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#arri alexa
cinesludge · 8 months
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Movie #71 of 2023: Drive
Driver: "My hands are a little dirty."
Bernie Rose: "So are mine."
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willw · 2 years
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Darryl Kissick – Just A Dream
Hello I never remember to post here but here’s something we made last summer that I’m very proud of.
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do-you-have-a-flag · 8 months
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[walks out of Almodóvar's gay western short] the ARRI Signature Prime lens is now my enemy
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whifferdills · 2 years
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in the midst of everything else i’d forgotten that Chibnall casually made Eighth Man Bound tv canon
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tsunamiholmes · 6 months
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*dressed as montgomery gator*
TRICK OR TREAT!
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me, opening my front door two days later because I forgot to check my inbox
it's 6am and I don't know what you're still doing on my porch, so I hand you one of these to hopefully get rid of you
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pinkeoni · 1 year
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I got curious and decided to look at the technical specs on IMDB
Season one and two are shot with Leitz SUMMILUX-C lenses which are described as capturing natural colors of a scene very well. This makes SO MUCH sense especially for season one, where everything feels so much more down to earth. There would have been some color grading/correction I’m sure but I wouldn’t be surprised if at least for season one they kept it closer to the initial capture.
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Season 3 is where they change lenses, which makes sense given the dramatic shift in tone and color grading that happened that season. They shoot with Leitz THALIA lenses which are described as being more cinematic. It’s focal length doesn’t go as low as the Summilux-C (which can go down to 16mm for incredibly low depth of field) but it can go up to 180mm while the Summilux-C can only go to 135mm.
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Season 4 was shot on Arri Alexa Large Format camera which is apparently what is approved to shoot Netflix 4K programming. I’m not sure if they are required to use this camera, although the large formatting does match the cinematic feel that they seem to be going for with season 4. Also something interesting is that they were shooting and mixing for Dolby. Perhaps they knew ahead of time they wanted to have theatrical screenings? I think I remember the Duffers talking about wanting to have season 5 in theaters, I could see them doing that for the finale.
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garseeyuh · 1 year
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media-square · 2 months
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Elevate Your Filmmaking with Top-Quality Camera and Lens Rentals in Doha
Discover unparalleled filmmaking experiences in Doha with our premium camera and lens rentals. Elevate your vision with Alexa 35, ARRi, Cooke, and Master Primes rentals. Unleash your creativity with top-quality equipment tailored to your needs. Capture every detail with precision and finesse. Check out the complete blog!
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takmiblog · 8 months
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(https://www.nacinc.jp/creative/digital-cinema-camera/alexa-lf/)
ARRI
ALEXA LF
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bulentfilms · 1 year
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Blackmagic to Kodak 2383 LUTs byBoz™
“WOW!” – E. Buffet Introducing the Blackmagic to Kodak 2383 LUTs byBoz™. It’s not a one click solution for your cinematic needs, it’s a one click start to your cinematic results. A little cheesy, but true! FEATURES A non destructive 2383 neutral image conversion LUT with balanced saturation, soft highlight roll off and max shadow retention for ALL Blackmagic Cinema Cameras and Color Science…
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View On WordPress
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aimimage083 · 1 year
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So, you get to hire the latest camera for a reasonable rate. It’s the sensible way to access quality equipment without paying a fortune for it.
 Renting equipment first however can be the sensible way to test a variety of cameras without investing too much.
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dbmediastudio · 2 years
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Modern Studio In the Heart of NW London, UK new post: https://dbmedialtd.com/spotlight-blog/ instagram: https://www.instagram.com/dbmedia_studios DB Media Film & TV Studios, London. An independent film studios based in Wembley. We have a dedicated 5000 sqft production & post-production facility with a variety of services for hire 7 days a week. Our London film studios are comfortably fitted out to allow your crew the relaxed working environment to get the most out of your booking. Facilities include ✓ Hospitality Rooms ✓ Wardrobe and Changing Rooms ✓ Internet cafe-style common area ✓ FREE onsite parking & HIGH SPEED WIFI Services include ✓ Studio Hire ✓ Green Screen Filming ✓ Music Video Production ✓ Editing Services ✓ 6k Camera Rental ✓ Professional Crew ✓ Single & Multi-camera Productions ✓ Aerial Drone Services ✓ Photography Studio ✓ Corporate Reels ✓ Sound Design & VO ✓ Live streaming & Blogging ✓ Graphics & 3D Animation ✓ Social Media Services ✓ TV Commercials & Programmes ✓ Marketing & Training ✓ Film & Documentary Drama ✓ Clearcast Compliance ✓ Old Tape & DVD Conversions ✓ Colour Grading & Correction ✓ Translation and Subtitling Enquiries: +44 07951 213 458 www.dbmedialtd.com #arri #cinematography #filmmaking #cinematographer #film #filmmaker #dop #directorofphotography #setlife #alexamini #director #behindthescenes #cinema #arrialexa #bmpcc6k #bts #alexa #camera #red #filmcrew #davinciresolve #musicvideo #onset #production #filmproduction #redcamera #steadicam #cameraoperator #photography #dbmedia_studios (at DB Media Film & TV Studios) https://www.instagram.com/p/Cj32qO_IzQo/?igshid=NGJjMDIxMWI=
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steadyproline · 2 years
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Buy Arri Alexa Power Cable from PROLINE
Thanks to all these features, PROLINE is one of the most trusted places for Arri Alexa Power Cable online. To order it today, visit the company’s official website: https://www.steadyproline.com/.
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Priscilla (2023)
Director: Sofia Coppola
Cinematographer: Philippe Le Sourd
Tech Specs:
— Aspect Ratio: 
1.85:1
— Cameras:
Arri Alexa 35, Panavision Ultra Speed MKII and Angenieux HR Lenses
Bolex H-16, Kern Paillard Vario-Switar Lenses(some scenes)
— Negative Format: 
16 mm (Kodak Vision3 250D 7207)
8 mm (Kodak Vision3 50D 7203, Ektachrome 100D 7294)
Codex
— Cinematographic Process:
ARRIRAW (4.6K, source format)
Spherical (16 mm footage, source format, some scenes)
Super 8 (source format, some scenes)
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nattaphum · 1 year
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Man Suang - today’s updates
This morning’s stories:
LAST QUEUE !!!!!!!!!!!!
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The camera in Tong’s story is ARRI Alexa.
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It’s the best (and most expensive) movie camera to exist on the market. 40-50% of the movies nominated for Oscars each year, use ARRI Alexa🥹. Some examples are Mulan, Dune, The Batman…
The 35th model, that BOC uses, adjusts the color according to Color Science allowing to obtain this type of result:
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Alexa 35 was released in June 2022 and costs around 77.000$ for 1 production set.
The investment on Man Suang is unbelievable!
They used Color Science in Kinnporsche too and the results were amazing!
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(Source) (Source) (Source)
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“7 Secrets of Man Suang” - by BeOnCloud
2/7 photos
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Black Chinese Wooden Abacus 👀
Tonight’s update:
IT’S A WRAP !!!!!!!!!!!
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sirfrogsworth · 1 year
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I was worried the TV would be too big, but it honestly feels like watching a big movie screen at the theater and it is so immersive. Like you are *in* the frickin movie.
And even in the 2 years since I got my other TV, the picture quality has improved quite a bit. All of the issues I had with my other TV are pretty much resolved. The only thing it can’t do perfectly is deep inky blacks like an OLED screen. But it comes really close and it gets much much brighter than any OLED, so lasers and lightsabers just look soooo cool. Like they could melt your face off.
I am also finally able to notice a difference between 1080p and 4K. Though it is still subtle and I wish people wouldn't think 4K is the ultimate measure of clarity and quality. Resolution has become one of the least important aspects of picture quality.
I mean, our phones can film in 4K. An Arri Alexa cinema camera can also film in 4K. Do you really believe a $1000 smartphone and an $80000 motion picture camera have equivalent quality?
The goal of higher resolutions is to resolve more detail to provide a sharper image. So imagine a tiny tree in the background where the leaves are all mushed together in a blur in a low detail image and the individual leaves can be seen in a high detail image.
What allows you to get that high level of detail?
Teamwork!
You need a really good sensor with a lot of photosites or pixels. And you need a really good lens with a great design and perfect glass. Bigger is better in both cases.
There is this concept called "perceptual megapixels." This is a measurement of how much detail a camera lens can resolve. So if you have a 50 megapixel sensor but a lens that can only resolve 20 megapixels worth of detail... then you are getting a 20 megapixel image.
The dirty secret of smartphone advertising is that while their sensors might *technically* be 4K or 8K or 100+ megapixels, none of those tiny lenses have the resolving power to support those resolutions. That's why a Samsung with a 100 megapixel sensor does not look significantly sharper than an iPhone with a 12 megapixel sensor. And that's why if you took an old DSLR with a 12 megapixel sensor and slapped a Zeiss Otus lens on the front, the image detail would trounce any smartphone.
But honestly, detail and sharpness really only come into play when you are pixel peeping and zooming way into images. At normal viewing distances, pretty much any modern camera or lens is sharp enough to give you an acceptably detailed image.
If you are looking for a quality TV picture, ignore the Ks and look for things like brightness (nits) and black levels (contrast ratio) and color gamut (number of colors) and HDR interpretation (tone mapping). A great site that breaks all this down is rtings.com. They have the most detailed reviews of anyone and they test various aspects of picture quality. You can decide which aspects are important to you and choose a great television accordingly.
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