I get that calling white lotus lbh a sticky little 'sheep' is a canon translation and stuck in the fandom now anyway, but I do feel the intended spirit of the original word wasn't the sheeple/dumb herd animal that's more common in the western world, but instead something actually conveying sweetness, innocence, purity and youth - lamb.
Famous for being utterly adorable and following around their mothers, gambolling in sunny meadows, curly white wool shining.
And NOW we can talk about black sheep/wolf in sheep's clothing metaphors.
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Sorry if someone's already made this poll I am just DYING to know if anyone else finds it hard to believe, as the show seems to expect us to do, that he entirely failed to notice both these things.
Speaking for myself, I can accept the possibility that Julian was clever enough to hide his enhancements from even a trained spy, especially given his decades of practice at it. But personally I just cannot believe Garak didn't at least suspect something was off when Julian got replaced.
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very curious if it means anything how many characters we have in tmagp statements acting as "npcs." like, the kids at the charity shop have no names, but they're attempting to fill the place of an antique shop worker & just missing the mark. the people in the liminal space can only repeat certain dialogue, the man running the theater in voyeur runs like. ALL of the theater. very few people are coming up who seem like they actually, like needles, are in charge of their actions. even when we get names, it's usually just aliases, like ink5soul. it's all about working towards a greater goal, but we don't know who's goal, or even what that goal is. we can see the ants, but we haven't met the queen
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I don’t think the ending of lost children is saying that people like Jill should stay with their abusers or that it’s noble to suffer I think it’s just making the point that there isn’t a paradise where you will never suffer, as it seemed that Jill tried to leave with Guts as a form of escapism thinking her problems would disappear if she did, like rosine did with the sacrifice. Yeah it’s still not that great and it doesn’t reflect well on guts either when he could’ve just brought her to Godo and had him look after her or something. Though the narrative does frame it as though guts made the “right” choice, basically tough love and making her stronger or whatever. And there was the idea that the demons haunting him at nightfall would be too dangerous for her anyway.
Enh I'll admit that Jill's naivete is a detail that makes Jill's decision to stay work strictly on a character level. Sure, Jill is frightened off by ghosts and decides to stick with the devil she knows, I'll totally buy that.
But yeah like you go on to mention, the narrative framing it as the right choice is the real problem here for me. I doubt Miura intended to flat-out say that abused kids should just deal with it, but it's effectively what the narrative says consistently throughout the Lost Children arc, from putting the Peekaf 'you'll regret leaving home' story in the arc about child abuse to Rosine's regret and longing for home as she dies to Jill deciding it's best for her to stay with her abusive parents and just struggle and cry her way through it.
Also maybe worth noting that plot-wise Jill's decision doesn't actually fit the larger narrative of Berserk. This is probably accidental lol, due to being a serialized story, but think about it: she decides to stay with her family because it's dangerous elsewhere too. Well, what happens a year later when her village is leveled by dragons because Griffith genre shifted the story to high fantasy? It's a hell of a lot safer to be traveling with Guts than it is to be an ordinary villager during the Fantasia arc lol.
So yeah. ia that staying with her abusive family makes sense for Jill on a character level, but it's the way the themes of the Lost Children arc seem to support that decision that bothers me, and I don't think it really works on a plot level either, taking the later story into account.
Thanks for the ask!
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