally so bad. like if you don't wanna play toys with me anymore just say that. i'll pack up my super cool awesome things and go and i'll sit on the other side of the playground by myself and i won't even look at you. fuck
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time-woods · 5 months
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pieces based off a thing i wrote cause i couldnt get it out my brain
anyways im normal abt this i swear
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arowrath · 8 months
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mr brightside was released september 29, 2003
(also by same age i mean born on the exact same day)
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obsob · 7 months
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the accolade ( the...the cat-olade...)
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rendevok · 10 months
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“Take my hand” a comic for NaruMitsu Week 2023
day 1 - lies & secrets - 2 - 3 - 4
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arinmoss · 1 month
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Sam!
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sabertoothwalrus · 3 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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paarthursass · 8 months
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genuinely love how the whole gang is like "fuck this guy"
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lotus-pear · 9 months
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yeah sure therapy is nice but teen soukoku is faster and a lot cheaper
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petitelappin · 18 days
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I want her to scoop him up so much. I think they would both enjoy it. Sweep the man off his feet, as they say!
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khairosclerosis · 4 months
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💥 edgeworth the terrible and his father, edgeworth
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cringefail-clown · 3 months
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porrim and dirk are so fucking funny in turnabout au you guys have no idea. theyre each others yes man in the worst possible way.
porrims like "i want to+ get a seco+nd to+ngue piercing, but i think it might be a little much..." and dirk immidiately shoots back "Nah you're fine. Sit down, relax, and i'll be back once i alchemize the piercing and ready the needle.". kankris having an aunerysm every time he sees these two talking to each other.
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spotsupstuff · 26 days
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day 16
without plants and equipment's skill issue version below:
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offbrandtoaster · 5 months
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Aabria: You enforced your will on these people, killed their leaders without talking to the other stoats who treated you with kindness, and cast a spell that forces your will on said allies. You fucked up.
Also Aabria: You guys are so fucking charming I can't stay mad at you
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starii-lins · 1 month
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this is how i cope ok. x
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apathyfairy · 3 months
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last year i found a wii at goodwill for 25 dollars and it came with everything except a wiimote but it was in such good condition i was like hell yeah ill take it how hard can it be to find a wiimote. the answer is it's nearly impossible to find them at thrift stores now so i've spent like 8 months looking for ones in thrift stores but there wasn't a single one and then online but i just couldn't bring myself to spend 30 dollars on one single wiimote so i waited so. patiently. and then 2 weeks ago i finally found one at goodwill for 9 dollars but it was absolutely disgusting and the battery cover was missing and the compartment was all corroded so i put it back and regretted it the whole week but then this last weekend i went to savers and there was an absolutely perfect wiimote just sitting there with no corrosion and a jacket and the wrist strap and motion plus and the nunchuck was there too and i got it all for 10 dollars so the moral of the story is that sometimes things seem right for you in the moment but you have to recognize that they aren't and leave them behind so the things that are meant for you will in fact find you when the time is right. peace and love <3
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