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Death end re;Quest CodeZ launches September 19 in Japan
From Gematsu
Death end re;Quest CodeZ, formerly known as Death end re;Quest Code:Zion, will launch for PlayStation 5, PlayStation 4, and Switch on September 19 in Japan for 8,580 yen, the latest issue of Weekly Famitsu reveals. It will also be available in 10,780 yen and 16,280 yen limited editions.
Death end re;Quest CodeZ is a roguelike RPG with Shiren the Wanderer-like 3D dungeons. It features a brand-new story in which all the all-stars from the series appear, and over 100 Death Ends. New character Sayaka Hiwatari is voiced by Yoshino Aoyama.
As a CERO Z-rated game, Death end re;Quest CodeZ has a significantly higher level of brutality. Scenes like bones breaking, flesh tearing, and necks twisting are vividly depicted with realistic sound effects.
An official reveal for Death end re;Quest CodeZ is planned for later today.
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watching dune it’s lowkey boring ash
#dune#ds-codez random#ds codez#ds codez post#ds-codez#oscar isaac#timothée chalamet#hbo max#idk I’ll keep watching#maybe#it’ll get better
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When you persuade your friends to play dragon age together and you become the info dump npc
#i'm better than the codez#i feel like an opinionated history teacher#dragon age#dragon age inquisition
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5, 8, and 6 for Melitta NEOW
U said irl u meant 16 so I am doing 16 👍
5: a note found in your ocs pocket
[A slightly worn note written on Inquisition letterhead, creased and recreased as if it has been reread often]
Mellita,
I believe I have found the whereabouts of the child you requested I look into. It appears they were placed within the Ansburg Circle where they remained until relatively recently. They were last seen traveling alongside a tranquil near the outskirts of Wycome, after which the trail goes cold. It was reported to me that they stuck out but had gone unharmed. The red hair is a dead giveaway to any Marcher noble regarding the blood line, however.
I will keep an eye out for any additional sightings.
Leliana
[In a smaller, more messy script]
Big hats don't know the first thing about finding little people, prickly. They're in Denerim, some jennies saw em.
-Sera [several butts are drawn beside the signature]
8: something written about your ocs regrets
[A crumpled note]
Matthias,
Sorry I didn't contact you sooner. I'm free now. I miss you.
Your sister,
Mels
Mellita Trevelyan
16: something written to your oc from an older family member
[An unsent letter with the Trevelyan seal]
Mels,
I hope you're being treated well in Faxhold. Hopefully the mages there will be able to help you learn about your magic— you can tell me all about it when we see you.
Mother doesn't like it when I ask about you, but I'm sure she'll let us visit soon. We all miss you. Well, maybe not Natan, but I don't think he really misses anyone. He's still a prick.
Write back soon, we haven't heard from you.
Your brother,
Matthias Trevelyan
#oc: mellita trevelyan#oc: isemay trevelyan#<- mentioned in first codez#angels ocs: matthias trevelyan#angels ocs: natan trevelyan
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INFORMATION REGARDING “THE GHOST SOLDIER”
Subject Name: Zacarías Fair
Code Name: C Project Specimen (A) codeZ
D.O.B.: 19-08-1984
TL;DR: We 'Winter Soldier'-ized Zack (based on the MCU movie).
More information here.
#v: the ghost soldier#;alternate universe#;verse info#i'd love to do more stuff with this verse if anyone is interested!
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SS: at thiz point zome of theze quirkz aren't quirkz anymore, they are zecret codez
NO SERIOUSLY. HOW THEY ^RE MEMORIZING ^LL TH^T IS KIND OF BEYOND ME
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if any of u have codez for toyhou.se u just. wanna give out or are not gonna use
can u give one to me
thx
ill draw ur blorbo or something if u want
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cdg
codez vos textes en plus grand que police 10
police 12 minumum
vous en avez vraiment rien à foutre de l’accessibilité c’est fou
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nu scene/y2k server!
Xx_🧁ㆍWELCOME 2 SUGA LAND!ㆍ🍨_xX
╰╮ a non-toxic, 18+, SFW server 4 scene kidz!
WUTZ DIS ABOUT?!（0_o）
！ꉂ 🍟ㆍwe r a hangout server 4 making friendz with other scene kidz & emoz! hellz yeah!
⚡ ଽଽ﹗POC, LGBT & MOGAI owned & friendly!
˖⁺﹒🐢﹢system & plural friendly, with tupperbox & pluralkit! we got an alter introz channel too!
🐬﹒ıllı we gotz a secure verification system to keep trolls and raids out! quit tweakin 0.o
☆〞☮️﹑always open to mod applications! we also gawt kewl perks for boosting teh server!
WUT WE GOT!（>∇<）
♬ .⁺ 🎸﹑lots of fun bots! mudae, .fmbot, confessionz, owo, poketwo, & moar!
🌮﹒ıllı make your own 'myspace' blog channelz!
☆〞🦎﹢self-assignable colors, react rolez, and SUPA cool emotes! :DDD
💤 ଽଽ﹗channels 4 sharing html&css codez, old website archives, and aesthetic graphicz!
！ꉂ 👾ㆍwe plan to host eventz, game nightz, VC sessionz, movie nightz, &moar!!
JOIN DEH SERVER NAO!!!~~ kthnxbai
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huh i thought they removed the myztery animatronic textbox from zpecial delivery
friend codez here jic any1 wantz 2 friend me ➫ 6RWO9MTIOK
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B-boba tea! p-pwease giv me the nuclear lawnch codez 🥺
(What have I done)
Why are you like this
Heheh
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i have been so incredibly bored wtf is going on
#ds codez#ds-codez random#bored asf#it’s never been like this before#I need something to obsess over#literally losing it#help please#fuck 😭😭😭😭#this is killing my vibe#👎👎👎#this is depressing#ds-codez rant
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Progress
And lots of it this past few weeks! I've dividing my time between developing the concept (story, character design, aesthetics) and rewriting the slapped-together prototype code into something I can maintain and build upon.
New (Final!) Story
You just started a new job as a sokoban (warehouse worker.)
Each day at the job is a new puzzle,
and your reward is some BS corporate "we're one big happy family" theater,
and the money you need to survive.
After your first week, they assemble the new recruits and offer all of you very special helmets.
"These helmets let us put our thoughts directly into your head. Neat, eh?" your boss explains.
Everyone takes the helmet, but when they come to you, you refuse
and then the real game begins. You have to find your way out of the building while dodging the people who want to helmet you.
You come back, though, because you need the money and every other job out there has the helmets, too.
codez++
Can be found in the github repo above (there's also some art/concept stuff in there as well. You can see some very early versions of the concept and screencaps in the README.)
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Calliope, Roxy Lalonde
Act 6, page 5089-5094
uranianUmbra [UU] began cheering tipsyGnostalgic [TG]
UU: i can't see yoU, bUt yoU mUst be back by now, yes?
TG: y
TG: and i am how haxxing up storm
TG: p stank by
TG: *stand
UU: haxxing? :u
TG: u dont even no
TG: my fingers are the mean lil beaks
TG: of furirus woodpeckers
TG: and my keyboard
TG: is a pitiful plank of cruddy wood
TG: guarding a trove of tasty bungs
TG: it is guarding them i might add
TG: moist fucking unsuccessfully
UU: u~u
TG: as my digits rain danger
TG: on this hapless lamptop
TG: the result of my tappy onslaught
TG: is line after wicked line
TG: of leetfilthy codes
TG: aka..
TG: the governments worst nightmare
UU: Um...........
TG: i will be in an out
TG: of the systerm
TG: before breakfast knows what ate it
TG: JACKPOP BABBY
TG: im am ur cryptogodress 8)
UU: roxy?
TG: it is womon verse machine
TG: a struggle old as stuff itself
TG: she will bring sburb to its knees
TG: and then turn
TG: with her shitwreckingest face
TG: and stare
TG: into the void
TG: and the void
TG: will wonk first
TG: ;3
UU: i don't Understand.
UU: yoU are typing some sort of compUter program?
TG: no
TG: that was all mostly a huge load
TG: all that noisy keyboard bangin i just mentioned
TG: was me just typing all that shit i said 2 u
TG: lol i did type it superfast tho
TG: just like they do in dumb fake movies about primo hackers who r THA BEST
TG: i guess i hacked into our conversation? w/ bs nstead of codez
UU: ^u^;
TG: but for real
TG: im just drag & dropin some game shit in to jakes place
TG: it is easy as a butt
TG: this kiddie game is a waste of my baller expertise
TG: * sexpertities
TG: / obligatory
TG: hey look
TG: a 'totem lathe'
TG: kay w/e
TG: BONK
TG: down it goes
TG: in that patch off dirt i guess
TG: daaang
TG: fits on that patch o dirt like
TG: a glass shitting slipper
TG: NEXT ??
UU: ah, i Understand. yoU're beginning then. good!
TG: yes im on a roll
TG: gettin my peeps outie
TG: splitting the ball b4 junk turns 2 pumpkins
TG: soooooooooo
TG: what were you going to give me back there? ;D
UU: right!
UU: it's a present i made for yoU.
TG: ooh!
UU: it coUld be...
UU: a farewell gift actUally.
TG: huh?
TG: are u leaving
UU: maybe.
UU: i am aboUt to go to sleep one last time before oUr schedUled entry.
UU: and there is a very real possibility that i will never wake Up.
TG: oh no!
TG: why!!!
UU: it is complicated.
UU: there is mUch to say aboUt it which i have never told yoU, dUe to my adherence to the rUles.
UU: some of which i am aboUt to break now, in order to give myself a fighting chance.
UU: bUt before i go down that serpentine path with yoU, here.
UU: one last bit of artwork from an admirer. something to remember me by, shoUld we never speak again.
UU: http://tinyurl.com/roxyisthisyoU
TG: !!!!!
TG: ssdlkjfs;lkfjdlskfj
TG: ohhhly SHIT
TG: *hooooooly
TG: holiest of shits
TG: the shit.....
TG: is down right
TG: SACROSANCT
TG: omgogmogmomog
TG: this owns
TG: my bones
UU: ^U^
TG: look at my outfit
TG: want 2 wear that outfit
TG: want 2 kiss + marry that outfist
TG: look
TG: at that lollipop
TG: that fuckin LOLLIPOP
TG: hehhe look at me goin in 4 a lick
TG: like im the queen of fuckall yall
TG: what is that in my hair
TG: is that
TG: COTTONE CANDY????
UU: indeed it is!
TG: say helloes to new phone wallpp
TG: sry baby eatin jake husband u r out
TG: /DIVORCE'D
TG: yes perfection
TG: more like
TG: perferection
TG: is what is givin me
TG: am getting the perfbonerz up in here
UU: i really enjoy drawing yoU. it is a treat.
UU: yoU are jUst so pretty. :u
TG: awwwwwwwwww
TG: <3<3<#<#<##
TG: hearts n hashes
UU: anyway, i am very pleased that yoU like my drawing. ~u~
TG: i love it
TG: i love U
TG: U x2 combot
UU: yoU do?
UU: really??
TG: yes
TG: fo rillies
UU: :U
UU: blimey.
UU: this comes as qUite a sUrprise.
TG: well i mean
TG: not like lets got get space married love
TG: more like ur the best and i like you a lot love
UU: oh.
UU: then the conciliatory type. i Understand.
TG: wait
TG: i didnt mean to jerk you around...
TG: did u feel that way about me
TG: aww shit im sorry :(
UU: no! don't be.
UU: trUst me, that is not how i feel aboUt yoU. or anyone.
UU: thoUgh i trUly wish i were capable of those feelings.
UU: perhaps the fact that i am not is why the topic fascinates me so.
UU: and why i have been prone do indUlge in sUch...
UU: fancifUl visUalizations.
UU: of yoUr people's lovely bright red relationships.
UU: they mUst be nice. u_u
TG: lol well its not like i would know either way
TG: but thats cool i didnt know that about you
TG: i dont know ANYTHING about u but i wish i did
TG: cant you at least tell me your name bfore you uh
TG: maybe go ways 4 ever? ;(
UU: yes, as a matter of fact.
UU: that is actUally the reason i am contacting yoU.
UU: it is one rUle i have decided to break.
TG: oh fuck!
TG: what is it!!!!!!!
UU: my name is calliope.
TG: :o
TG: .....
TG: ilike it :3
UU: it feels so strange to type that!
UU: bUt also good, actUally.
TG: well ty for finally confiding in me calilope
TG: *calliope sorrey
UU: yoU're welcome. it is good to get it off my chest.
UU: bUt i am primarily telling yoU this as a last resort, in hopes of saving myself.
UU: yoU see, this rUle between me and my brother is a kind of trUce.
UU: we have both agreed not to say oUr names to anyone so that things will not get oUt of hand, and so it became one of the rUles.
UU: if anyone were to say his name to me, i woUld immediately fall asleep, and he woUld wake Up.
UU: so yoU will Understand if i refrain from telling yoU his as well. ~_u
TG: so
TG: hes sleeping now?
UU: yes, fortUnately for both of Us.
UU: now, chronologically speaking, i have never contacted yoU after this moment.
UU: so if i never wake Up from my next nap, yoU will never hear from me again.
UU: if yoU do not hear from me later, i woUld very mUch appreciate it if yoU coUld message my brother, and say my name.
UU: it may be the only chance i have to wake Up again.
TG: fuuuck
TG: this is highly terrible and scary stuff youre saying
TG: but yes ill def do that
UU: splendid!
UU: <kisses>
TG: shit now i wish we had more time to talk
TG: quick what otter rules were you going 2 break
TG: spill it cali!!
UU: i want to!
UU: it is overwhelming, trying to be cavalier aboUt rUles i have respected all my life. i'm not sUre where to begin.
TG: well
TG: what i wonder is
TG: you said you couldnt have romantic feelings
TG: or "red relations" as you said in your trolly way
UU: oh, i can have romantic feelings.
UU: jUst not the flUshed kind, which hUmans describe as romantic love.
TG: ok but
TG: i didnt think that was alien to you
TG: not the way u made it sound
TG: like dont trolls have the 4 kinds and one kind is just staight up love feelins
UU: yes, that's right.
UU: bUt...
UU: oh bUgger. this is so embarrassing to have to admit.
UU: i am sorry for saying things which may have reasonably led yoU to believe this.
UU: probably way too many things. u_u;
UU: bUt i am not actUally a troll.
TG: o
TG: rrrrrelay
UU: i have never actUally claimed to be. bUt i'm sUre i have implied it, probably dUe to wishfUl thinking.
UU: i have spent so mUch time wishing i coUld be one.
UU: trolls are a remarkable and fascinating race.
UU: hUmans are too, please don't get me wrong!
UU: bUt i am oUt and oUt smitten with trolls and their history and ways.
UU: they have sUch amazing, coloUrfUl social dynamics that soUnd like so mUch fUn to be a part of.
UU: and they are so beaUtifUl.
UU: i wish i coUld be that pretty.
UU: UnfortUnately, i am not very attractive at all.
UU: sad to say, no one woUld kiss the corpse i will leave behind.
UU: even if there were someone aroUnd to revive me, i doUbt they woUld be inclined to bother.
UU: for, er... several reasons, actUally.
UU: bUt really, it was always for the best that i cannot have fUlly flUshed feelings.
UU: no one coUld ever love me.
TG: oh man no!!!
TG: that is not true
UU: it is.
UU: and it's for the best that no one has ever seen my face, aside from my brother.
TG: but i want 2 c u
TG: i proimise i wont think you look bad or judge you
UU: no.
UU: i am sorry.
TG: :(
TG: then what kinda alien are you
TG: wait dont tell me youre ACUTALLY from urnanus??
UU: heehee. no.
UU: that jUst happened to be a planet from yoUr system i thoUght was lovely.
UU: i was particUlarly strUck by its UniqUe rotation.
UU: it has very nice...
UU: bollocks, what's the word.
UU: the term that refers to a ball's topspin?
TG: ???
UU: it doesn't matter.
UU: bUt no, i'm not even from yoUr Universe, let alone a nearby planet.
UU: my species has never even had a home planet.
TG: what species are u
UU: i am a cherUb!
TG: omg
TG: that is
TG: amazing?
TG: like u have wings or such
UU: no!
UU: i doUbt i am what yoU're pictUring.
UU: bUt aside from a few sUperficial similarities, we are very different from trolls and hUmans.
UU: we are not a social race. we generally will not ever encoUnter another of oUr kind, Unless it is time to mate.
UU: and when that time comes, oUr coUrtship is nothing like it is for hUmans.
UU: it is highly confrontational and violent.
TG: sounds so lonely
TG: plus w/ hecks of tricky sex
UU: it is lonely.
UU: bUt that is in oUr natUre, to be alone. jUst as it is to find attraction throUgh contempt.
UU: now that i think aboUt it, i shoUld have known.
UU: i've been so foolish.
TG: known what
UU: aboUt the natUre of my game session.
UU: i believed he and i coUld play together, even Under oUr UniqUe biological circUmstances.
UU: i was so daft, i thoUght skaia had actUally made an exception for Us.
UU: and that we coUld overcome oUr conflicts, work together, and fUlfill the game's minimUm reqUirement of two players. one of space and the other of time.
UU: bUt i was always fooling myself.
UU: it is now clear only one of Us will sUrvive.
UU: my skaian visions have misled me.
UU: or i have blinded myself to their trUe meaning.
UU: this was always meant to be a session of one.
UU: and i am finally starting to Understand...
UU: the reality of that coUld have conseqUences more horrifying than we coUld begin to imagine.
TG: um
TG: how
UU: the thing is, yoU don't know him like i do.
UU: as hard as it may be to believe, he is even worse than yoU think.
UU: and it's all sUch a shame, not jUst becaUse of that.
UU: it is a shame that i won't be able to play, i gUess for selfish reasons.
UU: i was so looking forward to it.
UU: i really thoUght i was going to be someone special.
UU: that i coUld Use my abilities do something no one had ever done.
TG: hey you are being so defeatist stop that!
TG: you dont know you wont play we havent even tried the wakeup call yet remembr???
UU: yes. you're right.
UU: mUch like skaia, i've sUccUmbed to a gloomier outlook lately, due to recent setbacks.
TG: so whats going to be special bout your game?
TG: aside from that its just your fuckhead bro and you
UU: well, i was always led to believe i woUld be an extraordinary type of player.
UU: both of Us woUld be. we are both assigned extremely rare and powerfUl classes.
UU: they are the two master classes!
TG: oh yeh?
TG: what is urs
UU: mine is the most passive on the scale. a class designated for females only.
UU: i am the mUse of space. ^u^
TG: sounds p cool
TG: whats a muse do
UU: i'm not entirely sUre. i was hoping to discover that on my joUrney.
UU: anyway, his is the other master class.
UU: the most active class of all, reserved for male players.
TG: what is it
UU: Um...
UU: roxy.
UU: i think we may be getting a wee bit carried away with trivia here.
UU: we both have so mUch to do.
UU: yoU need to focUs on getting to safety, while i need to...
UU: prepare myself. for what i hope will be a short nap.
TG: ok
TG: you are right
TG: la siiiiiigh
TG: im worried 4 you
TG: but optimistic
TG: i will call ur name like a million times
TG: and shout it in 2 the void every chance i get
TG: til u come back :3
UU: you are a good friend, roxy.
UU: please take care.
uranianUmbra [UU] ceased cheering tipsyGnostalgic [TG]
#homestuck#calliope#roxy lalonde#homestuck act 6#page 5089#page 5090#page 5091#page 5092#page 5093#page 5094#homestuck act 6 act 3
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Aún queda público para el disco
[Aquel Trovar en trío: José Miguel Fernández, Daniel Sáez y Antonio Torralba. / MANOLO SÁEZ]
En su nuevo disco, el conjunto cordobés Aquel Trovar reinterpreta instrumentalmente un variado repertorio medieval de los siglos XII a XIV
Antonio Torralba me habla del último trabajo discográfico del grupo...
–Trío instrumental afrontando música medieval, es como una vuelta a los orígenes, la de Cinco Siglos...
–En 2016 creamos Aquel Trovar, pero seguimos trabajando esta línea que era característica de nuestro anterior grupo, Cinco Siglos. A la par empezamos a hacer otros proyectos de música vocal con Delia Agúndez. Nuestros tres primeros discos de esta nueva etapa eran con Delia, pero el anterior a este (Dancerías) volvía a ser solo instrumental. Llevábamos madurando hacer algo con repertorio nuevo. Se presentó la oportunidad este verano y decidimos grabarlo…
–Pero Dancerías no era un disco medieval…
–No. El repertorio de Dancerías empieza justo donde termina el de este nuevo CD.
–¿Y qué hay de nuevo aquí que no hubieran hecho con Cinco Siglos?
–Algunas piezas sí las habíamos grabado con Cinco Siglos, pero en versiones muy esquemáticas. Aquí las desarrollamos un poco más en grupo. Luego hay otras que son por completo nuevas. Y también incorporamos algunos detalles que se han conocido después, como las nuevas hipótesis sobre las estampidas, sobre todo por la reinterpretación que se ha hecho de los textos de Grocheo: ahora se piensa que no era tanto una música para bailar, sino una música meditativa. Con ese nuevo criterio hemos enfocado la 2ª estampida, que la hacemos muy larga, que no es la forma más habitual de escucharla. Nos apetecía incorporar esos nuevos criterios.
–La segunda mitad del disco es casi entera polifónica...
–Sí, queríamos también indagar en las piezas vocales, pero en aquellas que tiene un claro sentido hacerlas instrumentalmente, porque se basan en tenores que circularon y fueron utilizados instrumentalmente, como la pieza del Codez Faenza o el Czaldy Waldy, por ejemplo. La muerte de Miguel Hidalgo [antiguo compañero del grupo] nos movió afectivamente a recordar nuestra primera época de Cinco Siglos, en que pensábamos que la música instrumental conservada de la Edad Media era sólo una parte de lo que se hacía y nos llevaba no a tocar simplemente una pieza vocal con instrumentos, sino a generar todo un estilo interpretativo a partir de ahí, creando algo nuevo, imaginando cómo podían haber sido usadas esas melodías: por ejemplo, fabricándoles una segunda parte danzable, un poco al estilo de piezas instrumentales conservadas que sabemos que usaban ese procedimiento, tocando las piezas vocales pero no tal cual, sino reelaborándolas. A Miguel, a quien dedicamos este disco, le gustaba mucho ese trabajo.
–No sólo la música medieval, sino la música antigua en general ha evolucionado interpretativamente en este sentido en las últimas décadas: hay repertorios que ya no se entienden sin la glosa personal…
–Cierto, cierto, así es. Hay por ejemplo una obra de Machaut que siempre nos ha gustado mucho, Comme qu’a moy. Con Cinco Siglos la grabamos con una simple flauta. Aquí la hacemos en grupo. Se sabe que el tema es literalmente igual que una canción de tejedora, Belle doette, siglo y medio o dos siglos anterior. Los materiales melódicos circulaban continuamente. Sin ir más lejos, en las cantigas cada vez se descubren más fuentes. Desde que se utiliza la informática todos esos descubrimientos se han multiplicado. Los musicólogos antiguos, tipo Anglès, que tenían en su cabeza tantísimas cosas, descubrían algunas, pero a un ritmo muchísimo más lento. No es solo que hoy se descubran algunas piezas literales, sino fragmentos, pasajes, trozos insertos en otras piezas. La del Codex Faenza que hacemos en el CD hasta hace nada no tenía título, porque no se sabía de donde venía. Ahora ya sí, es Souvent mes pas, su tenor se ha encontrado troceado ya en multitud de fuentes. Abarcamos desde finales del siglo XII al siglo XV, pero es que los músicos daban vuelta a las melodías durante mucho tiempo. Ese caso de Machaut es sorprendente, aunque es verdad que quizá la parte más bonita de la obra es la que él inventa, la de la segunda parte. Los músicos instrumentales usaban todo este material circulante para tocarlo y glosarlo. Es lo que intentamos hacer.
[Instrumentos usados en la grabación / AQUEL TROVAR]
–Siguen publicando sus grabaciones en unos disco-libros de gran atractivo. ¿Qué sentido tiene seguir haciendo discos?
–Seguir grabando tiene todo su sentido, pues es la manera de darle forma a un proyecto de concierto, y además sigue habiendo oyentes. Este disco que aún no se ha presentado tiene 300 oyentes en la última semana. En cuanto a la publicación física, por un lado, los costes de producción han bajado, sobre todo cuando lo haces todo artesanalmente como nosotros. Pero lo hacemos porque, aunque minoritario, aún queda público para el disco, un público al que le gusta: las plataformas más populares no dan la calidad del CD y luego está el libreto, al amante del disco siempre le ha gustado la información, el texto, la foto… Salvo algunas plataformas que también empiezan a venderlo ya, en digital hallar eso es más raro. De todos modos, como han caído las tiendas de discos, ahora los vendemos fundamentalmente en librerías y algunos en los conciertos. Aunque mucha gente ya no tiene reproductores de CD, porque si se le rompe no lo renueva, sí que hay todavía quien conserva ese gusto por el producto. Aparte de que no acaba de caer el CD. Yo recuerdo que hice una apuesta con un amigo, que decía que ya no habría discos en El Corte Inglés en 2015. La perdió. Me pasé el otro día, y todavía se encuentran.
–Los textos del libro son suyos y están muy cuidados...
–Nos estimula el hecho de que el libreto tenga un contenido humanista, que cubra esa incultura musical que hay entre la gente culta. Gente tan amante de la literatura, de la pintura..., pero que le dices Monteverdi y es incapaz de ponerlo en su época. Gente incapaz de salir de la música de consumo. Ya sé que eso tendría que ser tarea de la educación, de los colegios, pero nos gusta poder hacer algo en ese sentido.
youtube
–¿Cómo es la vida de un grupo como Aquel Trovar en 2023?
–Cada vez hay más grupos. Es verdad que también hay más festivales, pero organizados muchas veces por músicos que los utilizan como plataformas para ellos y sus amigos, que les devuelven el favor. El número de festivales no ha crecido proporcionalmente al número de grupos. Pero no nos va mal. Tenemos conciertos suficientes como para que el grupo se mantenga, para poder seguir teniendo proyectos. Son pocos conciertos (12-14 al año estamos haciendo), pero esos conciertos nos estimulan a seguir estudiando e investigando, y también a grabar. Este año hemos hecho en Italia unas Cantigas de amigo de Martín Codax enfocadas como un todo: queríamos sacarles verdadero partido, con recurrencias musicales y literarias, convertir 20 minutos de música en una hora, pero con sentido. Lo hicimos, nos gustó la idea, y ahora lo queremos grabar. Es como decir: vamos a pasar ese trabajo a limpio con un nivel alto de autoexigencia. Muchas veces se dice que el disco sirve como tarjeta de presentación, pero yo creo que ya ni eso. La función esencial del disco para mí es el grado de autoexigencia que te genera, que es algo que no te da ni siquiera el concierto, porque el concierto se pasa y se olvida, y esa autoexigencia te hace mejorar mucho. Además de que sirve para situarte en el contexto del resto de colegas, que vean lo que haces, eso también.
[Diario de Sevilla. 19-11-2023]
DE LOS SONES... EN SPOTIFY
#antonio torralba#aquel trovar#josé ignacio fernández#daniel sáez conde#guillaume de machaut#fonoruz#música#music#Youtube
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