Final Destination 2
David R. Ellis. 2003
Entrance Ramp
Willis Rd, Campbell River, BC, Canada
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going through the final destination franchise and the fourth installation was such a disappointment coming after the absolute masterpiece that is final destination 3
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Movie Review | Final Destination 2 (Ellis, 2006)
When viewed against the time it was made, it’s tempting to read the movie as a metaphor for the persecution complex of the evangelic right. Death is discussed almost as a deity to devote oneself to. Characters wield their belief over others as the route to survival, or one could say salvation. And a character violently embraces belief after a traumatic experience. Of course, seeing it now, it can be read as a COVID metaphor, characters alternately paralyzed in fear of or refusing to believe in an intangible and now contagious threat.
I don’t know the last time I saw a case of sequelitis this aggressive. This one is transparently a clothesline for the death scenes, which are even more elaborate, even more expansive, even more violent. The fabric in between is entirely perfunctory, like the dialogue scenes in a post-golden-age porno. Whatever contemplation the first film offered around the subject of mortality has been totally shed, and the killing off of a survivor the original offscreen feels like a cruel joke. The movie lampshades its devolution with the return of another character, who is now reduced entirely to paranoid survival reflexes, a grotesque parody of how she and the series once was.
Ali Larter probably isn’t a great actress, but she does bear a resemblance to Bridget Fonda, who I quite like, so I suspect that’s playing a role in me liking Larter as well. I have a theory that Hollywood sometimes tries to pass off actors and actresses of similar appearance to an unsuspecting public. The only successful recent case has been Samara Weaving as B-movie Margot Robbie, in part because both happen to be quite talented.
I must concede that some of the death scenes are quite well directed, especially the catastrophic traffic accident that opens the movie. The original’s death scenes brought to mind the “Chow-dare” guy from The Simpsons. The ones here are generally less accidental, but there is a case here where a guy’s hand is “stuck” in the sink because he’s actually been holding on the whole time, like a wise man once did with a vending machine.
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The Final Destination (David R. Ellis, 2009)
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Final Destination 2 (2003)
⭐️⭐️⭐️ .5
I’m aware I am watching these films out of order, I still can’t find the first one on Criterion on Demand, but c’est la vie.
Maybe it’s because I always believe my friends, but I would never have let my friend drive onto the highway after hearing her vision. Wack. Her friends were not there for her.
I can’t help but feel like this whole series is like that text post about Apollo gifting people with Sight.
(Edit: THIS ONE!)
Also very wild to say “have you noticed anything ironic?” to a person that believes they’re going to die. That’s pretty twisted.
Also, sometimes, it’s not fate coming to get you, it’s a lack of kitchen safety and WHIMS knowledge. It all gets us in the end. Regardless, the tension in each death scene is so worth it.
I think that this twist on the original narrative was compelling but sometimes the actors couldn’t sell it. See: “See what? 😐 Pigeons? 🤨” and “😃 Tim! 😐” Other actors were putting their whole pussy into their performance to the point of near camp. But I think that horror movies like this make a person like myself easier to digest the horror.
You should watch this film for:
The yearly reminder that WHIMIS safety is indeed important
Edging. You get it if you have seen a single movie in this franchise.
The mid 00s dialogue, with gems like “Suck my junk, biatch!”
Similar titles:
The rest of the Final Destination Franchise (ig)
Escape Room (2019) (deals with a lot of planned horror, and asks the question ‘who will make it out alive?’)
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