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#catherine denueve icons
colorinbw · 3 years
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Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift.
- Mary Oliver
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ninaskornyakova1 · 6 years
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Happy 84th Birthday, Douglas Kirkland!
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6 MOVIES IN WHICH HOMES ATTACK THEIR RESIDENTS
(Probably not recommended if you’re still in lockdown, and feeling a little claustrophobic in yours...)
1. HOUSE (HAUSU) (1977) This may be the weirdest film you’ll ever see (unless you venture further down the rabbit hole of Japanese 70′s cinema). In a sort of Yellow Submarine meets Suspiria at The House on Haunted Hill, this surely drug-fuelled creation sees a country mansion and its fittings make various attempts to devour a group of visiting schoolgirls. 
2. POLTERGEIST (1982) This Spielberg classic addresses themes of greed and insensitivity within suburban property development. A tract of housing is laid  over a cemetery, and one home finds itself possessed by restive spirits. Pockets of sinister energy fling furniture about, suck children into closets, and mess with the electricity.
3. THE HAUNTING (1963) Within the opening moments of this film, we are encouraged to think of its location as a living being: “It was an evil house... A house that was born bad.”  Exteriors (of Victorian country property Ettington Park) were filmed so that windows appeared to be eyes. Unconventionally, the interior sets were built with ceilings, to make them feel more claustrophobic, and a lens with known distortion flaws was used, along with unusual pans and tracking shots. Though subtle, these devices simultaneously create both an architectural dissonance, and the suggestion that one’s own perception may be faulty - dual themes in the film, and in many that feature malevolent buildings. 
4. CRIMSON PEAK (2015) Guillermo del Toro's Allerdale Hall is a sinister British manor built on top of a mine, with blood red clay seeping through its foundations. As Tom Hiddleston’s character explains “A house as old as this one becomes a living thing”.  
5. REPULSION (1965) This film is part of Roman Polanski’s ‘Apartment Trilogy’, which also includes Rosemary’s Baby (1968) and The Tenant (1976). Although the forces terrorising a young Catherine Denueve are psychological (hinted as being the result of past personal trauma), they manifest in the fabric of her London flat. Elements of the structure split open or shatter, and hands grab at her from the walls. 
6. THE SHINING (1980) In this iconic Stephen King adaptation, the Torrance family's home for the winter is an isolated hotel. As in Poltergeist, the building is sited on a burial ground, condemning it to decades of violence and misfortune. The property seems to have absorbed the malevolent force of every dark act that has occurred within, and while that’s explored in more depth in the book (with memorable sequences involving hedge animals and fire hoses) it’s referenced in the film, with, amongst other things, a tsunami of blood from an elevator.  Stanley Kubrick’s Overlook set was based on the Ahwahnee Hotel (exterior shots used the Timberline lodge), but he created an impossible floor plan, so that architectural discontinuity would subtly unnerve the audience. He also added a maze to the story, in a clear reference to the fact that the film’s built forms symbolise and embody human traumas - something which all the movie residences in this list share.  (Image via attackfromplanetb)
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clxrissadalloway · 3 years
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Upon clicking the source link, you will find 163 gifs of Isabelle Huppert (b. March 16, 1953) as Augustine in 8 femmes/8 Women (2002). All gifs are HQ and 268x150 px. These gifs are from a movie set during the 1950s, but could potentially pass for the 1960s, too.
Please do not:
Include in other gif hunts
post elsewhere on tumblr and claim as your own
use in smut rp or in imagines
use in real-life celebrity rps
if you'd like to make these into gif icons, please ask me first and keep your icons 100px or larger!
TW: eating, smoking, crying/emotional distress. Featuring: Danielle Darrieux, Virginie Ledoyen, Catherine Denueve, Ludivine Sagnier, Emmanuelle Béart, & Firmine Richard.
Please like or reblog if you use these or find them useful!
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mamapriest · 4 years
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YSL MUSES THROUGHOUT HISTORY
crfashionbook.com
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The Yves Saint Laurent woman has always been a cool girl. Individual, bohemian, and often musical, her beauty is striking and she’s never been afraid to challenge conventional attitudes. The house has had more muses than most as it’s changed creative directors over the years, but the tradition of designing for free-thinking women started with Yves Saint Laurent himself and memorable faces Catherine Denueve, Loulou de la Falaise, and Betty Catroux. 
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VICTOIRE DOUTRELEAU
The 2014 Yves Saint Laurent biopic revealed a controversial ménage à trois between the designer, his partner Pierre Bergé, and model Victoire Doutreleau. The French beauty was Christian Dior’s muse in the early ‘50s and moved over to YSL when the house opened for business in 1960.
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CATHERINE DENEUVE
Catherine Deneuve remained by Saint Laurent’s side throughout the highs and lows of his career—and until his death in 2008. The two met when the actress visited the designer’s atelier to pick out a dress for a visit with Elizabeth II, Queen of England. Later, he designed her wardrobe for the film Belle de Jour.
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BETTY CATROUX
Famous for her androgynous figure and white-blond hair, Betty Catroux became a YSL muse after meeting Saint Laurent at Parisian nightclub Regine in 1967. The designer recognized her as the female counterpart of himself and described her as his “twin sister.”
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LOULOU DE LA FALAISE
Loulou de la Falaise modeled for Richard Avedon and Helmut Newton before she became friends with the eponymous designer in the early ‘70s. She’s credited with influencing Saint Laurent's colorful Marrakech years—and for teaching him how to swallow hashish instead of smoking it.
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SYLVIE VARTAN
Singer Sylvie Vartan was one of the original French Yé-yé girls. She tapped Saint Laurent to design her stage costumes after admiring an outfit of his on a fellow performer. Her most famous YSL ensembles include a sequined jumpsuit and crystal encrusted jeans.
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PALOMA PICASSO
It-girl, jewelry designer, and daughter of iconic artist Pablo, Paloma Picasso was one of the key names in Saint Laurent’s close-knit crew of friends and muses. She wore a white YSL jacket on her wedding day and inspired his 1971 “Scandal” collection.
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MOUNIA
Yves Saint Laurent made fashion history when he selected Mounia as his muse in 1978: It was the first time a black model walked in a haute couture show. Speaking after the designer’s death, Mounia thanked him for breaking down racial boundaries and opening the door for models of different ethnicities.
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MARINA SCHIANO
Marina Schiano started out as a fit model in Yves Saint Laurent’s atelier before becoming his muse and director of his label’s New York operations. She is said to have one of the most extensive archives of original YSL pieces.
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CARA DELEVINGNE
British model Cara Delevingne began appearing in Saint Laurent ready-to-wear and beauty campaigns in 2013. She “quit” modeling to focus on her acting career soon after, but resurfaced as the face of the Slimane’s last haute couture collection in March 2016.
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hosperity · 4 years
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French film icon Catherine Denueve hospitalized after stroke, household says Staff and wire reports, USA TODAY Published 12:21 p.m. ET Nov. 6, 2019 | Updated 5:02 p.m. ET Nov. 6, 2019CLOSE French cinema icon Catherine Deneuve was born in Paris. (Oct. 22) APCatherine Deneuve, France's most revered movie star, has had a mild stroke while filming her latest movie.Deneuve's family said in a statement released… https://hosperity.com/french-film-icon-catherine-denueve-hospitalized-after-stroke-household-says/
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colorinbw · 4 years
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colorinbw · 3 years
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For anyone in need of some architectural halloween inspo...
1. HOUSE (HAUSU) (1977) This may be the weirdest film you’ll ever see (unless you venture further down the rabbit hole of Japanese 70′s cinema). In a sort of Yellow Submarine meets Suspiria at The House on Haunted Hill, this surely drug-fuelled creation sees a country mansion and its fittings make various attempts to devour a group of visiting schoolgirls.
2. POLTERGEIST (1982) This Spielberg classic addresses themes of greed and insensitivity within suburban property development. A tract of housing is laid  over a cemetery, and one home finds itself possessed by restive spirits. Pockets of sinister energy fling furniture about, suck children into closets, and mess with the electricity.
3. THE HAUNTING (1963) Within the opening moments of this film, we are encouraged to think of its location as a living being: “It was an evil house… A house that was born bad.” Exteriors (of Victorian country property Ettington Park) were filmed so that windows appeared to be eyes. Unconventionally, the interior sets were built with ceilings, to make them feel more claustrophobic, and a lens with known distortion flaws was used, along with unusual pans and tracking shots. Though subtle, these devices simultaneously create both an architectural dissonance, and the suggestion that one’s own perception may be faulty - dual themes in the film, and in many that feature malevolent buildings.
4. CRIMSON PEAK (2015) Guillermo del Toro’s Allerdale Hall is a sinister British manor built on top of a mine, with blood red clay seeping through its foundations. As Tom Hiddleston’s character explains “A house as old as this one becomes a living thing”.  
5. REPULSION (1965) This film is part of Roman Polanski’s ‘Apartment Trilogy’, which also includes Rosemary’s Baby (1968) and The Tenant (1976). Although the forces terrorising a young Catherine Denueve are psychological (hinted as being the result of past personal trauma), they manifest in the fabric of her London flat. Elements of the structure split open or shatter, and hands grab at her from the walls.
6. THE SHINING (1980) In this iconic Stephen King adaptation, the Torrance family’s home for the winter is an isolated hotel. As in Poltergeist, the building is sited on a burial ground, condemning it to decades of violence and misfortune. The property seems to have absorbed the malevolent force of every dark act that has occurred within, and while that’s explored in more depth in the book (with memorable sequences involving hedge animals and fire hoses) it’s referenced in the film, with, amongst other things, a tsunami of blood from an elevator. Stanley Kubrick’s Overlook set was based on the Ahwahnee Hotel (exterior shots used the Timberline lodge), but he created an impossible floor plan, so that architectural discontinuity would subtly unnerve the audience. He also added a maze to the story, in a clear reference to the fact that the film’s built forms symbolise and embody human traumas - something which all the movie residences in this list share. 
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