#fun to see my art style change from the last time i drew this meme

[grand-line-shenanigans]

mmm, quiche............

#dunmeshi #dungeon meshi #labru #laios touden #kabru #my art #id in alt #fun to see my art style change from the last time i drew this meme

[beatcroc]

a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.

this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.

older pics

the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.

second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]

third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯

individual characters

peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.

fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.

noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.

gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.

brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.

gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.

john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.

pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]

snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well

misc

there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry

i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it

anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p

and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')

#pizza tower #peppino spaghetti #fake peppino #gustavo and brick #the noise #noisette #pizzahead #arting #pizzaposting

[xyl4-4444]

Do you have any art advice?

Sorry for the VERY belated reply but..

Yes of course I have some (general) advice, that have helped me as an artist.

Buckle up, because it's going to be a long post.

Start a Sketchbook. If it's your first ever try at dipping your fingers into these, you can turn an average notebook into one to overcome your fear of ruining a 30zł costing sketchbook in the future. If you're afraid of ruining your first page of your sketchbook, then just draw what the year is. Trust me when I say this, this has been my go-to when filling up the first page EVER SINCE I STARTED IT BACK IN 2019. Once you'll have 10+ sketchbooks finished, you can look back at your first and current sketchbook and see how your skills have changed over time.

Sign up to Pinterest and start making boards for thing like: Art inspo, references,etc. I created mine back in mid-2020 and I've gotta say, this has been one of my sources of inspo ever since. Of course, Pinterest is not just an art inspo-exclusive site, as there are things like cooking tutorials, room decor ideas, Hell.. even MEMES are here..

Don't be afraid to try out other blending modes other than Multiply, Add or Overlay. These three aforementioned blending modes are surely neat and all, but there are more blending modes out there (thought the full amount of those depends on the art program you're using, I use FireAlpaca btw). There are such layer modes like: Difference, Hard Light, Darken, Screen, Exclusion, Luminosity to name a few. So go out, experiment with them in your art, mix-and-match then and see what you'll get.

Use references. Look, I know that the "JuSt PrAcTiCe" advice is NOT ENOUGH to help an artist, and I get that (That's why I've listed my first tip as "Go grab a sketchbook"), however there's a little catch... Let's say... you wanna draw something for example... Hands - the most tedious part of the human body that a lot of artists are struggling to draw correctly. You try to draw it on paper.. and suddenly - You've just realized, that the hand you drew, didn't come out as you expected. So what do you do in this situation? Well you go search up 'hand references' of course. You can do that with other things like: backgrounds, computers, skateboards, weird deep-sea animals like Giant Isopods etc... ...or you just want to try out a different art style References are a good tool, if you don't know how some things work in an artistic sense, that's all I'm saying.

Use you art program's features to AN ADVANTAGE. Especially the filters tab. I use FireAlpaca to make art. It's a free art program, so I don't have to pay over 100zł montly, unlike Photoshop or.. Clip Studio Paint. However it doesn't have that many features or filters like Photoshop does, and that's okay. Because despite this, you can make great art with it. Wanna make a picture you've just pasted from the web to have some nice halftones? Well you can covert the layer into an 8-bit one, enable halftones and adjust to your liking. Wanna have some interesting colors in your art? Use Gradiation map or Tone Curve and fuck around. Want your art to have a softer look? Use a 'Soft Light' mode, go to 'Gaussian Blur' and later go to 'Levels' and adjust the to your liking. Wanna make a drawing have a pixel-ish look? you can use the 'Mosaic' filter for that. The list goes on.

Last but not least... Have Fun. Art has no rules. You can make fanarts of your favourite series 24/7, make numerous paintings of landscapes on canvas, draw your OCs, doodle on Ms Paint of all things.. or just scribble things in your sketchbook. In the end you're making art, and what matters the most is that you're having fun with it. So go out while you're drawing (as long as you're not harming anybody)

Yeah, that's all

#not art related #xylas-qna #asks #again I am sorry for replying to this WAAAAAAAAAAAAAAYyy too late #Heads up: I am NOT an art pro #I'm just giving things that have helped me as an artist and I hope these'll help you too one day

[steve0discusses]

S5 Ep10: Kaiba Embarrasses Himself on International Television Again

We start off this duel by teasing us into believing that this is a part of a theme park:

The Kaiba theme park is a weird mix of actual horrorscapes and animal crossing cutesy stuff...you can really tell what parts were Mokuba and what parts were Seto in this park.

But Leon takes it well, just kinda standing there as he’s done this entire arc--being a general forgettable nice boy who just...doesn’t do anything. Like he gets up, he plays cards, he sits down. Having him on top of a rock with melodramatic Little Mermaid waves crashing at his feet is laughably the opposite of Leon’s whole vibe.

Leon just seems like the type that listens to coffee shop ambient Youtube videos when he wants to amp himself up. This kid appears to attend a private school...somewhere...I think, and just went to a dueling competition in his school outfit because he literally doesn’t have a style of his own hanging in his closet.

Like Yugi wears his school outfit, but he does that ironically, to off-set the amount of makeup and hair spray he has in his hair. Leon wears the school outfit maybe because he admires Yugi so much, but is like “time for my rogue bow I wear in my hair. That’ll scare my competition.” He completely missed the point of the 00′s alt school outfit scene.

I do way too much art to not see the imagery. I feel like this is half my job, and playing “where’s the hidden Freudian meaning?” is half the fun of going to any art museum.

(read more under the cut)

Anyway, Seto got tired of no one paying any attention to him, so he stepped out of his 14-monitor mancave, he very quickly pulled his Dragon outfit out of the (dirty) laundry, flicked a couple sea crabs out of his pockets, spritzed it with Febreeze and called it “good enough.”

Like, is it just me, or has dragon jacket greyed out a tad from last season? Like it’s starting to get a little...worn? Like what funk is coming off of Seto Kaiba right now?

Also notice that he brought his giant stash of cards to the duel. He’s going to put on this show as if he’s not going to pull out the giant stash of cards. But like...he’s going to pull out the giant stash of cards. Like Hell boring ass Leon is going to play his deck of Candyland characters again.

Leon is declared a winner on Technicality and it’s like.

Damn Seto, for reals?

So congrats, Leon, you did literally nothing, again, and yet you mystifyingly  persist on this show. Clearly you aren‘t going to grow a second head out of that ponytail like professor Quirrel in the last act of this arc.

That’s when Yugi’s hazy memory recalls something from the Before Times of “that time period before I was possessed by a needy ghost that eats up 3/4 of my memories and time.”

So Schroeder is Atari. Neat.

Also, this makes Zigfrieds outfits a hell ton more endearing when you realize he’s this Willy Wonka game company owner making toys for children. Kinda makes you wonder why Seto’s such a stick up the ass in comparison when it’s like--dude Kaiba, maybe you could learn a thing or two about whimsy. It could really help out your inconsistent park.

Anyway, Kaiba quickly realized who hacked the park and so, understandably, he asked Zigried to leave, which...backfired?

Y’all card culture is a lot. Everyone in the audience covered their faces in shame because they were so embarrassed by Seto Kaiba and I’m like...not sure why? Because he didn’t do a duel? Against this guy who snuck into his tourney not unlike Rex and Weevil? This asshole?

Recall that the last time Seto played a guy who had a fake name it was Marik freakin Ishtar and he killed a LOT of people (actually, it was Alister, pretending to be Pegasus, but he also killed a lot of people so that still tracks). Card culture can’t seem to learn from their mistakes, although Seto clearly sees the problem with dueling a professional hacker in a digital card game on a hologram that may or may not be able to murder you. At least its not a magic.

And so, tired of being humiliated on television, Seto decides to bust out the dueling gloves (well, not those gloves. You know what I meant) and use the equipment he BROUGHT WITH HIM and clearly never intended not to use in the first place.

(I hope you enjoy this dutch angle that wasn’t quite dutch enough, so it just looks like they’re lounging)

Roland patiently walks over from...somewhere? I don’t know where Roland comes from whenever he pops up, but he waltzed over to hold onto this suitcase as if that’s a formal part of his job.

I say this so often but like...I don’t know what Roland’s job is. He’s like a valet/butler/duel referee/duel cheerleader/CEO/and I will spend the rest of this series trying to understand it. Part of me is like...could Roland be a temp worker at an agency who just gets rehired for a different Kaiba Corp job every couple of weeks?

That weird ass fourthKaiba, I will never understand Roland.

Just one letter away from being a Zigfriend, Kaiba. Just one letter away. I know this because I misspell friend a LOT.

Zigfreind? Zigfriend? Damn it, both of them look the freakin same to me, this sucks! Why can’t I spell friend without autocorrect!?

Just the amount these two fight when Seto clearly barely even remembers who this guy even is.

Leon shows up in the seats, pretending that he’s totally cool about winning on a technicality right after Zigfried went on a rant about how shameful, irredeemable, and mortally embarrassing winning on technicalities are.

He seems to take it pretty well, smiling, sitting next to Rebecca, and then dissolving right into the background because this kid’s whole deal is being way too nice to exist on this show.

Y’all we just had that art meme where people were redrawing that “How to draw manga face” and guys...that’s what our anime used to look like.

I mean look at that uncomfortable chin there, that tapers in for some reason. Those eyes melting off of her face. The lack of any 3d sense. This was an anime ideal for a very, very long time.

Anyway, the “how to draw manga face” is a perfect masterpiece and never needs to change. (But it is fun to make fun of it although I guess the person that drew it was actually a kid, which makes sense from a publishing perspective to have a kid make a book about how to draw stuff for kids.)

We see a little flashback of Schroeder and why he hates Seto Kaiba, and can I just say, I kind of love this little outfit. Kind of a shame that it’s stuffed into a flashback.

Which is when we found out that Zigfried thinks Seto Kaiba did a plagiarism.

Which is hilarious because it was Gozaburo Kaiba who was plagiarizing Seto, so like...who did it first?

OK guys. Lets talk about this.

APPARENTLY, there was some sort of contest to work with Pegasus...kind of like an architecture contest (which is a thing, when a city is doing a big project, they send out a call, and big firms will compete to see who builds it) and I GOTTA know what Pegasus’ theme was.

Like did he say to all the little rich kid geniuses “I would like something that makes my cards ALIVE, can you do that?” Then when Pegasus got a hell ton of holograms and was he like “But ALIVE--it makes it alive, right boy?” And when he was shaking the hands of each stupid kid was he like “So if I hypothetically put my dead wife on a card and slapped it into the machine--could she EXIST. Like...enough? I just need her to legally exist is all, and not like..literally of course...but enough literally to be a sin against God, can you do that?”

I just want to know if Willy Wonka Wonderkid Von Schroeder had any idea he was creating a resurrection chamber for a dark wizard. Like he has no idea that he dodged getting his business bought straight from under him and his soul shoved into a card. And it’s not like Schroeder was going to abduct Yugi’s Grandpa and ensure that Yugi would be there to save him down the road. Like I’m pretty sure Schroeder would have been sacrificed waaay before that whole island contest even went down.

Zigfried got so freakin lucky. I can’t believe he’s mad. But then again...

...the man swims in milk pools so like...maybe his logic center is busted? Maybe he wanted to die in a horrific murder island? I don't know what Zigfried is into, but I do know that because Zigfried doesn’t have millennium rod powers linking him to the millennium eye--so would it have mattered? There’s destiny reasons that Pegasus chose Kaiba.

Course...we never found out where the scales ended up, have we? We think it’s Shadi, but have we seen Shadi bust those out since Season Zero?

Man that would be a good plot twist that will absolutely not happen.

Yo, make horse guy into a dark wizard, show, I dare you!

Anyway, that’s all for now, but if you want to read from the beginning, here’s the link:

https://steve0discusses.tumblr.com/tagged/yugioh/chrono

#ygo #yugioh #yu gi oh #S5 #Ep10 #Seto Kaiba #Yugi muto #Duke Devlin #Tristan Taylor #Tea Gardner #Mokuba Kaiba #zigfried von schroeder #leon

[rissynicole]

DTIYS Contest Winners!

I’m still reeling from how much love this DTIYS received, and so thankful for all the amazing people who participated, boosted, and sent me well-wishes following Parade’s 1,000th kudos. Once again, thank you so, so, so much.

I had an incredibly hard time picking winners for this. As in, I sat up in bed last night just clicking through them all, agonizing over which three to choose. They’re all so beautiful, and they all came from sweet, dear friends of mine. I had 10 entries and, more than anything, I just wanted to be able to award something to everyone. 

This is what I eventually decided I wanted to do: just as I said before, I will be choosing three winners, in no particular order. Those winners can request a 1,000—1,200 word one-shot. Anything they want, as long as I’m comfortable with it! However, for all other entries, if you give me a short prompt of your choice, I’ll write a drabble for you! (My drabbles usually go a tad over the usual 100 words).

Just to be clear, this is not a burden for me, and it is something I very much want to do for my friends. It might take me a hot minute to get through everything, but that’s only because I want to make sure I’m not rushing my writing. I’m going to tackle this by first DMing the winners to ask them what they would like me to write for them. Then, once those one-shots are done, I’ll start reaching out to the rest of the contestants to get their prompts.

Alright! I’m going to put this under the cut, because I got rambly. 

Without further ado, here are the winners! 

@kovablue 

(kovablue’s art)

Okay, I’ve absolutely not made it a secret that I adore your art, but I did not expect you to draw something for this DTIYS! Seeing my boys in your style almost made me choke up. They’re positively amazing. I can’t even narrow down what my favorite part of this drawing is. The composition, the colors, the way you drew the planet and galaxy in the background… it’s all so beautiful.

@cozymochi

(cozymochi’s art)

Cozy! I don’t even know what to say. You’ve been such a kind and supportive friend to me for so long. Also, your art is so amazing, it gives me heart palpitations. This one almost did me in lol. It’s absolutely gorgeous, and I can’t stop staring at it. I’ve said it before, and I’ll say it again, you 100% nailed the expressions on Zim and Dib. As in, you totally understood what I was thinking when I wrote that scene and drew it in the most beautiful way imaginable. I love it so much. 

@rllyaangrlly

(rllyaangrlly’s art)

Brit! My shitposting, zagr-loving, art-drawing, majestic buckaroo. Seeing your picture for this DTIYS seriously made my whole day. I love it to absolute pieces. Every time I zoom in to look at the boys’ faces, I want to start squealing. They look fantastic, and I still can’t get over how Dib’s legs are all pulled up to his chest. Poor guy has zero room in that ship. It’s incredible, and I am beyond grateful for your friendship. You’ve definitely made this fandom a wonderful place to be. 

Honorable Mentions

@0palite

(0palite’s art)

Opal! You were the first entry into this contest, and it really gave me the optimism I needed when I started to let my low self-esteem get the best of me. Seeing this scene drawn in your beautiful style really kept me going, and I absolutely adore it. Thank you so much for being so amazing.

@i-like-pink-lolzz

(i-like-pink-lolzz’s art)

Okay, I know you just drew yours for fun and not for the contest, but I really wanted to include you in the honorable mentions. I know that you really enjoyed Parade, and it really means the world to me. Your drawings, memes, and asks have been such a boon to my confidence lately, and I appreciate it all beyond words. You’re an incredible friend, Pink, and I am endlessly thankful for that.

@poppun-chan

(poppun-chan’s art)

I love seeing your art so much, Poppun. The way you drew the boys was positively adorable, and I’m still not over how soft and pretty the shading is. Thank you so much for drawing them and for being such an amazing friend.

@faithfulwhispers

(faithfulwhisper’s art)

Oh Faith, I’m absolutely in love with Zim and Dib in your style. You just have this way of making Dib look so sweet and charismatic, while Zim always manages to look like a smug little bastard. Even in this scene, you can see those traits shining through, and I think it only manages to add to the resounding message at the end of Parade that, with time and healing, things will be okay for them. This is such a beautiful picture, and your galaxy in the background is one of my favorites out of all the entries. Those shades of red are breathtaking. 

@reptile-ruler

(reptile-ruler’s art)

Your style is so amazing, and I still can’t get over it. The way you drew Zim’s and Dib’s expressions is so sweet, and I keep going back just to look at them. Absolutely lovely. And all the different shades of purple you used are gorgeous! It really makes yours stand out, and I love it so much.

@dana-chan-the-control-brain

(dana-chan-the-control-brain’s art)

I was seriously so thrilled to see that you drew this scene, Dana! I know you’ve been busy, both with fandom projects and irl stuff. It meant the world to me to see this scene in your style! I love the mix of colors you used in this. Seriously, that plum-purple color you used for the galaxy is my favorite color ever. And the way you drew Irk is gorgeous! The rings are perfect, and I think your interpretation of what it looks like is one of my all time favorites. Thank you so much, again. You’re such an amazing friend, and I don’t take that for granted. 

@ittybittybumblebee

(ittybittybumblebee’s art)

Bee! I remember following you ages ago, and seeing your art style change and grow is one of the most inspiring things on my dashboard. I can see your confidence increase, your characters get more and more expressive, and your color choices get more adventurous. This picture is so beautiful, I can’t even nail down just one thing that’s my favorite. The pops of bright colors, the soft shading! It’s all incredible! I love it so much. 

Thank you all, again, everyone. I can’t explain just how much it means to me that I have such amazing friends, readers, and people who fit both those two categories. You all mean the world to me, and I love you so much. 

#invader zim #dtiysparade #a parade of indignities #zadf #dtiyscontest #friend art #beautiful art #all of them #thank you all so much

[sysig]

2020 Art Purge

I had quite a few doodles that I didn’t end up posting ‘cause I ran out of room or they didn’t fit the theme or any number of reasons, so here they are now with a little ramble about what I remember about them

I had a few leftover Camp Camp doodles, especially from earlier on, thus why David can look a little funny and off-model. I very much wanted to see how he’d look in a suit, I got a few different chances to draw him so! I wanted to post the “Break the Cycle” one but never found the opportunity, it was something along the lines of breaking the cycle of abuse, from his relationship with Campbell and Max’s with his parents. And then a moody Max as well hehe, that one was in October so it was the most recent! Just wanted to draw an angry lad

Mostly fanfic or random ZEX doodles leftoever from SCII - DAX’s intimidating figure in one of the fics really stood out to me but I don’t know I fully captured just how freaked out he’d be. I remembering wanting to be very emotive with his pupil, both panicked and high off adrenaline and still maintaining just a bit of his aloofness, it’s hard! And the first draft of YIK throwing down a rope for ZEX from the pirate fic, I liked this one but it wasn’t energetic enough! A quick Captain from the sword fight (still so cool!), and a silly interaction of if Hayes shamed an openly xenophilic Captain lol. I really need to design a Captain myself so I can wander around being obnoxiously alien-loving on main lol

Around the same time smol and I made this beautiful idiot, she proposed the idea of trauma and generational traits affecting bending, which I was all for, and I made a cute little non-bender family with different dominant and recessive traits. They both live in the Earth kingdom, she’s a refugee and he’s been a resident for generations, and they met and fell in love, aw ♥ And then one more Mac n’ Cheese for the road because I drew him once in reaction to drawing the Solitaire crew and then never again

Unposted sona stuff mostly from the beginning of the year and then I posted the rest of it! Sometimes it was just a bad style day, sometimes it didn’t fit or would be very late (cough cough the Valentines’ Day one) or came off as weird (the spare murder was in reference to reading edgy stuff lol - considering I had just come off Put That Kid Down and the Vargas update hadn’t come out yet - phewf! I did get exactly what I asked for, that’s for sure) The daily pages one is especially funny to be because a) it’s true I still do but b) it was immediately before Bar’s redesign and his whole Deal™ changing, so it had to be left out for being too whimsical lol. The last one still makes me laugh, a happy version of “please anticipate my upcoming response”

More sonas! Oh and a Coffee, since he was the only other Just Desserts character to get left out. Well, I guess I had one of Kaiein too, but does he count? Ehh

It was a silly one at least lol.

There wasn’t a whole lot of unpublished AGE this year, or in general, but it’s a shame because they really turned out cute. I remember I was practicing PigPen when I made that Adara, and I just wanted to draw some pretty Zis while I was still working on the animation meme draft. What pretty ladies!

And a couple little doodles of the fantasy duo! They weren’t actually designed as a pair but I can’t stop, so hey why not have them live in the same world. Opal eyes still doesn’t have a name whoops, but their cute little tail pokes out the back of their robe! Lily is a good head and a half shorter, probably about to rib-height on an average human haha

Lots of little and/or original doodles! A lot of these are either original characters, random designs, or brainstorming - there’s the first ever doodle of Marionette! Nice. I also made that lady with the scars and cut sometime around Feb. 2019 but never posted her or her daughter, they are cute tho. The little night and day one was based on a little Insect-based RPG class system I was working on at the time, Butterflies and Moths being Paladins and Warlocks respectively

I’m so sad I didn’t get to post the wives earlier! I love my angels lads, they’re so cute. I went on a bit of an axolotl tangent, the scary one’s name is “J” lol. Lots of silly little things

I also made a bunch of extremely random fanart over the year lol, from Wilbur Soot to Smokey the Bear but On Fire which is a reference to something but I no longer remember what. There’s also Chiffon from Sir Fluff, a Wooper, Barold from the Villager makeover series, CORPSE Husband, ENA from Joel G, and some little Among Us blobs. Fun designs abound!

#Doodles #Oh and of course - #Long post #Very very very long under the cut #There's a bunch of different themes - Camp Camp - SCII - some AtLA FCs - a little Just Desserts and AGE - some original and random stuff #I left out Vargas this time 'cause even tho I still have a few they are just that - a few. Nothing like the sketchdump I made back in Sept. #And obviously there's still 2020 art in the backlog so some of these are from later than will be posting in the next several days lol #I wonder how obvious my style changes are - pretty sure they've gotten pretty subtle apart from cleaning up lol #Traditional art is always harder to tell I think #Like I said before it's been a good year for art I feel like I've improved overall and I'm glad I started scanning again #Sometimes editing is terrible but it's also been quite meditative here and there #I've definitely learned a lot of new touchup tricks

[marikaaajoy]

my relationship with digital art and how BNHA salvaged it

I just wanted to let out my thoughts but I can only do it here :>

This might be a downer for some people but I’d like to share it with people here. BNHA means the world to me and this is why.

I first started drawing when I was 7 years old in 2006

I think it’s ugly now, but 7 year old me remembered being so proud of this because this is a drawing of my stepfather. This is the only drawing I have that was from my childhood. I think the aim here is to draw in anime style BUT I didn’t even watch anime back then. I had a classmate who loves anime and she taught me to draw in school. Drawing became a favorite hobby immediately after that.

Then it was 2013 and I was 14 years old. Drawing is still my favorite thing to do besides being on the computer. I love anime at this point too. My parents bought an iPad for the whole family, but I was almost always the one using it. I discovered an app called ArtStudio and thought “Wow, I can draw without making a mess and with only my fingers” because I was always too lazy to take out my drawing materials and clean up afterwards.

These were my first digital drawings. The pirate one was the very first. I got obsessed real fast. I can color so easily, undo any mistake, layers are a blessing too. There was just so much more freedom. I always sucked at coloring in traditional art and I didn’t like the mess (idk my hands get so messy traditionally)

The next year, it was 2014, I was 15. My birthday is in a couple of months and I knew my parents were planning to buy me something pricey (I think it was a laptop) so I approached them and asked if they could just buy the Wacom Bamboo as a present which was cheaper anyway and I even explained how it works to them and how it would allow me to draw on the computer instead of the iPad. I tried really hard to be convincing. I would have prepared a powerpoint presentation if I had to.

They did give me the wacom as a present. They even gave it to me months before my birthday so I could use it already. I thought I was the luckiest teen in the world with my parents.

These are a collection of my favorite works from 2014 to 2016. The middle one was my second drawing using wacom and Paint Tool SAI. I was a part of a lot of fandoms in those years lol

It gets downhill from there :/

April 2016, my mom and I moved to Japan, while my stepfather and siblings stay in my country. It was tough. For someone who is obsessed with anime, you’d think I’d be thrilled to live in Japan.

I was. Though only at the first few months. It’s not the same as it’s portrayed in anime (I should’ve known but I used to be blinded by anime). It was just lonely. The language barrier sucked and then lots of financial and family issues until my parents split. I got my first boyfriend too and I thought I was blessed by the nicest boy, but the relationship became extremely toxic but I didn’t have it in me to walk away.

All the shit that happened affected me mentally and emotionally. My biggest outlet which was digital drawing, was also out of the question because I did not have a computer/laptop when we moved to Japan. We left it in our home for my stepfather and siblings, even the iPad. I have my wacom with me, but no computer/laptop to use it with. I couldn’t draw.

I tried though. I used my phone to draw, but it wasn’t the same. Then the life problems got piled up, things got worse, and I just lost motivation in anything. Literally anything. From 2016 to 2019, I stopped watching anime, I dropped out of all the fandoms I’m in, I stopped watching my favorite TV series or movies, and I stopped drawing. I even got a bit disconnected with my friends who lived in my country (we talk regularly online). My family was broken so I gave all my attention to my toxic relationship as well which made everything worse too lol

I didn’t draw besides from a few scribbles and the drawings above. I did try digital art on my phone a couple of times again and even posted them on my IG, but they weren’t any good. Eventually, I got mentally and emotionally drained and dropped out of senior high school. I just stayed home for almost a year, leeching off of my mom. I felt even more worthless and my life had no direction at this point. Nothing mattered anymore.

April 2019 or so I think, my (ex)bf bought me a laptop. He says it’s a gift, but I think the real reason was to make up for something horrible that he did (which is stupid because money /gifts won’t resolve anything). I have a laptop. I can draw again, but I didn’t. I didn’t care, I wasn’t interested in drawing anymore anyway.

Welp. June 2019, I went back to my country. My (ex) bf stayed in Japan. The distance helped me end the relationship and my friends were there (they always were) to help put me back together along with two trips to therapy. I went back to finish my senior high school in my own country this time. That said, I have to stay in my country for school (but I was happy because I didn’t wanna go back to Japan yet when the breakup was still fresh and with going back to school, my life has a direction again.)

It was weird. I remember just being sorta lost and confused because I used to put my time, effort and everything into my previous toxic relationship, which was now gone. I was free and I had so much free time that I didn’t know what to do with it. I got so used to doing nothing and being nothing.

This is where BNHA enters.

Dunno when it started, but I started seeing Bakugou frequently online. It’s usually just Bakugou. I knew who he was because my friend suggested BNHA to me back in late 2018 I think but I didn’t watch it since I’ve lost interest in everything at that point in my life.

But ye I thought he hot af but I still didn’t watch BNHA.

But then for some reason he REALLY kept appearing in my social medias and it was really frequent. The last straw was when I saw a pic of him in UA’s gym uniform and thought “damn boi aight imma watch bnha for u” (y’all gotta admit he looks good in those colors with his combat boots XD )

I watched BNHA. Fell in love with Iida along the way. Then I switched to Tokoyami (but Shoji was hot too so aaaaa), but then angry emotionally-constipated sea urchin head caught my heart again. But oof. BakuDeku moments really made me feel some type of way I haven’t felt since I moved to Japan. It felt new but nostalgic. I fell hard in that ship.

I started obsessing. From memes to posts to fanfictions to buying merch to filling my room with BNHA posters. I realized I was reverting to my old self from the time I was still happy and it was thanks to BNHA (and the good people who helped me through the worst too)

Shit I wanted to draw BNHA, I thought.

I mean, I have a laptop, I still have my wacom and drawing softwares. I could totally draw digitally again if I wanted to.

But guess what

I can’t :c

My hand physically cannot draw. My drawings don’t look the way I want them too. 3 years of not drawing really destroyed any skill I had. I was back to square one.

September (yeah they’re ugly, I laughed at it). If you’re wondering why I drew on paper, it’s because, for some reason, I really CANNOT draw digitally. I mean it. I can barely sketch digitally at this point. The lines and shapes just doesn’t come to life. They’re just scribbles. But somehow, I can kinda draw on paper with a ballpoint pen. But yeah, that was the best I could do at this point in my life

After that, I still tried to draw, to regain my old art style, but it didn’t happen... It just doesn’t look or feel the same. Drawing used to be fun. But during this phase, it felt like my ugly drawings were just mocking me (probably was just too emo that time lol)

Weirdly, around a week or two I think, after my half-assed attempts at drawing, I managed to draw digitally somehow o.o

I did a Midoriya and Todoroki drawing like this too. It was my first post here on Tumblr I think. The annoying part here is that I cannot draw digitally unless I draw on paper first, take a pic, and then trace the lineart. I couldn’t draw directly on the computer. Granted, drawing on paper and drawing on digital is very different for me in the first place anyway. But it was still a pain. And it still looked like shit. I can only draw stiff poses :/ it seems like my brain decided to delete all data about anatomy and posture and backgrounds. My lineart here is even messy af. It still really not the same as my old style.

By 2020, I think I got my old art style back. On March, I made this. This took me 27 total of hrs to make.

Right now, I think it’s not bad, but back in March, I was disappointed with the result. This is when I finally broke down crying because it didn’t look good enough and I hated that it took me 27 hrs to draw “bullshit.” I was angry at myself for losing interest in drawing for 3 years when I could’ve used that time to improve. I had to start all over again and it still didn’t look good. (Current me thinks that the drawing above is alright. I was just a lot harsher to myself back then. Used to have a lot of issues but I’m doing great now)

I cried myself to sleep that night. Woke up wanting to cry again. I wallowed in sadness for a couple of days. Eventually told my friends what’s up. Got some pep talk. Even talked to my sister (she’s great, she always hypes me up with my stuff and sometimes I think she’s my biggest fan with how she appreciates my drawings and I’m really grateful for that).

My world turned a 180 and I was weirdly positive after all that crying because brain chemicals and shit. I had a revelation. If I hate how my art style looked so much, then I should have been putting effort in changing my art style, not trying to regain my old art style (that I don’t like anymore)

I researched a lot. I analyzed different art styles and anatomy again. I did everything I could think of to find a style that works for me. I might have even neglected school for a bit to focus on digital art lmao

After all that work, I posted a fanart of middle school BakuDeku in their classroom. I love that fanart so much even if I probably have better ones by now because that was the first fanart I made that I felt like I could be proud of and it was the first one I made in my new art style. It was a milestone for me.

March 2020, I moved back to Japan and without the toxic relationship, I’m a lot positive now. Happy. I’m myself again after the previous bad years. I’m still continuously learning though, trying to improve, but at least, now, I found my own art style :) I really suck at interacting with people online, but I’m always grateful for the support everyone has been giving my fanarts. I’m happy when my content makes people happy.

This is why BNHA is important to me. The series is great alone, but it’s not just that to me. BNHA is so much more. It’s what made me find the passion to create again, only this time, it’s focused on drawing (I used to write, but now I just draw, but maybe I’ll write again for BNHA).

My family is supportive with my love for BNHA, but I think they don’t know the deeper reason why I love it. Sure, I was fine living on with nothing much going on in my life. I’ll finish school, get a job, work until I die or something. It was okay. It was the way of life. But BNHA gave my life color again. I wasn’t just blindly going through life anymore. I have something to look forward to everyday now. BNHA even became a bridge to other things. Ever since then, I’m a lot more open to people, to try new things, to explore and not just live through life and waste away. I got better at leaving my comfort zone. I’ve never been happier in my life :D

Thank you for supporting my fanarts. Thank you so much for giving me a chance to express myself through BNHA. I hope to make more content in the future and improve even more :)

#plus ultra #<3 #personal

[kakashishomegirl]

Guide To This Blog

About me:

Hi, I’m Alice! I love drawing, talking to kind strangers on the internet and Naruto.

Please know that I am 18, therefore an adult, and also white, in case you are uncomfortable with that.

If you are interested in my art, @alicexdraws is my main blog with only art, though I also do reblog it on here if it’s Naruto, just search the #my art tag.

If you want to talk to me, I would be delighted, I’ll chat about just everything (but extra points if it’s Naruto-related xD).

Also, I‘m basically a library of Kakagai fics, so if you want some recommendations, HIT ME UP I LOVE TALKING ABOUT FANFICTION.

PEDOPHILES, RACISTS, TERFS, MISOGYNISTS, HOMOPHOBES ETC ARE NOT WELCOME HERE. This blog is a safe space for everyone except haters.

If you are a minor, please think about if you really want to follow me. It‘s not much, but there are some slightly nsfw texts or images here. Also there is a post of me saying Kisame/Itachi is one of my ships going around. I do NOT ship this anymore since I did research on their ages and when they met, something I didn‘t know back then. But if this makes you uncomfortable, then please don‘t follow.

Content:

You will probably catch me thinking about kakagai, Itachi, Neji, Tenten and Lee most of the time hehe.

Kakagai is my number one favourite Naruto ship, but you’ll also find some sasunaru, inosaku, gaanaru and nejiten on here.

Also I LOVE TEAM GAI WITH ALL MY HEART, they are my precious taijutsu kids and they all deserved so much better!! I will always be ready to talk about them.

And just recently, my obsession with Itachi began, I just fell right into that...

I often set out to the deeply hidden corners of tumblr to find some vastly underappreciated fanart which you will probably witness through random hours of content regarding only one theme.

What you won’t find here:

I don’t ship any minors with adults, therefore stuff like kakasaku, kakanaru, Lee x Gai or similar ships will never be here.

I don’t think I’ll really be reblogging nsfw content, and if so, then most certainly nothing too explicit, that just isn’t my style.

Also there won’t be much triggering stuff, I don’t think it’ll get further than some blood smears.

Tagging system:

I try to tag trigger warnings with “name of trigger + tw” and nsfw (though there won’t really be much to tag) accordingly, but if you have ideas for improvement, please feel free to tell me.

If I have some conversations with mutuals, that will probably include a lot of reblogs, so if you don‘t want to see them, just filter the tag #convos :)

Also I somehow got into doing some terrible „funny“ Itachi roleplay, you can filter that with #roleplay xD

Looking for characters:

Every character is tagged with first and last name, exceptions are those who don’t have one and the sand siblings which are tagged with just their first name since I was confused about that whole “sabaku no” thing. 

I write “Kurenai Yuuhi” with double u because it looks cooler, but otherwise I decided to just use one, for example in “Hyuga”.

I tag Yamato solely as Tenzo because I really vibe with Kakashi and if he calls him Tenzo, then so do I. ^^

Might Guy is tagged as Maito Gai because I love sticking to the Japanese versions and also because I think this befits him better, for some reason.

Special character group tags:

#underappreciated jonin squad: Includes all the jonin (and also chunin) from Konoha that nobody really knows the name of, as the memes say. I am proud to claim that by now, I do know their names. Examples: Raido Namiashi, Genma Shiranui (love this guy), Kotetsu Hagane etc.

#sand sibs: The tag for the three wonderful siblings from Suna. Temari, Kankuro and Gaara.

#og squad: Includes the Konoha eleven and Sasuke, but also the sand sibs. Basically everyone you would watch Boruto for. (Sorry for the shade if you really enjoy Boruto)

#hokage squad: All the hokage of Konoha.

#uchiha brothers: Itachi and Sasuke interacting.

#team 7: I use this tag to respect Tenzo’s leadership alongside Kakashi’s, so this tag includes Tenzo and Sai as rightful members of team 7.

#team gai, #team kurenai, #team asuma etc.: All other teams are named after their sensei.

#team taka: Not team hebi, I never really liked that name.

#sannin: I’m actually not sure if I have used or ever will use this tag since I like neither Jiraiya nor Orochimaru that much, but maybe for Tsunade i will.

#ninken: Kakashi’s precious dogs!

#kunoichi squad: All the girls in Naruto, because give them love!

#uchiha clan, #hyuga clan etc.: Feautures clan members from different generations.

Ship names

I’ll just list how I write them in case you were wondering why you didn’t find anything. It could also be the case that I just haven’t reblogged anything of that ship, even if you might find it in the list.

sasunaru | sakuino | kakagai | gaanaru | nejiten | hinaten | nejilee | saiino

I’ll continue the list if you or I feel the need.

Content tags:

I do admit that except for #fanart, these are all a bit inconsistent, not everything fitting into these categories is tagged as such, but in the future, I‘ll pay more attention to that and maybe also go over my posts.

#naruto: Almost every post is tagged with this. I don‘t post much stuff that is not Naruto, but if you don‘t want to see that, choose this tag and have the full on pure Naruto experience.

#fanart: Contains everything that is drawn/painted/stitched etc. by fans, also comics, painted memes and everything.

#full pieces: Also fanart, but only the fully coloured ones, or extremely detailed, and with backgrounds. Things you would put on your wall.

#incorrect quotes: We all know them, the famous quotes our favourite characters may or may not have said.

#mangacaps: Images taken out of the Naruto manga.

#screencaps: Screenshots, compilations of character scenes, whole scenes etc. out of the anime.

#comics: Fanarts that are also comics.

#memes: I don‘t think I really have many of those tho lol.

#charts: You know these alignments, or reactions of various characters to a thing? These are all summed up in this tag, I enjoy it a lot.

#rankings: Things like „Who of these characters is most to least likely to do xyz?“

#my posts: Everything I did or had a hand in.

#my art: Everything I drew :)

#not naruto, #personal: Stuff that isn’t Naruto and/or concerns me. Might change these later.

#fun stuff: Things that made me laugh.

Special tags:

#personal faves: These are my absolute favourite posts, there are some absolutely stunning artworks there and it‘s just general stuff that I can go to look at when I‘m feeling down.

Thank you for visiting my blog, I hope you‘ll enjoy your stay! <3

#my posts #guide to this blog #not naruto

[luupetitek]

I did the thing! Lately a lot of artists post their 10 years of art progress meme, to celebrate that we're starting a new decade. I liked the idea, so I made my own \(*´▽`*)/ 10 years! Who could have thought! My art journey is of course longer, but those are probably my most intense art years x3

More about my art journey under the cut!

2006/2007 was the moment I discovered manga and anime and after joining the fandom, I started writing fanfics and slowly drawing more often. I was inspired by all the stories I could watch and read and by all those cool characters. I also get to know more people who also liked to draw. My first love was InuYasha, and right after was Death Note, which you can see even here ;)  I joined my first art community, deviantART, in 2008. Thinking about making my own manga, but I've never drew any page, staying on the first stage of planning everything.

In 2010 I was still drawing. Drawing even more. All the time! Usually on my lessons :v As you can see, I drew mostly traditional, usually fast pencil sketches, or more fancy, inked and color pencil ones :v But that was the year I got my first graphic tablet! It was terrible, but I was happy I could finally draw digitally... with Paint x'DDD oh my good, yes. My first graphic program was window's PAINT. Still it was fun! But, as you can imagine, my works weren't too good quality (you can see them in the scraps, lol), and i didn't have many tools to work with. So I stayed with my fancy Faber-Castell Polychromos color pencils 😎 I was no longer writing fanfics. Nonetheless, I didnt stop writing at all, I started chat rpgs with my friend! Beginning with Death Note characters.

2011 was the year I started thinking about my art carrier even more seriously. Taking some private and class art lessons. Not for too long, but I was introduced to other art styles, mostly realism. Still practising digital art and my own art style too. I also started doing commissions this year!

2012 I changed my high school for a school with an art class :D I also started taking some private lessons from a skilled artist, who could teach me not only traditional, but also digital art and liked manga too. I think that's the year I made my biggest and probably mostly visible art progress. I was drawing ALL THE TIME. I was no longer using Paint, but Paint ToolSAI and then Photoshop. I got a Wacom Bamboo tablet (which I still have and use up to this days). But what's even more important: I was not only drawing, but also observing. I was looking at photos, at people around me. Noticing how their bodies move, how do they look like, how their body parts and their clothes look like. Drawing from references and from the world around me, sitting in a subway and drawing people sitting next to me. I was learning the anatomy, shapes, gestures, shading. I LOOOOOVED sketching and making full pencil pictures! And still, even though I don't draw traditionally anymore, sketching is my most favourite part form the whole drawing process cx Oh! And that's the year I started to play on a rpg forum with a ttly original story and when Drill was made! ♥ My first true original character, that I'm proud of and that I still love~

2013 was busy with my preparations to get to the art university! I still drew a lot, mostly the rpg characters and some practice sketches, but now also big format pencil and paint pictures for my portfolio. I felt in love with aquarelles 😍 and was practising them together with pencil sketches and digital art. I also did my first, short animations : > And did a project with the whole movie clip for the Disney's song "I'll make a man out of you"! I had a lot of fun AND I GOT ACCEPTED INTO MY DREAM COLLAGE!!! ＼(≧▽≦)／ Like, seriously, it was my goal since my middle school, when I first saw their ad in a subway, lol

2014 More art! More digital! More aquarelles! More OCs! Generally the only thing I was drawing that time was rpg characters and uni projects xD Started experimenting more, connecting traditional art with digital art

2015 Same, just drawing those OC's in many ways and having fun~ RPing a lot and... OH! Is that? Yes it IS! It's RAVENIA! It's the year when Vasdorl was born ٩(♡ε♡)۶And my love for drow ofc!! I was introduced to DnD and fantasy and there was no going back from that path. I joined the drow community on tumblr and discord to meet more people with the same interests.

2016 IT'S RAVENIA!!!!! And the real start of the drow era! That's also the year when "Vicous Vasdorl" comic started! And when I began working on my BIG "Escaping the Underdark" game project, as my final uni project ♥ I came back to doing commissions and developed my comic "simple style"

2017 More drow! More Ravenia! More Vasdorl! And of course MORE OF MY GAME, that was taking most of my time as I already was too late with it. It was such a big project for just a one person and I had to take a one more semester to work on it. Drawing all days and all nights. Generally I was just waking up, working and going to sleep and that was my life back then. That was also the moment I learned how to do good digital sketches, as I was drawing A LOT. Especially while working on my animations. (Drawing them traditionally just to remake them digitally was too much time-consuming. So I completely stopped doing it. I was abandoning my pencil, and replacing it fully with tablet pen). AND I DID IT!!! I graduated with the highest grade possible and I finished my game! \(^ヮ^)/ I started doing plushies and chibis and went more into doing commissions.

What about those last 2018 and 2019 years? I guess you know them well. I had more problems so I stopped doing my comic and focused on doing commissions. Doing commissions and from time to time drawing our dear Ravenia characters but I didn't stop in my journey here. Working on comms was a perfect way to experiment more and go out of my comfort zone! Drawing many different things, many different characters and of course backgrounds! Which I always hated doing and now I don't have anything against. Experimenting with light and perspective. Mastering my skills and my anatomy knowledge. Making art trades and gifts. Having fun with you on streams x> Just trying to push myself a little bit more foreword and learn something new with every picture~

Woha, that's a really long description xD' But for the TLDR people: It was a long journey! But I'm very proud of it! Starting from manga and anime, with traditional works and doing mostly fanarts. And slowly going to digital fantasy, not using any traditional techniques anymore, to draw my and my friend's OCs. I spent most of my life on making art, 12 years on deviantArt, 5 years on being here and sharing it with you and 10 years on learning as much as I can. Still learning and trying to improve even more!

Thank you for being with me through that time ( ˘⌣˘)♡(˘⌣˘ ) And hopefully we will be able to continue it through the next 10 years! Let's see what the future holds ;) ____________________________________ You can find me on: (@Luupetitek) Deviantart | ArtStation | Mixer | Ko-Fi donations

#meme #luupetitek #10 years art progress #progress #improvement #2019 #art #artist #story #info #progressmeme

[johnboothus]

Willett Pot Still: The Liquid #BourbonTok Loves to Hate

For more stories on TikTok, check out our whole series here.

“What’s up Bourbon TikTok? … Today I want to tell you about my least favorite bottle in my collection,” says Chad Watson, a Lexington, Ky.-based bourbon enthusiast who goes by @mydailybourbon. Wearing a black tie with a zippered gray jacket, over the next 40 seconds Watson discusses how much he dislikes Willett Pot Still Reserve — “too malty, too earthy, too grassy” — which has become the bourbon that TikTokers most love to hate.

Spend any amount of time on so-called Bourbon TikTok and you can’t help but run across hundreds of reviews for Willett Pot Still Reserve. Some are professional, most are amateur, a few are earnest, many more are comical, bordering on cruel. And they’re nearly all negative, as though slamming this particular whiskey is a rite of passage in becoming a bourbon reviewer on the exceedingly popular platform.

So how did Willett Pot Still Reserve become the most dunked-on bourbon in all of TikTok?

“TikTokers are doing a service that others in the blogging, YouTube, Instagram, and even the podcast space can’t,” believes Kenny Coleman, host of the Bourbon Pursuit podcast. He says that once something like these Willett Pot Still slams take off via TikTok’s algorithm, more are certain to follow. “So now bourbon reviewers on TikTok are getting a message out to people who didn’t necessarily know there even are bourbon reviews,” he says.

@whiskeydizz

Honest and Unbiased Review #willett #potstill #bourbon #fyp #bourbontiktok #whiskey

♬ Blade Runner 2049 – Synthwave Goose

Zero Point Zero

For connoisseurs, Willett holds a hallowed position in the American whiskey pantheon. The company humbly began in 1984 when Even Kulsveen purchased it from his father-in-law, Thompson Willett, and renamed it Kentucky Bourbon Distillers. But Kulsveen wasn’t actually distilling anything, instead sourcing unwanted stock from nearby distilleries like Bernheim, Four Roses, Heaven Hill, Jim Beam, and the vaunted Stitzel-Weller.

As the modern American whiskey boom began to take shape in the early aughts, Kulsveen’s son Drew began releasing their most primo stock as cask-strength, non-chill-filtered single barrels under the umbrella Willett Family Estate. Some of these, with names like Red Hook Rye, Doug’s Green Ink, and Rathskeller Rye, became some of the most acclaimed releases in American whiskey history. Pretty much all Willett Family Estate bottlings released since 2006 now sell for hundreds if not thousands of dollars — and, if you lack knowledge and connections, you really have no chance to ever score any.

“Purple tops, green tops, that’s fun stuff, but when it comes to [Pot Still] … it’s just not for me,” says Watson.

Unfortunately, almost all Willett looks identical — Cognac-style bottles topped with, as Watson mentions, purple foil tops, green foil tops, or white wax. All are slapped with stark white labels featuring the Willett family crest, with the only identifying differences being tiny, handwritten details indicating each bottle’s age, proof, and sometimes an esoteric barrel number. (For a while, the whiskey internet circulated a Google spreadsheet to keep track of these barrel numbers.) All this is what makes the Willett portfolio, if you will, completely inscrutable to newcomers.

“Willett is a very notable brand and people love to chase their limited releases,” says Watson. “So Willett does what most brands would do in that case: creates a product that draws people with their eyes, is priced decently, and is pretty much always available.”

That product, of course, being Willett Pot Still Reserve, the only Willett whiskey ever released into the mainstream. And that’s where I suspect the cognitive dissonance sets in.

Newcomers to the bourbon hobby see the reverent tones Willett is spoken with online, then assume that all Willett is the great Willett that whiskey geeks have been stockpiling for years. The fact that Willett Pot Still Reserve comes in an eye-catching glass decanter — meant to look like a literal copper pot still — solidifies the fact they’ve stumbled upon a good score, which makes the ensuing disappointment once they finally taste it all the worse.

“What’s up guys and gals, this is Kent Davis, wanting to give you an honest bourbon review,” says @kentedavis33, speaking over a still image of the Pot Still bottle. His following nine-second TikTok is a succinct slam:

“Nice bottle, but zero point zero.”

@mattybourbon

Willett Pot Still Reserve Review#bourbon #bourbonreview #whiskey #whiskeyreview

♬ original sound – MATTYBOURBON

Nicest Looking Bottle in My Collection

That “nice” bottle is exactly what leads to so much animus, claims Watson.

“Once people try the juice inside, they realize they have been duped,” says Watson. “For what seems like an amazing art piece, the liquid inside just doesn’t match the standard. It tastes young, earthy, and very green.”

Almost all Pot Still appearances on TikTok begin with the reviewer mentioning how much they like the bottle. In his review, Watson notes that the “bottle shape … is really cool.” “Pretty neat bottle…” says @glennflashwells. “Nicest looking bottle in my collection hands down,” says @mattybourbon. In many cases that will be the last wholly positive thing uttered by the reviewer.

Florida-based Andy Mauldin (@ronbourbondy) chose Willett Pot Still for his first-ever TikTok review earlier this year, claiming he’s never tried it before. Though even that doesn’t stop him from comically coughing after his first sip.

“Whahoooooaa, that is hot!” he exclaims as he struggles to clear his throat. He eventually calls Willett Pot Still Reserve “trash,” noting that the bottle is its “only redeeming quality.” Josh Grundemann (@bassinandbourbon) also coughs, nearly choking after sipping his first-ever Pot Still pour.

“That might be the worst bourbon I’ve ever tasted,” states the Louisiana man.

@bassinandbourbon

Is Willet Pot Still worth it? @60secondbourbonreview and @caseywarr do! Here’s my thoughts! #BourbonTikTok #Bourbon #fyp

♬ original sound – Josh Grundmann

In a way, you could say a TikToker’s first sip of Willett Pot Still is the baptism by firewater that catapults them to the next level of connoisseurship. Maybe they’ll now be ready to get more serious with their bourbon reviewing. Or, maybe they’ll just want to milk the “Pot Still sucks” joke even further — by now it’s started to become a sort of TikTok meme.

Maudlin, for his part, did a follow-up TikTok where he dumps his remaining Pot Still into a fancy crystal decanter, jokingly hoping his wife will now assume it’s the “good stuff,” and thus drink it after running out of her preferred rosé.

If many Pot Still bashers go for the laughs regarding how awful it is compared to the luxe accommodations of the bottle it is housed in, there are a scant few TikTokers who are more earnest in their reviews. Steve Higdon (@60secondbourbonreview) finds Pot Still “pretty mellow” and “easy to drink.” Casey Warr thinks it’s “okay stuff.” While @mattybourbon calls it “not a great bourbon,” though admits it has a nice nose with notes of buttered popcorn, scoring it a decent 5 out of 10.

Those reviews might not elicit laughs or a viral view count, but they’re more accurate in their assessments. Pot Still Reserve is certainly not good — and I would never keep a bottle of it in my house — but it’s not as bad as TikTok would have you believe. Distiller rates it an 88 (out of 100), while Drink Hacker scores it a B+. That feels about right to me. Rumors abound that the spirit has gotten worse over the years, changing from a rye-flavored single-barrel bourbon to a wheated “small batch” blend of undisclosed origins. Whatever the case, it is almost certainly not 100 percent distilled via pot still, which makes the name and bottle design even more amusing.

That’s why the online anger continues to flow, with neophytes thinking they scored the world-famous Willett, seeing the fancy bottle suitable for displaying on the back bar, resting their iPhones facing them in selfie mode, firing up TikTok, taking a big sip, and then realizing (on video) that they just threw 50 bucks down the drain.

And, comical though these may be, maybe Willett should start paying more attention to them.

“Whiskey appeals differently to everyone. So there will be camps that like or dislike a certain whiskey,” says Coleman. “But when a majority of people are consistently giving the same message, the brand should take note and adjust.”

Or maybe not, as there continues to be a seemingly endless stream of fresh-faced TikTokers very excited about their recent Pot Still scores. Like @whiskeymorning, who enters his house clutching two bottles of Pot Still by their necks as he dances to Saweetie’s “My Time.”

We’ll wait for his TikTok review once he finally cracks it. My guess is that it will almost certainly involve coughing.

The article Willett Pot Still: The Liquid #BourbonTok Loves to Hate appeared first on VinePair.

Via https://vinepair.com/articles/86ed-proof-willett-pot-still/

source https://vinology1.weebly.com/blog/willett-pot-still-the-liquid-bourbontok-loves-to-hate

[notdeadjusttrash-blog]

My Friend has been Falsely Accused of Tracing So I Will Defend Him

Okay I accidentally deleted the blog I posted this one because I’m a dumbass, so I’ll just repost it here even though I don’t use this blog anymore, but apparently I still have followers. Bless caches because I was able to get this back from google caches so I don’t have to retype everything. I added further evidence and refutes to claims that were not in my original post btw.

Anyways, I am making this post to help out my good friend @5ru9 aka Falco who has been recently accused of tracing/copy pasting other people’s / official art!

I’ve known Falco for over 3 years, and we’ve grown as artists together. Once in a while we give each other advice on art (thanks for the mech and armor advice and teaching me how you line and color!), but most of the time we just meme each other.

Anyways, a lot of people have pointed out that they’ve seen him livestream before, and he’s already posted some of his block outs and other wips as proof that he does not trace in his post here:

http://5ru9.tumblr.com/post/168277137427/hello-i-have-been-informed-about-a-callout-post

To further prove his claim with solid evidence, I shall present to you!

Times he’s asked for advice on his art, or I randomly decided to mention things I notice in his WIPs!

Exhibit A-1:

A Tenkai Knight he made up! I pointed out a few things I thought were awkward about the perspective in his WIP.

Exhibit A-2:

He started working on this way back in July and didn’t finish it until much later because he was working on several other pieces at the same time. I suggested lowering the eyebrows and drawing the eyes a bit narrower to get more of the playful expression he was aiming for. In his final piece here, you can see that Falco continued to refine the piece.

By the way! The reason he sometimes posts a lot of detailed artworks one shortly after the other is because he sometimes works on multiple pieces at once! And then finishes coloring them around the same time.

Exhibit A-3

Falco and I spent good time trying to figure out why he felt like something was wrong with his sketch! I thought maybe it was the trapezius and I decided to red line (or blue line i guess) it so it’d be easier for him to see approximately where i thought the line should go to fix it.

Exhibit A-4:

The gif-ing process turned white bg into blue… anyways! Falco showed me an early version of his Tenkai Knights OC that he eventually used in an April Fool’s joke to pass off as a new character in the series. He mastered the tenkai style enough that at first glance, people really did believe it was official! Like you had to get a good look to realize Shiyu was not really a real new character! Btw I had to go into my old twitter acc to find this…. (Edit: the gif wasn’t working bc it was too big so i had to make it smaller… and choppier and stuff to fit the mb max)

Well now that brings us into!!!

Exhibit B

Some of his old art!! (I’m so sorry falco i’ll be exposing your ancient art to ppl now)

Here you can see his progress from 2014 Tenkai fan art to early 2015! It starts looking more and more like the official art, which is what he was going for.

For reference, here’s what the character Ceylan Jones/Washizaki looks like:

I blocked out fan art by everyone except falco (which i marked) that shows up in this google search. Everything else is official art. The two fan arts by falco you see here are more recent, the angel one being from 2016 and the chicken one from 2017 (i think he also made a version with sonic instead of the chicken? lol). They’re both on his dA accounts btw! The 2017 one really looks like official art, doesn’t it? But it’s his artwork! He practiced a LOT to reach that point, and I hope the earlier arts I showed above this one are enough to convince you in his art progression! Side note: i only used images w/ceylan because 1. i’m biased because ceylan is my favorite character and 2. he drew ceylan a lot because ceylan is his favorite character Also you can see his handle change from s3iwashi to burningbraven. 5ru9 is is a pretty recent handle.

ANYONE WHO HAS BEEN IN THE TENKAI FANDOM FOR A WHILE CAN VOUCH FOR HIM!!!!!

And now for the last one,

Exhibit C

WHAT? WHO IS THIS???

This is my favorite character from a Chinese series called AOTU World! His name is Grey, or 格瑞。I commissioned Falco to draw Grey for me, and let me tell you it would be IMPOSSIBLE for him to have copied any of this. Why? Because the donghua is 3D and the manhua’s art is very inconsistent!

Let me show you the reference pictures I gave him to work with!

They’re all in my gdrive folder here: https://drive.google.com/open?id=1CqwH5KS-pHX0ZqLHQpoIZBi6W-gsU_Tz

This is all official art from the manhua, except the 3D model is from the donghua. Look at how inconsistent the references are! There’s no way he could have copy and pasted or traced this! Grey doesn’t even do this particular pose anywhere. lol. I told Falco “give him a cool sword pose”. (I’m sorry for being so vague, Falco! But it turned out great!!) The style he ended up drawing in was a mixture of all of them.

Btw!! here’s the blockout and the sketch he sent me before I sent my payment for the commission!! You can see his construction in the block out!! The arm construction and leg construction is light, but it’s there. You can also see the block out below the sketch. Notice he actually fixed the leg length from block out -> sketch?

ARGUMENTS AGAINST SPECIFIC ACCUSATIONS

LOOK, thte actual drawing doesn’t even match the sprites that closely. Pay attention to the collar especially. The whole frankensteining the image and then painting over it thing is just way more effort than drawing it himself. They don’t even match that well in the overlays. Like wow it’s such a crime to try and stay on model.

WHO WOULD EVEN NEED TO TRACE A MOUTH LIKE THAT? IT’S SO EASY TO DRAW. I CAN DRAW IT PERFECTLY JUST BY LOOKING AT IT. (well i AM an animator so I also do style mimicking)

Doesn’t the fact that you have to edit the sprites to match his artwork prove that you’re just a tryhard in making up fake evidence and not a tryhard enough at art since you think it’s so impossible for people to draw characters on model?

Yes he referenced the broom and possibly the heels from this image, but your overlays for the leg and arms are disingenuous and you know it. The leg positions are different, and the overlay doesn’t even match up. Face tracing also makes no sense. You literally stretched the mouth to try and make it fit but it still doesn’t fit. Do you really think it’s that hard to draw mouths and eyes in the DR style? DR faces are really simple to emulate. Also you fool, if you follow Falco’s artwork enough, you’d realize the way he draws bodies is actually rather consistent even as he does different styles. Especially when it comes to hands. His way of drawing hands is how I recognize his art and know right away it’s his art and not official art or a trace (also his coloring style). The heels he drew are also reminiscient of how he typically draws shoes/feet. he draws them bulkier. The other art has dainty heels. At most he referenced how backside works because he’s used to drawing sneakers.

Also come on, if all you referenced from an image was a broom because you liked the style (his is also clearly drawn by himself since you can’t overlay it on the other one. like i said he mostly used the style as a reference for how-to-broom) and you referenced pieces from many other images, are you going to list every single thing you referenced? While yeah it’d be nice to, it’s a little ridiculous to expect all 5-20 references whenever they post the image. It’s a thing where, if someone asks, you’d tell them, but it’s too much to list all of it. This isn’t a 20 page thesis.

If it’s such a crime, then holy shit sue all those people who parody other people’s comics and sue everyone who dares!!! to ever draw something remotely similar to someone else. Dang.

Art doesn’t live in a vacuum.

Okay, this one is just plain stupid. You distorted the sprite to match it up with his, but what would be the point for him to distort it just to trace? Also if he traced, can you explain the rest of the fingers that are drawn nicely but clearly different from the sprite? Also the thumbs don’t even match up. His faces more downward while the sprite is facing more forward. Also explain the turned body in Falco’s sketch, then!! And the hair! OH WAIT YOU CAN’T EXPLAIN IT BY ANY OTHER WAY THAN HE DREW IT HIMSELF!!! BECAUSE NO SPRITES MATCH IT AND YOU CAN’T FIND ANY SPRITES TO DISTORT ENOUGH TO EVEN GET CLOSE TO MAKING FAKE EVIDENCE FOR IT.

By the way, the style he drew it in is closer to the drv3 than this sprite. while it’s pretty much the same style as the older games, drv3′s art is more refined than the older games. Falco’s art is also more refined as you can see. (wow not only did falco’s art improved from back when we first met; even professional artists improve. shocker. /s)

Dude what the hell? The overlays don’t even match up even ifi you tried to frankenstein them. And these are really common poses at really common angles, and once again, must every single thing we reference from be listed in the description of every place we post an image? Let me just list all 30 videos and 50 images i used as reference for one of my prints. jfc.

As for the saihara animation based on the digimon opening animation? It was pretty clear to everyone that it’s some kind of parody. Many people when making parody animations don’t mention the original video either?? It’s a fun thing for fans of the franchise to recognize the reference themselves. Yes he could have said it was the digimon opening on the description, but at least he didn’t say he thought of the idea himself? And if you talk to him about the animation, he will openly tell you it’s from digimon. And the fact that you think it’s a trace despite how much the overlays do NOT work out is practically proof that you’re just doing this maliciously and hoping that saying he traces enough with shoddy evidence will make people believe you.

ALSO PEOPLE LITERALLY TRACE ANIMATIONS TO MAKE PARODIES OF, DOWN THE STYLE WHERE ALL THEY CHANGE IS THE HAIR AND OUTFIT, AND YET SOMETHING WITH DIFFERENCES EVEN DOWN TO THE STYLE LIKE THIS IS SOMETHING YOU THINK IS A TRACE? Do you need a new pair of glasses?

I was gonna ignore this one because it was the same as a lot of the others, but you literally erased Falco’s face line so it would match the sprite, and you covered the bigger boobs Falco gave her, and totally ignored that the angle doesn’t even match properly. Like you covered parts of his sketch in your overlay just to make it look more like it matches, but if you actually fucking overlayed it correctly, even with squashing it, it won’t fit. (Also sorry to point this out Falco, but the circles on your goggle lenses are too small compared to the sprite; Maybe if you actually traced like this person claims you’re doing, they’d be perfectly like the sprite. OH BUT WAIT YOU DREW IT YOURSELF SO OF COURSE THERE’S SOME DIFFERENCES. JUST LIKE HOW EVEN THOUGH ALL YOUR OTHER WORKS ARE REALLY CLOSE TO THE STYLE AND PRETTY MUCH ON MODEL, THEY’RE NOT EXACTLY THE SAME WITH THE SPRITES! SHOCKER...!)

HOLY FUCK. I already pointed out and gave evidence that Falco started on the Nier Automata drawing waaaaaaay before he posted the actual picture. The 2 sketches are sketches! They don’t take a super long time. I busted out 10 inktobers in 1 day. (thumbnails of my artwork below)

Look I even even lined and colored 5 fairly detailed chibis in 1 day (i did the sketches earlier though. btw i hand drew the plaid on ray. it was annoying)

At the moment I have 5 wips. They’ll likely all be done around the same time. I know Falco often has multiple wips as well, and sometimes he also finishes some of them close to each other. Some artists (like my friend Fish) can pump out extremely detailed paintings in less than a day. WOW some artists can draw at a fairly fast rate. WHO KNEW? (manga artists in weekly magazines pump out 15-20 pages of manga in a week)

He’s still developing a style; he’s mostly doing style mimics of series he likes in the mean time.

At the moment he’s mostly experimenting with the drv3 style, but he was practicing p5 earlier. By the way, he DESIGNED a phantom outfit for mishima. Who the heck would he copy that from? He made it up because he loved mishima and wanted to make him part of the gang in some AU fan art. Mishima doesn’t have artwork like this for him to trace, so it should be obvious it’s his own work.

And the pokemon and crash bandicoot ones are actually not that close. The pokemon one looks like a good attempt at imitating the pokemon style, but since he hasn’t practiced it enough, you can tell it’s a little off model because, well, he drew it himself and doesn’t practice the pokemon style a lot. Same with the crash one. Had it been a trace, with his level of control over his lines (which you can’t refute), it would have been much closer.

And you act like it’s a crime to imitate others’ art style. It’s really not. What is wrong with you? Do you want to slow down animation production by only letting the character designer draw everything? Or do you want animation where the art has 0 semblance of consistency because all the artists draw in vastly different styles? lol. What do you have against artists that try to stay on model?

LOL THIS IS ONE IS SO STUPID WHERE DO I EVEN START?

Oh, I KNOW. Why don’t I do that same pose with my own hands?

IT’S A MIDDLE FINGER, YOU IDIOT.

Just because YOU don’t know basic anatomy and can’t tell a middle finger from a pinky, doesn’t mean everyone else is as incompetent as you. He wasn’t doing the rock-on hand pose (sry idk if that pose actually has a name lol), and he’s drawn the rock-on hand pose properly before.

Closing statement

I believe I covered a lot of things and provided a lot of evidence here that Falco and his other friends did not cover in his defense against the false accusations.

I even added more counter arguments in this repost because apparently my original post wasn’t enough to convince people.

Perhaps the person calling him out meant well (no, I doubt it because they made a new side blog just to diss him because they knew if they did it on their actual blog, they’d be called out for being a jerk), but they did not do enough digging to find out if their claims were true or not (and they probably know well enough that they MADE UP THEIR EVIDENCE).

If you’re going to make a call out post, please make triple sure sure of everything before you accuse people. Talk to them first. Talk to those who know them too.

Many jobs require you to be able to draw characters exactly in the style given. Animators for example! There are multiple animators working on one series, and they all need the skill to draw consistently! Some games also have teams that need to be able to draw in the same style so they don’t have to leave everything up to one person. Comic artists often have assistants that help them draw background characters, but those background characters can’t be too different from the main style either.

As for the people who believed the call out post before, it’s perfectly understandable. I am also guilty of falling for similar posts in the past. Due to that, I decided it was best to double check before retweeting (i say retweet because i use twitter far more than tumblr these days. heck i almost never post anything on this blog) things, and if i wasn’t sure, I would just leave it be.

I hope my post was able to convince you on Falco’s innocence and all his hard work. And if you already believed him but checked out this post anyways… Thanks! ObligatoryPleaseWatchAotuWorld.

And again:

Art does NOT exist in a vacuum. All artists are influenced by each other and MANY artists, especially professionals, use a lot of references, whether it be from photographers, their own pictures, others’ artwork, life, or whatever. We all use many different resources. If you’re going to say that’s wrong, you just dismissed millions of artists in the world.

[hermanwatts]

Sensor Sweep: Viking Bikers From Hell, Lovecraft & Hemingway, Hadon of Ancient Opar

T.V. (Bare Bone E-zine): But Milius’ mark on Sutter’s creative process may go far beyond simple story and dialogue.  A more concrete clue lies in Milius’ end credits when Miami Vice scenes and the superimposed B-movie episode title “Viking Bikers from Hell,” pseudonymously written in 1987 by Milius, flash across the screen with other clips from his filmography.  Though Sons of Anarchy is stylistically, tonally, and philosophically different from Milius’ episode, it is not a leap to see how it put the gas in the tank of Sutter’s imagination.

  Horror (DMR Books): One of Lovecraft’s earliest stories written as an adult is “Dagon.” After his ship is sunk by German U-boats, a castaway finds himself on an unknown island. There he encounters the title creature. This story is one of Lovecraft’s earliest and one of his lesser ones; however it still has elements of genuine terror.

Games (Walker’s Retreat): Ghost of Tsushima is out now. In case you missed it, it’s this: Yep, a game set during the Mongol invasion of Japan. Gameplay is very reminiscent of the well-regarded Breath of the Wild for the Nintendo Switch blended with the more recent Assassin’s Creed games. Yes, playing in Japanese with subtitles is an option, as is playing in Black & White for the Full Kurosawa effect. This has the Death Cult in games mad, especially when Japanese outlets have been positive about this game. The meme below summarizes aptly.

Fiction (Rough Edges): A while back, I read SON OF GRENDEL, a novella that’s a prequel to this full-length novel. Now I’ve read BATTLE FOR THE WASTELANDS, and it’s a fine post-apocalyptic yarn, just as I expected based on my enjoyment of the novella. It’s the future, of course, after some disaster that has left vestiges of what people call the Old World. The countries, states, and cities that we know are gone, but firearms technology remains (although at a much lower level for the most part) and dirigibles are still around.

RPG (RPG Pundit): The newest issue is out, and RPGPundit Presents #102: The Woodsman is a very short issue, but it’s also only 99 cents! In it, I present a brand new character class for Lion & Dragon, that can also be used in other OSR games: the Woodsman! This is essentially a non-magical ranger-style class, based on Medieval-Authentic concepts of what a Woodsman was and did. If you want to play a native English (or Welsh) character who has ability in hunting, trapping and wilderness lore, this is the way to go!

Lost Race (Cirsova):   In Hadon of Ancient Opar he presents a tale of the Ice Age in Africa. Some readers will not care for the earthy, rough sexuality which still has the power to shock and disturb, despite the passage of decades.  Willy Ley’s “Chad Sea” and “Congo Lake” (Engineer’s Dreams, 1954) are present here as Mediterranean-like basins, while cities of a Jakob Bachofen-type matriarchy (Mother Right, 1861) flourish all around. Hadon, a sports champ/gladiator, is to become king but is instead sent on a deadly mission, and we’re off into whitest Africa, with Rider Haggard’s characters Laleela and Paga appearing alongside the Hercules-like Kwasin and the mysterious “grey-eyed god” Sahhindar.

Writing (Wasteland & Sky): We’ve talked many times about the awful state of art right now in the modern world, but we haven’t offered much in the way of solutions aside from the obvious: just keep trucking. Today that changes as I introduce to you my newest book due out at the end of this month: The Pulp Mindset!

  RPG (The Other Side): Astonishing Swordsmen & Sorcerers of Hyperborea (AS&SH) is more closely aligned with “Advanced Era” D&D, but its feel for me has always been more OD&D, though over the last few years I have been treating it as another flavor of Basic.  I have mentioned in the past that I see AS&SH as a good combination of B/X and AD&D rules.  Essentially it is what we were playing back in the early 80s.

Writing (Pulprev): Updated Call for Submissions: Pulp on Pulp. Misha Burnett and I are working on a free collection of essays for writers. Titled Pulp on Pulp, this collection offers practical advice on creating fun, fast-paced fiction. This collection is aimed specifically at writers who want to create pulp-style fiction, though writers from other genres may learn something new from this collection. This project is a labour of love, allowing writers to share everything they have learned.

Fiction (Tentaculii): Ernest Hemingway published his first novel in 1926, just as Lovecraft was writing “The Call of Cthulhu”. Over time Lovecraft’s star dimmed away almost to nothing, while Hemingway struck the world like a meteorite. So much so, that Robert Bloch once remarked that it was difficult to conceive that Lovecraft had actually been living and working in the same era as Hemingway. Another protege, J. Vernon Shea, also observed that… “Part of the reason for Lovecraft’s unpopularity with the literary critics of his day lay in the fact that mainstream literature, following Sherwood Anderson’s and Hemingway’s leads, was turning more and more toward simple sentences and action–packed narration”.

Non-fiction (Marzaat): In “Slaves of the Death Spider: Colin Wilson and Existentialist Science Fiction”, Stableford talks about Wilson’s Spider World series in a way that convinces me there’s probably not much of merit in them. He finds them not that original – specifically derivative of Star Wars and Murray Leinster’s “Mad Planet”. He finds it ironic that Wilson, who once accused science fiction of being fairy tales for adults who have not outgrown fairy tales, has written, inspired by his occult interests, a story that seems to suggest, a la L. Ron Hubbard’s Dianetics, that mankind’s salvation will come. In short, Stableford says Wilson neither delivers a new plot or anything conceptually satisfying.

Fiction (Jon Mollison): Celebrate your independence from authors that hate you, the good, the beautiful, and the true.  You should pick up your copy of The Penultimate Men today, and I’ll tell you why. or starters, it includes a new Morty and Kyrus story from Schuyler Hernstrom.  If you have read any Hernstrom, you already know his entry is worth the price of admission alone. In addition to that story, you get Jeffro Johnson’s inimitable break-down of the post-apocalyptic genre, a pair of tales from my own pen, and something you’ve never seen before.

Art (DMR Books): The artist, John Byrne, turned seventy today. I would reckon most DMR Books fans know him from his work on superhero comics like The X-Men and The Fantastic Four. However, Byrne has a long history of drawing heroic fantasy characters. Back in 1971, barely in his twenties, Byrne wrote and drew his first published comics story which was published by the Alberta College of Art and Design in Calgary. The protagonist of the comic was called “The Death’s-Head Knight” and the plot was firmly within heroic fantasy parameters. Check it out here.

Pulp Fiction (Adventures Fantastic): I read “The Black Gargoyle”. It was the cover story for the March 1934 issue of Weird Tales.   It is available in the collection of the same name. Set on Borneo, the unnamed narrator and his companion, Martin Gow, are traveling upriver to join a museum expedition. They stop to rest at an outpost run by a man named Gomez. Gomez is an evil man, the very stereotype of the white oppressor. Gomez has given them a hut in which there are several skulls and a shrunken head on a shelf above the beds. Also staying in another hut are a man and his wife.

Pulp Fiction (Pulp Net): I have posted previously on the prolific H. Bedford-Jones (1887-1949), who is considered the “King of the Pulps,” having written over 800 short stories, 200 novels, and more. While he had several series of works with single characters, many of his longest series were instead around certain themes. Kind of fictionalized histories or docu-dramas. Many of these were done for Blue Book, one of the “Big 4” of pulps. The longest of these series was his “Ships and Men” series that ran for 34 parts from January 1937 to November 1939.

Fiction (Superversive SF): Probably the best known of the series, THE BLACK CAULDRON follows the Companions as they seek to stop Arawn from acquiring more cauldron born. It is very different from the Disney movie version. The silent, stalking soldiers cannot be slain but weaken the further they get from the land of the dead. The companions have a mission—steal the cauldron and destroy it. That’s not as easy as it sounds. However, the one who jumps in must know it will cost his life. One of Prince Gwydion’s main allies turns traitor, and one of Taran’s new companions is out for his own glory.

Culture Wars/RPG (Grey Hawk Grognard): Sometime over the last couple of days, Wizards of the Coast decided to put up the following disclaimer on all D&D products earlier than 5th edition, plus a few 5E items as well. Setting aside the typos and grammatical errors of this hastily-done disclaimer, I can’t say I’m surprised that Wizards of the Coast has decided to bend the knee to the SJW crowd.

Fiction (Pulp Serenade): Robert Silverberg’s criminal past has been coming to light—and I, for one, am thrilled, just as readers were undoubtedly thrilled decades ago. In 2011, Stark House Press republished two of the sci-fi master’s earliest novels,  Gang Girl (1959) and Sex Bum (1963), both of which originally appeared under the pseudonym Don Elliott. These are from the heyday of smut paperbacks, a time when rising talent (like Silverberg, Donald Westlake, and Lawrence Block) were cutting their teeth on T-and-A-tastic yarns, honing their writing skills and getting paid for it.

Sensor Sweep: Viking Bikers From Hell, Lovecraft & Hemingway, Hadon of Ancient Opar published first on https://sixchexus.weebly.com/

[homedevises]

I Will Tell You The Truth About Designer Homes Photos In The Next 25 Seconds | designer homes photos

When the White Abode apparent its 2018 Christmas decorations aftermost month, the standout was a aisle lined with ablaze red topiary trees.

September 2015 – Kerala home design and floor plans – designer homes photos | designer homes photos

Those blood-soaked conifers bedeviled annual advantage and internet memes, but with little absolute spin. The abrupt images of the never-greens drew comparisons to the spinning brushes in car-wash tunnels, blood-soaked scenes from Stanley Kubrick’s “The Shining” and the red-cloaked, abject women of the “The Handmaid’s Tale.”

Chattanooga artist Brandon Carruth has heard the critiques, but he has apparent the copse up close. Yes, it’s a abrupt attending on camera, he agrees, but in being they are “absolutely magical.”

“The tallest is like 10 feet, and the aboriginal is 2 feet,” he says. “I had the befalling to see them in being and attestant the accomplishment put into those trees. They’re stunning.”

His immediate annual is added than aloof day-tripper talk. For the additional year, the 21-year-old buyer of Chatt Christmas, a melancholia decorating service, was arrive to beautify the White House.

Carruth flew to Washington, D.C., on Thanksgiving Day — a few hours beforehand than aftermost year, so he could get in added sightseeing — and was apprenticed into account for the abutting three days, Friday through Sunday. On Monday, the volunteers were advised to a accession with aboriginal adult Melania Trump, who had adopted all the adorning flourishes the designers dispersed.

The affair for the aboriginal family’s additional Christmas in the White Abode is “American Treasures,” meant to account “the spirit of the American people,” the aboriginal adult said in a account that additionally thanked “the abounding volunteers and agents who formed adamantine to beautify the halls of the People’s Abode in Christmas cheer.”

About 200 bodies from all 50 states were complex in the decorating marathon, including a abstracted aggregation that readied the adornment and alien it in from a barn in Virginia the aboriginal allotment of Thanksgiving week.

According to the White House, Mrs. Trump based the blush palette on the colors of the flag. Red dominates in the Grand Foyer, Cross Hall and East Colonnade. White is accent in the Accompaniment Dining Room; dejected in the East Room. All three colors appear calm in the Dejected Room, which holds the official White Abode Christmas tree.

That 18-foot stunner, a Fraser fir from North Carolina, is belted in added than 500 anxiety of dejected clover award that has anniversary accompaniment and area abstract in gold.

Every allowance is abounding with one absorption affliction or addition for the 30,000 visitors accepted to bout the White Abode during the anniversary season.

The Accompaniment Dining Allowance showcases America’s civic symbols, including the baldheaded eagle, rose and oak tree, as able-bodied as an active applique abode showcasing the absolute Civic Mall.

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In the Grand Foyer and Cross Hall, added than 14,000 red ornaments are amassed aloft and skirted below 29 copse aflame in white lights. In the East Room, four custom mantelpieces advertise the skyline of a altered city: New York, St. Louis, Chicago and San Francisco.

In the Green Room, an arrangement of fruit, vegetable and atom decorations, meant to betoken the country’s compensation and harvest, beautify a timberline in the centermost of the allowance and are tucked into a album on the mantel. The Red Allowance includes decorations evoking Mrs. Trump’s “Be Best” initiative, affective accouchement to excel.

The better media spotlight has been on those active red rows of topiary copse in the East Corridor, which connects the East Wing and West Wing. Carruth says bellicism was at the affection of the decorating decisions.

“The blush that Melania chose was red to represent bellicism and courage and claret that has been afford [for freedom],” he says. “It makes absolute faculty because the Gold Star timberline is about the corner. It’s a accomplished adventure as you access and airing through.”

The Gold Star Family Tree, adorned with gold stars and affectionate ribbons, is active by Gold Star families, those who accept absent addition in account to the country.

Carruth helped beautify the Gold Star timberline afterwards finishing his antecedent tasks with Aggregation Blitzen (they’re all called for reindeer).

“My focus this year was the vestibule, the access to the West Wing,” he says. “I did four scenes and a 30-foot album and two alive arrange with magnolia and cedar. I got to assignment carefully with one of the White Abode florists accomplishing that. It was a lot of fun.”

Last year, Carruth was allotment of the aggregation that active the Diplomatic Room, the aboriginal allowance visitors see back they access the White House, and the East Entrance. Getting to assignment in the West Wing meant tighter aegis for the decorators and beneath alfresco visitors to see the accomplished product, but Carruth deems the assumption centermost of the White Abode “the best abode you could be.”

“The West Wing is apparent by a lot beneath people, but the bodies who do see it are the admiral and official visitors and staff,” he says.

Carruth says he didn’t see Admiral Trump during his decorating hours at the White House, admitting added volunteers bent a glimpse of the administrator in arch “leaving on the chopper.”

He did get a quick bout of the offices of Vice Admiral Mike Pence and Arch of Agents John Kelly (neither was on-site). The better VIP he saw in the West Wing wasn’t a being but a place: the Oval Office, “a celebrity in itself,” Carruth says.

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Like he did at aftermost year’s acknowledgment reception, he begin a acceptable angle point to see Mrs. Trump because “the allowance fills up quickly.” Added headliners at the accession included Kellyanne Conway, advisor to the president, and columnist secretary Sarah Huckabee Sanders.

He did apprehend a bit added political sniping amid this year’s aggregation of volunteers than aftermost year’s, but he says there was little time for it and alike beneath appetence for it.

For best of the volunteers, he believes, the adventitious to beautify the White Abode is an befalling that should transcend partisanship. Adding their claimed blow to the official adornment at 1600 Pennsylvania Ave. is a way to serve the country in some baby way.

“It’s for the People’s Abode and the country,” he says of the volunteers. “They appetite to beautify the People’s House.”

Carruth had already had a active decorating division afore his administration at the White House. Chatt Christmas, the aggregation he accustomed in 2016, boasts a growing audience of residential and bartering customers, including Bluff View Art District and Rock City in Chattanooga and Crave Golf Club in Pigeon Forge, Tennessee.

This year, with his 2017 White Abode credentials, he best up addition two dozen customers, including Ruby Falls, area he was tasked with lighting the exoteric of the celebrated alcazar and the alfresco Christmas timberline at Christmas Underground. He additionally abutting the architecture aggregation at The Great Christmas Shop (known in the summer as The Great Backyard Place) to actualize the accomplishments for Santa Claus and advance decorating clinics.

The business has been so acknowledged he’s planning a name change from the seasonal-sounding Chatt Christmas to the all-embracing Carruth Concepts to highlight his year-round architecture work. He additionally runs the pop-up cooler aggregation Sleepyhead Coffee.

Carruth Concepts, he says, will be “kind of the awning for all this freelance assignment that I’ve been doing.”

And he’s hopeful that he can get a third allurement to the White House. He has kept in blow with accompany he’s fabricated and was abnormally beholden for the alternation with the White Abode staff, which he believes could advice move his appliance “to the top of the pile” in advancing years.

Contact Lisa Denton at [email protected] or 423-757-6281.

The red topiary copse in the East Aisle mark the additional year of high-concept designs accustomed to aboriginal adult Melania Trump, a above appearance model.

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In 2017, the aboriginal family’s aboriginal year in the White House, Mrs. Trump chose icy white copse for the aforementioned passageway, which were declared by some as evocative of a apparitional backwoods or an ice queen’s arctic lair.

As biographer Steven Kurutz declared it in The New York Times: “Last Christmas, Ms. Trump aggregate icy white branches to anatomy an entrance forth the East Colonnade, and again absolved through the atramentous stick coil cutting a floor-length chrism apron dress, as if she were starring in an ad for an as-yet-released perfume: Dior Christmas.”

This year’s anterior video shows a agnate walk-through with Mrs. Trump dressed in black, a apparel best that abnormally contrasts with the scarlet eyes in the East Corridor. The 40 topiary copse are not adorned with ornaments, but are covered in ablaze red berries, acute added than 4,000 branches to complete the look.

Chattanooga artist Brandon Carruth, who has helped beautify the White Abode over Thanksgiving weekend the aftermost two years, says the copse may attending abrupt on camera but they are added arresting in person.

“It took 35 to 40 bodies the absolute seven canicule to accomplish those trees,” he says, answer that an aboriginal aggregation of volunteers did basic assignment afore the additional aggregation accustomed for after-Thanksgiving decorating.

The copse started as a Styrofoam cone that was corrective red. Again continued garlands of red berries were snipped into baby twigs that were absorbed to the Styrofoam with floral pins. Alike with affable handling, the berries were decumbent to falling off, generally abrogation white marks area they’d been attached. All those white spots had to be abounding in with red Sharpies.

“It was a lot of adamantine work,” says Carruth.

The best of red copse is allotment of the beyond palette for this year’s decorations, meant to betoken backbone and patriotism.

“While they are the best controversial,” Carruth says of the trees,”they are apparently one of the best important pieces in the White Abode this year.”

Initially, the copse were best afar by critics in boilerplate and amusing media. Lately, they accept been physically best afar by visitors. Abounding areas of the White Abode are roped off for tours, acceptance visitors to attending but not enter. The East Aisle is a axial allotment of the tours, and the copse are aural ability for visitors to breach off berries as souvenirs.

Carruth says he fabricated it home with a few of those berries himself, mostly unintentionally.

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“They were bustling off while I formed on the trees,” he says. “I begin them in my shirt pockets.”

— Lisa Denton

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[ualscout]

Captain’s Log: 16 Triggers II

Communication

24-27/09/18

The 16 prompts continued...

9: Recreate the moment after…………..…

Alright, I’m really not proud of myself for this one. I couldn’t think of anything, so I drew a picture of a shattered window from the inside looking out onto a kid with a baseball bat and a look of shock and terror. This is a universal “oh shit” moment, which I think most people can relate to on some degree even if it isn’t baseball. I used the window to frame the kid and put him at the center of attention, and by using the window as a frame I also added focal layers to the sketch.

(The universal feeling when rolling a nat1, or a critical fail)

After I did it I thought of a ton of different ideas though. Like rolling a nat1 in a Dungeons and Dragons game when everything is on the line. Or closing out of a program/having a program crash and realizing you forgot to save. Or saving and forgetting you just saved so you save again. I dunno, I thought of better stuff but didn’t have enough time to go back and fix it because I just didn’t have time. Let’s just say the kid rolled a nat1 or something?

10: Reconfigure a newspaper

Y’all know Brexit? Yeah? Cool.

Anyways, I’ve always been encouraged to be aware of the world by my high school social studies teacher. I get news updates on my phone and all that. I gotta say, the world is depressing. When you’re constantly getting updates on the next mass shooting or stabbing or acid attack or stupid thing politics did, it’s hard to stay positive, but it’s kinda necessary to be aware and look at it with as little emotion as possible. It kinda feels like a ball and chain anchor.

(Pics of the ball and chain hanging from door)

So I represented that feeling by making a literal ball and chain out of newspaper about Brexit. Then, on the chains, I wrote

“Calling the world from isolation, ‘cause right now that’s the ball where we be chained”

from Humility by Gorillaz, which is about Brexit. The biggest project out of the prototypes, definitely. I did the installation first then documented it in my sketchbook.

11: Apologise for a mistake (visually)

This one was really hard because in order to apologize, you need a mistake. By nature, this needs some kind of narrative behind it that you can’t use words for and ideally want in one panel. Some boring ways of doing this could be helping someone up after tripping, or patching up something that broke, or WAIT.

I thought of something better- someone being stabbed through the heart by someone they love while being hugged by said person. Angst central… why didn’t I think of that earlier…?

Anyways, I did something kinda boring…

I made a confession box. I kept the statement vague. People could accept the apology, deny the apology, apologize for something they did and feel bad for, etc. I did it because I wanted to use the cardboard I brought lol. It ended up getting tossed by someone, so… whoops.

12: Record what another student is doing

Someone was passed out at their desk lol. I hope they’re doing alright. They seemed tired and kept sniffling. I just kinda scanned the classroom and saw them, basically taking the easy way out. Didn’t take a picture of them because that would be kinda creepy.

13: Make a path for others to follow

(How can the thread be red if it’s invisible?)

There’s this superstition about everyone having a red thread tied around their pinky that’s connected to someone else’s pinky and that person is their soulmate. You just need to follow the thread, which is harder than it sounds… I wanted to make an animation or something based off of that. It would follow two ends of the string, winding through the city and terrain, and watch the characters pick up and manage the amounts of red string they find along the way. I’d want this to be a music video, ideally to “Little Talks” by Of Monsters and Men or “One Red Thread” by Blind Pilot. I did some sketches in my book- the characters and everything would be simple marker sketches while the only color is the red thread.

… but I ended up displaying a meme option. One of my favorite emotes is OwO and it looks very demonic when you fill in the eyes with darkness. So I drew the emote normally, then blinking, then opening to darkness to the words “We all have demons, and sometimes they win.” This is 100000% a meme and shouldn’t be taken seriously, despite what my tutor thinks… Anyways, the path to follow was the path to your inner demons.

14: Add something extra

Do you guys have chipotle here? Well, guac is always extra. I don’t like guac personally, but it seems like something that can be put into other food things to disgust people. For instance: an ice-cream cone, a pom pom, a snowball, etc. I didn’t really have any good ideas, just that…

15: Making a drawing without touching a pen

… Okay.

(Fountain pen for flare and sarcasm)

I didn’t touch a pen, I did touch a pencil though. I drew a fountain pen and wrote “no” in pen because it was funny. Sometimes it be like that, chief. I think it’s funny because the pen is so carefully drawn and sketched in a pencil style, then you just have “no” there. Again, I just do things to try and be funny.

16: Make a neglected place loved

The first thing that came to mind was a grave made markless after being out and exposed to the elements for so long. 

(Like this- creepy and generic)

And that got me thinking about how that’s the last thing holding their physical body to the mortal plane. Their body is there, there is likely evidence of their existence, but no one will ever know for sure. The memory of them and the physicality of their body are completely disconnected. Not to mention these graves are so old they’re likely not visited or cared for in the same way recent graves are, they’re not remembered. I wanted to do something to make them remember…

… but then I decided to just make haunted shit. I like the idea of fixing and renovating even if it takes away some of the personality of the house. I think it’s like a reset, like painting the walls in a rental or getting a tattoo. But what if the house didn’t want to be remembered? What if someone wanted it to stay the same…?

Enter the song “O Green World” by Gorillaz. It sounds like a person washing windows in a slasher film. I like the idea of following an unaware protagonist and following the narrative through the windows, like some of the other pieces I did in the past (see Scene Change: No Story Time and prompt #9). I kinda just drew a basic concept, but it would take place in a haunted house and the characters would interact with the different sets inside.

BONUS: ZINE!!!

I swear to God when the tutors were briefing us on the zine I felt my heart beating with anticipation. I wanted SO. BADLY. To do this. Ideas started racing through my head and I felt my hands jitter as ideas raced through my head. A zine is the perfect way to tell a story and boy do I have stories to tell.

I thought through a bunch of ideas, like doing something about Mothman, explaining the story behind Haakon’s banishment, doing something about The Adventure Zone, but I realized I could tell a cohesive story by just making it like a textbook. I took from the prompt first prompt, recreating and object from my past. Again, not my past.

This is the past of Bo Phadez and Sandman. My first long-term DND character met an elemental golem the first session of the game, shoved a handful of ash into its receptacle, and unfittingly named it Sandman. Sandman went through a whole character arc with Bo during the game, with them nearly getting blown up in the pursuit of an infinite power supply. The Game Master threatened killing him multiple times… but he knew I’d make him regret it. Sandman remains my favorite thing to have come out of my misadventures in DnD yet.

Time was short, so I had to act quick. I wrote the lines as if they were part of an SCP file or a textbook. That way, even if the reader didn’t understand the crazy world the story took place in (jumping from a desert planet to a space opera with nukes and guns in a page with characters pulled out of a Russian version of Lord of the Rings. I used a brush pen to make bold and quick lines.

As I drew, I realized I spent less and less time for each page… I just knew how to make the characters look how I wanted. I know pencil was banned, but I used it for putting down lines, and at some point I just stopped and went with the pen. I had a lot of fun considering the different blocking and ways to compose the screen, as well as making the text fit in the frame. I played with colors a bit, making sure to use them to show how Sandman was changing forms and powers without fully doing it. To make full use of the frames, I cut the paper so I could glue the backs of the pages together so I wouldn’t have to deal with creases while I drew.

Honestly, making this zine gave me an epiphany. I want to draw like this for the rest of my life. I love designing the characters and getting to know their designs well enough to do them quickly and expressively. This certainly wasn’t my best work, but it was the quickest one with the best results and the most pride in my work.

I really wanted to pursue this more.

This was the moment I decided I wanted to specialize in animation.

---

In conclusion, I think I make art for reactions. I.e. whenever I had trouble thinking of deep connections that I would actually care about I tried to go for comedy or sarcasm. I don’t know why, but maybe it’s because I’m an entertainer at heart. I really enjoyed doing all these miniprojects. It’s like throwing pasta at the wall and seeing what sticks. This kind of format lets me really stretch my thinking style because I didn’t care too much about making sure the end product was perfect- I just wanted good ideas and had fun with it! Some prompts came slower than others, but I always figured something out.

#log entries #part I: diagnostic #trigger: 16 prompts

[buddyrabrahams]

Each NBA team’s most important player

The mother of all NBA seasons is nearing. So as you finalize your League Pass subscriptions, complete your fantasy drafts, and prepare the guacamole for your watch parties, take some time to ponder the true meaning of the season — specifically, the benevolent stars who make such a joyous holiday possible with their prodigious athletic talents.

Here I present, each NBA team’s most important player heading into 2017-18:

Atlanta Hawks — Dennis Schroder, PG

“All my friends are dead,” said Schroder in his best Lil Uzi Vert voice as he gazed upon his roster following the respective exits of his last remaining All-Star teammates in Paul Millsap and Dwight Howard this summer. Yes, the Hawks are now as thin as a toothpick, and the incentive for them to “Do Badly for Bagley” or “Make The Fans Puka for Luka” will be enormous. But somebody has to lead this JV squad, and their resident German is as good of an option as any. Perhaps we will see Dennis the Menace gun for 20 and 10. Maybe he develops some nice pick-and-roll chemistry with new additions Dewayne Dedmon and rookie John Collins. Perhaps he finally bleaches his entire head blonde. Anything to give this team a modicum of watchability this season.

Boston Celtics — Kyrie Irving

After selling an arm, a leg, and a hip for him this summer, the Celtics will hope that Irving’s performance in his first season with them does not fall flat. The outside noise in Uncle Drew’s ear will be deafening — mockery of his decision to ditch LeBron James and go off in search of his own empire, jeers at the perceived stagnation of his playmaking skills, pervasive meme treatments of his unorthodox views on astronomy. But Irving is here for one reason and one reason only: to ball out. And that’s what he’s gonna do. Just remember kids, there’s no such thing as distractions when you’re very much woke. [mic drop]

Brooklyn Nets — D’Angelo Russell, PG/SG

If the Nets were a Harry Potter novel, Russell would definitely be the Golden Snitch. Banished from the Magic Kingdom in Los Angeles, the former No. 2 overall pick now finds himself in a situation where he could easily go 20-5-5 this season. Playing next to Jeremy Lin gives Russell the dynamic offensive threat and extra penetrator/creator that he has lacked in the backcourt to this point of his career, and there’s little doubt that D-Lo will be serving as Kenny Atkinson’s go-to scorer as well. His halfcourt skills are divine, his court vision is superb, and his opportunity is now limitless. [points to solid water in veins]

Charlotte Hornets — Kemba Walker, PG

Nicolas Batum is down for the count, so that leaves Walker as the Charlotte Tune Squad’s only true playmaker for now. Fear not though, for this 6-foot-1 slayer of giants is certainly up for the task.

Walker was in peak form last season with 23.2 points a game on 44.4 percent shooting and 39.9 percent from deep (all career-bests). Whether he’s bullying your ankles or stepping back and splashing from outer space, Kardiac Kemba is the Hornets’ cash cow (which is somewhat ironic given that his four-year, $48 million deal marks one of the best bargains in the league today), and he is definitely here to stay.

Chicago Bulls — Zach LaVine, PG/SG

Congrats to LaVine for narrowly beating out the lesser Lopez brother, Michael Porter Jr., and Fred Hoiberg’s polo shirt. A cornerstone of the franchise-resetting Jimmy Butler trade, the two-time Dunk Contest champ is all Bulls fans really have to be excited about in a clear rebuilding year. Even so, LaVine is coming off an ACL tear and might be out a few more months. So the worst-case scenario is that the Bulls are a flaming tire fire, and the best-case scenario is that the Bulls are a flaming tire fire interspersed with some LaVine rim-rockers towards the latter part of the year. Make Chicago basketball fun again.

Cleveland Cavaliers — LeBron James, SF/PF

14 years and over 50,000 minutes later, and The King’s Court remains in session. That troublemaking court jester Kyrie Irving is now exiled, his best knight Dwyane Wade has returned to his side to put the shine back in his crown, and his new cast of noblemen (Isaiah Thomas, Jae Crowder, Derrick Rose, and more) are pleasing. The reviled Golden State empire is a mighty rival indeed. But King James, now aged 32 but with all his physical faculties still intact, will rise from his throne once more and lay down his scepter in preparation for battle. And I fear for all who are forced to stand in his midst.

Dallas Mavericks — Dennis Smith Jr., PG

The Mavs are near-unanimously seen as a non-playoff team in the demonic West, and that likely won’t change no matter how many 20-point games Harrison Barnes drops or how many heartwarming moments our beloved Dirk Nowitzki graces us with. As such, the name of the game for them will be player development and the excitement factor. Enter DSJ and that batty athleticism. The NC State product is one of the rare rookies (ultra-rare when you consider head coach Rick Carlisle’s track record) with the opportunity to start and make an impact right away. Smith Jr. will touch the moon and walk amongst the comets this season, and we will all be better people because of it.

Denver Nuggets — Nikola Jokic, C

Jokic exists in the space where basketball and romanticism intersect. Every post-up is a dance recital, every delivery to a cutter is a precise work of art, and every fast break is a case study in musical theory. Now paired with a like-minded frontcourt partner in Paul Millsap, the Serbian big man has a strong chance to build on his 2016-17 averages (16.7/9.8/4.9) and become the suave slaughterer he was always meant to be. Don’t rain on my parade with cries about his defense, for this is a celebration: a celebration of the man who is making slow and unathletic fashionable again, Mr. Nikola “Big Honey” Jokic.

Detroit Pistons — Andre Drummond, C

Drummond probably came along a dozen or so years too early for his own good. The reality is that a big man stiff who has zero range, possesses limited ability to either protect the basket or switch onto opposing ball-handlers, and shoots like Sheldon Cooper from the free throw line has minimal value in the modern NBA game. But here’s the good news: Drummond is still just 24 years old and his rebound-gorging, rim-assaulting ways at least give him a decent floor as a starting center. With another year of maturity, he will look to become less of an enigma and more of the basketball bully he was born to be.

Golden State Warriors — Draymond Green, PF/C

[jumps into vat of liquid introgen due to the smoldering heat of the take] Truth be told though, this might not even be that bold of an opinion, as Green is legitimately indispensable to everything the Dubs do. Lose one of Stephen Curry or Kevin Durant, and they still have one transcendent bucket-getter who can punch you right out of the scoreboard. Lose one of Curry or Klay Thompson, and they are still capable of raining human suffering on you from long-range. Lose one of Thompson or Durant, and they can still lean on the 3-and-D attributes of the other. But lose Green? Their best distributor, best screen-and-roll player, best team defender, and emotional leader all wrapped up in one? Not great, Bob. Yes, Green is the most vital part of what’s arguably the greatest team in hardwood history, and you gotta get a kick out of that.

Houston Rockets — Chris Paul, PG

James Harden already knows Houston’s personnel and head coach Mike D’Antoni’s offense as well as the back of his beard, which leaves the majority of the adjusting in this relationship to be done by the newcomer Paul. CP3’s methodical, walk-the-ball-up style is in direct incongruence with the up-tempo principles that D’Antoni preaches (and to an extent, Harden’s own ball-dominating tendencies), so a middle ground will definitely need to be reached. Still, with his defensive activity, his subtle strokes of pick-and-roll genius, and yes, his leadership, Paul should provide a hard-hitting yin to Harden’s yang as the Rockets vie for the title of best non-Warriors team in the West.

Indiana Pacers — Myles Turner, PF/C

With Paul George peacing out of Indiana, the springy 21-year-old suddenly has the opportunity to be the biggest Turner on this side of Desiigner. While he could still use some improvement when it comes to rebounding and overall consistency, Turner otherwise has an ideal skillset for a young centerpiece to build a team around. Step 1: manufacture an elite defense using Turner’s shot-blocking and mobility. Step 2: construct a top-tier offense centered on his versatile scoring arsenal. Step 3: profit. OK, maybe it won’t be quite that easy, but it should still be a pleasure to watch Turner raise Hickory Hell in 2017-18.

Los Angeles Clippers — Blake Griffin, PF/C

“The Blake Griffin Show” is not only my favorite new primetime television series of the fall, it’s also the new reality for the Clippers in the aftermath of Chris Paul going ciao. The usual health disclaimers are inescapable with Griffin, whose availability could be the difference between 47 wins and the playoffs or 37 wins and the lottery. But for all you beleaguered point-forward enthusiasts, have I got a new god for you. Should I be institutionalized for believing Griffin has a chance to go LeBron Lite this season with a stat line somewhere in the range of 22-8-7? Probably. But what stands in the ex-top pick’s way in his debut season as Lob City’s sole breadwinner is neither talent nor circumstance: it’s his own body. Are you the gambling type, Clipper fans?

Los Angeles Lakers — Lonzo Ball, PG

It’s time to find out what Big Ballers are really made of. The eldest Ball bro may seem more like a reality star than a professional hooper and his signature shoe may be priced like it’s made of diamonds and caviar. But look beyond the funky jumpshot and the constant negative LaVar covfefe, and you will find a truly special talent. May his passing be so contagious that Adam Silver has to call in the CDC. May the conventions of the sport be turned further on their heads with each full-court outlet pass from his angelic triple-B fingertips. And may the Showtime Lakers bend at the knee and make way for a superior new brand of basketball: The ZoTime Lakers. Tell the haters to stay in their lanes.

Memphis Grizzlies — Mike Conley, PG, Memphis Grizzlies

It’s a point guard-driven league, and by golly, if the Grizzlies are paying Conley over $30 million a year, he darn well better be driving. Fortunately, that the dynamic southpaw did in 2016-17, doing whatever the exact opposite of the big contract blues is by putting forth a career-best year in production. Memphis seems to be going nowhere fast, especially with the untimely (or depending on your perspective, overdue) demise of Grit-N-Grind. But at least we’ll still have Conley getting us lost in the sauce with his two-way exploits.

Miami Heat — Hassan Whiteside, C

Goran Dragic’s nightly 0-to-100 act is enticing, as is the glow of that beachfront property on Waiters Island. But Whiteside’s areas of expertise remain the most irreplaceable on the Heat as he continues to prove his worth as their highest-paid player. The 2K rating has been up for awhile now, the block parties remain the most lit, and the midrange jumpers off glass are a quality wrinkle to what many once believed was a strictly one-dimensional offensive game. Now the focus for Young Whiteside should be on how to effectively match up against stretch-fives a la Kevin Love and Al Horford while still asserting his birthright over the painted area. Open up my eager eyes.

Milwaukee Bucks — Giannis Antetokounmpo, PG/SG/SF

My large, basketball-playing son is here to turn every day into Freaky Friday, bless his heart. Few superlatives could articulate the season Antetokounmpo put together in 2016-17. Embodying the spirit of Oprah Winfrey herself, he pointed at each of his major statistical categories and shouted, “YOU’RE GETTING A CAREER-HIGH! AND YOU’RE GETTING A CAREER-HIGH!” When the dust settled, Antetokounmpo finished with 22.9/8.8/5.4/1.6/1.9 and dragged a Bucks team that missed an entire season combined between Khris Middleton and Jabari Parker to the 6-seed. He’s a monstrosity no matter what end of the floor he’s on, and if he ever starts hitting his jumper with any consistency (which we’re already seeing glimpses of), not to be overly dramatic or anything, but we’re probably all dead. O Giannis, my Giannis.

Minnesota Timberwolves — Karl-Anthony Towns

There’s a reason why our young three-named emperor recently topped the 2017-18 NBA GM survey of which player they would most like to start a team with. True, he may still be a net liability as a defender. But 25.1 points per game on 54.2 percent from the field and 36.7 percent from three is special for any player, much less a 21-year-old pupper. Towns is equal parts physical and finesse, and while the buckets of St. Jimmy Butler and the all-around vigor of the newly-extended Andrew Wiggins will be key for the Wolves, what will truly bring the Western Conference to its knees is when KAT gets its tongue.

New Orleans Pelicans — Anthony Davis, PF/C

I’ve run out of clever eyebrow-related puns, so let’s just look at Davis for what he really is: the biggest walking mismatch in the league today. His trusty 18-footer makes him a tougher cover than a Giannis Antetokounmpo, his 6-foot-11 frame and his 8-foot wingspan make him a more unique hell than any shorter player, and graceful strides make him harder to guard going to the hoop than a Karl-Anthony Towns or a DeAndre Jordan. Now that Davis has hopefully gotten over his growing pains with fellow All-NBA big and ex-Kentucky Wildcat DeMarcus Cousins, the 30-point-per-game mark, the Defensive Player of the Year Award, who knows, maybe even Most Valuable Player honors are all hypothetically within the reach of his octopus-like grasp.

New York Knicks — Kristaps Porzingis, PF/C

Au revoir to the Melodrama at long merciful last. With Carmelo Anthony finally making like an egg and beating it, ’tis a new day for the Knickerbockers. And who better to lead them into their next chapter than Mr. Three Six Latvia? Sure, Porzingis will have some help from a Suicide Squad of sorts: Tim Hardaway’s overpaid son, rookie guard Frank last-name-pronunciation-unknown, and of course Woke Michael Beasley. But the people are finally getting what they want: a 7-foot-3 fairy-tale creature finally getting his moment as the focal point of an offense. All rise for the honorable Porzingod.

Oklahoma City Thunder — Russell Westbrook, PG

I don’t know about you, but I’m still out of breath from the rampage that was the Brodie’s 2016-17 season. His breakup with Kevin Durant left Westbrook free to release his earthly tether and spread his wings to live a war-hungry life among the dragons. Now, an MVP award, a scoring title, and basically every triple-double in NBA history later, Westbrook’s short-lived but nevertheless unforgettable solo career is over, and a new superteam has arisen before him. The equally stunning acquisitions of Paul George and Carmelo Anthony pose as many chemistry concerns as they do title upside, and now the onus in on Westbrook to be the gracious host who welcomes them into his house.

Orlando Magic — Aaron Gordon, PF

The poster child for the #NotMySmallForward movement that I just started literally five seconds ago, Gordon has nowhere to go but up this season. The talented 22-year-old endured a bitter 2016-17 campaign that saw him forced out of position in Orlando’s sardine-like frontcourt and left with an egg on his face after his dud of Dunk Contest follow-up act in what was an overall discouraging year for his growth as a player. But Serge Ibaka and Jeff Green have since gone bye-bye (albeit with rookie big man Jonathan Isaac saying hello), leaving Gordon to (hopefully) see more minutes in his natural habitat as a multi-position defensive padlock and energetic north-south presence from the power forward spot. Don’t blow this for us, Frank Vogel. Not again.

Philadelphia 76ers — Joel Embiid, C

“Live by the Process, die by the Process” -Matthew 26:52. With Philly committing a full five-year, $148 million max extension (albeit with some injury protections) to Embiid after just 31 career games, they are not just taking a leap but an entire skydive-out-of-a-C-182-aircraft of faith. The Cameroonian is well-worth the dice roll though — when he’s on the court, Embiid is a conqueror of galaxies who dominates every aspect of the game from paint to paint and often extends his reign of terror to the three-point line as well. To put it simply, Embiid’s health will be the singular defining factor for the Sixers’ trajectory as a team these next several years. No pressure, bro.

Phoenix Suns — Devin Booker, SG

Fact: Devin Booker scored 70 points in a game last season. Also fact: Michael Jordan’s single-game career-high was a mere 69. I don’t know about you, but I personally require no further convincing that Booker is the greatest basketball player of all-time. In all honesty though, it’s absurd how many different ways the Kentucky product can score the ball, and he’s still not even old enough to get into the club yet. Booker will stunt on you running the high screen or coming off it, and while the crux of his development needs to come on the defensive end, Phoenix has found their meal ticket for the next decade-plus.

Portland Trail Blazers — Damian Lillard, PG

Fresh off the hottest album drop in the history of either hip or hop, what exactly can we expect from Dame D.O.L.L.A. as we enter into a new season? Well, he went 27-5-6 last year and missed out on every major accolade before getting swept in the first round, so he probably has an entire bag of potato chips on his shoulder at this point. But Angry Lillard remains best Lillard, and thus, here’s looking forward to another year of him firing cannonballs from the three-point arc and delivering an assortment of inside-out dribbles to leave your knee ligaments in the abyss. From (number) zero to hero indeed.

Sacramento Kings — Buddy Hield, SG

No, this is not Vivek Ranadive’s alt-account. But as the Kings search for a new savior in their first full season post-Boogie Cousins, the smart money is on His Majesty Prince Buddy ascending to the throne. Hield is thoroughly marvelous at scoring and attacking off the dribble, and the 15.1 points per game he scored as a rookie after being traded to Sacramento provided a momentary glimpse into his offensive upside. And as we enter into the new NBA season, I’d like to propose a toast to the best basketball-playing Buddy since Air Bud himself.

San Antonio Spurs — Kawhi Leonard, SF

Not since the 2001 Sixers have we seen a team rely so heavily on a head of cornrows. With everybody on the Spurs aging and LaMarcus Aldridge getting some major style points for his Houdini act, Leonard in all of his stoicism may be the only thing preventing San Antonio from descending into a state of uncharacteristic chaos. There remains no better player alive if you need a stop on one end and a score on the other end, and as he looks for his third straight 60-plus-win season as the lead singer of the Spurs, expect Leonard’s stone-faced and iron-fisted rule to be front and center in the West once again.

Toronto Raptors — DeMar DeRozan, SG

“I’m just like DeRozan, if I shoot it, it goes in.” While that lyric might not be entirely statistically accurate (DeRozan’s career FG percentage is 44.6, so odds are if he shoots it, it probably won’t go in), his importance to the Raptors is no less. Though he took Toronto the bank over the summer, Kyle Lowry will turn 32 this season. Thus, the burden could increasingly lie on DeRozan to do most of the heavy lifting on offense.

After finishing fifth in the league last year with a personal-best 27.3 points per game, he is clearly fit for the job. But efficiency will always be an issue for No. 10, and it’s probably time to give up on the dream of him ever developing a reliable three-point jumper. So at the end of the day, if Toronto has any further growth to make with this current core, it will almost certainly have to come from DeRozan’s end of the equation.

Utah Jazz — Rudy Gobert, C

Raise thy hand if thou art ready for Rudy Gobert to go St. Anger on the National Basketball Association. Gordon Hayward is no more, but fear not Jazz fans, for The Stifle Tower remains to defend your honor, both literally and figuratively. There’s still a lot to like in Utah this year with Gobert set to catch lobs from fellow Euro stud Ricky Rubio as he and the rest of the team sop up the shot attempts that Hayward leaves behind. Meanwhile, the defense he anchors could potentially prove even more suffocating with the arrivals of rock-solid one-on-one stoppers like Thabo Sefolosha and Jonas Jerebko. Yep, this season especially, this Rudy should be anything but regular-sized.

Washington Wizards — John Wall, PG

With the vivid image of Wall catching the Holy Spirit and sinking a game-winning three in front of his home crowd in Game 6 of the Eastern Conference Semis still crisp in the minds of many, he enters 2017-18 with a lot more work ahead. It will be tough for Optimus Dime to build on a season where he flirted with a 23-11 line while playing in 77+ games for the fourth straight year and finishing top-ten in the NBA in usage. But he is embarking on the fabled age-27 season and will be running it back in a feeble conference with virtually his entire supporting cast still intact. All in all, it’s just another brick in the Wall.

from Larry Brown Sports http://ift.tt/2xCvia3