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foone · 7 months

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why are printers so hated? it's simple:

computers are good at computering. they are not good at the real world.

the biggest problems in computers, the ones that have had to change the most over the time they've existed, are the parts that deal with the real world. The keyboard, the mouse, the screen. every computer needs these, but they involve interacting with the real world. that's a problem. that's why they get replaced so much.

now, printers: printers have some of the most complex real-world interaction. they need to deposit ink on paper in 2 dimensions, and that results in at least three ways it can go on right from the start. (this is why 3D printers are just 2D printers that can go wrong in another whole dimension)

scanners fall into many of the same problems printers have, but fewer people have scanners, and they're not as cost-optimized. But they are nearly as annoying.

This is also why you can make a printer better by cutting down on the number of moving elements: laser printers are better than inkjets, because they only need to move in one dimension, and their ink is a powder, not a liquid. and the best-behaved printers of all are thermal printers: no ink and the head doesn't move. That's why every receipt printer is a thermal printer, because they need that shit to work all the time so they can sell shit. And thermal is the most reliable way to do that.

But yeah, cost-optimization is also a big part of why printers are such finicky unreliable bastards: you don't want to pay much for them. Who is excited for all the printing they're gonna be doing? basically nobody. But people get forced to have a printer because they gotta print something, for school or work or the government or whatever. So they want the cheapest thing that'll work. They're not shopping on features and functionality and design, they want something that costs barely anything, and can fucking PRINT. anything else is an optional bonus.

And here's the thing: there's a fundamental limit of how much you can optimize an inkjet printer, and we got near to it in like the late 90s. Every printer since then has just been a tad smaller, a tad faster, and added some gimmicks like printing from WIFI or bluetooth instead of needing to plug in a cable.

And that's the worst place to be in, for a computer component. The "I don't care how fancy it is, just give me one that works" zone. This is why you can buy a keyboard for 20$ and a mouse for 10$ and they both work plenty fine for 90% of users. They're objectively shit compared to the ones in the 60-150$ range, but do they work? yep. So that's what people get.

Printers fell into that zone long, long ago, when people stopped getting excited about "desktop publishing". So with printers shoved into the "make them as cheap as possible" zone, they have gotten exponentially shittier. Can you cut costs by 5$ a printer by making them jam more often? good. make them only last a couple years to save a buck or two per unit? absolutely. Can you make the printer cost 10$ less and make that back on the proprietary ink cartridges? oh, they've been doing that since Billy Clinton was in office.

It's the same place floppy disks were in in about 2000. CD-burners were not yet cheap enough, USB flash drives didn't exist yet (but were coming), modems weren't fast enough yet to copy stuff over the internet, superfloppies hadn't taken over like some hoped, and memory cards were too expensive and not everyone had a drive for them. So we still needed floppy disks, but at the same time this was a technology that hadn't changed in nearly 20 years. So people were tired of paying out the nose for them... the only solution? cut corners. I have floppy disks from 1984 that read perfectly, but a shrinkwrapped box of disks from 1999 will have over half the disks failed. They cut corners on the material quality, the QA process, the cleaning cloth inside the disk, everything they could. And the disks were shit as a result.

So, printers are in that particular note of the death-spiral where they've reached the point of "no one likes or cares about this technology, but it's still required so it's gone to shit". That's why they are so annoying, so unreliable, so fucking crap.

So, here's the good news:

You can still buy a better printer, and it will work far better. Laser printers still exist, and LED printers work the same way but even cheaper. They're still more expensive than inkjets (especially if you need color), but if you have to print stuff, they're a godsend. Way more reliable.

This is not a stable equilibrium. Printers cannot limp along in this terrible state forever. You know why I brought up floppy disk there? (besides the fact I'm a giant floppy disk nerd) because floppy disks GOT REPLACED. Have you used one this decade? CD-Rs and USB drives and internet sharing came along and ate the lunch of floppy disks, so much so that it's been over a decade since any more have been made. The same will happen to (inkjet) printers, eventually. This kind of clearly-broken situation cannot hold. It'll push people to go paperless, for companies to build cheaper alternatives to take over from the inkjets, or someone will come up with a new, more reliable printer based on some new technology that's now cheap enough to use in printers. Yeah, it sucks right now, but it can't last.

So, in conclusion: Printers suck, but this is both an innate problem caused by them having to deal with so much fucking Real World, and a local minimum of reliability that we're currently stuck in. Eventually we'll get out of this valley on the graph and printers will bother people a lot less.

Random fun facts about printing of the past and their local minimums:

in the hot metal type era, not only would the whole printing process expose you to lead, the most common method of printing text was the linotype, which could go wrong in a very fun way: if the next for a line wasn't properly justified (filling out the whole row), it could "squirt", and lead would escape through gaps in the type matrix. This would result in molten lead squirting out of the machine, possibly onto the operator. Anecdotally, linotype operators would sometimes recognize each other on the street because of the telltale spots on their forearms where they had white splotches where no hair grew, because they got bad lead burns. This type of printing remained in use until the 80s.

Another fun type of now-retired printers are drum printers, a type of line printer. These work something like a typewriter or dot-matrix printer, except the elements extend across the entire width of the paper. So instead of printing a character at time by smacking it into the paper, the whole line got smacked nearly at once. The problem is that if the paper jammed and the printer continued to try to print, that line of the paper would be repeatedly struck at high speed, creating a lot of heat. This worry created the now-infamous Linux error: "lp0 on fire". This was displayed when the error signals from a parallel printer didn't make sense... and it was a real worry. A high speed printer could definitely set the paper on fire, though this was rare.

So... one thing to be grateful about current shitty inkjet printers: they are very unlikely to burn anything, especially you.

(because before they could do that they'd have to work, at least a little, first, and that's very unlikely)

#printers #my writing

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reallyndacarter · 3 months

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January 29, 1984… 40 years ago today, I married “my guy.” It was a perfect Malibu day. For the first time in my life, I felt truly safe and loved.

I miss him and I thank him every day, for all he gave to us…his family, his friends, his colleagues.

I will always love you, Robert…wait for me.

#Robert

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doyoulikethissong-poll · 5 months

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Jamiroquai - Virtual Insanity 1996

"Virtual Insanity" is a song by British funk band Jamiroquai, released on 19 August 1996 as the second single from their third studio album, Travelling Without Moving. The song interpolates parts of Jocelyn Brown's 1984 post-disco hit "Somebody Else's Guy". "Virtual Insanity" was a number-one hit in Iceland and reached number three on the UK Singles Chart, as well as becoming a top-10 hit in Finland, Ireland, and Italy, the song also climbed to number 38 on the US Billboard Modern Rock Tracks chart upon the single's release in the US in 1997. The song also earned the band a Grammy Award for Best Pop Vocal Performance by a Duo or Group. Thematically, the lyrics are concerned with issues like overpopulation, human genetic enhancement, eugenics and ecological collapse. In the beginning of the song's album version, a sound that is sampled from the 1979 sci-fi horror film Alien appears. It is the sound sequence when the S.O.S. signal appears on the screens of the spaceship Nostromo at the start of the film. The music video for "Virtual Insanity" was directed by English filmmaker, director, and screenwriter Jonathan Glazer. At the 1997 MTV Video Music Awards it won 4 out of 10 nominations; Breakthrough Video, Video of the Year, Best Visual Effects and Best Cinematography. In 2006, it was voted 9th by MTV viewers in a poll on music videos that 'broke the rules'. In addition to heavy rotation on MTV and other music television networks, the video for "Virtual Insanity" has amassed more than 250 million views on YouTube as of August 2023 and has seen renewed attention on TikTok, gaining millions more views through various memes and remixes. It has been parodied, referenced, remixed or imitated in countless music videos, television shows, and internet memes. On a personal note, I love each and every one of you who tagged the poll as "#rearranging furniture" in your reblogs! 😂💖 "Virtual Insanity" received a total of 80,7% yes votes!

youtube

#finished #high yes #jamiroquai #90s

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emptyjunior · 24 days

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It looks like with the movies taking off, everyone is on the Dune train now!! Which is very exciting, I’m glad a bunch of new people are discovering this media and reading the books, but can I recommend you the David Lynch, Dune (1984) movie.

First of all, if you are invested in the lore of the books and the deeper messaging of the story, you’re going to need to turn that part of your brain Off. If you love kick ass shit and are willing to be slightly tipsy while you watch and have a great goddamn afternoon, this is the flick for you.

Now first fun fact I’m going to share with you. David Lynch (twin peaks, eraserhead director, celebrated surrealist) turned down the opportunity to direct Return of the Jedi for this film. A film that was devastatingly slow to make, changed hands multiple times, had a pricy VFX budget of $40 million and then made barely $31 million, David Lynch turned down Star Wars to work on it. And he did this when he had never read the novel, and did not even like or engage with sci fi media. THAT’S how you know we’re really in for something.

Now this film has some big names in it! We’ve got a young Kyle MacLachlan who is rocking some Devastating outfits:

We’ve got Sir Patrick Stewert as our Gurney and Sting, lead singer of the police, playing the 15 year old Feyd Rautha! If you wanted to see a grown man, sprayed orange, basically naked playing a free wheeling maniac you are in for a treat! And another fun fact, David Lynch also did not know who these actors were, he made a mistake and thought Patrick Stewert was someone else and when Sting said he was in the police he assumed he was in an organization of lawmen.

Now these characters are familiar to you, but let me get into the unfamiliar. Lynch made some directorial executive decisions throughout this film, for I suppose the ease of the viewer? I mean an adaptation is supposed to adapt so he went let me change some stuff up👏👏👏.

Those who paid attention to Jessica’s backstory may know about the Weirding Way. This is a martial arts style created by the Bene Gesserit, and practiced by Paul. It is more than just a fighting style but also an important philosophical concept, like Aikido or how Kung Fu has foundations in Buddhism.

You may also be familiar with the quote “My name is a killing word.” This inner monologue of Paul’s refers to how his title Muad’dub will be used to spur a holy war. A simple name is what people will die and bleed for, it will be what they scream as they cut down enemies.

Dark! Intense! That’s Dune, anyways in the novel it’s easy to take your time exploring these concepts. Introducing the audience to the religious ramifications of a simple name and fighting practice and how these things can have rippling repercussions upon a society like the Freman.

Now David Lynch didn’t have time for that! He had the belief (that may be right🤷‍♂️!) That watching a bunch of people kick each other on top of a sand dune would be Lame😭😭

So he made the choice for his film that “My name is a killing word” was to be taken Absolutely Literally and invented a device where if the freman said the name Muad-dib, shit would explode.

If they said Paul’s name, they could Explode Stuff. Let it sink in how rad that is. Hell yeah man, hell yeah. Imagine me interpreting religious text that way, imagine if I made a bible movie and the moral I took from a parable is that when Jesus asked for food and everyone donated fish, I concluded that Jesus was a mutant who had fish powers and could immediately conjure fish with magic and gave him fish death rays that shot out of his hands.

So that’s what you can expect from this interpretation, the weirding way now means everyone has Lasers its rad as hell.

Some other incredible choices made! This is a spoiler, but in the novels and the new films you can see the Freman collecting every scrap of water they can. Dr Liet-Kynes, the planetologist, reveals to us it’s because they have a long, multiple generation spanding plan to fix the planet. By introducing this water back they hope to reset the ecosystem over centuries of work. The reason they have been unable to do this is because a green planet would obviously not have worms and sand who produce spice, the most coveted drug in the empire, so imperial and harkonnen forces have been stopping this from ever happening. They want to be free from oppression so that they can start to work on slowly fixing their world, a project that plays out in Paul’s adult life and has its own dramas and complexities.

In Dune 1984??? The moment, the Moment Paul lays out his cousin and throws the final punch, it begins to rain in Arrakis. As if they were all under a magical curse and were just waiting for a teenager to come fight another teenager and then the water will come back. It’s so good, it’s so funny.

Also Pugs! House Atreides official Pugs! Paul has pugs in his lap!!

This is honestly an adaptation choice that I really really like! Paul is the result of centuries of selective breeding, this practice is an artform to the Bene Gesserit and a skill that they monitor closely. It produces bizarre and sometimes terrifying results and is the reason for Paul’s existence.

I think having an animal that was also created through selective breeding, was engineered from a wolf into an animal that can hardly breathe is an incredible metaphor! A smart and identifiable symbol for the audience, I think it’s a slam dunk and the new movies should have done it to.

Anyways can not recommend this film enough.

-The body suits the bad guys wear are made out of real body bags, that actually had been used.

-David Lynch to this day hates it.

-The original cut was four hours.

-The cast and crew were sick the Entire shoot with something they called Montezuma's Revenge, which was probably just food poisoning, side effects from the constant smog because they shot the whole thing on backup generators, illness from the cockroach infestation and terrible morale.

-Frank Herbert saw it multiple times and said he absolutely loved it.

-When they ride the worms, sick rock jams play.

If you love electric guitar, lasers, worms and will forgive me for not including all the trigger warnings cause Yes this film will gross you out, then go watch this movie.

#dune #paul atreides #lady Jessica #dune movie #dune Frank herbert #dune 1984 #movies #scifi #kyle maclachlan #david Lynch #films

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livwritesstuff · 2 months

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It’s uncharacteristically warm outside for late-winter in Hawkins, Indiana.

It’s 2004, and the whole entire Party is back in Hawkins to celebrate Jim and Joyce’s fifteenth wedding anniversary (it’s actually closer to their sixteenth by now, but they’ve all well and truly entered that phase of adulthood where planning things is next to impossible), and it’s the first time they’ve all been in one room since…honestly, Steve doesn’t even know when. Since Lucas’s wedding in ‘99, maybe.

Everyone is inside unwinding after dinner. Steve can hear them from where he’s sitting outside on the front deck gently rocking the porch swing Hop had installed years ago with one foot, a now-empty bottle resting on the unfinished pine floor by the other.

The front door of Jim and Joyce’s house quietly opens and Steve looks over as El steps onto the porch, closing the door behind her as soft as she’d opened it.

She pauses, her eyes turning wary as they slide off of him and onto the baby girl drifting asleep in his arms (his and Eddie’s littlest baby, Robbie – the older baby, Moe, who’s nearly three so not really a baby anymore, is inside still probably being doted on by all her aunts and uncles).

Even in her early thirties there are so many ways El is still just like the little kid Steve met back in 1984. At the same time though, she’s completely changed.

“Doin’ okay, Ellie?” he asks gently.

She nods.

“It’s getting loud,” El tells him, “Someone put on Jeopardy.”

Yeah, that’ll do it these days – older and wiser they may all be, but any kind of trivia is still a vice for pretty much the entire Party.

“Well, you’re welcome to join us out here for as long as you like,” Steve replies.

He knows El is a little apprehensive around babies still, same as she is with cats and puppies – really anything small and vulnerable that might have been used against her many years ago, so he half-expects her to go back inside.

But she comes over and sits down next to him on the porch swing anyway and for a while, both of them are quiet.

Robbie exhales a satisfied snuffling noise that tells Steve she’s well and truly asleep.

Out of the corner of his eye, he sees El’s hand twitch, like she was going to raise it but then stopped herself.

“Can I?” she asks tentatively.

“‘Course,” Steve tells her, and he watches as El runs the tips of her fingers over the wisps of soft hair on Robbie’s head.

“How old is she now?”

“Three months,” he replies, “Four in a week or so.”

“And she’s…she’s doing…good?” she asks, and there’s something so El in her tone, the same tone she always uses when she’s tip-toeing her way through something that, to her, is foreign territory.

“Mm-hm. She’s good.”

El nods.

“Your daughters are lucky,” she says, her brown eyes trained wistfully on Robbie even as she pulls her hand away.

Steve thinks he knows what she’s getting at, but before he can ask, she keeps going.

“She’s gonna live her whole life never having to wonder if she’s loved or if she matters,” El says, “She won’t have to wonder because it’s always true. That’s special. I love Hop, and everything I have that is good is because of him, but…I still wish I could have had what you and Eddie are giving her too.”

And Steve knows exactly what she means because he feels the same way, because he thinks about it all the time, every time he thinks about his daughters and the way they are his entire world like he should have been to his own parents and yet never was, every time he thinks about himself and his father and his father’s father and knows it ends with him.

He’s not sure how to put any of that into words.

It’s El though, and he’s never really had to put those kinds of things into words with El, so he decides to just nod and settle back into the porch swing with his friend at his side and his daughter asleep in his arms and the faint noise of the people he loves most carried over them on the breeze of a warm winter evening.

#thinking about el on this fine thursday #steddie #liv’s steddie dads verse #steve harrington #el hopper #steddie dads #not sure who the target audience of this one is tbh #subtle dilf steve bc i couldn't help myself

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lovebugism · 10 months

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can I request steeb taking care of shy!reader who is upset after a bullying incident in school? I figured she would be a year younger (like robin’s grade) because I don’t think anyone would touch her if king steve was around. I feel like he’s be so soft with her but also reeling at the thought that someone hurt his girl!

thanks for ur request anon! idk if i can count this as a blrub because it's nearly 3k words but alas pls enjoy! tw for blood (knee scrapes) and j*son c*rver

You come to Family Video with a scrape on your left knee.

It’s not the weirdest thing in the world — you ride a worn-down bike that’s probably older than you are. Steve’s been begging you to get a new one for as long as he’s known you, outright offering to pay for the damn thing as long as he’s sure it’ll get you to him without getting hurt in the process.

You reject him every time. “It gets me where I need to go,” you always shrug. “What more could I want from it?”

And he wants so badly to be angry at the beauty you manage to find in mediocrity. But he can’t be, really. It’s why you fell in love with him in the first place, isn’t it? Why you took the heartbroken boy in your arms on Halloween night in 1984 and convinced him he wasn’t bullshit despite what he told you. He’d be an idiot to be mad at how kind you are.

But when you walk into Family Video, halfway limping with blood dripping down your knee, he knows it’s different.

Something more than a toppled bike hurt you.

“Oh, god, babe,” he winces from where he stands at the counter with Robin. “What happened?”

“I fell,” you shrug as he races over to you.

“You fell?” Robin scoffs. “Knock me out with a feather.” You know she’s joking, but it’s a little too monotone, and you’re a little too sensitive. Something in her words hurts more than your throbbing knee.

Steve, who knows you like the back of his hand, understands exactly what your diverted gaze means. When you look down to the floor, he shoots Robin a firm glare.

What? she mouths, obviously confused at the sudden silence.

“Can you get the first aid kit from the back? I think there might be some gauze in there,” he asks, deciding to change the conversation entirely. He wraps an arm around your waist and walks slowly with you to the counter. He meets your grimace with a soft smile. “I’ll clean it, wrap it up, and you’ll be good as new.”

You don’t give him anything in response. Not even a pity smile.

He sits you on the counter with the open first-aid kit beside you. Robin flips the store sign to closed. It’s barely five o’clock. She starts tidying up the store to go home, anyway.

Steve wipes up the warm blood with a napkin and cleans the scrape with an alcohol wipe. You hiss at the feeling — it’s like a hundred tiny bee stings. From where he sits just below you on a worn swivel chair behind the counter, he leans in to press a kiss just above the cut.

Without all the blood, it looks a lot less gnarly than before.

“See? It’s not so bad,” the boy smiles as he unravels some gauze. “I’ll patch it up, baby you for the rest of the night, and you’ll forget it ever hurt by morning.”

Again, you don’t even smile. You just purse your lips to the side and nod.

Steve’s heart stings, but he doesn’t take anything by it. He wraps the bandage down and over your knee in an even rhythm. He tries not to be so direct when he asks: “How’d this happen, anyway, huh? Did Ol’ Sliver finally give up on you?”

You shake your head, eyes on the gauze instead of the boy. The white cloth splotches with pink from where your wound still weeps. “No,” you answer quietly. “Just fell.”

“Just fell, huh?” he repeats quietly. A few caramel-colored strands fall over his forehead as he peers up at you with his chin tilted towards his chest. He tries his best to smile. “You’re givin’ me the sad eyes, babe. I feel like it was more than just a fall.”

“It was stupid…”

He scoffs. “Never.”

“A car drove by me,” you confess, only half-lying. You try to look down at him, but your gaze wavers along with your courage. “And the music was kinda loud, and it… It startled me a little.”

You don’t tell him that Jason Carver intentionally swerved on the wrong side of the road to scare you — or that he yelled mean things through the rolled-down passenger window before speeding off again. It’s easier to keep it to yourself. You don’t want it to become a whole thing.

Steve’s brows furrow as he tucks the end of the bandage to keep it from unraveling. “Were they going too fast?”

“I don’t know. Kind of.”

“It wasn’t those football assholes, was it? I swear to god, they need their license revoked.”

“No,” you answer, quick to soothe his rising anger. “It was— It wasn’t anyone. I just got scared, and I swerved off the road, okay?”

Even in your mousy voice, it sounds like you’re being stern with him. And you’re never stern with him.

“Well, that’s okay,” Steve assures with a shrug. “We all get scared. It’s better than you getting hit, I guess.”

“I guess,” you echo with a huff, a teasing smile on your lips.

Steve grins back, happy to see you less pained. He smacks a gentle kiss to your wrapped-up knee. “Go get in the car, okay? I’ll clean up here, put your bike in the trunk, and we can go home.”

You go shy as you peer at him from beneath your lashes. “Your home?” you clarify, secretly hoping he’ll say yes.

His answer isn’t surprising. “Of course, my home. You practically live there, anyway.”

You smile and brush a soft kiss to the scruff of his jaw, murmuring a quiet thank you there before leaving. You’re not limping nearly as badly as you had been before.

Robin waits for the door to ding shut before blurting: “I think it was Jason.”

Steve stills with the first-aid kit in his hands. He squints at her from where she stands between the horror and X-rated horror aisles.

“What?”

“I think that’s who might’ve run her off the road.”

“…Why?”

“He gives her a hard time sometimes, I don’t know,” she explains vaguely and with a sigh. “Normally, it’s stupid. Like, honestly, I just think he’s super shit at flirting. Maybe he was just trying to scare her and… got a little carried away…”

Anger burns red hot in Steve’s chest. It blooms just behind his ribcage like a flower with fire for petals.

“Why didn’t you tell me?” he asks through gritted teeth, trying not to sound too angry. It’s not like Robin was the one who hurt you, after all — just some douchebag who wouldn’t have laid a hand on you if he knew who your boyfriend was.

Steve’s knuckles go white as his grip tightens on the plastic box.

“Because I thought it was harmless!” Robin agonizes as she rushes to meet him. Her deep ocean eyes swim with worry, frightened that he might be angry at her. “Seriously. Most of the time, it sounds like he’s just being mean to get into her pants. And, like, I don’t know if that’s how he landed Chrissy back in the day or what, but he’s obviously got no clue what kind of girl he’s flirting with because…”

She trails off at Steve’s hardened umber gaze.

Robin groans and leans over the counter, reaching for the boy’s wrist. “Please don’t be mad at me, Stevie. My heart can take that. I’ll be sick for days—”

“I’m not mad at you, Rob,” the boy promises. He sighs. “I just gotta… go beat up a kid now.”

—————

You’re too focused on the stars and the feeling of Steve’s warm hand on your thigh to notice he’s taking the wrong route home.

The car slows way sooner than you expected. When you come back down from the clouds, you find that you’re in a near-empty lot. The car jolts softly when Steve puts it in park.

“What are we doing?” you turn to him with furrowed brows.

Steve unclicks his seatbelt. “I’ll be right back.”

You look past him, at the large building lit up by amber streetlamps and the green door with a light in its window. Every so often, someone will whip by it wearing a white jersey. Your heart sinks.

“Why are we at school?” you asked, scrunched-faced in a mixture of anger and worry. You don’t know how he knows what happened to you, only that he does know.

“I need to take care of something here. It’s okay—”

“Don’t go in there,” you plead. “Please. Let’s just go home—”

“I’ll be right back,” he repeats. He leans over the console to kiss your cheek. You don’t lean into it like you usually do.

“Steve—”

The car door shuts and cuts off the rest of your pleas.

Steve has an easy time getting into the gym. The backdoor is propped open with a small wooden block like it always is. The coaches welcome him in like usual. They beam as the old team captain waltzes into the newly painted gym like he owns the place.

“Harrington!” the burly man calls over the sounds of squeaking shoes and bouncing basketballs. “Come to turn in an application, finally? I’ve only been asking you to be co-coach since you graduated.”

Steve smiles coolly. “No. Not yet… I, uh— I actually needed to talk to one of your players.”

The man shoots him a look.

“Jason Carver.”

“Oh,” the man chuckles, a deep belly laugh. “You only wanna pull my star player out of practice, huh?”

“It’ll take, like, two seconds. Tops.”

A momentary stare-off ensues. Steve knows the answer he’s going to get. Everyone at this damn school has got a soft spot for him. Perks of being Hawkins High royalty, he figures.

“Two,” the coach says in the place of any real answer.

He takes the green whistle from his neck and blows into it. The shrill sound echoes through the gym. Like trained dogs, the boys on the court still.

“Carver!” the man shouts, almost too loudly. Steve winces from beside him. “Get over here!”

Jason passes the ball off and jogs to meet them without question. When Steve says he’s got something to tell him, the blonde-haired boy smiles like it’s a privilege. Red-faced and out of breath, he trails behind Steve as they walk out into the hallway.

“Don’t tell me you’re coming to be assistant coach,” the boy says with an audible smile. “Coach Blair has only been talking about it for a year—”

When the double doors shut behind him, Steve whips around and shoves the boy into the lockers. They clang beneath his sudden weight and echo down the empty corridor. Jason’s smug face contorts into shock. “—What the hell?”

He tries to regain his footing, but Steve only shoves him backward again. His hands twist in the neck of his jersey.

“What the fuck are you doing, man?” Jason shouts.

Steve’s stern features never waver. He leans in close, eyes trained on the boy like a predator to prey. “Leave my girl alone,” he threatens lowly.

“I don’t know what you’re talking about! I don’t know who your girl is—”

“You know exactly who I’m talking about,” Steve spits in response. The lockers bang once more when he shoves the boy backward again. “Should break your leg for what you did to her. What would the star player do then, huh?”

Jason’s wide eyes flit between the both of Steve’s. He racks his brain for what he might’ve done so wrong and who he might’ve done it to. He gapes at the realization — “Bambi? Bambi’s your girlfriend?”

“Oh, that’s what you call her?” Steve muses in a monotone, feigning interest. “How cute.”

“I didn’t know, man. I swear. If I knew, I never would’ve—”

“I don’t care. And stop pleading, alright? It’s embarrassing.”

Jason goes quiet. His Adam’s apple bobs when he swallows. Steve’s hand loosens on his jersey. His ice-cold gaze never wavers.

“I don’t wanna know what you did to her. I don’t wanna know why you’re doing it, either — if you think she’s pretty, or if she’s easy-pickings for assholes like you — I don’t care.” He presses the boy further into the lockers, their noses inches apart. “But if I hear you’re messing with her, talking about her to your friends— if you so much as look in her direction again, I promise you won’t like what I do to you.”

Jason’s jaw clenches. He juts out his chin in a feeble attempt to make himself taller. “Yeah?”

Steve nods. “Yeah.”

“That’s real rich coming from someone who couldn’t even beat up Jonathan Byers.”

“I’ve learned a lot since then,” the older boy promises, weirdly composed. “Feel free to find out if you don’t believe me.”

The boy stays quiet.

Steve shoves him backward when he lets go of him. He gives him a final glare and one last warning before walking back toward the gym. “And plant your feet when you’re on the court, alright? It’d be a real shame if you broke an ankle.”

—————

The drive to his house is silent.

It usually is. Most of the time, you’re too zoned into the music or making shapes in the clouds to talk. But now it’s because you’re angry. Steve would be an idiot not to notice. He can feel it radiating off of you like steam.

He reaches for the console and turns the air-con up.

“Are you hot?” he asks in a feeble attempt to break the quiet.

With your arms crossed and your gaze out the window, you deadpan: “I’m mad.”

“I feel like that’s sorta the same thing,” Steve jokes with a weak, lopsided smile.

“I didn’t want you to do that,” you choke through a tight throat. “You’re just gonna make it worse.”

“Well, it wouldn’t have gotten so bad if you would’ve just told me.”

You turn to him with eyes glassy from unshed tears. A stoplight bathes the both of you in shades of neon scarlet. “I didn’t want to tell you because I knew you’d do something about it,” you spit.

“So you’d rather let some asshole run you off the road, huh? Is that it?”

He doesn’t mean to be so harsh. He’s just upset, and the adrenaline’s making him antsy.

Steve learned a long time ago not to be so forward with you. Even if he’s just joking around, even if he’s mad and saying shit he doesn’t mean — you’re not built for that. You’re made of something softer: marshmallow fluff and crocheted yarn and flower petals. It’s why you let Jason Carver pick on you for so long without saying a word about it.

“It’s not like that,” you argue quietly, blinking back tears as you turn away from him again.

Steve sighs. “I’m sorry, babe. I didn’t mean— I’m just upset, okay? I didn’t mean to yell.”

“I know…”

“I just wish you would tell me these things, you know?”

His hand is warm on the skin of your thigh as he smooths his palm over it. Your eyes flit to your leg and then to him. You nod. “I know. I just…” Your features crumple when you trail off.

Steve squeezes your thigh in reassurance. “You just what?”

“I didn’t want you to think I couldn’t handle myself,” you confess quietly. “Everyone thinks I’m so weak. I didn’t want you to think that, too.”

“I don’t think you’re weak,” Steve scoffs out a laugh, like he almost can’t believe you’d even think something like that.

Your brows furrow. “No?”

“No. Not even a little bit. But as your boyfriend— ‘cause I am your boyfriend, right?”

You meet his teasing gaze with a half-hearted scowl. You’ve only been dating for a year and a half. You nod to humor him.

“Exactly. So, as your boyfriend, it’s my job to help you through the hard shit, you know? Just because you can get through it on your own doesn’t mean you have to.”

Your chest swells. You try not to smile too wide, but it’s hard not to. You’ve never had someone who wanted to protect you before. It’s as strange as it is gratifying.

“Okay,” you concede with a nod.

“Okay?”

“Okay,” you repeat with a giggle.

Steve leans over the console, moving slowly like his lips are made of magnets that drift to yours. Through the overwhelming urge to kiss you, he jokes: “Is it— and I’m just checking here— is it okay?”

You shake your head and lean to meet him halfway. “You’re such a dork.”

Your lips barely brush before a loud honk echoes behind you. You jolt apart from him, not noticing that the light had turned green until then.

Steve sighs and mourns your unkissed lips. His engine roars softly as he presses on the gas.

He’d noticed. He saw the light change about twenty seconds ago — how the bright crimson changed into a softer shade of lime that bathed you in its neon hues. He just loved the way you looked in green.

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