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#circle the first album
dlstmxkakwldrlarchive · 3 months
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(scan) ONEW The First Album O (Circle) Photocard Sets
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thatone-highlighter · 7 months
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I love you albums. I love you songs connected by similar themes. I love you listening to songs in a specific order picked by the artist. I love you reoccurring motifs throughout the same album. I love you album covers. I love you albums with extended editions. I love you songs that reference each other.
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phier · 6 months
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The Night comes down like Heaven
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The eternal cycle around the sun, the wind, the clouds, the rain, and the sea
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micamicster · 6 months
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Bruce Springsteen's sixth album NEBRASKA as Penguin Classics (series): Andrew Wyeth / Edward Hopper / Unknown follower of Goya / Giovanni Battista Tiepolo / Alexandre Falguiere / Andrew Wyeth / Nick Goss / William Turner / Rene Magritte / Guido Reni
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theartofmetal · 2 months
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281. Tales from the Thousand Lakes - Amorphis (Melodic Death Metal, 1994)
Art by Sylvain Bellemare
The lyrics originate from a translation of the "Kalevala" - a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology.
The Kalevala is regarded as the national epic of Karelia and Finland and is one of the most significant works of Finnish literature
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depoteka · 7 months
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socialtomcat · 1 month
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my punch needle off book coasters 🥰
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RIP Lucy Gray,
You would have made an insane amount of money from a Surviving Coryo Snow inspired breakup album and a Comeback album after he died 😔.
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dlstmxkakwldrlarchive · 6 months
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Onew’s Circle is now Certified Gold in Japan, hit #2 on Billboard Japan’s Download Album Chart & placed #10 on the Hot Albums Chart!
(Liam Geddes, who shared this on his ig, is one of the producers & circle's arrangers)
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lucifer-kane · 3 months
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Circles never stop themselves in New Albion: Top tier, great lyric, so so good.
Circles [they can] never stop themselves in David: I'm going to start sobbing on the floor
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I kind of miss the days when you had to go buy the cd first. Coming home and unwrapping it. Reading the booklet from front to back except the lyrics. Waiting to read the lyrics after I hear the songs for for the very first time. The wonder and surprised laughter of Blank Space. The quick indraw of breath when the first notes of Style came on followed by “oh I LOVE this” when the beat dropped. Playing it again before movingforward. Thinking WHAT IS HAPPENING?! when hearing OOTW because what kind of song was that? the best kind. Sobbing with This Love. And Clean.
I am deep in memory lane now writing this!
I remember that night so well. My first Taylor album as a new Swifty after hearing some of the songs from Red and falling for her because my heart had been broken and her songs made me feel less alone. I had no clue about her personal life at all. No JM no JG no HS. Just my heart and my stories in my head married up with her words. Pure bliss.
Ugh! Nostalgia! I have fond memories of running to HMV after school to get Speak Now and then running home, turning off all the lights in my childhood bedroom, shutting the door, and my eyes bugging out of my head reading the lyrics to "Dear John" for the first time.
And also the frantic energy of taking in so much information all at once because 1) New songs in your ears 2) New lyrics in your eyeballs 3) New secret messages in the liner notes to decode and write down.
I can even remember waiting an entire week for my Fearless limited edition box set to arrive in the mail because it was held up by customs and I didn't want to buy another copy of the CD so I just ... lived without having listened to Fearless for another week. And avoiding spoilers was so easy! BLISS!!!!!!
And who can forget turkey gobbles in retrieving 1989 from Target! (Remember when Target was in Canada for 0.05 seconds?) Because that's definitely a video I put onto the internet! I remember listening to that album all alone in my first grown up apartment, feeling feelings, and drinking a glass of wine in my queen sized bed all alone.
Anyway! Idk about you but I'm totally normal and very chill and in fact am experiencing no emotions. I've never been more relaxed in my life, actually.
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get-back-homeward · 5 months
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Guess what arrived this week!
I never buy reissues let alone preorder, but I had a hunch this set would be worth having, and I’m very happy with it. They look lovely together.
There's a nice little essay in each booklet that feels very appropriate for the times. You can read them here and here. If I had anything to complain about I'd say the CD sleeves are pretty risky. They're so tight, you gotta pinch them just right to get the CD out without scratching. I doubt I'm putting them back to their original spots. The spot behind the booklet is wide enough and will work fine as a substitute if you have single protective sleeves for each disc.
But all I really care about is the sound. And man, the sound knocks me out. Giles really outdid himself with these mixes. The only one I'd say I'm truly unhappy with is I Am The Walrus. The 2017 mix was fine to me, and messing with the ending seems silly, but it's easy enough to swap out. Out of 75 tracks, I expect a few to not be my favorite. It's more than worth it for the tracks that have clarified the sound and helped me to hear details I couldn't before.
The big changes are the additional songs, including George's songs and covers, and the 2023 mixes. With the backwards reissues, it's the Red Album that has the most new mixes here. They really surpass my expectations. This is the best I've ever heard their 1963 songs. Disc 1 adds I Saw Her Standing There, Twist and Shout, Roll Over Beethoven, This Boy, You Really Got a Hold On Me, and You Can't Do That. Disc 2 adds If I Needed Someone, Taxman, Got to Get You Into My Life, I'm Only Sleeping, Here There and Everywhere, and Tomorrow Never Knows. I have no qualms with any of them, they all feel like they belong here.
The biggest advantage of these newest mixes is the space between parts. It helps to hear Ringo's drums and percussion better in one part and George's guitar in another, hear Paul's bass here and harmonies there. I don't find any of the mixes too drastic save Walrus but together they really elevate the listening experience.
I found myself flagging John's songs as sounding best, and I think that may be a function of hearing more of the layers underneath along with the clarified vocals. Some of his harmonies with Paul just sound exceptionally good with this new tech. Norwegian Wood is a standout, as is Ticket to Ride. Norwegian Wood seems to push John's vocals further to the front instead of getting masked by the acoustic. The three-part harmonies sound divine on This Boy and Nowhere Man. I've seen criticism about the space changing the magic of the Rubber Soul tracks. If you don't like it, it's easy enough to swap out, but I didn't really have a problem with it.
On the Blue Album, of the five new mixes, Magical Mystery Tour and Hey Bulldog stand out best. It's actually kinda embarrassing how much I was missing from MMT before. I felt halfway through like I was listening to a brand new song. My one quibble is the strange placement of Hey Bulldog. It expected it to follow Lady Madonna on Disc 1 for roughly chronological order but instead it's between Blackbird and Get Back on Disc 2. I guess they were going by order of original release instead of recording date order used in the Anthology. But it was the one place the order threw me for a loop.
Placing Now and Then at the end of this hefty 75 track list is a controversial choice perhaps, but I think it bears the weight of the legacy well. Particularly because it's following The Long & Winding Road, which ends on Paul's plea: Don't leave me waiting here Lead me to your door
Now and Then starts with John's confession: I know it's true It's all because of you And if I make it through It's all because of you
It feels like a continuation of a conversation. An answer.
Paul's lyrical input is small but powerful, adding "will" and "always" to add certainty to John's cool now and then I miss you. Two lines were incomplete and required that Paul finish them. The completed line packs a punch: I want you to be there for me Always to return to me
This is officially the last Lennon-McCartney lyric, constructed across decades. But it doesn't feel like an ending, only a completed circle. Perhaps because this ending so seamlessly loops back to the beginning again: Love love me do You know I love you I'll always be true So plea-ee-ee-ease Love me do
And I guess if you want to go further: I'll do anything for you Anything you want me to If you'll be true to me
You can find bits across the track list that link as well: Now and then I feel so insecure Know that I just need you like I never done before
I’ll get to you somehow/until I do I’m telling you so you’ll understand
Life is very short and there’s no time for fussing and fighting my friend
Though I know I’ll never lose affection for people and things that went before I know I’ll often stop and think about them
To lead a better life I need my love to be here
Had you gone you knew in time we’d meet again for I had told you
Knowing that love is to share, each one believing that love never dies
Limitless undying love which shines around me like a million suns and calls me on and on across the universe
It leaves me with an abundance of multiverse AU feels in the vein of Everything Everywhere All At Once.
Maybe there is something out there, some new discovery, that will make us feel like even smaller pieces of shit. Something that explains why you still went looking for me, through all of this noise. And why, no matter what, I still want to be here with you. I will always want to be here with you.
I would just like to say, in another life, I would have really liked just doing laundry and taxes with you.
We live in the world they chose music and fame, and the songs they leave us with is their legacy and our gift.
The press for these releases has been a mess. But the BBC Eras series on The Beatles ends on two quotes that been stuck in my head all week:
It’s the last song that my dad and Paul and George and Ringo will get to make together. You know, even though it took a long time, it feels very synchronous that the lyric speaks about time and that it’s taken so much time and that it sort of fuses the past and present. It's like a time capsule. And it all feels very meant to be or fated or something. In the nicest sense. —Sean Lennon
When I remember the Beatles, I remember the joy. The talent. The humor. The love. And I think if people remembered us for that, for those things, I’d be very happy. —Paul McCartney
Full circle, indeed.
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roychewtoy · 11 months
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roman and caroline's relationship makes me want to wade into the sea. i'm so glad she was in the finale
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annabelle--cane · 1 year
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uh oh gang I miss musicals
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