#crowley does the I Was Wrong dance for him

[foolishlovers]

Could you do a collection of found family fic recs??? 👀 or maybe a rare pair collection??

here are some good omens found family fic recs:

An Angel's Wrath (or At Least He's Trying) by Mysti_Gayle (G, 1k) Adam hated knowing that he had caused them so much stress this evening, particularly Aziraphale, whom he greatly admired for his kindness. Now, he had felt like he had taken advantage of that, and the guilt crushed him.

Four-Letter Accusations by Pink_October_Bones (G, 1k) Warlock has a suspicion that Nanny might not be as loveless as she likes to claim.

Never Have I Ever (Been Myself) by FeralTuxedo (M, 28k) Aziraphale Fell, BAFTA-winning actor of stage and screen, is bored. Bored of playing middle-aged divorcees in dull BBC dramas. Bored of answering the same questions on chat shows and breakfast television. Bored of keeping the real him hidden away. So when the opportunity presents itself to collaborate with up-and-coming rock band Witching Hour, he takes it, against his own common sense and the condescending advice of his agent. Witching Hour’s mysterious guitarist Crowley, flame-haired, moody, and a good fifteen years his junior, certainly seems worth the risk. A human actor/rock star AU.

search terms by Vagabond (M, 43k) Aziraphale expects it to be a quiet night working in the university library when a flashy red haired, foul mouthed, panicking student needs to find credible sources for his paper and can't figure out how to use the search. Little does Aziraphale know that meeting Crowley will lead him on a path to self-discovery, and give him the family he didn't realize he needed.   From a prompt on tumblr: College AU - You’re REALLY GOOD at using the right search terms for the academic databases and I’m on a deadline.

Loving You Slow by TawnyOwl95 (E, 46k) Crowley just wants to dance, but he's not prepared to sell his soul (and other things) at Mayfair's Hellfire Club to do it. Tending bar at The Bookshop in Soho is just the escape he needs, providing Crowley can convince the club’s owner he really belongs on the stage. Unfortunately Aziraphale Eastgate is not quite the generous guardian angel Crowley has been led to believe. Welcome to The Bookshop, where it always pays to look under the covers.

It never hurts to keep looking for sunshine by Dervila, elf_on_the_shelf (E, 63k) After Adam's parents die in a car crash, Aziraphale is forced to start taking care of him as more than just an uncle. Don't get him wrong, he loves the little devil, it's just that he is completely clueless and could rather use some help. In comes Crowley, Adam's new nursery school teacher with his amazing skills in dealing with kids. Could he be the answer to all of Aziraphale's prayers - Adam-related and otherwise? Well, it looks like he might be just that, judging by the weird things Aziraphale's heart seems to be doing whenever he sets eyes on the man. Now, if only the tall ginger returned his feelings…

Golden Handcuffs by seekwill (E, 70k) Far from any city, near the Scottish coast, Tadfield College has a celebrated history, an unrivaled academic reputation, and two departments at war. When the Biology and English departments are forced to share a building, Senior Lecturer and botanist Anthony Crowley finds himself drawn into the orbit of the polite but strange English professor, Dr. Aziraphale Fell. As the new term begins, two academics navigate the politics of both their offices and academia, and try to solve the puzzle of one another.

Barriers, and the Breaking Thereof by Cardinal_Daughter (M, 71k) Ezra Fell has long been comfortable in his loneliness. He’s content to simply run the Soho Public Library and otherwise keep to himself. However, when a handsome stranger bursts in one evening with a baby, frantic and in need of help, Ezra finds those carefully constructed barriers he’s long maintained begin to crack. Perhaps it’s time to let them fall. Human AU. Complete.

The Sometimes Wife by AgentStannerShipper (E, 74k) It is a truth universally acknowledged that older brothers are the worst. As the youngest of three children, Parson Aziraphale Fell has been given an ultimatum: find a wife, or lose the family's support. The only problem? Aziraphale has never looked at a woman that way in his life. His attention has instead been captured by the family gardener, a beautiful young man who holds Aziraphale's heart in his hands. But when a mysterious newcomer arrives in the village, Aziraphale finds himself falling - quite unexpectedly - for her as well. Aziraphale knows he will have to choose. After all, it's not as if he can have both…can he?

What We Make of It (Shotgun Wedding) by charlottemadison (E, 213k) The important thing, Crowley tells himself -- the most important thing -- is Adam, his brilliant, creative, empathetic nephew. Being fourteen's hard enough; the kid didn't ask to deal with the weight of the world on top of it. And if taking care of Adam means Crowley has to tough it out at a job he can’t stand, so be it. And if Crowley's job means that Adam’s charming English teacher is NOT a romantic possibility, well, that's just how things go. But the occasional drink with Aziraphale proves hard to resist. They frequent the same pub, so who can object to them saying hello? Briefly sharing a table? Perhaps a little conversation? The painful knowledge that it can’t be anything more -- not without somebody getting fired or sued or both -- well, that can't be helped. Until Crowley stumbles onto a terribly reckless idea…

i also love writing found family fics myself:

The Anon Before Christmas by foolishlovers (E, 66k) When Crowley’s friend, blogging buddy and business partner Anathema announces her annual Secret Santa Exchange on Tumblr, she is very adamant Crowley should join this year. The old-fashioned (but admittedly compassionate) man he gets assigned to send anonymous messages to every day until Christmas sounds awfully similar to the fussy bookseller that his friends adore, yet Crowley tries to avoid at all costs. But surely his friends would have mentioned if Aziraphale had taken an interest in the Bad Omens fandom as well… right? Or: An Enemies to Lovers Secret Santa Tumblr AU.

Tales of Turning Pages by foolishlovers (E, 73k) Every Tuesday, aspiring romance novelist Anthony J. Crowley pays a visit to his local library and the charming angel working there. Every Tuesday, Aziraphale Fell finds himself more and more intrigued by the curious stranger who turns his orderly life as a small-town librarian upside down.

Wild Hearts by foolishlovers (E, 56k+, WIP) In the idyllic English countryside, far from the hustle and bustle of the big city, two teachers at Willowbrook Hall set out to transform their students’ lives through the world of theatre. But for Mr. Crowley, the challenge of navigating his long hidden feelings and dear friendship with Mr. Fell may prove to be the greatest drama of all.

#(sorry i haven't really read any rare pair ones as far as i can remember) #hope this helps 💜 #good omens #good omens fanfic #good omens fic rec #aziracrow #aziracrow fic #crowley x aziraphale #good omens human au #ineffable husbands #ineffable partners #good omens fics #found family #gomens fanfic #foolish recs #go fic masterpost

[thewalrus-said]

One thing that was really driven home for me this season was how much power Crowley has. How much influence.

To recap:

Shax, despite hating him and being his literal replacement, is constantly asking him for advice and help.

Furfur comes to the magic show in 1941 to arrest him and Crowley, like, laughs at him and goes back to sleep. "We shant, this is ridiculous."

In a room (the bookshop) with both Heaven and Hell's top brass, somehow Crowley was in charge of that meeting.

Both Furfur and Saraqael really really wanted him to remember working with them.

The Metatron knew he had to separate Aziraphale from Crowley in order to effectively manipulate him.

Like. He's unafilliated from both Heaven and Hell at this point, everyone (but Aziraphale) hates him, and yet people listen when he talks. People do what he says. It's incredible.

#good omens #good omens spoilers #and then of course there's aziraphale #around whose little finger this powerful and influential demon is completely wrapped #aziraphale says Can I borrow your car and crowley says No and aziraphale says Please 🥺 and crowley says Ugh Fine #aziraphale says Let's dance and Crowley says No and Aziraphale says Please and crowley says Ugh Fine #crowley does the I Was Wrong dance for him #(aziraphale i really don't think you understand what crowley was offering you at the end) #go spoilers #good omens season 2 spoilers

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

#good omens #good omens season 2 #gos2 spoilers #good omens season 2 spoilers #crowley #aziraphale #ineffable husbands #nina #maggie #nina and maggie #stories #romance #relationships #am I projecting here #of course I am isn't that the whole point? #pride and prejudice #elizabeth and darcy #quiet gentle romantic #good omens meta

[violet-witch-6]

Gonna be real, my first time watching THAT scene I honestly wasn’t sure how they were ever gonna patch things up because I can’t even imagine the pain of standing in Crowley’s place after 6,000 years of loving someone in silence, trying to show them who you are at every opportunity, painstakingly chipping away at the delusion they’ve bought into since the beginning (more than you ever did) in order to show them the truth—to show them who you are (who the two of you could be together) —and then just as you’ve finally worked up the courage to lay it all out there and toss the dice hoping (with what, for the first time, you’re starting to believe are less than doomed odds) that they’ll love you back and that it will be enough—only for all of it to be dragged out from under you because they look you in the eye and all but tell you that they never understood you at all. They weren’t listening. And, sure they want what you want (to be together), they love you back (still unspoken but legible in the way they glow at the thought that they might still save you) (as if you need saving) (as if you’d want it)—but not as you are. They think the change they ask of you would be received as a grace and the betrayal of that is gut wrenching in a way that no flat out rejection could be, I think. If I were Crowley, I can’t imagine how I’d come back from that.

But then I watched the scene again. The moments after that betrayal. Once Crowley’s put his glasses back on, raised his defenses and sounded the retreat. I wondered, watching the scene again, how it could ever reach the point where the kiss made sense when they were already so torn apart. But the thing is that no matter how wrong Aziraphale was to want things to go back to the “way they were”, everything that led him to that conclusion comes from the thing Crowley loves most about him: his goodness. Aziraphale is good in a way that heaven is not, and Crowley knows that, but Aziraphale still hasn’t learned that lesson. He wants so desperately still to believe in god and heaven and the ineffable plan and even though it’s that desire that’s led him to hurt Crowley, I don’t think Crowley can completely begrudge him. By the time Crowley’s walking out of the book shop, the betrayal has already faded—not gone, but less than when compared to his sadness for Aziraphale and what his angel is going to go through when heaven lets him down (again)—assuming that it doesn’t just break him.

And the kiss—that fucking kiss (be still my beating heart)—that was Crowley planting a seed. “I know better than you do” he says and he does because Crowley has always been more honest with himself than Mr. “Master class in self delusion” A. Z. Fell. Aziraphale is about to be more alone and more lost than he has been in 6,000 years, so Crowley needed to make 100% clear to him where solid ground was. Aziraphale won’t be able to rationalize this away or hide behind propriety because it can only mean one thing and that is that he is in love with a demon whose on his own side with no interest in ever rejoining the heavenly host because heaven is not the epitome of goodness or love that he so desperately wants to believe it is. It’s not even capable of being that—no matter how hard Aziraphale tries to bend it back into what he thinks is it’s natural shape (because isn’t that what he wants so desperately to do as chief archangel? To make heaven the place he’s always thought it was?). Crowley really said “whatever you do next, do it knowing I love you”. He said “I’m done letting you ignore this.” And I get it. Cards on the table means cards on the table. No more half measures no more dancing around it—any of it. If Aziraphale wants to walk into the belly of the beast, then the least Crowley can do is make sure he’s doing it with his eyes wide open.

#good omens #good omens 2 spoilers #good omens spoilers #good omens season 2 #crowly x aziraphale #it’s about the pain and the love mingling so closely together that you can’t separate them anymore #the one is the other #and you’d take them both if it only meant you could have him

[hey-must-be-a-devilbetween-us]

Just been thinking about how when Aziraphale said that 'Nothing Lasts Forever' and Crowley immediately took that in a totally different way than Aziraphale intended.

The look of surprise and confusion that quickly becomes desperation that takes over Aziraphale face as Crowley walks away, he calls out to him, begs him to come back to him, and quickly covers it up with 'to heaven.'

he didn't mean them, he would never mean them.

(a lot more under the cut)

the places would change, the circumstances would change, the people and the play and the drama would change, they have always had different seasons of their relationship.

but them, together, as always been as constant as the tides and the phases of the moon, even if they get separated for a month or a decade or a century, they always come back together.

Also been thinking about how Crowley doesn't have faith in a lot of things (for obvious reasons), but the most heart breaking is how he has no faith that underneath it all, no matter what, Aziraphale loves him and wants to be with him, even though he has a mountain of evidence of it.

Its been pointed out that Aziraphale this whole season has seemed to be trying to get closer emotionally to Crowley, 'shooting his shot.'

'Its our car, its our bookshop, its our plan to save Gabriel, take my hand lets dance while you tell me what's wrong my dear boy.'

More than just an arrangement, more than fraternizing, more then just friendly banter over drinks and food, it always was more, but now they can act like it, Aziraphale is going for it in his own way.

and Aziraphale is so obviously frustrated during the fight that Crowley doesn't see that.

but come on, you can't blame Crowley at this point, Aziraphale is effectively asking Crowley to change literally everything about themselves and forget a millennia of trauma and anger and guilt and self-loathing.

It sure makes it seem like Aziraphales love is now suddenly conditional on them changing.

I don't think Aziraphale sees it that way though right?

He doesn't see it as 'I will love Crowley more if they are an angel.' he sees it as 'Crowley will be happier as an angel surely? They will also be safer with that designation.' and 'any sacrifice will be worth it if it means we'll finally be able to be safe and together.'

See, I don't think Aziraphale even wants Crowley to be an angel again.

I think he's trying to convince himself that he wants that, which is what makes the Metatron offering that in the first place so damn insidious.

I think in his heart of hearts, appointing Crowley to be an angel again is just as much of a sacrifice to him as leaving his beloved bookshop, leaving earth with all its wonderful music and color and life and stories and people, but what does that say about him as an angel?

Everyone can sneer and look down on him for having affections for a demon but there is some plausible deniability that its just bad circumstances, Crowley just happens to be a demon but he's really very lovely once you get to know him, in spite of it all.

But like...giving Aziraphale the opportunity to make Crowley an angel again and he doesn't want to take it because...he loves Crowley exactly the way he is? That he may have had a crush on the angel he was, but it was truly The Demon Crowley that he fell in love with.

I think Aziraphale is gonna need some time to get brave enough to say that with his whole chest (but dear lord will it be wonderful when he does.)

And the Metatron knows this, and he knows Crowley is exactly who he is supposed to be, and so The Metatron knows that Crowley could never ever say yes to going back, it goes against his very nature, he knew that Crowley would take it exactly the way he did.

(Ergo more evidence that splitting them up is the whole goal because they're just too powerful together.)

So, Aziraphale is stuck in the worst way I can imagine.

He's given the opportunity to have everything he should want, so he's trying to make the best of it even though it decidedly isn't what he wants, because its evident that the meddling from Heaven and Hell isn't going away, the Metatron is giving him the path of least resistance, isn't that going along with Heaven as far as he can?

Every word he says to Crowley about how wonderful it will be and how this is an amazing opportunity and we'll be together and we'll make better choices, we'll make a difference.

Its trying to convince himself just as much.

I think Aziraphale is terrified of going back to heaven by himself, but what other choice does he have? He's terrified about what will happen if he doesn't, and not because of any explicit threat by the Metatron, but what it would imply about him, if they knew exactly how he felt about Crowley, what might they do to them both?

and that's why the Kiss™ is so horrible and beautiful at the same time, its harsh and it looks like it hurts when their teeth bump together and it is so desperate, but Aziraphale still clings to Crowley, trembling and whimpering (jesus christ sheen...)

More than an expression of romantic love (because by God herself have they expressed it in so many ways for thousands of years,) its a plea to stay, choose this, choose us.

And Aziraphale wants to, but he can't, and its agony, but how could he explain that to Crowley when he barely understands it himself, he doesn't recognize what the Metatron has done.

That's why Aziraphale seems just as angry at the kiss as he is fucking devastated, its not a 'how dare you kiss me,' its an 'how dare you kiss me right now, in this moment, when if it had came earlier everything might have been different."

"How dare you kiss me now to just let me know everything I'm giving up, and not just because you wanted to."

"How dare you make this our first kiss."

Aziraphale doesn't see the Kiss™ as the Hail Mary that it is, he sees it as a spiteful bitter thing, something that he has been yearning for forever being twisted into something to hurt him, but I think he can see the sadness and fear in it too, so he forgives Crowley for it.

And of course, Crowley takes that to mean, "I forgive you for kissing me when you know that's not how I feel, for trying to manipulate me." or something to that effect, either way its enough for him to leave the conversation, nothing more to say.

I think Aziraphales next arc is going to be all about being open and honest and brave, which is in exact juxtaposition to the traits that made him grow closer to Crowley in the first place and that's what really fucking gets me.

From giving away the flaming sword, the entire damn arrangement, trying to thwart the apocalypse, to the very fact that he loves Crowley.

"I'm a fallen angel! I lied! To thwart the will of God!"

"Yeah, ya did, but I'm not gonna tell anybody, are you?"

"Then nothing has to change."

Except it did, and it does, if they are to get their happy ending in their cottage in the south downs.

anyway, yeah that's all i wanted to say i think, how was your guys week so far?

gif credit:

@starklystar @raggedy-spaceman @spooks-ez

(if i missed anyone or miscredited pls lmk!)

cont in reply (i like what i wrote here so i'm trying to keep track lol)

#good omens 2 #good omens season 2 spoilers #good omens #ineffable husbands #aziracrow #crowley #aziraphale #neil gaiman #good omens meta #good omens 2 analysis #haha #i've been coming back and adding to this for days now #don't flop please haha #its alright my 7 mutuals will like it and thats enough for me :) #i'm really normal #so normal right now

[sitzfleischh]

Ok ok ok but the THING the thing that GETS ME about Aziraphale and I feel like I don't see as much about it written on here is that yes we all know that Crowley pretends to be cynical and dark because he wants so badly to be joyful and optimistic but he's been hurt & let down too many times so he puts up the cynicism as a facade.

But Aziraphale is ALSO DOING THIS, just using the opposite tactic.

Crowley assumes everything will go badly because he's protected from disappointment when it does, and gets to be pleasantly surprised when it doesn't.

Aziraphale assumes everything will go well because he's unBELIEVABLY anxiety-ridden ALL THE TIME and cannot deal emotionally with even the prospect of things going wrong. So not only does he optimism his way out of seeing issues that are right in front of him until he absolutely can't avoid them any longer (see: dancing in his bookshop surrounded by demons), but he also actively gaslights himself into thinking that the bad things that happened to him or that he was involved in weren't that bad, and pretends that he doesn't have negative emotions and is just fine and happy all the time because he doesn't know what to DO with those feelings-- he's an angel! He's supposed to be placidly happy forever! What do you mean he's angry or sad or disappointed or disgusted or lonely? Angels don't feel those things!

Season 2 showed us Crowley getting in touch with his feelings of love and care, and I think season 3 is going to show us Aziraphale getting in touch with his feelings of anger and disappointment, and I for one CANNOT WAIT.

#good omens #good omens s2 #aziraphale #good omens meta #good omens spoilers #anyway Aziraphale read Sara Ahmed's feminist killjoy handbook #I'm definitely not doing any projecting on this character why do you ask? #9:30 on a Thursday and it's Aziraphale kinnie hours #my good omens meta #sitzfleischh.meta

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 1)

I cannot figure out for the life of me how to make gifs so this will have to be a gif-less essay. If anyone more tech savvy than me wants to reblog with relevant media, please do!

I've seen a lot of people saying how Aziraphale's actions in the final ten minutes come out of left field and are OOC, and when I first watched the episode I felt the same, but now I think I couldn't have been more wrong. And I don't think Aziraphale is being controlled... I think the entire season showed us exactly what was going to happen.

On first watch, what struck me was the number of plot points that seemed disconnected. I couldn't figure out how Job related to the present, or the Victorian era, or the Nazi zombies (still at sea on the zombies part tbh). I didn't know where the Maggie/ Nina subplot was going, or why we were bothering with it. Then I put my "psych hat" on and it was like seeing one of those 3D pictures come into focus. It's a psychological networking rather than a plot-driven one, which is what Neil told us to expect.

Detailed analysis under the cut, with spoilers:

I went back through the season in my head and started asking myself: why is this element there? What does it contribute?

1. Start with scene one. Why include it? Does it matter for the climax that Az knew Crowley as an angel? YES. It's actually huge. Angel Crowley was joyful, he was bursting with delight at creation, he was idealistic. He wanted to be a part of everything rather than run away from it, and that's still how Aziraphale feels. He loves being a part of things. He's a joiner. He's a landlord. He dances at clubs and he makes human friends and he learns magic. Crowley the demon doesn't seem to want any of that, and I think that's hard for Az. He wants Crowley to be free of the cynicism he thinks prevents him from enjoying life now. At some level, I think he senses that Crowley is depressed (empathy's not his strong suit but I'm sure he's aware that Crowley's in a "what's the point of it all" kind of mood; see the eccles cakes scene). He wants to fix it. Aziraphale is a fixer. Metatron offers him a chance to do that.

Another thing is that Aziraphale knows Crowley ended up Falling just for asking questions that seemed innocent. That's not okay with him. He thinks that with the two of them in charge they can actually MAKE the changes that Crowley wanted to see way back at the beginning, starting with a suggestion box.

2. Okay, now Jim. Obviously Gabriel/ Jim is the central mystery, but why does he matter? First and foremost: he's there to show Aziraphale that angels can CHANGE. Gabriel terrorized and threatened Aziraphale. Az has been terrified of him. He ordered Aziraphale's execution. And now here he is, drinking hot chocolate, doing noble self-sacrificing things, with morals that suddenly align with Aziraphale's. What an absolute game-changer that must have been! He thought Heaven was unfixable, but here's Gabriel in his shop for weeks, slowly convincing him otherwise.

Then two other things happen. First, they find out that this all happened to Gabriel essentially because he fell in love. He was fired and his memories were stolen and the only reason he recovered was because Beelzebub happened to give him the one thing that could save him. That must have seemed like incredible luck. Now, how does Aziraphale feel about memories? He lives in a bookshop that is stuffed to bursting with the records of all of human history, essentially. His memories of his time with Crowley are incredibly precious. He sees, there at the end, that everything he is can be taken from him as a punishment for falling in love. Aziraphale doesn't have a magic fly container. He'd be forever robbed of Crowley, his life, himself. It's a very real threat in his mind when Metatron intervenes.

Which brings us to the second thing. Metatron saves Gabriel. Not only that, he prevents him from being punished for loving Beelzebub and lets them both go. What better way to win currency with Aziraphale? HE doesn't want to go off to Alpha Centauri, he never has, but suddenly he sees that Metatron might protect his relationship. And he's probably the only entity with the power to do so.

So we come to two conclusions: Aziraphale, when he goes off to talk with Metatron, is feeling like maybe it's not intrinsically bad to be an angel. He believed all the angels sucked, and only God was good... but now he sees that even Gabriel can change. He met Muriel, and he likes them. (He also had a huge crush on angel Crowley, which is neither here nor there but he loves Crowley in all his forms.) So if Crowley became an angel again, would that really be so bad? In his mind, it wouldn't change who Crowley is. It would just make them both safer and allow them to be together. (He's wrong! And Crowley doesn't see it that way! But this is a key miscommunication. Aziraphale doesn't really believe that becoming a demon changed Crowley. Back to the first scene, which Aziraphale references during the Job minisode. In his eyes, Crowley is the same person (just more cynical because of what's happened to him)-- so why would it matter if he's an angel again? I truly don't think he was trying to save Crowley, or saying that Crowley would be Better as an angel. To him, it doesn't matter what Crowley is. Which is reductive and harmful, but not the same as thinking Crowley needs rescuing from himself.)

Second conclusion: he sees that an angel and demon can be in love, but they have to run away to be together. Gabe and Beelz couldn't go home again. Earth is Aziraphale's home, but after the attack on the bookshop he learned that without Heaven's protection he can't really keep them safe there. Metatron says: "Come with me, do this thing, and you can have guaranteed safety AND be with the love of your life". Poor Aziraphale wants this with every fiber of his being. All he's ever wanted was for Crowley to be safe. He's never been able to offer it. Over the past four years, he thought they were safe, but he's just learned that he was wrong.

This is getting long. Continued in Part Two!

#good omens #good omens analysis #good omens meta #good omens season 2 #good omens season 2 spoilers #gos2 spoilers #everything is meant #the psychology of it all #forumulating a TV show in my spare time what can I say #crowley #aziraphale #character analysis #putting the pieces together

[fakemichaelsheen]

-1650-

aziraphale, sighs: look, I said I was sorry

crowley: *sulking*

aziraphale: I could buy you a drink. or something to eat-

crowley, pouting: not hungry

aziraphale, hesitates: I wasn’t actually going to marry him. it was a misunderstanding

crowley, bitter: didn’t look like a misunderstanding. looked real cosy from where I was standing

aziraphale, annoyed: I didn’t want to risk execution! I didn’t know how he was going to react. how many times? I am sorry!

crowley, shrugs: not good enough

aziraphale: fine, then I guess this is-

crowley: do the dance

aziraphale, scoffs: I’m not...going to do the dance

crowley, folds his arms: I thought you were sorry. I thought it was a mistake...

aziraphale: okay, okay, fine *straightens his coat; does the apology dance* I’m sorry, I was wrong, I shouldn’t have done it. I’m sorry *bows*

crowley, smirks: thanks, I enjoyed that

aziraphale: yes, well, I hope you savoured it because it won’t be happening again anytime soon *nonchalant* unless another devastatingly handsome crown prince coerces me into an engagement

crowley, frowns: that’s not funny, angel

#azi: I can't marry you I'm already married / cp: to him? *points at crowley stealing bread and giving it to children* / azi: *fond* yeah #ineffable husbands #aziraphale x crowley #crowley x aziraphale #good omens #good omens 2 #wonder what aziraphale actually did in 1650... #ineffable chatfics

[esthermitchell-author]

I was working on some of my Fanfic just now, when something hit me that stopped me right in my tracks.

I think, maybe, we've all got it wrong.

We (the fandom, the viewers, et al) have gotten something fundamentally WRONG about something that seems a silly little throwaway, but may be extremely important, but for a reason utterly different than we assume.

We've been calling it "the apology dance."

Canonically, it's NOT. It's not an apology. Azi makes a comment of wanting a "real apology. With the little dance." Yes. But then he specifically calls it "the 'I was wrong' dance." And when Crowley does the dance, at no point during it does he say "I'm sorry." He says "You were right. I was wrong. You were right."

It's NOT the same thing. Especially when you factor in the references Azi makes to the times HE did the dance. Now, we have no idea what happened in 1650, because we haven't been shown that, yet. But in both 1793 and 1941, the only thing Azi did that he would need to say he was in the wrong for was putting himself in danger.

Yes, folks, I'm going on record to say I firmly believe the only time Crowley insists on Azi doing the dance is when he puts himself in REAL, mortal danger. And seeing as both cases we KNOW of were unintentional/beyond his control (unintentionally in 1793 because he didn't stop to think about what he was doing, and outside his control in 1941, because he wouldn't have been in danger if Furfur hadn't been there).

This also opens a whole other discussion about when Azi demands the dance of Crowley. We can safely assume he's NEVER asked it of him, based on Crowley's reaction to the suggestion of it on screen. "I don't do the dance." Meaning "that's your thing, not mine. I've never done that." Also, in the context of what I mentioned above "that's for putting yourself in danger, and I didn't do that."

The subtext, however, based on what WE, and Crowley, know (Azi doesn't, at this point), and I now believe is the reason he does, in the end, actually DO the dance, is because to Crowley, that dance is associated with Azi being in danger (self-initiated danger in the referenced situations), and in this one case, Crowley storming out and refusing to help did, in actual fact, leave Azi to face a very REAL danger alone, and uninformed he's even IN danger. And THAT is what drives Crowley to actually do the dance (not the subtle pressure Azi applies, by listing those other times he was the one to do it... Those just incidentally serve as a reminder to Crowley of the reason the dance exists).

It's not an apology. At least, not like we've been reading it all this time, because it looks like a silly little "I fucked up" thing. It's a very real, very serious reminder to them both of the fact that they're putting something very important at risk when they don't stop to think about the consequences. Azi asks (okay, demands) it of Crowley because at this point they're pretty much on their own, and if Crowley refuses to stay and work with him, then Crowley will put himself in danger because he won't turn to Azi if he needs help as long as there's this rift between them. And Crowley does the dance as a reminder to himself that he nearly left the one person it would destroy him to lose alone to face a threat Azi doesn't even know exists.

I don't know about you, but I won't be viewing that scene the same, next time through.

#Not so silly now #Why do I do this to myself? #good omens #good omens fandom #aziracrow #azicrow #aziraphale x crowley #ineffable husbands #aziraphale #crowley #ineffable spouses #the 'I was wrong' dance

[bluberryfields]

"I want a proper apology."

The dramatic “apology dance”

In the entirety of Season 2, I think the “apology dance” scene is pretty close to my favorite.

The way Crowley walks in like he’s entering a stage in a packed theater.

The way Azi clearly sees him coming and fusses himself up to look extra focused on his work and not at all excited about Crowley’s return.

Crowley, noticing that Azi has yet to look at him, ramps up the drama by:

Whipping off his glasses (taking off his armor)

Response from Azi? Clears his throat and focuses harder on his work.

Time for Level 2 Drama, it seems.

Stalking over to the table (no sauntering here)

Tossing the glasses down (looks casual but absolutely isn’t)

Ringing that little bell (like a ceremonial gong signaling “this is fucking happening”)

Walking back into the rotunda where he has maximum visibility (also maximum vulnerability)

Azi now has no choice but to react, which he does by slowly looking up and over at Crowley, who looks like the human-shaped embodiment of dread.

Finally announcing “I’m back” like the bitchy customer who just yesterday had declared they were never shopping here again

I mean, wow. Amazing. Glorious.

Not to be outcunted, Azi just casually turns back to his work and practically hums, “Yes. I can see that.”

Damn, Aziraphale, did you take lessons in passive aggression from my mother?

Now Crowley groans in a way that I felt to my core and asks, “Do you want a big, ‘I think I said the wrong thing,’ sort of an apology, or can we take that as said?”

He averts his eyes until the last second because this probably feels more demeaning than begging Azi not to do his magic act at Warlock’s birthday part.

Still turned away, Azi replies in a tone that is a mix of hurt and guilt that makes me think this has been coming for awhile. "I'd like the apology actually." I bet you would, Angel.

Back to Crowley, he pauses to assess his options, takes a deep breath, and says the magic words: “You were right.” Also looks like he almost says something else but either doesn’t know what to say or doesn’t want to say it.

Oh wow, so convincing. Bravo.

Finally, Azi puts down his glasses and his work and turns to address Crowley. He is not happy.

“Not good enough. I want a proper apology.” Also, side note, but Michael Sheen’s voice here is just…yum.

Before Azi can finish, Crowley is so quick to reject this idea. “No.” with a shake of the head.

You're not winning this battle, Crowley, and you know it.

“With the little dance.” Azi’s voice perks up and his eyes brighten at the hope this will happen. Seize that opportunity!

Again, Crowley barely let’s the word “dance” come out before he tries to shut it down. “I don’t do the dance.” Nope, no sir, not this demon.

Oh no, now Azi’s anger joins the hurt and guilt for a vicious trifecta. “I did the ‘I was wrong’ dance in 1650, 1793, 1941…” each date being spat out with increasing amounts of venom.

Oh Crowley, you brought this on yourself, girl.

This non-apology combined with his “I'm sorry. I apologize. Whatever I said, I didn’t mean it. Work with me, I’m apologizing here. Yes? Good. Get in the car.” and I can see why Azi reacts to this the way he does.

Crowley knows he’s beaten and concedes with a “Fine!” that feels the very opposite of the word.

Okay so before the “proper apology” can begin, Azi gets up from his chair, straightens his waistcoat, and stands with his hands grasped in front of him like a proper gentleman. A properly petty gentleman.

Then the main attraction! Crowley, looking completely stone-faced, does “the little dance.”

It’s wonderful. He looks so silly and childish and graceful and mature. And god, that deep knee bend at the end? Amazing.

Also amazing is Crowley’s face when he says "Kay?” while bobbing his head and eyebrows back like a sassy rooster? *chef’s kiss*

For Azi’s part, god it is just a delicious mix of polite poker face and barely concealed thirst. I see your eyes scanning Crowley, drinking in that thin, dark Duke. That little dance will live in his head forever.

And that’s the signal to go back to normal! Crowley regains control and Azi falls back into the supporting role.

Long-term relationships are hard, yo.

#good omens #good omens 2 #crowley #aziraphale #ineffable husbands #crowley x aziraphale #aziraphale x crowley #aziracrow #david tennant #michael sheen #ineffable idiots #ineffable partners #apology dance #i want a proper apology #with the little dance #thirsty aziraphale #very nice indeed #thin dark duke #neil gaiman #terry pratchett #good omens gifs #good omens meta

[microclown]

Crowley and Aziraphale's communication in the final 15 is bad, but going back through the season I've realized it's even more prevalent than I thought…

not all of these miscommunications are a problem, but they barely have one interaction that doesn't include some form of lack of communication, so I thought it was worth highlighting the pattern

List under the cut, analysis at the end

Aziraphale doesn't tell Crowley about the naked man, Nina does

Aziraphale doesn't tell him it's Gabriel, he tell him it's Jim, Crowley sees it's Gabriel

"I feel like your exactly and my exactly are different exactlys" (aka miscommunication- assuming they're on the same page when they're not)

Cowley doesn't tell Aziraphale the stakes, that he could be erased from the book of life for helping Gabriel

The Apology dance is literally dancing around the issue. He doesn't want to apologize because he doesn't believe he is in the wrong, but they never talk through it, they just move forward

"Ah, we're going to the pub!" As they're walking in the door. so Aziraphale didn't tell him where they were going, he just lead him there??

Aziraphale and Crowley don't agree on how to get Nina and Maggie together, but they go ahead and execute their own plans without discussing it further. Crowley does ask "I'm lost, am I doing a rainstorm?" but Aziraphale has already moved on and doesn't answer him. He's already decided the ball is the better option, but he doesn't communicate that. Later, Crowley tries to tell Aziraphale about his plan with the rainstorm, but Aziraphale ignores him. "You don't want to hear about my plan?" Then when Crowley tells him the rainstorm plan was a bust, Aziraphale has no idea what he's talking about.

After telling Crowley about the Clue, Aziraphle doesn't let them discuss it at all. He literally cuts Crowley off from asking any questions about it "no! not another word."

When Aziraphale asks to take the Bentley, he doesn't really ask, he's telling Crowley he's going to take it. Crowley says no indirectly "You can't drive my Bentley." Aziraphale explains that he can drive because he has a license. So Crowley says "No" plainly. Aziraphale ignores him. Crowley says "No" again, louder, clearer, slaps Aziraphale's hand away, but Aziraphale still ignores him.

When Aziraphale tells Crowley what he learned about Gabriel in Edinburgh, they never discuss it fully because Crowley cuts him off to execute his rainstorm that they've also never fully discussed.

Neither Aziraphale or Crowley tell the other that Shax confronted them. More importantly, Aziraphale doesn't tell Crowley that Shax tricked him into revealing that Gabriel is in the bookshop.

Aziraphale is very coy with Crowley while planning the ball "wait and see!" He never actually tells Crowley his plan.

When Aziraphale suggests "just talking" to Gabriel, he looks pleased when Crowley says "Actually, I will." He doesn't seems to read Crowley's tone. Crowley then proceeded to yell at Gabriel and tells him to jump out a window. Probably not what Aziraphale had in mind.

Of course, the whole scene in the ball. Crowley doesn't tell Aziraphale about the demons straight away, he leads with a seemingly less urgent "somethings wrong". Aziraphale is barely listening anyway. He's too in his own world, too caught up in psyching himself up to ask Crowley to dance.

After the demons storm the ball, Aziraphale tells Crowley he's got a suggestion, but Crowley cuts him off "I've got it."

Crowley doesn't tell Aziraphale what he learned in Heaven. He doesn't tell him about Armageddon part 2, or that Gabriel was fired for not wanting to go ahead with it. He doesn't even tell him this during their big fight at the end, when you would think it would be a convincing point towards Aziraphel staying.

Neil has revealed that Crowley never told Aziraphale that he was living in his car

And then their final argument is laden with miscommunication, (people have gone into great depths analyzing this already, but I’ll just sum it up so it’s included) - Aziraphale assumes Crowley would want to be an angel again, but they’ve clearly never discussed this. Crowley assumes Aziraphale is on the same page with why heaven is so bad, but they’ve clearly not fully discussed this either.  Crowley can barely look at Aziraphale when he’s confessing. He can’t get out the word “partner.” He can’t finish his sentence “I would like to spend…” Then there’s “nothing lasts forever” which Crowley interprets entirely differently from Aziraphale’s intention. “I don’t think you understand what I’m offering you” “I understand, and I think I understand a whole lot better than you.” And then, when Crowley has given up on trying to communicate verbally, he kisses Aziraphale as a last “Hail Mary” to get him to understand. But of course he doesn’t. That’s not communication. 

So.

If you’re still with me, what’s the point of laying all this out? Well, a couple of things. I’ll try to organize my thoughts coherently. 

 _

Crowley and Aziraphale’s communication is beyond a simple fix

It is so much worse than I originally thought. What they need is couples therapy. They both need to become aware of the broken way they relate to each other, and they need to do a lot of work on listening to each other, giving each other space to talk, and being honest with what they know and how they are feeling. We needed someone to call them out, make them aware of this, but Nina and Maggie TRIED this season, and it was not enough. Unfortunately, I’m fairly confident season 3 will not just be six hour long couples therapy sessions. I’m not sure how much room for working on communication skills there will be at all. Neil has described season three as big, loud, and action packed. I have no idea how this issue will be resolved in that context. 

_

Something horrible I realized when making this list. Crowley’s relationship with Aziraphale is beginning to mirror his toxic relationship with heaven. Aziraphale develops a plan- taking care of Gabriel, investigating the clue, organizing the ball. He wants things to go just the way he has in mind. He does not let Crowley say no. He does not let Crowley ask questions!!! And now Aziraphale is running heaven? What makes us think he would treat Crowley any differently in a real position of power? It would have been so. bad. if Crowley accepted Aziraphale’s offer. Yes, Aziraphale and Crowley are on the same page on preserving the world and humanity, and yes they love each other and want to be with each other, but when it comes to what to do about it, they don’t see eye to eye. And neither of them know how to properly collaborate or communicate. 

_

Finally, why do Aziraphale and Crowleyhide things from one another? Simply, they don’t really trust each other. I mean they do, sort of, but not entirely. They have a deeper trust. They trust that the other cares about them, and won't harm them intentionally, but they have so many deep rooted issues with trust from their past with heaven and hell that it overflows into their relationship. People have said Crowley keeps information from Aziraphale to protect him, but that also comes from a place of mistrust. He doesn’t trust Aziraphale to protect himself. He doesn’t trust him to do what he would do with that information. Similarly, Aziraphale doesn’t trust Crowley to let him do things his way. They don’t know how to collaborate! Not really. It's something they want, but were never taught. Collaboration was never encouraged in Heaven or hell.

#not sure I believe in the final point anymore #I think their motivation for lying can be summed up to Crowley is being protective and Aziraphale is in denial #reposting because I needed to make some edits #this is mostly to organize my thougts #I might make some separate posts later #good omens #ineffable husbands #aziraphale x crowley #crowley #aziraphale #crowley x arizaphale #good omens season 2 #good omens 2 #go 2 #gos2 #neil gaiman #good omens analysis #good omens meta

[strangesthirdeye]

Being blind and dating Crowley would include:

As usual, I'm sorry if there are any wrong sentences or typos or grammatical mistakes, please forgive me and again English is not my first language, so I try to improve my language and writing in this way.

-DB

Warning: nothing just fluff and Crowley being sweet and awesome boyfriend

⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅

•He knows you through Aziraphale. Well Aziraphale has many customers who come to his bookshop so Crowley assumes you are just one of Aziraphale's customers who come to talk about books.

•later finds out that you are Aziraphale's friend who came just to visit him and say hello.

• the first time he saw you wearing sunglasses that matched his made him think 'maybe you wear them because your eyes are sensitive to sunlight or you just wear them because you really want to wear them' so he ignores that and greets Aziraphale with a burst into the bookshop.

• later find out that you are blind after Aziraphale scowls at him and says you have sensitive ears so after Crowley's booming voice greets Aziraphale, you are startled by the sudden loud voice.

• Crowley being a demon that isn't much of a demon apologizes to you. (and make an apology dance j/k)

• You just smile and shake your head and just say that you are used to it because your senses other than your vision are quite sharp making you aware of such situations.

• soon after, you could say you always came to the bookshop to chat with Crowley and sometimes with Aziraphale. But usually Crowley due to Aziraphale being busy with customers who come to the bookshop.

• At first, Crowley was a bit awkward to chat with you but over time he was ok with you. Often give compliments on your matching sunglasses.

• You can only blush. And Crowley noticed your red face.

• because you are blind, Crowley always helps you like accompanying you to go home in a Bentley, opening his car door for you and sometimes he also helps you by holding your shoulder and guiding you to the seat no matter where you are so that you don't bump with furniture or people.

• drive Bentley at a speed that is not very fast for your safety. although you don't care how fast Crowley drives, you enjoy it.

•blushing because you once tried to touch his face in order to know what his face looks like and fought back a groan of pleasure when your fingers gently stroked his red hair.

• resisting the urge to confess his feelings to you because he doesn't know how to confess to you. His face turned red when he saw your smile. And he's just a relief because of course you don't see his red face.

• later, confess his feelings to you after having dinner at the Ritz where Aziraphale recommended and gave advice to Crowley about love. Crowley only made a face when he heard the word love but still took the advice and confessed his feelings for you.

•protect you at all costs like scowling at people who bumped into you without apologizing or at people who try to get close to you. Because he doesn't like people doing that to his precious Angel. And that's what boyfriend always does right?

• Call you Angel without realizing that he is calling you that at first. You just blushed and Crowley grinned cheekily at your red face. You are the only angel he admires and loves. Although he calls Aziraphale an angel because he is an angel but you are an angel in his heart.

• stunned after you found out that he was a demon right after Crowley told you about that and even more stunned after finding out that Aziraphale was an angel. But you let it go because well you love Crowley no matter what so you're fine.

• Not wearing his glasses around you because well he trusts you and I don't want to say a sentence that you are blind because that is a bit rude. (sorry)

• Admire your face and always give a kiss on the forehead every time you come to the bookshop.

• Aziraphale being the number one shipper can only squeal with excitement.

• shape shift into a snake just to snuggle around your neck.

• Often put his head on your lap and you will gently stroke his hair making Crowley fall asleep.

• well no matter where you are, Crowley will always be by your side and be a shield for you. Give you affection and comfort you if you have a mental breakdown. But overall, Crowley is the best boyfriend ever.

#bbc shows #prime video #david tennant x reader #crowley good omens x reader #crowley x reader #crowley x aziraphale #aziraphale x reader #crowley #aziraphale #azicrow #good omens 2 #good omens x reader #good omens #neil gaiman #michael sheen #ineffable husbands

[tismrot]

GOOD OMENS in CHRONOLOGICAL ORDER (a fanfic helper)

I tried to find this online, but I only found bits and pieces here and there. This should be a very good tool when writing fanfics, or just for understanding the narrative - so, here's my best attempt at a timeline for the canonized events in the show. Let me know if I missed any, or if something is wrong! CHRONOLOGY of GOOD OMENS 4004 BC: Before the Beginning (Sunday, October 21st, Nowhere, no name for Crowley) Aziraphale meets Crowley as an angel in Heaven pre-Beginning and Crowley makes a star factory. 4004 BC: The Eden Wall (Rather more than 7 days later, Crawley) Crowley finds Aziriaphale on the Eden wall and they talk about right and wrong. Aziraphale gave his sword to Adam and lies to God about it. Eve looks about 6 months pregnant. 3004 BC: Noah’s Ark (Ancient Mesopotamia, Crawley) Crowley finds Aziraphale in front of the Ark and they talk about how God will drown kids. 2500 BC: A Companion to Owls (Land of Uz, Crawley) Crowley and Aziraphale work together to save Job's kids from God. 1353 - 1336 BC: Nefertiti's reign as queen, during which, at some point, Aziraphale did a magic trick for her. (Thebes/Luxor, ancient Egypt, Crawley) (unfilmed, just mentioned) We know he fooled her with a "lone caraway seed and three cowry shells" 33 AD: Crucifixion of Jesus (Golgotha, Palestine, name change to Crowley) Crowley (canonically confirmed female form) tells Aziraphale she showed Jesus the world. 41 AD: Oysters in Rome (41 AD) Aziraphale playfully tempts Crowley to go eat oysters with him at Petronus' restaurant. If this isn't innuendo, I don't know what is. 537 AD: Medieval England/King Arthur (Kingdom of West Essex) Aziraphale as a knight of the Round Table meets the Black Knight (Crowley) who suggests the Arrangement for the first time. Aziraphale says no. 1020: The Arrangement is agreed to (unfilmed, just mentioned in the book or by Neil) I can't find the exact date - tell me if this is wrong? 1040 - 1601: Crowley and Aziraphale act on their arrangement "dozens of times", as mentioned in the Globe Theatre. As far as I've understood this arrangement (correct me if I'm wrong) it means that whenever they receive orders from Heaven or Hell, they tell the other, compare notes, and if it takes place in the same area, they agree that just one of them has to go do both tasks. Either that, or both tell their respective bosses that the task has been done, because they would have cancelled each other out either way. Letters would probably be too risky communication other than "Let's meet up at....", so I assume they have seen a lot of each other during this time. 1500s: Something related to the Catholic Church and the Papacy (Rome?). (Unfilmed idea) My theory: Raphael/Crowley (Raffaello Sanzio da Urbino) works as painter in Rome from 1508 until his "death" in 1520. He was invited to Rome by Pope Julius II and was immediately commissioned to work on a series of frescoes for the Pope's private library in the Vatican Palace. Crowley can't enter consecrated spaces. Hilarity ensues. This would explain his conversation about helicopters (in the book) with Leonardo da Vinci. 1601: Hamlet (Globe Theatre, London) Aziraphale and Crowley meet inconspicuously as Shakespeare struggles with Hamlet (both actor and play), and Aziraphale agrees to do both his and Crowley's assignments in Edinburgh. 1650: Aziraphale does his first apology dance (unknown) Nothing more is known about this event. 1655: Agnes Nutter's book is published, and doesn't sell a single copy. 1656: Agnes Nutter is burned (Lancashire, England, 1656) After writing the Nice and Accurate Prophecies, she is burned by Pulsifer's ancestor. 1793: French Revolution (The Bastille, Paris) Aziraphale puts himself in harm's way by dressing like a nobleman while looking for crepes in revolutionary Paris, just so that Crowley will save him. 1800s: Aziraphale opens his bookshop. (Soho, London) I can't figure out when, it just says 19th century online. Crowley asks if Aziraphale wasn't supposed to open a bookshop when he saves him in the Bastille.

1827: The Resurrectionist (Edinburgh, October) Aziraphale and Crowley discuss morality, meet Elspeth and Wee Morag - and the body snatching doctor.

1827 - ????: Crowley sleeps or is in Hell We don't actually know long or exactly when, but in the book it's mentioned he only got up to go to the toilet once. Why?

1862: St. James’s Park, London Crowley is paranoid, Aziraphale won't give him holy water. 1862 - ????: Wild West meetup (Unfilmed idea) Neil Gaiman just had the idea, it wasn't filmed.

1928: Crowley buys the Bentley And he keeps it in tip-top shape until the Not-Apocalypse. 1933: Aziraphale gets his driving license (unknown location)

1941: WW2 Blitz (London) Church bombing, magic show, photo taken, shades of dark and light grey.

1967: Aziraphale gives Crowley holy water (Soho, London) ...And says Crowley goes too fast for him. He does it because Crowley is about to orchestrate the robbery of a church. One of the robbers is Witchfinder Sergeant Shadwell, who we meet later. He offers his 'army' to Crowley.

1980s: Crowley designs the M25 (Hell) No other demons understand the whole thing about constant, low-level, effortless evil.

2007: Three children are born in a hospital in Tadfield The old switch-a-roo.

2007 - later that night: Godfather meetup (Soho, ca 2009) They're drunk, talking about whale brains and agreeing to raise Warlock as nanny and gardener.

2012 - 2018: Raising Warlock (Winfield House, England) He's way too normal! 2018: Not-Apocalypse (Saturday, August 11th, Tadfield Airbase) Do I need to explain this? 2019 - 2023: Beelzebub and Gabriel start meeting each other. We see them meet in an American bar, a Russian café and in the Resurrectionist in Edinburgh. 2020: Lockdown (London) Aziraphale goes on about cake, Crowley wants to come by and watch him eat. Aziraphale chickens out.

2023: Jimbriel (Soho, London) A naked archangel with amnesia shows up on Aziraphale's doorstep. --- UPDATED AND IMPROVED

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[mediacircuspod]

Obsessed with this scene and will be forever; A very long meta.

Your ‘exactly’ and my ‘exactly’ are different ‘exactly’s’

The Scene.

Crowley’s exactly means “We need to be safe and together and away from danger. Let me keep you safe.”

Aziraphale’s exactly means “We need to help because it’s the right thing to do, and we fix things when we’re together.”

Note though, that this is the only time they clarify with each other, and they don’t actually say what they mean, they say what they want to do.

“Let’s drop him off and leave him.” Vs. “Let’s take him in and help him.” 

The dissection of this also poses the question, Why does Aziraphale think helping Gabriel is the right thing to do?

And the answer is; Crowley gives him the courage to do what Aziraphale thinks is the right thing and not what heaven decrees is good.

And we can come to this conclusion because Aziraphale for the first time ever, immediately and without hesitation, goes against heaven’s will, without having to be convinced or going through a cycle of indecision or guilt. This is… A. Big. Deal.

Season One. 

Heaven’s good requires Armageddon to be complete, and under-way. And what does Aziraphale first say about it? “It’s all going to be rather lovely.” “I am not interested[in stopping Armageddon with you].” 

Aziraphale loves the earth in this scene. He loves the people on it. He loves all the creatures great and small. He loves Crowley, too. And he still refuses. He needs Crowley to convince him, and even then he still thinks heaven will see sense once he fixes everything. He still believes that right, and good, and holy are the same thing. Even if sometimes he doesn’t agree with it. 

Now, let’s go through some history. Between the two of them, for sure, but mainly Aziraphale’s. 

An act of defiance; The giving away of a flaming sword. The guilt and worry Aziraphale feels after giving Adam and Eve a chance at survival is not something he gets over quickly. He worries that it was the wrong thing even though it felt right. And the problem isn’t the system that would make doing a good deed the wrong thing, the problem is him. The problem is Aziraphale.

Compliance; The flood. The crucifixion. “God’s a bit tetchy” he says before Mesopotamia is decimated. Aziraphale is clearly uncomfortable with the will of heaven here, but he does not disobey. He does what he is told because the will of God is good and right and correct. He does this same thing with the same reasoning during the Crucifixion of Jesus in 33 AD. Crowley gives us context with a few lines, “Your lot put him up there.” “I showed him all the Kingdoms of the world.” We see a demon who still doesn’t understand why good is so cruel, and knowledge is so evil. And we see an angel that refuses to be conflicted despite his own inherent morality. Because Aziraphale understands why Crowley has questions, he has them too by now. However, Aziraphale has something Crowley didn’t; he has the knowledge of what good intentions and well-meaning questions get an angel.

Doing bad in order to do good. Let’s talk about the Job mini-sode, because let’s be completely real; I’ll never be done talking about the Job mini-sode. 

Aziraphale starts this episode thwarting evil. Something he is not conflicted about. You have to thwart evil when you’re good. That’s the whole dance at this point. Crowley stops the dance though, he presents a permit. A permit from a higher authority. Meaning that Crowley, the demon, is performing the will of not only Hell, but also of Heaven. A theme that IS THE WHOLE POINT OF SEASON 1. For all their want of a war, heaven and hell want the exact same thing. 

Crowley even states, “The real ‘Big One’ will be between ‘all of them’ and ‘all of us’”. At the end of Season 1 Episode 6.

Aziraphale is horrified by this “permit”. And he goes to check on the validity in heaven, and well. He finds out that it’s real. He doesn’t go higher after that, because he knows you don’t question. He knows he can’t ask why? So he goes to Crowley. If Crowley doesn’t do the evil thing, then Aziraphale doesn’t have to break the rules to thwart it. And well, even though Crowley is a demon, Aziraphale doesn’t actually see him do demonic things all that much. Aziraphale still thinks that Crowley acts like an angel. He’s even starting to think that Crowley is on the side of good. Good being heaven. Crowley denies this, but Aziraphale doesn’t listen. Crowley says, “Kill the blameless Children of Blameless Job” and Aziraphale isn’t going to stop him. The demon has a permit after all. But then something miraculous happens. 

A crow, bleats.

Aziraphale looks at a demon defying heaven, defying hell, and doing good. He doesn’t know it yet, but this is his first glimpse of their side. At this point, Aziraphale still thinks Crowley is a little bit on heavens side, because the demon is a little bit good. But then Crowley keeps saving the Children. Crowley stands before angels and he lies to save the children. He does something bad to do something good. And then.

So does Aziraphale. 

An angel lies to save children. And then that angel thinks that decision is his undoing. He readies himself for a fall that never comes. Because Crowley is going to keep his secret. This is where Aziraphale once again starts acting with his own moral code. It’s important to remember something important though. Aziraphale still thinks he’s the one who’s wrong. Not heaven. The birth of “their side” coincides with the saving of Job’s children. But there’s a problem. 

It doesn’t mean the same thing to each of them. To Crowley it means and end to his loneliness. To Aziraphale it means the beginning of his millennia long struggle of reckoning good with right. Their “exactly’s” don’t match, and they don’t clarify with one another.

The Book and the Bandstand; Aziraphale doesn’t tell Crowley. He doesn’t say, “Let’s go save the world, I found the anti-christ” He says, “Why would I know his shoe-size?” And Crowley doesn’t suspect a thing. Ouch. They disagree on how to continue. Crowley wants to cut their losses and run away. He wants to do this because he thinks they’ve already lost. And Aziraphale doesn’t give him a reason to hold on because despite everything, Aziraphale wants to be good in the heavenly way. He wants to give heaven a chance to do good, too. A higher authority will surely agree with him. And now, he has the courage to ask. Only after he is turned down by heaven does he make his own decision. He steps into ‘their side’ safely, because Crowley had built it that way. 

And he saves the world. With Crowley, and the Anti-Christ, and a series of human beings. 

Aziraphale retreats to the safety that Crowley has built for them and that he himself has built as well, despite constantly looking over this shoulder. And he finds comfort there. It is the entire reason he finds himself comfortable making his own choices in Season 2, regarding what is good. It’s why he helps Gabriel, and it’s how he gets Crowley to do it too. 

You might even say that Aziraphale embraces ‘their side’ more than ever in Season 2. He includes Crowley in all of his plans, excitedly tells him information he finds, calls the bookshop, the Bentley, and their existence, ours. Oppose this directly with Crowley who, in the name of keeping Aziraphale safe, actually just keeps him in the dark(The threat of extreme sanctions, Gabriel’s trial, etc.)

Exactly vs Exactly; AND STILL THE ENDING MAKES SENSE. I have a whole meta HERE about the reason Aziraphale made the decision he did, but I want to talk about it a little bit more. Because it’s the same problem. Their “exactly’s” are different, and neither of them asks the other to explain why. 

In this particular case of the ending scene of Season 2, in place of the phrase “exactly” they use the word “together”. 

Aziraphale wants Crowley with him in heaven, because they fix things when they’re together. And Aziraphale has faith they they can fix heaven. “We can be together” is how he presents it to Crowley. Crowley rightly sees this as naive, and he’s upset that Aziraphale thinks he wants to be something he’s not anymore.

He finds it hurtful that Aziraphale wants him to change. 

“We can go off together” Is what Crowley counters. He says all of this is awful, please let us go off somewhere the danger isn’t. Let me keep you safe. Aziraphale doesn’t want to run away. He wants to save the world again. He wants to save it with Crowley. He wants them both to be good, too.

IT’S THE SAME ARGUMENT. 

Only Crowley doesn’t let Aziraphale win this time. Aziraphale isn’t right this time. And Crowley isn’t wrong. (I mean I don't think he's right either, they need to find a compromise that isn't the toxicity of heaven and isn't the loneliness of running away.) This time he says, “It’s finally too much, you’re finally asking me to do too much.” Crowley for the first time ever, when asked to make the decision between the two of them, chooses himself. Neither of them explain themselves, and neither of them asks the other to do it either. Because asking questions has always been dangerous for both of them. Anyway, this season makes my brain buzz and I love the ending so much.

#its the “Let me fix it for you” but hearing “Let me fix you for it” dilemma that I said in my Job post #good omens #good omens meta #good omens 2 #good omens 2 spoilers #good omens spoilers #go2 spoilers #okay? okay. #but instead its exactly? exactly. #and instead of sweet its actually heartwrenching #I won't stop talking about this EVER

[sylwritesstuff]

Aziraphale and Crowley don't communicate and it stems from their first meeting.

Let me explain.

Before the Beginning, Crowley is at his most honest and his most vulnerable. He tells Aziraphale so excitedly all about stars and how long it's hoping to take for them to form.

Aziraphale is also bluntly honest (a trait he never really loses but does learn to temper) in telling him about the 6K year timeframe.

Crowley then mentions creating a suggestion box and Aziraphale frets over him, concerned already, and we all know how much trouble Crowley got in for asking a few questions.

This sets the tone for everything after.

Crowley stops being honest - "I'm a demon. I lied." - which also means Crowley has been disparaging his own demonhood at least since Aziraphale looked at him askance on a wall and said, "You're a demon. That's what you do."

Aziraphale stops trusting him, but he never stops being polite. Crowley doesn't attack him, so he doesn't attack either. Not at the Ark, and not with Job's goats. Aziraphale is still vaguely seeing the angel he saw in the stars.

Crowley even gives him the permit so he can doublecheck that everything's above board, so to speak. Then we've got Crowley lying straight to Aziraphale's face about killing Job's children because Crowley still sees the angel in the stars who told him the world and his nebulae were going to prematurely end.

The angel who let kids die in the Flood.

Yes, the angel who shielded him on the wall and gave away a flaming sword, so there's some comfort that he won't instantly get smote - "smitten" 😇 - but still the angel who staunchly toes the party line.

After all's said and done and Aziraphale cries about being fallen - cries over being just what Crowley is, even after seeing Crowley circumvent Hell's rules - Crowley tells him he won't tell anyone.

Crowley is good at not telling anyone things, but so is Aziraphale.

Season 1, we get this. Crowley doesn't tell Aziraphale about the hellhound until the last minute. Aziraphale doesn't tell Crowley about finding Agnes's book. Aziraphale doesn't tell Crowley he's meeting with Nazis, and Crowley certainly never tells Aziraphale how he knows them. 

Season 2, we get more. 

Things Aziraphale doesn't tell Crowley:

• Deringer in a carved out book and gun license

• Drivers license he's had for 90 years - as long as Crowley's had the Bentley

• Why his French is so bad (not until he's asked a direct question)

• He knows Crowley likes to rescue him

Things Crowley doesn't tell Aziraphale:

• Beelzebub dragged him to Hell and made him an offer

• He'd never shot a gun before

I'm sure there are more things I'm forgetting, but those are some of the big ones.

More evidence of their continued lack of communication after the Apocanot is the apology dance. (Although I love it and do need to see Aziraphale do it too.)

Crowley is not wrong, and Aziraphale is not right. They are both both. But that never gets discussed, which is why Crowley never has to talk about being brought to Hell. He never talks about Aziraphale being threatened by Extreme Sanctions.

Aziraphale doesn't know why Crowley comes back, but he very likely assumes it's because Crowley wants to do the right thing after all. Aziraphale is still thinking about the angel Crowley was (season 1, "You were an angel once") and sees every single instance of good as PROOF that Crowley could/should/wants to be an angel again.

Additionally, some of the things they do say don't get heard. Aziraphale likes to tell someone he's doing good now that he's no longer reporting to Heaven. Crowley teases him for it twice, back to back. Tone of voice and "doing good again, angel?" after Maggie says something about the rent.

Aziraphale craves being told he's doing the right thing. Aziraphale has been pushed into a place where he won't get that from the place he always has because Heaven is out of reach. If he'd communicated this to Crowley, who is doing everything he can as always to keep him safe, that Crowley would keep teasing him? That Crowley wouldn't gesture to someone in need and say, "Right. Have fun, angel." Anthony J'acts-of-service Crowley would absolutely let Aziraphale have all the bouncy fun miracles in the world without shame. 

Also, when they discuss how to make Nina and Maggie fall in love. Crowley's idea - canopy, rainstorm, vavoom - is absolutely informed by his own experiences, but he doesn't leave it at that. He says he "saw in a Richard Curtis film." He won't let that uncomfortable truth live in reality, pushing it off to humans and film. The realm of fiction, as Aziraphale immediately latches onto.

They don't talk about themselves. They don't talk about being an US. They said their side without getting into the nitty gritty of what that means to the point where neither knows where the line is.

Aziraphale says our car and when Crowley refuses because my car, Aziraphale also says they both get use out of the bookshop. Our car, our bookshop. It's a melding that Aziraphale assumes is perfectly natural, but Crowley hasn't seen it that way. They haven't talked about it.

And when they finally do, Aziraphale is running on the assumption that because Crowley does good and was happiest as an angel, looking over a colourful nebulae - so happy with it, he didn't want to lose it and ended up Falling for it - of course Crowley would want to go back. Of course Crowley would want to be in charge (second in command) since it means doing what they do on a larger scale.

Crowley, however, is still keen to keep going as they have been. Alcoholic breakfast at the Ritz, fixing up the bookshop like nothing happened, getting Muriel away so it can just be the two of them. Crowley is ready for the status quo. Although he does have new knowledge that the car and the bookshop are theirs, he and Aziraphale still carried the plants back to the Bentley.

They are still not talking.

And when they do, it's too little and it's too late. And they never ask each other why.

Next season, they need to learn how to ask why. And I have faith they will.

#good omens season 2 spoilers #GOS2 #Good Omens spoilers #Good Omens 2 #Good Omens #Ineffable Partners #Communication is key #Meta #Good Omens meta

[ineffablebookgirl]

Like. Here's the thing. They were BOTH getting there. To the point where they can look at each other and say, I want to be with you.

Seeing Gabriel and Beelzebub just being openly happy like that. The whole season is an arc of both of them getting there. The way Aziraphale looks at Crowley. "Yes, I have a plan, but saving me makes him *so* happy." Getting Crowley to dance with him at the ball. Like. I need to rewatch it a couple times before I can put together a coherent meta on this, but. I really think Aziraphale was *almost* there. And without the Metatron's interference, his reaction to Crowley's speech would have been very very different.

They're both being given a Solution, a Way to finally get there. And Crowley is shown the human way, and goes for it, as he always does. And Aziraphale is shown a Heavenly way, an option that satisfies all the traumatized loops and addresses all the fears and insecurities that have been abused into him, and it's so much easier to take that option, to collapse back into those eons-old patterns and emotional habits than to do the hard thing and say yes to Crowley. And it sucks, and it's awful, and you know it, I know it, Aziraphale knows it, he *knows* it's wrong, but he just doesn't have enough practice yet doing it another way.

But he will get there. I have faith he will get there.

#good omens #ineffable husbands #aziraphale #crowley #good omens season 2 #gos2 #good omens spoilers #gos2 spoilers #good omens meta