It started back when he was 16.
His parents found out about him and Vlad thanks to the fruitloop being an idiot and practically outing them both. Danny was so lucky that he had planned for a situation like this. He had go-bags ready with a few changes of clothes, a thermos, some weapons, a star projector, lots of money from Sam and enough medical supplies to make a hospital jealous.
It was a good thing too, after crippling the GIW and destroying all the gear they and the Fentons had they destroyed their research and everything ghost related. Vlad at this point was already dead so he wasn't much of a concern.
Dannys had landed in an alley in a new dimension, only problem now was the parting shot his mother gave him on his back. Due to the placement of it Danny couldn't reach to treat it properly and he didn't know anyone in this dimension who could help him.
Thats when his ghost sense went off. He groaned, hoping he wouldn't have to fight a new ghost in this state when a man in a red helmet (Mask?) walked up to him and motioned for peace.
"I'm not going to hurt you." The man said gently, "I just wanna look at that injury, maybe help."
Danny stared at him. He didn't feel anything off about the guy and Danny prided himself on being a good judge of character. "Okay." He scooted himself around so his back was exposed to the stranger.
"Wow, you're really not from around here." Danny stiffened, had he been tricked? The man made no moves to hurt him, just got to work tending to his wound. The man was swift, and aside from the slight sting of an ointment he didn't recognize there was no pain at all.
Once Danny was all patched up the guy made to leave, "Wait!" Danny called out and the man halted, "Who are you?" The man turned his head to look back at him, still facing away from him, "Red Hood."
As it turned out, Red Hood was the new up and coming crime lord who everyone was talking about. He came seemingly out of nowhere and was making a lot of waves in Gothams underbelly. Gotham...so this was Dannys new haunt.
Danny wanted to protect it but...he wanted to protect Red Hood even more. So when he heard about Red Hood forming a gang he made a decision. He gathered up materials to make his own supervillian outfit- basically an all black outfit with a long hooded coat and combat boots- and to add the finishing touch he put on a all white gas mask that he had made himself, complete with a voice modulator, night vision, heat vision, etc. If Hood ever wanted him to prove it was him he could make his mask glow using his ghost powers. Not that it was needed. Hood seemed to be able to sense him in a similar way that Danny could but in a much much smaller range.
With that being said, hoods men didn't trust him at first, which was fair considering he just started randomly appearing at their operations and helping them out...by force usually. They weren't sure what to make of him but Danny didn't want to go through the usual goon enlistment process as Hood would want to know his name and face and everything else and Phantom was...well a phantom.
Danny liked to hide, even in plain sight. He couldn't deny the little game of cat and mouse they had was fun. Hood would try to follow him home or track him or get him to take off the mask and Phantom would dodge his attempts every time.
It took a while, but Red Hood did eventually come to trust him, going so far as to make Danny his right hand man after 3 years of working together, though that may also be because he had rarely failed any of the tasks Hood had given him.
Maybe thats why he never told any of the bats about him. He had picked up that there was something between Hood and the bats but he never could figure out what it was without prying into his bosses personal life. Still, it was rather shocking when Red Hood showed up one day with a large red bat symbol splayed across his chest.
It also made him look at how freaking chiseled his boss was. He couldn't count how many times he had to drag his eyes away from his abs and chastise himself for thinking that way.
Danny was in love with a man whos face he would never see. But that was fine. He was happier standing by this man's side and yearning than he ever was back in Amity and it wasn't like Hood knew his face or name either.
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He felt like a halfa though an incomplete one. He had a core but it felt hollow, like the soul was forcibly removed somehow and only emotions remained. Hood gained a bad reputation for flying into a monstrous rage but was always calm when Danny was near, a fact that even Red Hood himself seemed to pick up on.
Hood began to fall for his second in command pretty quickly, always trying to feed him and take care of him (as is his love language) while Danny was openly obsessed with assuring Hoods safety and well being even going so far as to use his powers (that no one knows about) to overshadow a computer and hack into the bats systems to make sure Hood was okay after a prolonged period of him being MIA.
The bats are freaked but Danny being Danny gets lucky and they always seem to miss his trail by a hair. Lucky ghost.
Things start going sideways when Fenton tech starts showing up in this new dimension only for Danny to find out his parents have remade the portal and are looking for him. The bats are being hunted by his parents and and the now rogue government agency the GIW. Danny tries to explain things to Hood without compromising his own secrets but once the newest Robin gets captured and Hood freaks Danny puts everything on the line to go rescue the stabby bird.
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who wants zombie au writing. don't answer that ur getting it anyway (1.6k words)
His shoes knock against the old flooring of the house, wood creaking under rubber soles that slide over the woodgrain. He drags them a bit, lifts his limbs up no more than he strictly has to, and they lead him to the nearest sittable surface.
The couch is old and dusty and has likely gone untouched for months, much like everything else nowadays, so he watches the thin cloud of dust billow off the cushions largely with disinterest. He collapses into the fabric heavily, feels the whole thing scoot back an inch and hit the wall behind him. The sound echoes, carried by lifeless rooms, while he unceremoniously drops his backpack to the floor by his feet.
The breath he lets out is slow and methodical and born of pent up muscles, aimed at the ceiling where he rests his neck against the back of the couch and relaxes every limb one by one. It’s a process he forces himself through, if only to rid the constant ache beneath his skin.
Slow, sweeping footsteps meander around the room in front of him, and Ritsu angles his gaze down from his craned back position to look at his brother. He wanders, like he so often does—seemingly aimless, but there’s something procedural about it that he’s convinced he just hasn’t figured out yet.
Shigeo’s empty eyes crawl along the hearth of the fireplace, explosions of ash sprayed out across the red brick. His head tilts up to trace his attention around the angular lines of the television, hung on the wall and screen grey with dust. He flits back and forth between the roundness of the bricked mantle and the sharp edges of the screen, like he’s taking notes.
Shigeo paws the television. Four lines of muck are cleared. The zombie blinks, paws at it again with dusty, curious fingers. Ritsu watches him make a mess of the television screen in silence, blinking tiredly.
He almost closes his eyes, but he fights against the urge and moves his fingers down his lap to reach for his bag. His middle hooks around the loop at the top and he lugs it up and into his lap, where he unzips it and peers into the shadowy contents.
Ritsu fishes out the water bottles. He finds the one with the messy R scribbled along the cap in sharpie and takes a big swig of it. It’s warm going down, constantly insulated in a bag of old, sweaty clothes. He feels like he can taste the odor in it, but it clears the grain in his throat from stomping all over dirt roads today, so he’s still grateful.
He holds out the one labeled S to Shigeo. “Thirsty?”
Shigeo looks at him from where he’s crouched down to the floor now, inspecting the soot along the hearth. Unfortunately, he sees handprints in the black already, and when his brother reaches a hand out to take it, his palm is covered in soot.
He lets him have his fun and settles his own bottle back in the mess of tangled clothes and rolls of bandages. Ritsu rakes his fingers through their stock with no real purpose—he knows exactly what’s in here, and none of it is useful.
They’d been searching all day; Ritsu doesn’t really know how far they’d walked, but it had to be a lot of miles. In and out of stores, up and down empty houses, weaving between warehouses—they didn’t really stop for a break. Not when Ritsu can hear Shigeo’s stomach from here and he himself has shaking hands. They can’t afford a break.
Nothing, though. Not a single goddamn thing worth taking. A settlement must have come through here long ago and swept the highway. They’re in the countryside, where houses are spaced out acres from each other and there’s entire cow pastures between properties. And yet every house they’d seen and entered provided nothing.
Ritsu stares into the negative space in his bag where there should be supplies. His stomach cramps and if he smells another whiff of that godawful sweaty, bloody sweatshirt he still carries, he’s going to throw up bile.
He leans away from the open pouch, eyes wandering to his brother who draws… something into the soot of the hearth. His water bottle sits on the floor, abandoned and still unscrewed. Ritsu leans forward with great effort and a grunt, leaning over his bag to grab at the top of it.
It takes him two tries to get Shigeo’s attention, and one more for an answer on where the cap is. It’s then placed in his palm, covered in soot and also saliva. Ritsu swallows down the nausea that rolls up his throat and wipes it off with his frankly already disgusting sleeve, and screws it back on.
He leans back again, succumbing to the urge to let his eyes rest, and he listens to the very subtle swipe of his brother’s hands across brick. There’s birds outside, chirping, and even though it’s still very much a common occurrence, Ritsu cannot help but feel nostalgic about it.
If he ignores the awful hum of silence, and the distinct lack of an electric thrum throughout the walls, and the fact that this is a stranger’s couch and not his, he can almost imagine normalcy. He can almost say this feels like those quiet moments after school, when he settles on the couch and scrolls through his phone in a house that only holds him and his brother because their parents simply aren’t home yet.
He can almost hear the creak of wood from Shigeo walking around his room upstairs. He can almost tap his fingers on the couch cushions to the pattern of his brother making his way down the steps. He can almost hear the fridge opening, and the sound of milk being poured into glass.
Almost. But Ritsu listens to sharp silence instead, and he tries not to think too hard.
He drifts for a while, feels himself truly sink into the couch and let the cushions claim him, and he thinks about nothings because if he doesn’t, then he’ll lose it. He carefully sifts through the nothingness of his mind, through the passing thoughts that have no bearing, and he focuses on that, on the lack of substance. His head is too full of things that have too much substance.
He misses boredom. He tells himself he misses boredom—the complete insubstantiality of it—because if he lets himself think of what he really misses, it’ll drive him insane.
The cushions move, and Ritsu peels his eyes open and lets himself get pulled from liminal mindspace. The cotton in his head recedes, and he blinks, and then he’s swiveling his head to look at his brother who sits in the cushion right next to him.
His hands and the cuffs of his hoodie are smothered in black. Shigeo sits hunched, gaze still wandering even when there’s not much decoration in this house to look at. He studies the off-white walls, the chips in the paint, the holes drilled in where there maybe used to be photos hung.
Ritsu gazes at him quietly, chest instinctively rising and falling to match his brother’s rhythm. He watches the expansion there, under his hoodie, in the subtlety of the folds and the way they warp over the movement. It’s slightly quicker than what he’s used to, but Ritsu knows his brother’s heart rate is much slower. He’s felt it before. He’s listened to it before, with his ear against a chest.
Ritsu’s attention moves to his eyes, and the heavy bags underneath them, and the paleness of his pupils and the ghostlight of him underneath that. He stares into them, looks for stray, familiar thoughts that might enter his head. Looks for old memories that might shine through in the form of recognition when he sees furniture layouts, and candy wrappers, and ads for soda.
Ritsu looks for it all the time, that glint of familiarity. And he finds it, sometimes. And really, he thinks that’s keeping him going more than food ever will.
Shigeo turns his head, and looks at him. Sometimes, when his brother looks at him, there’s not much there. No substance, no anything. And Ritsu finds it a bit evil that he craves silence in his own head, and yet noise in Shigeo’s, and often times it is the other way around.
His brother looks at him now, though, with that comforting recognition. That growth of the pupils, that softening of the hard edges of his face where unknown stressors have gotten to him. Ritsu wonders what zombies get stressed out. He figures it’s the same deal with humans, considering they’re largely alike.
Ritsu wonders if Shigeo knows he’s sick. He wishes he could ask him. He wishes for a lot of things. Silence in his own head is one of them.
Ritsu swivels his head away and stares at the ceiling, if only to force the thoughts to pause. He studies the popcorn ridges above them, traces the peaks with his gaze. It calms him, gives him something to focus on. He looks for patterns in the shadows they make.
Shigeo shifts next to him. And then he shimmies down, settles into the cushions, and plops his head right down on Ritsu’s shoulder.
Static roars in his mind and his heart stammers. Ritsu swallows the lump in his throat but that just makes it bigger, so he clamps his mouth shut and breathes carefully through his nose.
The tears cut through the grime on his face. He plops his own head down against his brother’s, and lives in the noise.
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Ask and you shall recieve lmao
[Obvious trigger warning for parent death, probably should’ve had that in my previous post too. Oops.]
- So something I realized thanks to one of @in-a-bucket’s analysis posts on Whit (seriously go read them if you’re a Whit enjoyer) is that when talking about his deceased mom, he only ever brought up her looks and how beautiful she was which...is strange as you’d think he’d bring up her personality first especially since when talking about his dad, who he’s probably a lot less close to due to how distant he is, he does mention his personality. All of this is to say that I think Whit’s mother, or Elizabeth as I’ll be calling her cause that’s her canon name...wasn’t exactly as good of a person as Whit’s view of her would lead you to believe. But Whit still chooses to look up to her and see the best in her (the latter of which Whit does a lot as we know) because she was probably the only person Whit truly had in his life. Whit’s father, Lin/Steve, was absent from his life due to working overseas and though we don’t know much about Whit’s social or school life, it’s possible Whit didn’t have many friends as well. Elizabeth was really the only person he had, so he chose to see her in the best possible light and put up with whatever treatment she gave him because if she left then he would be truly alone. But as we know, she ended up leaving regardless...just in a different way.
(Sidenote: Taking this into consideration, this probably was the beginning of Whit’s “everything is fine and I’m fine” approach to situations, the death of his mother was just the water that let the seed grow until it hit the ceiling)
- Whit is canonically a light sleeper, and the canon reason for this is because he can’t sleep when there’s light, and that’s probably true but I’m an angsty fool so I shall propose another answer. I feel like Whit often has nightmares about Elizabeth and her death, these nightmares possibly often involve the day of her death or Elizabeth blaming him for whatever happened. I saw someone say that it’s possible Whit saw Elizabeth die whatever her cause of death was, and if so that’s one more thing to add to his nightmares. These nightmares very often wake Whit up, and he can almost never fall back asleep.
- On the topic of sleep issues caused by Elizabeth’s death, I feel like after she died Whit possibly developed insomnia due to his mind being filled with thinking about her death. If this still sticks with him now, I also imagine he has some serious panda-like eyebags, he just covers them up with concealer or foundation.
- The reason Whit knows how to cook is because he had to start cooking for himself after Elizabeth died because Lin is always overseas and thus obviously can’t cook. And generally had to become an adult before he was ready to
- I feel like whenever Whit is alone, which is basically all the time, he just...talks to Elizabeth as if she’s still here. He’ll tell her about his day, about any jokes he’s come up with, about his job as a matchmaker, all the while knowing that she will never respond...
- Whit probably never went to Elizabeth’s funeral, nor does he ever want to see her grave. He doesn’t want that final permanent reminder that his mother is gone forever.
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