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jbuffyangel · 3 months
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Hot and Cold: Arrow 1x22 Review (Darkness of the Edge of Town)
There is no episode that exemplifies the disjointed nature of Season 1 more than “Darkness on the Edge of Town.”  We have Exhibit A: an OTA field op and the smoaking hot chemistry of Stephen Amell and Emily Bett Rickards igniting in an elevator shaft of all places.
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And Exhibit B: the other show. A frigid black hole I feared we’d never escape from.
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Let’s dig in…
Olicity and OTA
Let’s start with the positive since there is soooooo much freaking positive! It can take time for a television series to find its footing in the first season.  Unfortunately, nowadays if the audience isn’t binging the entire season in 24 hours, the show gets canceled. But blessedly, this was 2013. Network TV was still the supreme ruler, and Arrow was pulling big enough numbers for the CW to allow for some leeway.
Twenty two episodes of leeway. Arrow finally found its groove and latched on to the mystical “it factor” that keeps an audience watching - Oliver, Felicity and Diggle. The chemistry and dynamic between these characters and the actors who play them is undeniable and it creates an action packed, laughing out loud, and sizzling hot episode. The writers are having FUN in “Darkness on the Edge of Town" and it shows, which means we get to have fun too.
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Oliver decides to question his mother regarding the Undertaking, but she refuses to confess. So, Oliver and Diggle take a more brutal approach. The Hood kidnaps them both and beats the crap out of Oliver until she coughs up the information. It’s always hilarious when this show acts like David Ramsey can fit in Stephen Amell’s suit.
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The burgeoning relationship between Oliver and Felicity is very much in its infancy. Oliver is fully in denial about feeling any type of way toward his IT girl. Never is that more apparent then when Oliver and Diggle return from the confrontation with Moira. Diggle gets a few solid whacks in, which I’m sure felt amazing given the absolute jackass Oliver was being the past few episodes.
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Felicity has a much harder time concealing her feelings towards Oliver and it’s clear she worries about him. She is always the first to ask if he’s okay, offer a supportive ear to listen or shoulder to cry on. However, Oliver seems to draw a line in this episode when Felicity reaches to touch the bruise on his face. That small step was too much. He physically keeps her at arm’s length because the intimacy of Felicity’s concerned touch is not something Oliver is ready for. There is still a very big wall hiding all that pain, regret and unworthiness.
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Source: @lyricalarrow
Admitting he remembers the exact day they met, however, is absolutely no problem. We shall come to discover just how much Oliver remembers about that day in later seasons. I have a lot of male friends and I guarantee you I don’t remember the day we met. However, the day I met my husband is burned into my memory.
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The team determines the only way to stop Merlyn from leveling the Glades with a man-made earthquake machine is to find the location of the device. Unfortunately, Felicity is unable to hack Merlyn’s system so she needs direct access to his mainframe inside Merlyn Global Headquarters. LET'S DO CRIMES!
Oliver makes an appointment with Tommy (more on that later) while Felicity continues to up her adorability factor by dressing up as Big Belly Burger employee delivering lunch to a security guard otherwise known as John Diggle.
The burger is laced with benzodiazepine, so it knocks out the other security guard and gives John free reign to control the elevator & cameras. Do we know how Diggle is able to pose as a security guard? No. Do we care? Nope. Let the hijinks commence!
Oliver and Felicity make their way to the elevator, but not until Oliver unloads an unwelcomed dudebro hitting on Felicity.
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Jealousy looks so good on him. The way Stephen Amell plays this scene, with his nails-on-a-chalkboard look at the word “sweetie” to robotically knocking the papers out of the elevator, is physical comedy at its best. Something Amell rarely gets to do, but he’s great at it.  
The mainframe is on the twenty fifth floor, but the elevator only goes up to the nineteenth, so Oliver and Felicity have some climbing to do. It seems Felicity is thinking of a certain kind of climbing as well and really who can blame her?
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Source: @lyricalarrow
Oliver lifts her WITH ONE ARM out of the elevator, which is so freaking hot I cannot.
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Then, very gently, bends down to wrap his arm around Felicity’s waist and loop her arm around his neck. Oliver is moving with the precision of a jungle cat, but it also feels like an incredibly elaborate way to grab hold of someone. It has a very superhero sweep-her-into-my-arms sensuality to it. The mission is giving Oliver plenty of reasons to touch Felicity and he doesn’t seem unhappy about it, particularly when he softly tells her, "Hold onto me tight."
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Is it warm in here? Holy Moses, Oliver Queen. Get control. This man is a god to women, so he clearly understands the connotations of, “Hold onto me tight.” There’s a thousand different ways to say that platonically, but nope! Oliver charges headlong into the blinking neon lights of SEXUAL INNNUENDO.
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Felicity’s Freudian slip didn’t feel so Freudian either. She knew exactly what she was saying and leveled her full meaning in a single look. I thought the elevator was going to combust from all the heat. If you are looking for the text book definition of undressing someone with your eyes than look no further than these two. They way they hold the gaze. WOW. Can we have all the nakedness now?!!! It’s a sin against science for Oliver and Felicity not to bang regularly BECAUSE THE CHEMISTRY.
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THIS IS NOT THE BEHAVIOR OF A MAN MADLY IN LOVE WITH LAUREL LANCE.
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This scene has the classic Superman and Lois Lane feel to it.
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Source: @olicitygifs
Oliver is doing his vigilante thing, but his partner in crime isn’t the leading lady of Arrow. It’s a supporting character who’s feeling less and less supporting with each episode.
Unfortunately, Felicity is about to be discovered while Oliver is held up by Malcolm Merlyn, Thea and Roy Harper. This is a very popular day to visit Merlyn Global. Oliver’s frustration under his cool and calm exterior builds the tension nicely and we do wonder how Felicity is getting out of this jam. Never fear! It’s John Diggle to the rescue. Top notch comedy from both Rickards and Ramsey.
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Source: @olicitygifs
Their first official team mission outside of the bunker is a wild success. Felicity still has to search through all of Merlyn’s data to determine the location of the device. Despite all the heat, hilarity and hijinks on this side of the show, Oliver makes an abrupt decision regarding the other side of the show that makes absolutely no sense.
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Lauriver and Merlance
Still feeling warm friends? Well don’t worry. I have a nice bucket of ice cold water to dump on you.
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As predicted, Oliver’s love confession messes with Laurel’s mind and obliterates any clear path back to Tommy. He drops this bomb on her and they have not spoken for a WEEK. Of course, this is all Laurel has thought about and she makes a rather elaborate speech admitting she has feelings for Oliver too.
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Yeah, none of this is a surprise. Tommy knew Laurel had feelings for Oliver. We knew Laurel had feelings for Oliver. Hell, even Oliver knew. The only one who wasn’t admitting it was Laurel, so at least she’s finally being honest about things. You don’t get a love triangle if the central figure in the love triangle doesn’t have feelings for two people. The issue is who does Laurel love MORE.
Laurel: Maybe Tommy was right. Maybe he and I weren’t meant to be.
She had a clear answer last week. It was Tommy. She absolutely wanted to get back together with him, but Oliver decided honesty was the best policy on this one subject only. This line enrages me because Oliver has distracted Laurel from the man she is truly meant to be with. I will die on this hill, friends. DIE. ON. THIS. MERLANCE. HILL.
Laurel: Tommy’s a good guy. Are you?
Oliver: I didn’t have an agenda. I didn’t mean to make it more difficult to fix things with Tommy.
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Oh for fucks sake. Yes, you did Oliver. That’s exactly why you said it. This is just a straight up lie. Oliver absolutely wanted to confuse Laurel. He just doesn’t want to look like the bad guy for doing it. This is some A+ Ollie behavior.
After Laurel makes a wonderfully impassioned and heartfelt speech about her feelings for Oliver, after probably obsessing about it for seven days straight, Oliver dumps her. AGAIN.
Oliver: Nothing’s changed. My life hasn’t changed. I haven’t changed.
I am infuriated on Laurel’s behalf with this flip flopping back and forth. The time to make this speech was last week in the hospital hallway. That was the moment to let her go and put Laurel on the plane with the man she belongs with, but Oliver couldn’t do it because it was too damn hard. It was just cruel and horribly unfair to both Tommy and Laurel because Oliver has absolutely no intention of being with her. But now it’s too late. The information is out there. You can’t put the toothpaste back in the tube, my dude.
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Laurel pays her father a visit to basically get his permission to date Oliver again. Yeah, let’s make the man who lost his daughter to Oliver’s selfishness sign off on banging his other daughter again. This show.
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Quentin’s speech is equally as empty as any speech Laurel’s made about seeing the change in Oliver because we, the audience, have not been privy to those moments. We’re just supposed to take their word for it even though the last time Quentin saw Oliver Queen he was trying to arrest him for drug trafficking. But sure, Quentin thinks he’s “changed.”
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In order to make this storyline work, you have to give proper attention to the Lance family interacting with Oliver and the writers do not seem interested in doing that. All the important emotional growth takes place off screen and we’re supposed to accept it as fact because the characters tell us.
Meanwhile, they are organically growing the relationship Oliver has with Diggle, Felicity, hell even Roy! So we know the writers are capable of SHOWING these moments of character evolution. They just choose not to when it comes to the Lance family. It’s why the show feels so completely disjointed.
Oliver pays Tommy a visit and wants to have a chat.
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Source: @queensarrow
So it's safe to say Tommy is still pissed.
Oliver encourages him to work things out with Laurel – kind of?
Oliver: Lord knows, I am guilty of a lot of things between us, but not you are her.
What’s infuriating about this conversation is that Oliver still refuses to accept any kind of responsibility in their break up. Oliver pretends to be a friend to the all feminists and touts Laurel’s independence and free will. She makes her own choices and she chose Tommy.
Tommy’s point is clear, even if it is self pitying; Laurel is not dealing with all the information. If she did have all the information then she would choose Oliver. From Oliver’s standpoint, it doesn’t matter because he can’t be with her.
That’s not reassuring to Tommy nor is it supposed to be. If the elements keeping Oliver and Laurel apart were removed (the Hood) then Oliver wouldn’t think twice about making a move on Laurel. And Tommy knows this. These are not the actions of a best friend, which is why he’s so pissed.
Now, Tommy’s big mistake was throwing in the towel too early. He should have NEVER given Oliver an opening with Laurel, but he did and it set them on this path. No we have to watch it play out.
Oliver: I promised myself that when I crossed all of these names off the list, I’d be done, but taking down these people, it doesn’t honor him. I was just treating the symptoms while the disease festered. I stop the Undertaking… I wipe out the disease.
Diggle: What are you saying Oliver? You would hang up the Hood?
Oliver: Merlyn’s plan is what I returned from the island to stop.
Does anyone else have whiplash? Oliver does a complete about face and determines he can be with Laurel since he only needs to cross one name off the list instead of dozens. He’s just missing one step, gee what could it be? Oh! I know. OLIVER STILL HAS TO CROSS MERLYN’S NAME OFF THE LIST AND STOP THE UNDERTAKING. Talk about counting your chickens before their hatched.
A hero’s journey is a very specific type of story. Joseph Campbell outline seventeen stages in 1949 and Christopher Vogler created an updated version in 2007 for screenwriting. I’m not going through all seventeen steps, but we can skip to the very last one regarding this storyline.
Freedom to Live/Return with the Elixir – meaning the hero has faced their internal and external struggles, has conquered the demons around them and earned the right to live as they choose. From a spiritual sense, the hero lives without fear of death.
It’s similar with Vogler’s elixir stage. From a community perspective, the hero has found the magical way to heal their wounded land. They are bringing hope, life and freedom back to their loved ones. In doing so, it gives the hero a personal victory. They’ve earned the right to experience peace and joy, which can be represented in a wide variety of narratives.
Oliver is hero. Arrow has made his endgame very clear - save Starling City. Has he saved the city? Has he stopped Malcolm Merlyn? NO. So why is his leather clad ass running all the way back to Laurel Lance to enjoy the fruits an elixir he has yet to procure? If Laurel is endgame, this makes absolutely no sense. This is too fast. It’s too abrupt. It doesn’t feel earned because it hasn’t been earned.
Clearly, the initial plan was to put Oliver (Green Arrow) and Laurel (Black Canary) on parallel, if not intersecting, paths. I’m not saying Oliver cannot be with Laurel as they evolve into superheroes together. But this is the first freaking season you guys! He hasn’t done a damn thing yet! Neither has she. And yet, here Oliver is, knocking on Laurel’s door, looking for some fruit.
Oliver: Ever since I’ve been back, we’ve been doing this dance. We come together and then I pull away.  Something pulls me away, but I think finally that something might be over.
Laurel: What are you are trying saying?
Oliver: That you know me better than anyone. And that you are more important to me than anyone. I just hope I didn’t wait too long to say it.
If Laurel has no clue Oliver is the Hood then can he really claim she knows him best? It sounds good to say, and probably what Laurel is dying to hear, but it rings hollow because there’s no evidence of this anywhere on the show. Laurel was wrong about who Oliver is all season. We are just supposed to accept some verbal acknowledgment of change, that she knows him better than anyone, but without any television scenes to back it up. That’s not how storytelling works, Arrow writers.
Sorry to beat a dead horse, but I warned you I wasn’t done with this topic - Oliver is still lying to Laurel. There should be more talking. What are those things pulling you away, Oliver? Why are they over? Are you a hooded, crime fighting, serial killer who has been mysteriously stalking me all year? Those are just some ideas off the top of my head. There is no person on this planet that Oliver needs an honest conversation with more than Laurel Lance, but nope. They jump straight to sex.  
Let’s talk about the sex. This has been built up all season. These two characters belong together. They are bulldozing over Tommy Merlyn to be together because they are this passionate romance that time cannot quell. It should be like the fourth of July in Laurel’s apartment right now.
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Source: laurelscanary
Instead, of heat we get frigid. Fish have hotter sex.
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I’m willing to acknowledge "Radioactive" was the hit song of 2013 and every show on the CW was using it. It has a very sexy beat and big crescendo. It sounds like a good song to use during a sex scene.
Except for the fact that it’s called RADIOACTIVE with lyrics like, “This is it, the apocalypse.” This is not the romance your Plan A couple usually requires in a scene like this. They had Blake Neely for a composer. Where’s Oliver and Laurel’s love theme? We'll probably get it in the season finale but anything would be better than "Radioactive."
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Source: laurelscanary
Next issue. Black socks and jean shorts?  Wardrobe – what were you thinking? Nobody felt the need to tell Katie to take off the sox? Details matter!!
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Source: laurelscanary
Stephen Amell and Katie Cassidy kissing are like watching two pieces of flat cardboard trying to hump each other. Can they choose a direction? Are we biting or no biting? Are we using tongue or no tongue? Can Oliver unbutton his shirt or does Laurel need to help? Is Oliver going to drop Laurel while trying to get her sweatshirt off? It was just so awkward from start to finish. ZERO SPARKS.
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Source: habibialkaysani
And for the coup de grace, they leave the curtains pulled wide open, so Tommy can see them screwing from the street. The look of utter devastation on his face is heartbreaking and that’s the final image they leave us with as their love scene fades to black. Oliver and Laurel reuniting are not framed as a good thing. It’s framed as a betrayal, because that’s exactly what it is.
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Source: @queensarrow
Even worse, Felicity finds the device while Oliver and Laurel are asleep and HE LEAVES. No note. No, honey I have to run out and save the city real quick, but I’ll be back for round two later. Nothing. But please, tell me again how much Ollie has changed.
When I watched this episode live I was horribly disappointed the big reunion with Laurel and Oliver fell flat. This was really my last gasp trying to be a Lauriver shipper. And I use the term “trying” loosely. I was more or less looking for any redeeming qualities in this love story, but after this hypothermic love scene I was officially out. I could not ship these two. I could never forgive them for betraying Tommy. But I feared Arrow would never move on from Oliver and Laurel.  
Of course, their real intention becomes all too clear later. Arrow was trying to blow them up to make way for something infinitely better.
 Theroy
Speaking of flipping back and forth, these two break up every other week. Roy is clearly committed to finding the Vigilante, which leads them to Merlyn Global and a run in with Oliver, the disapproving older brother. Again, Stephen Amell’s acting is superb.
I loved the way he said “What” to Thea and the firm alpha male handshake he gives Roy, warning him to stay away.
Obviously, Roy accomplished his goal. He found the Vigilante. Roy just doesn’t know it. He thinks Oliver Queen is too much of a wimp to ever consider him as the man in the hood. Thea was good and ticked off with that “wimp” remark. Enough to dump Roy. She will not tolerate any slander of her brother. #QUEENSIBILINGSFOREVER
But this is like the fifth time these two broke up, so it’s losing the impact. This isn’t all about the Hood’s identity and thanking him for saving Roy’s life. He wants to BE the Hood, so Roy can protect the people he loves and never lose anyone again. The question is – who did Roy lose? Unfortunately, Thea storms out before we get an answer, but hopefully one is coming in the season finale. (No I do not remember who).
Long story short, yes I like these two, but the faster the Arrow writers move the characters into the Hood storyline the better. Otherwise they are just marooned on their own show like Laurel Lance Island.
Stray Thoughts
Yao Fei died! It’s so sad and traumatic. I forgot he’s shot in the head. Really didn’t need to see that twice.
Fyers is shooting down a commercial airliner to destabilize the Chinese economy. It’s always about money for these assholes.
Walter wants a divorce and I would say their differences are irreconcilable. Moira is getting what she deserves. You can’t kidnap your husband for six months and then offer him tea and crumpets when he comes home.
"Who the hell is Felicity Smoak?" Uh oh. Quentin has Felicity’s name. That ain’t good.
“Is the other archer working for Merlyn?” Please don’t make Diggle look this dumb again.
Merlyn versus Oliver battle was EPIC! The fight scenes this season are so stellar.
“Psychopaths are color coding themselves. That’s helpful.” HA!
Listen to the Watchover podcast reaction to 1x22!!!
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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!
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cogentranting · 4 months
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Things Oliver remembers from college:
a quote from the Odyssey
who Charon is
Oliver paid attention in ONE (1) class and it was a Greek mythology elective.
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swiftsuburbanlegends · 8 months
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"Felicity Smoak, hi I'm Oliver Queen."
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queenoffantasyland · 1 year
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Time to talk Helena Bertinelli, Oliver’s flimsy moral high ground, the cringiest double date ever, and more on this week’s episode of Watchover with @jbuffyangel and @callistawolf.
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ohliverfelicity · 2 years
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roy has NO filter whatsoever 😭
no one:
roy: he (Malcolm) says Oliver’s dead 🤷‍♂️
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tilions · 4 months
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It took three arrows for Boromir to go down and stop fighting a number of foes much too large for one single man.
Three arrows to his chest.
He wasn't going to go down without a fight, without trying his damnest to save Merry and Pippin where he had failed Frodo.
Three arrows, people.
And even when dying his thoughts were about the Hobbits and about the loyalty he felt towards his friends, and of course towards Aragorn. I love him so much guys. I might burst.
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buffysummers · 2 years
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Arrow | 1.06 - “Legacies”
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rainbow-arrow · 2 months
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god i can't wait for luka's first on screen kiss to be with adrien in season six
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julia0689 · 1 year
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Time’s Arrow neither stands still nor reverses, it merely marches forwards...  The many faces of Beatrice Horseman.  6 hours, Adobe Photoshop. 
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ieatmypaper · 4 months
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coughing chocking
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jbuffyangel · 3 months
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Always Laurel: Arrow 1x20 Review (Home Invasion)
The love triangle pendulum swings violently in the other direction as Oliver makes a decision that breaks Tommy’s heart and destroys Diggle’s trust in him.
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Source: @htbthomas
Does Oliver always choose Laurel? If yes, then is that a good thing?
Let’s dig in…
Merlance and Lauriver
At this point in the first season, you have probably formed an opinion on this love triangle.  You are either Merlance, Lauriver, a plague on both their houses, or just don’t give a crap. All choices are valid. Everyone knows where I stand.
What I think we can agree on is this love triangle is toxic. Toxicity, I feel, that is being driven largely by Oliver Queen. But we’ll get to that in a minute.  First, we need to discuss the choice Oliver makes.
Laurel is representing the Moore family and suing Edward Rasmus, an investment broker, for stealing their life savings. Rasmus hires Gunn from Angel (that’s what I’m calling him. I know his character has a name, but I don’t care) to kill the parents, but their son Taylor manages to escape. We don’t actually see how Taylor escaped. It looks he jumped out a twelve story window, but whatever.
Laurel volunteers to be the child’s temporary guardian, so Taylor stays at her apartment with Tommy. This leads to a beautiful Merlance moment and one of my all-time favorite Tommy scenes in the series. Little Taylor is grieving the loss of both his parents, so Tommy offers him some advice.  
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Source: @bifelicitys
Colin Donnell’s delivery in this scene is just the right mix of sadness and loving comfort. We can see the kind of father Tommy would be and it’s a beautiful sight to behold. If Laurel Lance is not in love with Tommy Merlyn already then she certainly falls in love with him in this moment.
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I wish we could just leave them here forever. Safe in the cocoon of their stable, loving, and supportive relationship.
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But we can’t because of Oliver.
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Tommy and Laurel have lost one crucial aspect of their relationship because of Oliver - honesty. They are both lying. Laurel has failed to tell Tommy that she’s been having “friendly” lunches with Oliver (re: see last episodes “I don’t want to be on an island anymore” speech).  And Tommy is keeping the biggest secret of all – he knows Oliver is the vigilante.
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Source: @htbthomas
Gunn storms Laurel’s apartment to finish the job on Taylor. Tommy throws himself over Taylor’s body and I friggin swooned. Someone woman needs to give this man a baby! The daddy hotness is too much to take.
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Laurel shows some impressive “daughter of a cop” moves when she breaks out the shot gun.
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Unfortunately, she didn’t keep more than one bullet in the chamber. Why she didn’t check the gun the minute she got home I will never understand. I swear, this woman sometimes.
Of course, Oliver is there in the shadows as The Hood to rescue Laurel, Tommy and Taylor. Now that Tommy knows Laurel and Taylor are targets, he advises Quentin they should stay at the Queen mansion. They have wall to wall security and more importantly The Hood lives there.
Tommy: We both only want is best for Laurel. And right now that is to stay close to the Oliver. Trust me.
However, the first thing Oliver does when they arrive is leave to help Diggle track down Floyd Lawton, which infuriates Tommy.
Tommy: You are the reason why we’re here and trust me that wasn’t easy to admit.
Oliver assures Tommy the bodyguards at the Queen mansion will be more than sufficient to protect them, but when push comes to shove, he abandons his promise to Diggle to stop Rasmus. This didn’t stop Gunn from going after Taylor again at the Queen mansion. The bodyguards ended up being worthless and a hoodless Oliver Queen had to kill Gunn with a fire poker.
Was Oliver needed at the mansion to save everyone’s lives? YES. But that went down after the Lawton sting operation. Did stopping Rasmus in any way deter Gunn from going after Taylor again? No. Gunn kills anyone who has seen his face – including Rasmus. Oliver couldn’t have known that though. I’m not denying Oliver is juggling a lot of balls this episode. He has some tough choices to make, but the problem is he’s not being honest about the reasons behind those choices.
Felicity:  Couldn’t you be friends with someone less complicated than your ex-girlfriend who is your ex-best friend’s current girlfriend?
It’s a lightly made comment about Oliver’s relationships outside of the bunker, but Felicity’s gentle jab packs a big punch of truth. The more Oliver says Laurel is just a friend the less anyone believes him. It’s crap. Oliver clearly has more than friendly feelings towards Laurel and he does absolutely nothing to conceal them. In fact, he’s pretty damn brazen about it.
Let’s talk the lunches. It ultimately is canceled because of Laurel’s meetings with the Moores, so Oliver meets them when he arrives at CNRI. But he comes back to Laurel’s office after they are murdered to see if there’s anything he can do.
Initially, Tommy tells Oliver his help is not required and a phone call to check on Laurel would’ve been more than sufficient. He didn’t need to stop by in person. Tommy is being very territorial and rightfully so. The vibe ain’t vibing. Then Oliver casually not so casually tells Tommy about the lunches with Laurel – which she has failed to share with her boyfriend. 
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Why is Laurel lying to Tommy? A lie of omission is still a lie. If she is truly “just friends” with Oliver then there’s no reason to hide the lunches from Tommy. Laurel has yet to truly articulate how she feels for Oliver, but this lie is not good. An emotional affair is just as hurtful and wrong as a physical one. Some even consider it worse, but make no mistake, an emotional affair is cheating.
As for Oliver, his feelings are plain as day. He has kept Laurel on an emotional hook for the entire season. He continually reinserts himself into her life, particularly at the moments when she’s trying her best to move on.
There was a respectful distance between the two and then Oliver decides Laurel is the person he wants to reconnect with. Why not Tommy? Their friendship could use a lot of damage control. What about Thea? Oliver can’t take her to Big Belly Burger or his mother or Diggle? There is an ample list of people Oliver can open up to if he so chooses. But instead he chooses Laurel – a choice that, as Felicity states, is complicated and wildly inappropriate.
Oliver also uses the vigilante shtick to emotionally manipulate Laurel. He can’t be honest about who he is or what he feels for her, so instead he uses The Hood to be her knight in shining armor.
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Source: @htbthomas
When Laurel finds out it’s The Vigilante who saved them, Oliver notices the soft smile playing on her lips and he’s extremely pleased - almost smug. He’s used the hood to stay close to Laurel all season long. She’s hemmed and hawed about whether or not The Vigilante is a good guy, but it seems she’s solidly pro hood at the moment.
Oliver: He’s lucky to have you in his life. I know the feeling.
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This conversation takes place about twenty feet from the bedroom Laurel is staying in with HER BOYFRIEND who is supposed to be Oliver’s best friend.  He gently touches her arm, they hug and Oliver presses Laurel’s head to his chest, all while Tommy is listening. The way Oliver speaks to Laurel, the way he touches her, is anything but ok.
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Source: @htbthomas
One of the fatal flaws of Lauriver is the writers tell rather than show. I’m a little unclear what “change” Laurel is referring to in Oliver because we don’t get scenes of them discussing anything REAL. So, we’re just supposed to accept through the course of the season Laurel has seen change in Oliver Queen.
But she doesn’t qualify what that change is. Is he more selfless? Is Oliver more communicative? Is he more honest? I don’t know what that word means to Laurel. The last time we saw Oliver and Laurel interacting on a personal level was at least 1x09 or 1x10 and those scenes were really about Laurel finally moving on with Tommy.
SO. WHY. DOESN’T. OLIVER. LET. HER. MOVE. ON????????????!!!!
Oliver is desperate for Laurel’s forgiveness. He’s so desperate for it that he uses The Hood as a way to prove he’s a different person now and to develop a relationship with Laurel he cannot otherwise have as Oliver Queen. As The Hood, there is no Sara. As The Hood, there is no betrayal. As The Hood, he can rebuild trust and find a way to stay in Laurel’s life. As The Hood, he can be the hero. If Oliver can fix things with Laurel it’s like the last five years never happened. Oliver may have a mission to save the city, but what he’s really chasing is absolution.
I’m going to harp on this until I am blue in the face and I’m nowhere near done discussing it in these final three episodes. Nothing has truly changed between Laurel and Oliver. He was lying to her five years ago and he’s lying to her now. Love based on deception isn’t love. There can be no absolution without honest confession.
Tommy: You still love her, don’t you?
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Source: mymarsrevolution
This is a popular line used in Olicity fanvids, but it’s not about Felicity. It’s about Laurel. This discussion about Laurel between Oliver and Tommy is so patronizing. It’s like Laurel is a toy they are arguing over.  The men get to decide who gets to “keep” her. The men decide what information she needs and who she really belongs with. This choice is neither Oliver nor Tommy’s to make. Laurel deserves the full truth and to decide for herself if she wants to be with either of them.
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Source: @bj-hunnicutts
But what Oliver says is so toxically self serving it makes my blood boil. He’s inserted himself as The Hood in Laurel’s life as a sexy, leather clad, dangerous, bow & arrow wielding, romance novel, shadow figure who heroically saves her life again and again (because women hate guys like that). Oliver develops an emotional attachment between Laurel and The Hood to keep his hooks in her just enough to muddy the waters with Tommy.
Now he’s reinserting himself into her life as Oliver Queen, but just as a “friend” while carrying on an emotional affair with her. He has ZERO intention of ever being honest or having a real relationship with her. Oliver dresses it up as heroic selflessness, but if he was really being selfless – he would leave her alone completely. Oliver doesn’t want to be with Laurel, but he doesn’t want her to move on from him either. It’s selfish.
Oliver isn’t the only one lying to Laurel. Tommy is too, but we know why. Oliver’s secret is not his to tell, but there’s another reason he finally admits to in “Home Invasion.”
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Source: @htbthomas
Is Tommy right about Laurel choosing Oliver? Yeah, probably. I believed that when I first watched Season 1 and I still believe it now. If she was fully committed to Tommy then The Hood couldn’t have any effect on her. If Laurel was fully committed to Tommy, then Oliver would truly be just a friend. She would tell Tommy about the lunches. Or she would say it’s not appropriate and she cannot be the shoulder Oliver cries on.
Instead, Laurel tethers herself to both The Hood and Oliver in a way that grazes the line between friends and more than friends. Those lines should always be clear if you are in a committed relationship. She is being unfair to Tommy.
But again, Laurel isn’t dealing with all the information. So, there’s only so much I fault her at this point. What Oliver is doing is very manipulative and it shows, quite frankly, that when it comes to Laurel – he hasn’t changed much. It doesn’t endear Laurel to me that she can’t see Tommy is the perfect man for her, but at this point in the season I am laying the blame for this toxic cycle more at Oliver’s feet than hers.
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Unfortunately, Tommy makes the biggest mistake of his life and breaks up with Laurel. I understand why. Tommy has some self respect and knows there’s something going on between Laurel and Oliver. Tommy knows he’s competing with a mythic romance novel like persona and he feels he doesn’t measure up in comparison, which is the real reason he leaves. He’s wrong in every way possible. You don’t need to dress up in a hood and save the city to be a good man.
Tommy: I guess I haven’t changed as much as we all thought then.
He can barely get the words out as he ends their relationship. Laurel is understandably shocked and confused. This seems to be a 180 degree turn from where they were just a day ago. To say this breakup was abrupt would be an understatement.
The saddest part is Tommy truly has changed. He should stay and fight for Laurel because what they have is real and worth saving. They’ve made their own history, one that doesn’t have anything to do with Oliver Queen. (Are you feeling the Joey & Pacey versus Dawson parallel?)
But Tommy is right about something. Laurel and Oliver need to deal with their baggage, so she can find always with the right man - the man who wants a future with her and not the man trying to erase the past.
Oliver and Diggle
If Arrow is pushing us to root for a Laurel and Oliver reunion, they are doing a spectacularly bad job at it. Oliver has promised Diggle he will help kill Floyd Lawton, but in the end he abandons John and Deadshot gets away. Diggle feels betrayed primarily because well… Oliver betrayed him. 
Diggle: I needed you there, man.
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The choice between Lawton and Rasmus was a simple one. Deadshot was the bigger threat and the harder target to capture. Oliver can be pretty mechanical when it comes to making these types of choices, so it was surprising when he chose the corrupt investment broker over the assassin.
Four ARGUS agents died trying to capture Lawton. It really didn’t need to be a choice for Oliver. Why couldn’t Felicity call in a tip to Detective Lance and let Starling PD arrest Rasmus?
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Source: bj-hunnicutts-blog
Because then The Hood couldn’t be the hero for Laurel. Oliver got to strut into the mansion and announce Rasmus was arrested, there was no longer a threat to the boy or Laurel, and The Hood was the man who saved the day. The pleased little smile on Laurel’s face, this latest rescue more proof that The Hood was a good man who cared for her, was Oliver’s reward. He scored points with Laurel. Oliver may not be cashing them in, but he’s collecting points all the same.
This does not make his actions completely altruistic, which is why Diggle is angry. John knows Oliver was trying to look good in front of Laurel and he put that desire before his friendship with John. Proving to Laurel that he’s a changed man is just as much a part of Oliver’s mission as The List. He broke his promise to John.  Oliver didn’t help Diggle complete his mission to avenge his brother. Instead, Oliver continued to pursue his own.
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 Source: bj-hunnicutts-blog
If Oliver choosing Laurel is a good thing then why is there all this collateral damage around him?  Tommy, Diggle, Lyla, ARGUS agents, even Felicity, have been hurt by this choice.
Oliver: Something to say, Felicity? Felicity: Nothing you want to hear.
This is not an accident on the writers’ part. They could’ve easily shown the scenario I posed about (re: Felicity tipping off Quentin) or Diggle understanding and supporting Oliver choosing Laurel. It didn’t have to play out like this. Remember they are the ones crafting the story here. It’s their choice.
They are doing this for a REASON. Oliver did not make the right decision in “Home Invasion.” The writers are not saying Oliver and Laurel should be together and the rest of the world be damned. Quite the opposite.
Relationships cannot exist in a bubble. Just because you love someone doesn’t give you the right to hurt people in the name of that love. We can become blind to other people's feelings and consumed by our emotions for one singular person, but that’s not necessarily a good thing.
Spike: Trust is for old marrieds, Buffy. Great love is wild and passionate and dangerous. It burns and consumes.
Buffy: Until there's nothing left. Love like that doesn't last.
Not a BTVS fan? Let’s try The Vampire Diaries:
Damon: I thought you broke my heart so I ripped open Aaron’s neck that is how much control you have over me.
Elena: And I'm still here, that's how much control you have over me.
Damon: Listen to us. This is toxic. We are in a toxic relationship, Elena.
Oliver isn’t consumed by love for Laurel, but he is consumed by regret. Guilt can be just as powerful emotion as love. We know Oliver hasn’t always chosen Laurel – hell we saw it in the freaking flashback this episode.
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Oliver kisses Shado as she tries to teach him to be an archer. He’s been away from Laurel (AND SARA) for few weeks (months?) and he’s already kissing someone else. These are not the actions of a man deeply in love.
Oliver: There’s someone. And it’s a mile past complicated, but I can’t.
Shado: Does she know how much you love her?
Oliver: I suspect right now she doesn’t. But as soon as I’m home, she will.
The Arrow writers either have a very wacked perspective on what love, fidelity and devotion mean or they are trying to make a point. Oliver didn’t choose Laurel in the past and it led to some disastrous consequences.
But Oliver choosing Laurel in the present has also led to some disastrous consequences. So maybe, just maybe, Oliver and Laurel isn’t a good thing. True love wouldn’t leave this much human wreckage in its wake. Maybe this isn’t the “always” Oliver should be pursuing. 
Diggle: The only thing that will stop me from going out that door is an arrow.
And they are using John Diggle, the man guiding Oliver on his path to righteousness, to make that point.
Stray Thoughts
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HE LOOKS. You cannot beat the Stemily chemistry. These scenes are gold.
YASSS Diggle shirtless. There needs to be more Diggle shirtless.
Lyla is pissed John didn’t tell her Deadshot killed his brother. She’s going to arrest him if he continues to get in the way. Hmm… handcuffs. Has potential. *evil cackle*
Tommy also lied to Laurel about Oliver being cool with him leaving the club for a job with his dad. It’s like watching these two swirl down a toilet bowl honestly.
Oliver in a towel is always welcomed no matter how ticked off I am at him.
“I can’t explain it but it feels like my life is connected to his.” Roy and Thea are united in the hunt for The Hood. Finally these two get a storyline I care about.
The badge was a fake. This is actually a really good safety tip. Should I know what a valid badge number looks like? Feel like I should know that.
“I’m feeling like it might be time for you to move.” Preach.  Does Laurel have insurance? Who pays to fix her apartment all the time? I think she’s needed a new couch like three times already.
Lyla’s code name is Harbringer. Hello comics!
Lawton doesn’t kill Diggle because he hasn’t been paid to? That is convenient, isn’t it? Come on show. Do better with valid reasons for getting characters out of jams when Oliver isn’t available.
Are we going to talk about WHY a world class assassin was hired to kill John’s brother? I feel like there’s major backstory there.
Where is Shado getting all the arrows?
“I liked who my son was when he was around you.” If Moira Queen is pro Lauriver then that’s all the proof I need to swear off that relationship. The evil spirits are coming to get me. No thanks.
Oliver has killed 26 people (that the cops know about) since returning home. Yeesh. That’s a lot.
Can you really break off a doorknob to keep someone from entering the room?
“No, Ollie is still out there!” Oh honestly Tommy, just let her go. Maybe a bullet will snap some sense into her.
Listen to the Watchover podcast reaction to 1x20!!!
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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me
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cogentranting · 3 months
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Oliver: This is not post-traumatic stress.
Narrator: It was post-traumatic stress.
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swiftsuburbanlegends · 8 months
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"I didn't study Shakespeare at any of the four schools I dropped out of"
Oliver I love you but you're a sassy little shit
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alghulnyssa · 3 months
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Having Oliver Queen be the one to comfort other characters when in situations because he hardly ever got any in his five years and he wants to make sure no one else has to feel that way
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ofkithandmckinney · 1 month
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Time for a Slings and Arrows rewatch.
Richard may be a dick, but geez he's cute.
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