yakou furio's character is so tragic to me. i wanna meme about how they used the fridged wife trope but other than that it's like. he lost his family and later all of his coworkers and just. existed alone for years.
looking at the state the submarine and especially his bedroom was in, with everything being a mess and all the cigarette butts in his bed, yakou was clearly depressed. he wouldn't even take on any interesting cases to fulfill his passion as a detective because he was so afraid of the peacekeepers. instead he just kept his head down. surviving but not actually living.
and then he finally gets some new detectives to work at his agency and the first thing he can do is fail to save most of them from dying horribly. but the five that yakou did manage to save latch onto him and he starts getting into a leader role! even if his new coworkers are all rowdy and get into trouble they still respect him as a leader and look up to him.
the detectives keep picking fights with the peacekeepers that yakou has been trying so hard to dodge. and usually the resolution is kind of messed up because the victims die but the detectives prove themselves capable of handling the peacekeepers! they're helping people! for the first time in a while, yakou comes toe to toe with peacekeepers willingly, to help his new friends. he realizes that he is able to stand up against amaterasu corp, with the help of the others.
but by the time he realizes this, the stage has already been set. the letter from yomi turned his grief into anger and a thirst for vengeance. although yomi gave him the information and opportunity, yakou was ultimately the one who chose to murder the man who murdered his wife.
yakou has already rebuilt his life after his wife's death. the detectives at his agency look up to him and he would do anything for them. it would never be the same as the life he had with his wife but yakou had the chance to turn over a new leaf with a new found family who cares about him.
but instead, yakou plans a murder. he needs to die, over and over, in order to access the man he wants to kill and he accepts it. he needs to trick two kids, who look up to him and who he cares for, into becoming his accomplices to the murder and he accepts it. in the wake of forcing his detectives to witness his murder, he needs leave them in a lab filled with peacekeepers who want to kill them and he accepts it.
and it's not that he doesn't care about his detectives. yuma and halara disobeyed his orders and assaulted several peacekeepers, and he was willing to be arrested himself before throwing his employees under the bus. yuma and fubuki were implicated in terrorism and yakou and the others solve the case for them, then prepare to fight an army of peacekeepers to protect yuma.
for his murder plan, yakou only needs desuhiko and fubuki's powers. but he brings halara and vivia along as well because they would be able to protect the two younger detectives and fight their way out of the lab after yakou dies. he enacts his plan on a day that yuma wasn't around because he won't be able to help fight peacekeepers, so it's better to just keep him out of this mess. he covers up his murder-suicide to protect his detective's feelings, but also because they would be implicated as his accomplices if his plan was revealed.
and yakou probably expected that the other detectives would be fine. if they'd left him behind to die, the other detectives probably would have been able to either fight their way out or hide out in the lab a bit longer and figured out a good plan to escape. if yakou had his way, he would have gotten his revenge and his detectives would have gone home grief-stricken, but unharmed and forever unaware of their roles in his death.
but yakou doesn't account for the fact that the other detectives would try to save his life. yuma doesn't run after the hitman and escape the peacekeepers, he stays behind to beg yomi to help yakou. fubuki uses up all her energy to rewind time to try to prevent yakou's death instead of helping the others escape the lab. halara, vivia, and desuhiko not only have to fight off peacekeepers, but they also have to carry yakou to a hiding spot to give first aid. and instead of calmly planning their next move, everyone is desperate to solve the case so there would be any chance of getting yakou to a hospital as quickly as possible.
one major theme of rain code is that despite tragedies that may have happened in the past, people can work together with those they care about to live a better life in the future. and yakou could have had that. his wife's death should have stayed in the past, and he should have continued to mentor the other detectives, solving mysteries together and enjoying each other's companies.
but yakou couldn't let the past stay in the past. he had every chance to not go through with his murder. he has new people he loves, but he manipulates them and puts them in danger in order to get back at the person who killed the last person he loved. his victory was a pyrrhic one. he got his revenge but in return, he destroyed himself and his detectives' trust in him. he enjoyed his revenge momentarily before dying and leaving his new family, who he used their love and trust for him to his advantage, to pick up the pieces.
yakou furio had lost everything in the past. but in trying to pursue it he destroyed everything he had in the present. that's the tragedy of his character to me.
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it's your conclusions that make mine delusions– tma
Jon's feet dangled underneath him, hanging limp. Papers fluttered to the floor, forgotten in the mad scramble between the two men. Jon's hands rested loosely around Tim's wrists, just above where his fists were twisted into Jon's collar. With his back against the wall, Jon was trapped completely under his co-worker's wrath. Tim stepped closer, crushing a lazily written report under his shoe.
"Is there a problem, Mr. Stoker?" Jon asked lightly. Tim's nose scrunched with disgust as Jon's smirk widened enough to bare teeth.
"Stop smiling," Tim snarled, "Stop fucking- what is wrong with you? Why are you here?" Although his grip on Tim's wrists remained deciptively gentle– hands poised so that fingertips just brushed skin– Jon's expression grew hungry. Entertainment flickered behind dark irises; Tim got the sense Jon was relishing in his desperation.
"I work here." Jon answered simply, unbothered despite the way Tim's knuckles dug into his throat. Tim barked out a mirthless laugh.
"Not the same way the rest of us do. Prove it- prove you're trapped by- by whatever is wrong with this place. Go ahead, Sims. Say it." He goaded, hoping Jon would rise to the bait. Jonathan Sims was perpetually level-headed, but Tim was at his wits end.
He wanted this puppeteer wearing a human face out of his life– out of all of their lives.
"Personally, I don't have any desire to leave. I'm quite happy with this job." Tim growled, rearing back and slamming Jon into the wall. The back of his head hit the damp drywall with a satisfying crack. Jon blinked rapidly, dazed.
Tim's blood pounded in his ears; he wanted to hurt this thing under his hands and he couldn't bring himself to care anymore. It was destroying his friends, creeping like a crawling rot into every nook and cranny of their minds. Slowly, it invaded– a sweet croon here, a sharp discouragement there; watchful eyes and cutting words hidden behind an open kindness that came from the confidence of security. It felt safe picking them apart sinew by bloody sinew.
Sasha was ruining herself and wouldn't listen to reason. She ran headfirst into any situation she thought would give her leads, not even bothering to tell anyone when she was in danger. She was working longer hours, talking to people in her office in secret, stashing tapes and statements in odd places he and Martin wouldn't look. Every new statement plucked from the mess Gertrude left behind sent her on a spiral, clawing for any connection to latch onto– and she latched onto Jon's words like a woman drowing. When Sasha ducked away from conversation with Tim and Martin, Jon was at her elbow, whispering in her ear. When she eyed Tim with distrust, he could feel Jon's gaze burning into the back of head. When she continued to pull away from anyone who could anchor her to reality, Jon was right there, pulling her along.
Jon's breathing was becoming laboured. Tim pressed more weight against his chest, egged on by the slight give of Jon's ribcage under his forearms.
"Kill me," Jon choked out. Tim lurched back a step, allowing Jon to take a deep breath that left him with a dry cough. His grin split his pockmarked cheeks, "Kill me, right now. Get it over with. That is what you want, isn't it?"
"You're sick," Tim spat. He pushed against Jon until he wheezed, "You're a sick little creep and I- I want you gone. Leave the Institute. Run into traffic. Anything, just- just get out." Jon's beaming smile wavered, eyes fluttering as consiousness was squeezed out of him, "If I ever see your face again-"
"Tim!"
Tim startled, dropping Jon's collar and letting him crumple to the floor. The anger drained out of him instantly, leaving a hollow in its wake.
He stared down at the man at his feet; Jon's narrow back was shaking.
Shaking with laughter.
Jon's boney shoulders jumped up and down, breathless snickering wracking his entire frame.
He peered up at Tim through spidery bangs. As if on strings, his lips were pulled into manic smile, eyes alight with joy. Hysterics were carved into every crease of his face.
"You can't. You will never be rid of me." He whispered, voice pitchy with wonder.
Someone pushed Tim aside; he stumbled out of the way without even turning to see which of Jon's victims it was. Red faced anger entered his sight, made fuzzy by the film of haze filling his brain.
Helplessness squeezed like a band around his chest; no one would believe him about Jon. Not Sasha, too paranoid to see the problem right in front of her. Not Martin, who would give and give and give to a monster who could only take. Not Elias, who had let Jon into the Archives in the first place.
"-at is your problem, Tim?! What could /Jon/ have done to-" A tinny voice buzzed beneath the rapid gallop of Tim's heart.
Jon was right– Tim couldn't do anything. Nothing would keep Jon from weaving his web around all of them; all he could do now was watch as the threads tightened and tightened until they each snapped under the tension.
Something bumped– shoved his shoulder. Salt and pepper hair left his vision and, instinctually, Tim's eyes traced the monster across the room.
From under Martin's arm, Jon pressed his face into his shoulder. Crocodile tears soaked into the soft, well-worn knit of Martin's favourite jumper. In stark clarity, Tim zeroed in on the hand that raised behind Martin's back.
Jon waved at him slowly and deliberately as he was led gingerly into the breakroom.
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Semi-Niche Crossovers go BRRR
*smashes tma, genshin, and cookie run together into a weird fruit punch*
[Image ID: The first image is a horizontal digital drawing of Ningguang and Beidou from Genshin Impact dressed as Elias Bouchard and Peter Lukas from The Magnus Archives. On the left is Ningguang, she's facing towards the camera's left and is winking at the viewer. She wears tiny circular glasses, a white dress shirt, a brown tie, a dull green tweed waistcoat, black gloves, dull brown pants, and a dull brown blazer with darker brown elbow patches. Behind her are two floating eyes with red irises. On the right is Beidou, she's facing toward the camera's right and is looking down at the viewer with an open-mouthed grin, a pipe between her teeth. She wears a pale blue dress shirt, a black tie, dark blue slacks, and a long navy blue jacket. She holds a captain's hat on her left hand. Bright blue smoke curls from her pipe. Behind them both is a rectangle that from left to right is a gradient from light green to light blue.
The second image is of Jonathan Sims from the Magnus Archives dressed as Eclair Cookie from Cookie Run Kingdom. Jon is a thin man with brown skin, long near-black hair with grey streaks in a ponytail, and dark brown eyes. He holds a quill and several meters of parchment./.End ID]
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