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thereifling · 1 year
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Ep 24. The Feast
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lolita-mini · 2 years
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tobyfregbosource · 2 years
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annespooky · 2 months
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Les Animaux Fantastiques | SciFiNow Issue 152 - décembre 2018
La chasse est ouverte Grindelwald déchire le monde des sorciers. Peut-il être stoppé ? Les acteurs de la suite des Animaux Fantastiques nous parle de la mission dangereuse de Norbert. Amy West Continue reading Les Animaux Fantastiques | SciFiNow Issue 152 – décembre 2018
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melancholyflower · 2 months
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Les Animaux Fantastiques | SciFiNow Issue 152 - décembre 2018
La chasse est ouverte Grindelwald déchire le monde des sorciers. Peut-il être stoppé ? Les acteurs de la suite des Animaux Fantastiques nous parle de la mission dangereuse de Norbert. Amy West Continue reading Les Animaux Fantastiques | SciFiNow Issue 152 – décembre 2018
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victor1990hugo · 2 years
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cressida-jayoungr · 11 months
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Coeli's Picks: Purple, part 2
(Multiple movies listed left to right.)
One Dress a Day Challenge
May: Purple Redux
Donkey Skin (Peau d'âne) (1970) / Delphine Seyrig as the Lilac Fairy
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The Wrecking Crew (1968) / Elke Sommer as Linda Karensky
Vanity Fair (2004) / Reese Witherspoon as Becky Sharp
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Doctor Who (season 16, "The Androids of Tara") / Mary Tamm as Romanadvoratrelundar (Romana)
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Hello, Dolly! (1969) / costume for Barbra Streisand as Dolly Levi
Hum Aapke Hain Koun! (1994) / Madhuri Dixit-Nene as Nisha Choudhury
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The Muppet Show (episode 424) / Diana Ross as Herself
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Fantastic Beasts: The Crimes of Grindelwald (2018) / Zoë Kravtiz as Leta Lestrange
The Hunger Games (2012) / Elizabeth Banks as Effie Trinket
Scooby Doo (2002) / Sarah Michelle Gellar as Daphne
Casino Royale (2006) / Eva Green as Vesper Lynd
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Star Trek: The Original Series (s3e1, "Spock's Brain") / Marj Dusay as Kara
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Star Trek: The Next Generation (s2e16, "Q Who?") / Whoopi Goldberg as Guinan
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Pride and Prejudice and Zombies (2016) / Lina Headey as Lady Catherine de Bourgh
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In Fantastic Beasts, Newt’s animal antics see him called before MACUSA, the Magical Congress of the United States of America and American equivalent of Britain’s Ministry of Magic. Concealed by enchantments inside New York’s Woolworth Building, it was MinaLima’s job to give the organisation a logo and suitably magical identity. On film, that branding is visible across leaflets, maps and other pieces of official magical documentation. ‘We asked ourselves, “how visually does America show itself in an organisation?”,’ recalls Mira. ‘We looked at lots of government and ministry seals, even the seal of the country is very traditional — and kind of boring actually.’
Like many of their magical motifs, the duo riffed on a parallel Muggle concept and twisted and skewed the design for added Wizarding flavour. Miraphora took the iconic American flag (‘making sure it had the forty-eight stars correct for the period’) and then ‘exploded’ the stars. Says Mira, ‘that’s kind of a nice motif anyway in the Wizarding World … we start with that reality and then transpose that into our world.’ The American Ministry represents itself with the mythical Phoenix, and the team incorporated a flaming songbird into the organisation’s logo. Explains Mira, ‘American [logos] usually have an animal of some description … it’s got some authority.’
In Crimes of Grindelwald our heroes find themselves exploring the charming cobblestone streets of Paris. As the plot unfolds, Rowling’s story sees Newt and co. visit the Ministry of Magic’s French counterpart, Le Ministère Des Affaires Magiques De La France. For reference, MinaLima looked at ‘state kind of representations in marks, in logos’ alongside illustrations of Marianne, the powerful French revolutionary figure. Production designer Stuart Craig had incorporated statues in the French ministry set, and MinaLima played on that motif in the organisation’s logo. Recounts Mira: ‘the revolution figure is very symbolic for the French people … we looked at the statues in the actual Ministry [and] referenced that in the logo.’
Much like the Harry Potter films, Miraphora and Eduardo have the exciting opportunity to contribute significant graphic design to grandiose set pieces. In Crimes of Grindelwald, a Wizarding ‘freak show’ arrives in Paris. The team designed a wealth of incredibly imaginative promotional paraphernalia for the Circus Arcanus sequence. In a relatively short (but complex) scene, MinaLima’s graphics serve as more than just visual decoration. Collectively, they help establish tone (‘it still needed to be glitzy and kind of enchanting, but it had a dark side’), provide additional context and exposition, and help progress the plot in a way that dialogue alone can not.
For an assignment like the Circus Arcanus sequence the team tried to embody the design ethos of someone who might be promoting a real-world circus. ‘Much of our work in posters is about selling something … [as] if you were employed to be a graphic designer to sell a circus.’ When choosing a colour palette and a typographic style the team thought about the ways in which visual cues might inform the audience’s perception. ‘We knew from the beginning that it wasn’t going to be a typical circus that’s uplifting and shiny and showy … it had a dark side to it,’ explains Mira. ‘You make decisions about colours and mood and typography — whether it was soft and playful or had a bit of an edge to it. All those things feed into your decision as a designer.’
Another unique element of MinaLima’s Fantastic Beasts graphic design thus far has been the chance to revisit graphical props from the Harry Potter films. Although it’s been over a decade since much of that work occurred, these new pieces exist years before their ‘Potter’ counterparts in Rowling chronology. The team had the chance to reimagine the Daily Prophet newspapers (alongside an American equivalent in the wonderfully punned New York Ghost), this time with a suitably turn-of-the-century flavoured masthead. The duo’s Ministry of Magic branding also feels period appropriate; it’s softer with delicate ornate embellishments. Says Mira, ‘it’s about trying to identify the flavour and the personality [of the time].’
‘Sometimes the script might give us a few stage directions but we need to have more information about backstory,’ explains Mira. In places where design might stretch beyond existing Rowling canon (and fabricated names and illustrations won’t cut it), the author was able to expand her universe with exciting new pieces of ‘Potter’ lore. In Fantastic Beasts we learn briefly about Massachusetts’ Ilvermorny Castle, Hogwarts’ North American cousin. Recalls Mira, ‘I was designing the school logo. We didn’t have any information about Ilvermorny and I was kind of making up different animals for different houses.’ Fortuitously, Rowling was visiting the film set that day and unveiled a wealth of new detail. ‘She was like, “oh no no no no” and described them all … I was writing furiously with my pencil!’
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loomoffateleprojet · 1 year
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Machiavelli
SANS TITRES - SANG PUR / ROYALISTES | ANTI-SECRET   MAGIQUE
Incarnation du génie du mal, la famille Machiavelli gère un réseau d'influences obscures. Réseau de pari illégaux, Casinos sorciers disséminés un peu partout en Europe, trafic d'objets rares ou interdit mondial, consulting en magie noire, ils ont tout d'une véritable mafia. Mieux vaut ne pas leur devoir d’argent, ou même votre elfe de maison pourrait faire l’objet d’une rançon…Redoutables, ils sont réputés sans pitié, il ne faudrait pas devoir de l'argent à un Machiavelli...
Chassé d'Italie au début de ce siècle, c'est des moldus qui ont mis en péril leur quotidien. Originaires de Florence, ils ont abandonné le gigantesque et indécent palais familial derrière eux. Menacés, ils ont fui dans le pays voisin, bien accueilli par la royauté française et ses alliés. Méprisés par le Ministère qui ne disposent d'aucune preuve de leurs méfaits, ils restent intouchables sous leur parapluie royal. Il y a plusieurs décennies de cela, ils ont fait alliance avec la famille Le Fay, s'accordant un contrat avec la noblesse, gagnant un peu de sombre prestige. Épousant deux de leurs filles pour sceller l’union qui servirait leurs intérêts communs. Pour eux le secret magique est un hérésie, Gellert Grindelwald l'une des solutions. Ils croient fermement en la royauté et pensent qu'ils sont la seule solution pour s'imposer aux moldus. Moldus pour qui ils n’ont pas une once de respect depuis leur fuite d’Italie. Ils n'ont aucune foi dans la République Moldue ou dans le Ministère des Affaires Magiques - ils ont beaucoup de respect pour la Royauté et estiment qu’ils n’ont pas usurpé leur place. Véritable mafia en France, ils possèdent des réseaux de vente de drogue par exemple, mais le fleuron de leur entreprise reste la Maison Close l'Empire des Sens, le Casino Lotus de Marseille et L'Ankou à Ker Ys, la taverne clandestine grandiose théâtre de pari, combat de dragon, duel de sorcier, etc. Giuseppe l’aîné a pris sa retraite dernièrement, préférant laisser place à la nouvelle génération. L’esprit de famille est important, et les trahisons sont mal perçues, et se règlent généralement de façon tragique. Si vous ne suivez pas les règles, il se pourrait que vous disparaissiez dans un tragique accident, des crimes parfaits. Des James Moriarty, des génies du crime.
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torizss · 2 years
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Oii, qual fonte você usou no “Guk” na capa de “Guk o caso de jung dawon”?
Oi, luv! No "GUK" que está no painel atrás do Yoon, eu usei Bitter Sour Demo, e para o título usei Crimes of Grindelwald.
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coulisses-tv · 8 days
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Ciné Dimanche - Les animaux fantastiques : Les Crimes de Grindelwald sur TF1 ce 21 avril 2024 (vidéo)
http://dlvr.it/T5jghX
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lolita-mini · 2 years
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tobyfregbosource · 2 years
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comamorfrases · 1 year
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cinenthusiast · 1 year
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films watched in 2023 catch-up
#38. You Never Cal Tell (1951, Breslow) (1st) #39. The Secret of Convict Lake (1951, Gordon) (1st) #40. Rewind (2019, Neulinger) (1st) #41. When You Read This Letter (1953, Melville) (1st) #42. Fantastic Beasts and Where to Find Them (2016, Yates) (1st) #43. Fantastic Beasts: The Crimes of Grindelwald (2018, Yates) (1st) #44. Casting Blossoms to the Sky (2012, Obayashi) (1st) #45. Hitman Hart: Wrestling with Shadows (1998, Jay) (1st) #46. Water and Power (1989, O'Neill) (1st) #47. Cliffhanger (1993, Harlin) (3rd) #48. Ravenous (1999, Bird) (7th) #49. The Thing (1982, Carpenter) (not sure, 9 or 10?) #50. Back Street (1932, Stahl) (1st) #51. Scream VI (2023, Bettinelli-Olpin & Gillett) (1st) #52. They Live By Night (1949, Ray) (2nd) #53. Femme Fatale (2002, De Palma) (2nd) #54. Kingdom of Crooked Mirrors (1963, Rou) (1st) #55. The Exiles (1961, MacKenzie) (1st) #56. Popstar: Never Stop Never Stopping (2016, Schaffer/Taccone) (4th) #57. John Wick: Chapter 3 -- Parabellum (2019, Stahelski) (2nd) #58. Prisoners of the Land (1939, Soffici) (1st) #59. The Sadist (1963, Landis) (1st) #60. John Wick: Chapter 4 (2023, Stahelski) (1st)
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