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#estee lauder perfume vintage
lapinlavande · 8 months
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solid perfume necklace in the shape of a mussel from estée lauder, 1974
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yassssifiedhistory · 1 year
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Little fish!!!
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persolaise · 1 month
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Van Cleef & Arpels Encens Precieux, 27 87 Per Se, Arcadia London and other reviews - 2024
I presented a mixed bag of delights over on Love At First Scent the other day: new releases from Montblanc, Van Cleef & Arpels, 27 87, the UAE-based brand Arcadia and a special, vintage bottle of Youth Dew parfum. Here’s a link to the video, followed by timestamps: Van Cleef & Arpels Encens Precieux, Montblanc Legend Blue, Arcadia London, 27 87 Per Se, 27 87 Mosaique and Estee Lauder vintage…
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pacinglikeghosts · 10 months
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assigning ronance signature scents
because i am obsessed with fragrance and this is kind of like my hidden talent and i want to use it on robin and nancy. 
this is not historically accurate because i really am just out here having a silly goofy time, i mostly just use this as a resource in my fics and wanted to share!
nancy: 
starting with my best girl because i actually have info to help me with this! during the filming of s1 natalia bought a vintage bottle of charlie blue (which i also bought, as an experiment) to wear and get into nancy’s headspace (it was literally awful. she made joe keery sneeze or cough according to the story). but to get to the point, charlie blue is a floral fragrance, leading me to pick two floral perfumes for nancy. more specifically, i picked “pure white linen” from estee lauder (left) and “sun moon and stars” from karl lagerfeld (right).
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not only do i think nancy would stick with florals, i also think she'd stick with name brands (like what you could find at macy's). charlie blue is a revlon perfume, so it led me to believe that while the wheelers have money, they aren't exactly spending it on something like fragrance that is just going to be drained. i also think karen may have bought nancy her first fragrance based on what she knew, because that's what her mother did, and nancy never bothered to venture out until she was older. "pure white linen" gives me daily use vibes, while "sun moon and stars" is more special occasions/dates. i also think she has a permanent lingering smell of ink and paper but that's not featured here.
robin:
oh robin. to the surprise of no one, these are a bit more gender-neutral to masculine than nancy's. when thinking about robin, i wanted things that were masculine, but still had a touch of softness and sweetness to it. fragrance has no gender, but a lot of masculine fragrances created in the 1980s were very masculine (think branding for men like GLACIER ICE FREEZE vs soft vanilla woods for women) so if she were to buy fragrance in the 1980s, i think she'd steal steve's cologne or spend five hours trying to pick a cologne that is slightly less overly masculine. that all being said, i picked 'skins x vilhelm' by vilhelm parfumerie (left) and 'ambre topkapi' by mdci parfums (right)
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as you may notice, there's a lot of lavender, sandalwood, leather, and tea in these fragrances. that is completely on purpose, because i find that those pull especially gender neutral-masculine on a lot of people that is soooo appealing. they also don't flag incredibly masculine on first sniff, making it so most people can get away with wearing them and not smelling like a forty year old man named Tim that works a 9-5 and plays golf. the floral and spice notes work as countering pairings of each other but in the best way, and i could totally see robin wearing this in her full butch glory. also, the queer history of lavender is not to be ignored and robin certainly wouldn't ignore it. to me, i see robin wearing 'skins' on a more day-to-day basis, and 'ambre' as a special occasion/date thing.
anyway that's it! i love talking about fragrance and i don't think i've ever really talked about it here except for the coco chanel poll so PLEASE talk about it with me if you'd like.
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lemonhemlock · 4 months
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Fun little ask, what are your fav perfumes or colognes?
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I'm one of those people who need to match their fragrance to their outfit and vibe. 🙈 So it's not enough for me to have one fragrance or even a family of fragrances, I need to have one for every occasion. 🤦‍♂️
That being said, one of my go-tos has to be Diorissimo by Dior (obvs, lol), since it contains every white flower imaginable on the planet and I simply adore the scent of white flowers - lilies of the valley, hyacinths, jasmine, lilac, I love it. I have many white-flower-based perfumes; they are well-tolerated and appropriate for many situations. Elie Saab - Le Parfum is similar to this.
But I wouldn't be me if I wasn't on some oddball shit! So I'm really drawn to vintage perfumes - that cloying, heady, powdery smell of opening an old lady's handbag, of vintage makeup and sweets. The smell of lipstick I find very attractive (I think it's given by the iris note), so, for example, I wear Dior - Homme, even though I wish it'd be stronger. (I'm also one of those oversprayers who wants to leave a scent trail when I walk. 😅) The classic Agent Provocateur is another example - a very heavy, slutty rose* with an intoxicating presence that makes you cough - very powdery, very reminiscent of a boudoir - the kind of scent Satine from Mouline Rouge might wear. Loulou by Cacharel is literally how old ladies smelt like when I was a little girl, so ofc I overspray that, too. My neighbour who lives on the ground floor says she can tell I left because she can smell it in the hallway. ☠ It's very hard to describe, something like plum with wood? and incense with a white floral background. It's very, very 90s. Just an amalgamation that's very hard to separate but very distinctive. Other stuff I have and enjoy from this category are Angel by Mugler, which is similarly hard to define because it seems to have every note in existence, with a powdery finish + Cabotine by Gres - very strong, very potent carnation, very green, which may not be to everyone's liking. Loulou & Cabotine are also what I'd describe as pretty unfriendly, unapologetically spiky perfumes; you either love them or you hate them.
I'm going to be basic now for a second, but my first foray into vintage scents was when I whiffed Chanel no 5 in Sephora and I instantly fell for that artificial, cold, standoffish aldehydic smell. I had a bottle of Shalimar back in the day and her sister, Casmir by Chopard, and 10/10 would purchase again. Jungle L'Elephant by Kenzo is also a strong vintage scent, with spicy cloves, dark citrus and amber that shares that heady quality I'm drawn to. For a long time I kept a big bottle of Opium by YSL, which remains the queen of spicy scents to me, it's like all possible condiments condensed into this hegemonic cloud of aroma. The people around you will always know you're wearing this. 😂 Sometime in the future, I would like to try some similar scents like Aromatics Elixir (Clinique), Cinnabar & Youth Dew (Estee Lauder) and Magie Noir by Lancome. Not a priority, but they're on my list. I used to have Fame by Lady Gaga and it smelt very incense-y, which was fine by me, since I love all church smells - myrrh and the like.
I'm very fond of nostalgia scents from my childhood. Weirdly enough, cough syrup. Which is exactly what Egoiste by Chanel reminds me of. :)) Which is why I put it on my list. There's also a recurring motif I keep encountering in my choices - something I associate with my grandmother's house, slightly Oriental, caramel, but somehow also minty. Like all old ladies, she used to keep all kinds of sweets in an ornate bowl - mint drops and other kinds of sucking candy or toffees. And, like all children, I greatly coveted that bowl. Perhaps the saffron note has something to do with this, but it's something I recognise in perfumes like Shaghaf Oud by Swiss Arabian, the oil Tanasuk (Al Haramain) or Herod (Parfums de Marly). So those kinds of scents feel v comforting and familiar to me. Herod is so well-named, too, that's 100% what thee Herod would actually wear.
*I love rose in all its forms. The idea that someone could dislike rose is very peculiar to me. :)) I have a bright, sirupy rose in Madame Gres (though it doesn't list in the notes, weirdly enough, so must be the combination of pineapple and peony that I perceive as rose) and the sparkliest, girliest, pinkest rose in my Delina dupe. I couldn't get the rotting, sickening rose note out of my head when I first smelt Portait of a Lady, so I had to buy a replica (I'm categorically not dishing out 300 euros for a bottle of perfume, lol). I'm so curious about Rosenrot by Rammstein (💀) because it's supposed to smell like roses with blood, but I read it unfortunately doesn't lasts very long.
There are not many smells I tend to dislike - heavy oud is one of them, for example Cuir Intense by Guerlain smells like wet dog on me. I once smelled Hacivat by Nishane out of curiosity and it legit made me think of feces. I love chocolate and think it smells complex and appetizing, but I wouldn't really buy such a fragrance for myself.
A bit unusual since I do love gourmands. Anything that smells like candy or sugar or fruits. Recent purchases are Safeer by Lattafa, which smells literally like a sparkling, sugary lemon cut in half, so bright that approaching it makes your mouth water + Amber is Great by Zimaya, which legit reminds me of Skittles. :)) More conventional perfumes I wore were Lost Cherry and Bitter Peach by Tom Ford. My replicas at least did not have the longevity weaknesses of the original and were really mouth-watering.
I would say I'm fairly adventurous when it comes to perfume, since I enjoy a wide variety of notes. Green fragrances are also right up my alley. Strong notes of patchouli, vetiver, grass, leaves. My boyfriend is getting me Nerolia Vetiver Forte for Christmas and it's the greenest woody white floral, I can't wait to overspray and exasperate people. :)) Tobacco is a weird note for me because I seem to love it in perfume but absolutely detest it IRL. Tobacco Vanille (Tom Ford) and Aventus for Her (Creed) may be very hyped, but I still got people very frequently asking me what I'm wearing. They're hits with the public! Leather I also find complex scent, though I don't think I have anything with leather in it right now. I went through a phase this year where I used up half a bottle of Libre by YSL because I couldn't get enough of the lavender. Olympea by Paco Rabanne got the same treatment from me - just the cleanest, soapiest, most comforting, intriguingly salty perfume. Works so well with the Layali oil by Swiss Arabian.
For the future, I'd like to collect more generally unusual scents. Or anything that can be described as evil or witchy or dark (because I'm a 13 year-old edgelord 😂). For example, Toskovat make this perfume that is supposed to smell like gasoline and bubblegum and another that's supposed to smell like gunpowder, ozone and blood bandages. I also have my eye on La Couche du Diable by Serge Lutens - just.... everything about that concept. :)) I already have something that I think is similar, By the Fireplace by Maison Margiela - it smells of FLAMES and roasting chestnuts. I also have the famed Habanita by Mollinard and it's certainly very witchy, dark & mysterious, like someone is preparing bitters or a potion and they have a whole cauldron of plants macerating.
And, of course, I am dying to get my hands on a milk fragrance.
As for men's, I feel like a lot of them are so generic fresh-smelling, citrus, pine etc and, while I can't say they're not nice, they're very basic and too similar to each other. Sauvage by Dior is the perfect example of this. Men are way less adventurous when it comes to perfume, so the men's fragrances that end up making an impression on me are honestly something that would be considered unisex or, at the very least, different. Something like Amouage - Epic or Sunshine Man or Penhaligon - The Tragedy of Lord George (I'm curious about Halfeti, too). Boozy fragrances work well on men, too, like the very cheap (but surprisingly good) Bentley for Men. Tobacco and leather work well - Tom Ford have quite a few of these: Ombre Leather, Tuscan Leather, Tobacco Vanille, Tobacco Oud etc alongside stuff like Black Orchid, which is rarer to see on a man, because they have no sense of style. I'm also curious about quite a few Parfums de Marly: Carlisle, Godolphin, Pegasus, Sedley. My beloved Herod is labeled as a man's fragrance, but that hasn't stopped me! My bf has quite a few distinctive & memorable creations from Mancera: Red Tobacco, Oud Violet and Deep Forest.
Deep Forest I probably like the most but it's also the most difficult for me to wear. I'm not convinced I can pull it off on my skin, but I will keep investigating. 😅 It's the darker coin flip of my Eden by Cacharel. Both are cloying, intense and unusual, both carry the feeling of being enclosed in deep vegetation. I like to think of Eden like a trip through the jungle on the hottest day of the year, in your best beige archaeologist outfit. The smell of burning rubber from your ATV fills your nostrils, beads of sweat on your forehead, lush greenery and so much of it, white flowers bloom around you, sickly sweet, musty and ripe. You close your eyes. You're bright and weightless and floating off the ground. This is the best day of your life.
Whereas with Deep Forest, you're trekking on foot, through the warm, musky trails the woodland creatures left behind. The sun can only trickle arrows of light through the thick bed of trees. You reach a clearing. The flowers are blooming, but there is no sky. The foliage swallowed it whole. You lie down. The ground is yawning for you.
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titleleaf · 2 years
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Omg, thank you both for enabling me! I’m obsessed with anything that comes in a tiny bottle (or a tiny bottle that something once came in) but my niche is becoming vintage perfume samples and samplers, especially those that got given out as free samples/promotional gifts. Please ignore the power tools in the background; I contain multitudes.
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(left to right -- Personality Perfumes nip selection tube; Arthur Philippi Five O’Clock; Blue Waltz / Selected Famous Perfumes nip selection box; something from Gianfranco Ferre; Estee Lauder Knowing; uhhhh... not sure / Gems Honeysuckle from the 1970s I’d wager; White Shoulders; Image EDP, unknown but I suspect it’s something Matchabelli; fully a mini of 4711 that lost its label/ a quintet of minis from the same line: Mystic Moment; From A Misty Garden; Blue Hedge; Lily Of The Valley; Sparkling Gold)
My favorites of these are midcentury 1940s-through-1960s perfume nips, which come in a patented breakable (glass or frangible plastic) vial like the mini version of the OG vial poppers were stored in -- as a storage method it apparently keeps vintage scents damn near how they must have originally smelled without the decades of air exposure you get with bottles, but I’ve never had the bravery to break open any of mine. I just really love the thought of getting free samples of often very prestigious/high-end fragrance from my electrical company, credit union, etc.-- it’s not quite the democratization of luxury fragrance some people were hoping for in the 20th century but they are extremely fun. 
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The other type of promotional bottle I collect seems to have been distributed by the Fuller brush company -- I’d wager they’re from the 1950s or 1960s? Some of these bottles are still partly full, but I’ve found them scattered across enough estate sales that they seem to have been widely-distributed and well-loved. Rarity isn’t a big priority for me, which is good for my wallet but bad for my storage space.
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As you can see, I don’t really care much about the bottles/minis I collect being in pristine collection, I just really like hoarding small things. I also semi-collect a bunch of full-sized Avon bottles, but if you go to estate sales those bottle will begin materializing in your home physically no matter what you do.
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Check out this listing I just added to my Poshmark closet: Vintage Estee Lauder White Linen EDP Eau de Parfum Spray 1 oz 30 ml 95% 85° TSA.
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koalaleathers · 3 months
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Check out this listing I just added to my Poshmark closet: Vintage Estee Lauder Youth Dew Holiday Special Edition Christmas Gift Set.
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missanissa71 · 5 months
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Check out this listing I just added to my Poshmark closet: Vintage Estee Lauder White Linen Shake On Perfumed Body Powder 3 oz New Read.
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sochicfinds · 11 months
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parfumieren · 1 year
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Portos (Aramis)
This is a tale of how a fragrance can lead you toward one conclusion, only to surprise you with what's really in its heart. When the ending turns out to be a decoy, the lesson in the bottle is this: if you think you've got a perfume sussed out, step back. Give it a chance to tell the rest of the story. You won't regret it.
If you've ever stood in a pine forest while the trees release their pollen, you know the meaning of the word spectacular. Here in South Jersey, late May is the time to witness this remarkable phenomenon. All over the Pine Barrens, trees respond to the slightest breeze by opening their anthers and releasing vast plumes of neon yellow dust into the wind. The result (drifts of sticky pollen on every conceivable surface for miles) can be vexatious, particularly for the allergy-prone. But the event itself -- equivalent to a fireworks show held in broad daylight -- is magical, and worth seeing at least once in your life.
A recent sampling of Portos (a vintage fragrance now discontinued from Estee Lauder's Aramis line) recreated this marvelous scene exactly for me. All the elements were present: fresh evergreen needles, cedar twigs, saltwater breezes, the sharp, oily scent of fresh raw pollen, the penetrating warmth of the midday sun....
But there was something else here-- an elusive manmade element distinctly out of place in the deep woods. Oleoresinous, faintly industrial, it gave off the high gloss of Knize Ten's plastic-patent-leather note, except cast in a somber rather than cheerful light. But what was it?
Being unable to put my finger on it bothered me. I sprayed, sniffed, pondered, frowned. And then I turned to my most trusted source for second opinions and offered him my Portos-laden arm.
My husband was as stumped as I was. Like me, he sniffed, thought about it, sniffed again, and sighed in frustration. He agreed that the basic jist of Portos was 'evergreen forest'. But when I asked him to guess, just guess, at the identity of the mystery note, he said, "WD-40?"
Obviously that couldn't be it. But if not, then what?
I waited, sprayed again, smelled again, frowned again, closed my eyes....
With the distractions of the surrounding room temporarily blotted out, an image both unexpected and familiar swam into focus. I saw a studio strewn with all the colorful rubble of an artist's life. Coffee cans full of brushes, dented tubes of oil paint scattered across a wooden worktable, rags imbued with eye-popping smears of pigment, and glass jars of--
"I've got it," I told my husband.
"What?"
"Linseed oil and turpentine."
Distilled from the resins of various evergreen trees (including pine, fir, and the terebinth tree from which its name is derived), artists' turpentine is far superior to the mineral spirits which comprise lowly household paint thinner. It evaporates rapidly when combined with oil-based pigments, earning it the loyal affection of every painter whose least favorite hobby is to watch paint dry.
However, turpentine's volatility has a downside: its vapors are toxic in too many ways to name. A shame, because they smell so good-- bright, sharp, camphoraceous, with medicinal overtones that hint (not inaccurately) of old-fashioned patent curatives sold out of a peddler's suitcase.
Cold-pressed from mature flax seeds, linseed oil is a natural polymer which hardens to a transparent varnish upon exposure to air. Its odor is rich, vegetal, and musty-- a saturating stink that only intensifies with oxidation. Many artists find it irresistable, but others consider it stomach-turning. The good news is that however objectionable it smells in concentration, linseed oil produces a relatively pleasant, ambery odor when reduced to a trace amount.
Nature seems to have designed these two substances to be married for more than one purpose. True, together they make a painting-- but they also make a perfume, albeit a highly unconventional one. In combination, linseed tones down turpentine's sharpness, and turpentine lightens linseed's two-ton weight. Together they produce a scent with implicit function and meaning and promise, a stepping-stone to something beautiful.
Pine, cedar, fir, and rosemary clearly comprise the turpentine on Portos' palette. What is its linseed oil? Labdanum resin (a primary constituent of perfumery "amber") in its pure form has been elsewhere been likened to linseed putty; while amber bases can have extremely varied characters (from vanillic to fruity to woody to incense-like), I speculate that the vegetal, oily amber used here is wearing a linseed disguise. As for pigment, Portos' primary ground is moss green, upon which a rainbow-spectrum of pelargonium bloom surfaces and explodes like bright hot fireworks.
But what's the painting about? Whom does it portray? The only way to see the picture clearly was to wear Portos for a day.
It was a typical South Jersey summer morning -- humid, already hot, with the pleasant scent of honeysuckle and mulberries in the air. After my bath, I sprayed each wrist with Portos and pressed it to the inside of the opposite elbow, then sprayed the nape of my neck and used my fingertips to smooth it forward to my pulse points.
Instantly, the art-studio hologram appeared all around me, glowing with late-Rembrandt sepia, umber, and burnt-sienna tones. Ghosting behind the canvas-laden easels, that linseed-amber accord smelled sweeter and less saturnine to me today, reminding me of the alluring scent of a brand new box of Caran d'Ache oil pastels. In all, the aroma of that imaginary room delivered an instant invitation to dream, to draw, to create.
Over time, as Portos calmed, I noticed a pronounced woody-incense quality developing within its evergreen heart. I thought of the parish churches of my childhood: the smell of frankincense and good pine-oil soap, the wooden pews lovingly buffed to a high shine, the soft glow of candlelight on polished glass and brass. As an artist myself, I did not find the leap from studio to place of worship at all illogical. Art being a religion of sorts, the artist's atelier is the center of intense devotional activity. Within that sacred space, every artist -- or writer, or inventor, or perfumer -- is a high priest or priestess of creativity, offering up sacred artworks to an array of very personal deities.
At length came the drydown, a soft cedary amber. All day I had felt subtly bolstered by Portos, upheld and strengthened. Now it let me down ever so gently, depositing me a million miles from where I began, completely invigorated and full of ideas.
So who is Portos? He is an artist -- naturally -- with pigment under his fingernails and a bottle of cognac next to the brushes. Enigmatic and reserved, he prefers solitude to company and silence to empty talk. His inner turbulence is tempered by a cool and taciturn nature; he would rather say nothing at all than commit his thoughts to posterity. He's accused of being many things: a fauve, a sphinx, a son-of-a-bitch. Lover after lover has admitted defeat. He's married to his work, they say-- and it's true; he reserves the best of himself for the canvas and paint. He lives in absolute earnest, without apology or shame.
He may be a difficult bastard. But he is himself. And it's good.
Scent Elements: Bergamot, rosemary, lavender, geranium, pine, cedar, vetiver, moss, fir, patchouli, musk, labdanum, tonka
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iheartvintage1 · 2 years
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Check out this listing I just added to my Poshmark closet: Vintage Estee Lauder Youth Dew & Azuree Parfum Perfume Spray 2.25oz - USA MADE.
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elizabethgraceco · 2 years
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Check out this listing I just added to my Poshmark closet: estee youth dew bath oil vintage perfume lauder rare .5 oz full mad men era.
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persolaise · 2 months
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Estee Lauder Legacy Collection review - Carlos Benaim, Anne Flipo & Bruno Jovanovic; 2024
Talk about opening a can of worms. At first glance, the project seems quite simple: Frederic Malle wants to reimagine a few classic Estee Lauder scents, so he enlists the help of some perfumer friends, and the result of their efforts is released as the Legacy Collection (consisting of White Linen and Estee by Carlos Benaim, Private Collection and Azuree by Anne Flipo and Knowing by Bruno…
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nostaligastore · 3 years
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renegadeapostle · 4 years
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You have to tell us what perfumes you use!! Put us on! What’s wrong with le labo? I like the le labo rose 34 :(
A tough one to answer because I wear multiple perfumes a day and I'm almost always trying out samples, much to my family's displeasure. (I've been called a torture artist for making them smell some of the things I've worn!) But I try to mostly do sampling when I'm at home. Full bottles I own and wear when I'm out and about include but are not limited to:
Andy Tauer L'air du desert marocain - LOVE OF MY LIIIIFE! It smells like nothing else, simply one of the best dry ambers in existence. You must sample this if you like perfume at all.
Tauerville Rose Flash - my favourite rose scent (yes, even more than Portrait of a Lady!) A super jammy rose with a weird, funky citronella kind of base note. Projects like nothing else, I adore it. 
Thierry Mugler Alien - one of the best designer perfumes of all time, one of the best jasmines of all time. I love her. I wear this to the grocery store lol
Guerlain Vetiver Extreme - I didn’t care for the OG Guerlain Vetiver, though it’s considered one of the best in the genre (and I adore vetiver as a note!) but this one I love, it’s super smoky and incense-y. Hard to find in Aus but great value for money.
Comme des Garcons Incense: Avignon - you spray this and a Gregorian chant starts playing. A beautiful, airy, completely unforgiving incense. 
Prada Infusion d'Iris - A papery, dry iris. It uses the dry facets of iris, vetiver, incense, and a slug of iso e super (an aromachemical that smells like cedar/pencil shavings) to create an effect like the smell in a very clean library. One of my safe (for other people!) scents. 
Wik & Co Marveilleux - a lipstick rose/iris from an aussie indie brand. Smells like a vintage style scent that’s been given a modern twist. The closest I get to a decadent floral. 
Lalique Encre Noire/Encre Noire Extreme/Encre Noire Sport - my vetiver babieeeesssss. Encre Noire is one of the best vetivers ever made and probably the best soliflore for this note. Unfortunately, it only lasts about an hour on me so I spray it profusely. Extreme is deeper and a bit more powdery, Sport has some mineral notes in the top, both are also lovely. 
Lush I'm Home/Rentless/What Would Love Do?/Lord of Misrule/Goddess - I love my little lush bottles!. I’m Home is a cosy vanilla/benzoin, Rentless is Christmas spices with a huge slug of patchouli, WWLD is a lavender/citrus, Lord of Misrule is a patch/vanilla/pepper situation, and Goddess is what has to be described as a brutal oud, paired with rose and osmanthus. All lovely, well priced, and more inventive than about 80% of the designer/niche market. 
Serge Lutens Gris Clair - my fancy chemist lavender/hot ironing darling. Glorious.
Rania J Ambre Loup - gorgeous, cosy amber, with a lot of clove in the top notes. Not too powdery.
YSL M7 - one of the first western oud scents. Smells very medicinal, like cherry cough syrup - one of my faves. 
Prada Candy Gloss  - another cherry scent, I’m obsessed with medicinal/clinical cherry notes (I often enjoy almond/heliotrope perfumes because they smell very similar to cherry!). What perfume people call a ‘dumb reach’ - lovely, crowd pleasing, unchallenging. 
Molinard Habanita - powdery but in a good way. A vetiver-vanilla combo that is dominated by heliotrope (cherry-ish) and tobacco for me. Love the bottle.
Goldfield and Banks Wood Infusion - another aussie niche brand. A sticky oud and sandalwood, it projects like crazy. This one is addictive!
Guerlain Mitsouko - the chypre to end all chypres. 
Ariana Grande Cloud - a Baccarat Rouge 540 dupe, the best BR540 dupe, a saffron/medicinal top that blooms into a warm gourmand base. I get compliments from strangers when I wear this one. 
Escentric Molecules Escentric 01 - iso e super (aforementioned pencil shavings aromachemical) with a truly lovely pink pepper top note. 
Gucci Guilty Absolute pour Homme - smells like bandaids. Smells like a muscle rub. The affect is created by a truly dark combination of vetiver, cypress, and patchouli. I adore it. 
Agent Provocateur l’Agent - tuberose and incense, mainly myrrh. Very gothic, dramatic, seductress in silk dressing gown draped over a staircase. 
Dior Homme - A masculine (citrus top, woody base) with an iris (lipstick smelling) heart note. It is heavenly. 
Estee Lauder Youth Dew - my brother once called it, 'the sulfur of the damned'. Smells like Betty Draper mid existensial crisis. A coca coca oriental. 
Tocca Guiletta - this is a breezy light floral that has almost nothing I like listed in the notes, and yet I love it? It lasts forever, i take it on holidays. (Man, remember holidays?)
Tom Ford Black Orchid - Had it for years, love it deeply. A chocolate-cucumber top accord with a decaying floral/incense base. Smells like a dying 1920′s starlet. 
Tom Ford Grey Vetiver - a buttery vetiver accord in the style of Comme des Garcons Man 2. 
Kyse Frollino Lavanda - a huge dose of essential oil-ish lavender on top of a salted butter/sugary base. It’s just gorgeous. 
100bon Amaretto and Framboise/Carvi Jardin et Figue/Davana and Vanille Bourbon - these are all natural scents with surprisingly good longevity. The almond is a little boozy, the fig is very creamy, the davana a bit more fresh. I wear them in summer because they’re not cloying and they don’t give you a headache. 
I have decants of Frederic Malle Portrait of a Lady/Musc Ravageur and Heeley Cardinal that I wear pretty often as well. And I have a sample of Ormonde Woman that I'm hoarding because I love it and I want a bottle very badly but it is spennnssssyyy ($230 for 50ml). My wishlist is equally as embarrassing.
As for Le Labo, that’s really just a petty me thing; I don’t like brands that overcharge for their product. Fact is, unless the scent includes really difficult to source (real oud), rare (Mysore sandalwood), or expensive (real orris butter, saffron) ingredients, there’s no reason why the scent should be sold at such a markup. 
(I would probably never buy a full bottle of a Frederic Malle perfume either, though I love many of them and I like the brand a lot more than Le Labo, because they are similarly exorbitantly priced - mostly because of the ingredients.)
A lot of niche brands do markup (Byredo, Creed, ROJA DOVE) because they’re selling the aesthetic, and I don’t jive with that. I like a few Le Labo scents (Thé Noir 29, Vetiver 46, their oud is alright) and i would buy them if they were in the 100-150$ price range. I also like that they have an affordable in house sampling service. I don’t like how they name their perfumes after the most used ingredient, because I think it’s misleading (Santal 33 does not smell like sandalwood, it’s a violet leaf bomb, etc). Rose 31 I do hate though lmao. It smells like sour cumin to me.
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