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#evidently
justafriend-ql · 9 months
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mio-the-clown · 7 months
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Eye see you
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Didn’t really have an aim for this - it got so derailed from it’s original idea but I just kept messing with it anyways.
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m4rs-ex3 · 5 months
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it hurts me deeply how terrified he was. like FUCK you aaravos LEAVE my bb ALONE
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graylinesspam · 5 months
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Not me sitting here thinking fluffy little thoughts about platonic Rex and Ahsoka being each other's person. Like their person. Like teehee they were made for each other.
Then having the realization that they were very much made for each other. in a meta sense. Both characters were created for the same project, for the same time period that had not yet been explored, for the purpose of interacting with that specific environment. They were made to stand next to each other. Even before their very first interaction, they were made to be together.
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worstloki · 26 days
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Thor actually is a himbo. by the same logic by which Loki is a twink (<- the logic is incorrect)
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goldensunset · 1 month
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just came across an awful take i wrote on a character from years ago… i’m sorry to you, character. i won’t delete it bc i don’t like deleting my posts even if i think they’re cringe bc it’s like erasing history to me but . for shame
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arcadiaseer · 1 year
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AS THEY SHOULD✨
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tintreach-cleite · 6 months
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I'm scared to ask this but.....
.....what is a blorbo?
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ssspringroll · 2 months
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^ bright blue unibrow
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starpros-sunshine · 1 year
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I think barely anything will ever be funnier to me than the way Eichi spent a big part of his life admiring Wataru and pining about him and yearning and adoring and then in Tempest he says he's never been in love before and Wataru had to literally explain to him that he "killed" the eccentrics not out of malice against them but out of his love for idols and offered him a representative item of himself (not in chronological order) while Wataru got involved in the whole war plan and went along with it and then just got completely knocked over by the allegorical "feelings truck".
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no-side-us · 2 months
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The Invisible Man, Ch. 2 - Mr. Teddy Henfrey's First Impressions
I thought this chapter illustrated well Griffin's basic tendencies and how he tries to force himself into niceties when he knows that's how he'll get what he needs. Whereas in the first chapter Griffin was dismissive of Mrs. Hall's attempts to draw out information, here Griffin willingly gives her what she wants:
“My reason for coming to Iping,” he proceeded, with a certain deliberation of manner, “was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident—” “I thought as much,” said Mrs. Hall to herself.
But he only gives her what she wants, with just enough to explain the strangeness he knows she's been curious about. He's being careful, telling her about some nebulous "accident" he knows she already suspects, while also telling her he's a scientist to explain the lab equipment and desire for isolation. And all of this is because at the end of the day, he needs Mrs. Hall. She's the innkeeper and thus can help him he gets these things. He needs her, so he's playing nice. And when that's done?
“Certainly, sir,” said Mrs. Hall. “And if I might make so bold as to ask—” “That I think, is all,” said the stranger, with that quietly irresistible air of finality he could assume at will. Mrs. Hall reserved her question and sympathy for a better occasion.
He dismisses her just as quickly as he did before. And it's interesting in comparison with how he treats Mr. Teddy "Clock-Jobber" Henfrey. At first Mr. Henfrey was going to leave before Griffin says otherwise:
“But I’m really glad to have the clock seen to,” he said, seeing a certain hesitation in Mr. Henfrey’s manner. “Very glad.” Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him.
Griffin is doing the same thing, being polite, playing along with the norm, so it'll all work out the best for him. I assume he needs the clock for his experiments in addition to just being a generally useful item to have working properly. But it's also much less important than privacy or his lab equipment, so when Griffin realizes Teddy is "humbugging" he becomes really upset.
He looked up as if to take aim with that introductory shot. “The weather—” he began. “Why don’t you finish and go?” said the rigid figure, evidently in a state of painfully suppressed rage. “All you’ve got to do is to fix the hour-hand on its axle. You’re simply humbugging—”
I love this scene. It's a conglomeration of things Griffin finds annoying: another person, wasting time, attempting to socialize. I'm sure on some level he also feels this rage with Mrs. Hall or really most people, but again, since in this case Teddy is much less important in the grand scheme of things, Griffin has a harder time suppressing the rage.
Moving on, one thing I want to note is that Griffin is telling the truth when he says he's a scientist, or "experimental investigator" as it's referred to here. And this truth impresses Mrs. Hall. I don't remember if this is explicitly stated later, but I think one reason Griffin probably felt more comfortable moving his experiments to Iping, aside from the isolation provided by a small country village, was because he doubts anyone here would be smart enough to figure out his work. Griffin will also exhibit his streak of self-superiority later, so I wouldn't be surprised if he does say something to this effect. Mr. Hall does take a look at a sheet of Griffin's math without deriving anything from it:
And after the stranger had gone to bed, which he did about half-past nine, Mr. Hall went very aggressively into the parlour and looked very hard at his wife’s furniture, just to show that the stranger wasn’t master there, and scrutinised closely and a little contemptuously a sheet of mathematical computations the stranger had left.
This is also coupled with the sort of disbelief in regards to Griffin's invisibility. In a very vivid scene at the beginning, Mrs. Hall sees Griffin's invisible face:
But for a second it seemed to her that the man she looked at had an enormous mouth wide open—a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it.
But she assumes it was a trick of the light and moves on. Griffin is trying to make sure people won't see his work, and the only way the people of Iping could ever figure it out would be if they saw him, but if they did see him, there's also a layer of rationality that would prevent them from realizing it. But obviously that will only last for so long cause they do eventually figure it out, though that's for another chapter.
Anyways, Griffin's reputation spreads! First to Mr. Henfrey who then tells Mr. Hall about it. Henfrey is already speculating about Griffin hiding from police or being some sort of scam lodger:
And yet again, “Seemingly not. If the police was wanting you you couldn’t be more wropped and bandaged.” He told Hall how his aunt at Hastings had been swindled by a stranger with empty portmanteaux.
More rumors will spiral from here, and these two suspicions are sort of a summary of what they comprise: Griffin being some criminal/swindler/liar/conman, hiding from police or tricking the people of Iping or both. Again, I think if the book wasn't so literally titled "The Invisible Man," we the reader would be attempting to figure out which one of these theories is true.
I don't have much else to say. I actually found this a pretty funny chapter: Griffin's behavior, Mr. Hall's meaningless gestures of power, all good stuff. I look forward to the next one.
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boookends · 2 months
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crazy how the inventor of the guitar was like “i’m going to make an instrument so impossible”
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scarecrow-teeth · 7 months
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i haven't sew anything by hand in months, and before that time, years.. and yet
i thought i could make a stupid little scug
he looks
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he looks like a turd..
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y'know? really do hope all the butchie shippers are usin' the canary color palette~<3
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emcant · 1 month
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How to make an egg:
1. Make a tree
2. Make it nsfw
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fieriframes · 3 months
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[LET IT RENDER DOWN. LOOK AT YOU WITH YOUR CULINARY TERMS. I WATCH THE FOOD NETWORK. EVIDENTLY. SO THE MEAT'S DONE. BRING IT OUT. LET IT REST. SLICE IT THIN. ON THE FLAT-TOP-- NOW WE'RE GONNA START MAKING THE SANDWICH. WE ARE.]
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