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fitsofgloom · 9 months

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"Always prefer to utilize element of surprise, never to be victim."

#amazing xhan monster target set #charlie chan #classic monsters #count dracula #bela lugosi #frankenstein monster #boris karloff #the wolfman #lon chaney jr #vintage rack toy

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belalugosi1882 · 10 months

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Publicity photo of Bela Lugosi from the film The Black Camel 1931

#bela lugosi #handsome #the black camel #charlie chan #1931 #fox corporation

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paindealex · 3 months

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Gusto ko talaga ngayon gabi nung parang pasta sa yellow cab.

#charlie chan #food

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e--q · 3 months

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Enter the Dragon

~ Happy Lunar New Year ~

(Handmade Soft Toy Dragon inspired by Earl Derr Biggers’s detective Charlie Chan)

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chaptertwo-thepacnw · 11 months

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dark alibi |1946|

#gif #dark alibi #charlie chan #1946 #janet shaw #sidney toler #film #black and white

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cladriteradio · 10 months

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Here are 10 things you should know about Keye Luke, born 119 years ago today. A talented visual artist, he had no plans to pursue an acting career, but one came to him in serendipitous fashion.

#Keye Luke #Charlie Chan #character actors #old movies #classic film #classic movies #classic Hollywood #classic Broadway #classic TV #classic television

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browsethestacks · 8 months

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5 Random Comics

#Comics #5 Random #5 Random Comics #Bulls Eye #Captain Marvel Adventures #The Comics #Adventures Of Charlie Chan #All-American Comics #Captain Marvel #Charlie Chan #Johnny Thunder #Vintage #Art #DC Comics #Fawcett Comics #Dell Comics #Jack Kirby #CC Beck #Tom Mix

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jazzdailyblog · 3 months

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Jazz at Massey Hall: A Time Capsule of Bebop Brilliance

Introduction: In the annals of jazz history, certain concerts have attained legendary status, capturing the essence of an era and the genius of its musicians. “Jazz at Massey Hall,” recorded on May 15, 1953, at Massey Hall in Toronto, Canada, is one such milestone. This live album, credited to “the Quintet,” features an extraordinary gathering of bebop titans — Dizzy Gillespie, Charlie Parker,…

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#Bud Powell #Charles Mingus #Charlie Chan #Charlie Parker #Classic Albums #Dizzy Gillespie #Jazz at Massey Hall #Jersey Joe Walcott #Lennie Tristano #Max Roach #Oscar Pettiford #Rocky Marciano #The Quintet

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filmnoirfoundation · 8 months

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ASK EDDIE returns Thursday, September 7, 7:00 PM PT to our Facebook page, https://www.facebook.com/filmnoirfoundation/live

FNF prez Eddie Muller responds to film noir fan questions fielded by the Foundation's Director of Communications Anne Hockens In this episode, we discuss “Oppenheimer”, why audiences laugh inappropriately at classic film screenings, how to get the most out of a NOIR CITY film festival, Fritz Lang’s “The Woman in the Window” vs. “Scarlet Street”, if either the Dick Tracy or the Charlie Chan films can be considered film noir, and more. We wind up the show with a discussion of Westerns, both noir and not. On the cat front, Charlotte is curious and Emily sleeps.

Want your question answered in a future episode? We solicit questions from our email subscribers in our monthly newsletters. Sign up for free at https://www.filmnoirfoundation.org/signup.html

Everyone who signs up on our email list and contributes $20 or more to the Film Noir Foundation receives the digital version of NOIR CITY Magazine for a year. Donate here: https://www.filmnoirfoundation.org/contribute.html

Can’t join us on Thursday? No problem! A recording will be up on our YouTube channel, @NoirCity, on Friday, September 8: https://www.youtube.com/user/NoirCitySF

Note: Eddie will not be able to answer questions posted during the livestream nor ones left on our social media accounts

This week's questions

This past Saturday night, we were in your audience at the Music Box Theater in Chicago for the screening of “Call Northside 777”. For some viewers, the 1948 dialogue seemed hopelessly funny, no matter how serious the scene, whereas for others, the same dialogue elicited no such reaction. Do you see this kind of split reaction among viewers when you present noir films across the country, and if so, what do you make of it? (Is it okay to laugh at a serious scene if/when the dialogue sounds too hokey to sustain the mood?) -Mike I am planning to attend my first NOIR CITY this year. Any suggestions for first timers to maximize the experience? -Carlton, Atlanta, GA Could you put in a plug for the downloadable back issues of NOIR CITY Magazine? -Jerry, Burke, VA What should take precedence …the music or the sound? Very often, if the sound effects are that powerful and important, they take the music out. There are directors who feel that one shouldn’t hear the music. Music can be overshadowed by horses’ whinnies, or anything the sound-effect person put into the track prior to the musical scoring. -Alan, San Anselmo, CA. I have a question concerning noir films set in England but staring American actors. In "Night and the City” Richard Widmark would not be able to obtain a work permit. Burt Lancaster in "Kiss The Blood off My Hands” is in England illegally, having jumped ship. How does Bill Saunders not get deported at the end of his prison sentence and how does he get a legitimate job as a truck driver without a passport or work papers? Also, there is nothing in the plot that makes it imperative that it be set in England. The story could easily have been changed to take place in the States. Why not make this change? Or am I the only one who notices or cares about such details? -David Fishman, Chesterfield, VA Curious if Eddie is familiar with a tongue-in-cheek 1954 homage to Film Noir produced as a 30-minute black and white episode of "The Adventures of Superman" TV series titled "Semi-Private Eye”. -Brian In watching TCM's marathon of Dick Tracy movies recently, it struck me how Noirish these RKO B movies were. Would these Dick Tracy movies be considered Film Noir? If so, would Eddie show them either on “Noir Alley”, or at a Noir film festival? -Scott, Los Angeles, CA Would you consider the Charlie Chan movies noir, and should they be aired regardless of the Chinese aspect of them? -Gerard It’s so interesting that Fritz Lang basically remade his 1944 film, The Woman in the Window, just a year later with “Scarlet Street”. Do you know of any other instances where a director made such a close variation on his own film? Also, which of the two films do you think is better? -Kingpin Johnny, Doylestown, PA I recently watched a batch of early 1930s Joan Bennett movies and was struck by the contrast of her wise-cracking, sassy characters in those films with the film-noir roles she would go on to play in the '40s and '50s. Can you think of any other actresses that made a similar transition? -John from Bethesda Would Eddie consider "Julie" to be Doris Day’s noir film? Maybe “Midnight Lace”? -Pam Eddie, are you a fan of Westerns and what are your favorites? Would any qualify as noir? -Kitaman