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Many thanks to Karitas for allowing me to use and adapt her wonderful art of 'Hati & Sköll' for my cover design.
inner book
mass produced paper back of Midgard
bugra bütten paper, endpapers
gilded leather, endbands
acrylic paint, coloured edge
leaf gold (ducate double gold 23 carat), gilded edge
case
binders board 1,5mm, cover
cardboard, spine stiffener
Satogami paper, cover material
gold and silver tooling on the covers
Gauffered edges: A form of tooling that is applied not to the cover but to the edges of the text block. It is typically done after the pages have been gilt and involves applying a heated metal tool to the edge of the paper. It had its heyday in the 1500s, especially in Germany, and eventually fell out of favor in 1650, but was later revived in the late 1700s and in the 1800s.
(via Facsimile — Gloss · Rare Books: A Glossary · Special Collections and Archives)
For colouring the edges I had a special design in mind that would take a few more steps the the usual single colour edge.
After all the sanding that needs to be done to apply the colour evenly I had a honey comb pattern traced and transfered by tracing it again (graphite side up! because with light colours, like the one I settled for, smudges will show).
After a first light tracing I took the paper away and traced it again until the edge was properly gauffered.
Then I mixed up my colour palette. I first thought to get a darker brown by mixing lemon yellow and black... which turned a nasty green so I added some dark red. and got this brown.
I probably should have gone for a lighter hue, but by then I had the fore edge done and I was not up to sand it smooth again so I could gauffer a second time.
Once dried (I used a hairdryer to speed the drying up) I sanded the edge lightly so the surface was lighter again without completely cleaning out the indentions. You can clearly see the area where I backed the book. Now it takes more colour too because there’s no pressure applied there so the edge wasn’t quite as smooth as the pressed area and the colour can settle deeper in the paper due to that too.
Then came the second layer of colour with a gold-yellow mix. I let it dry again, waxed the edge with beeswax and polished it with a wad of cotton. The soft shimmer does not show well on the pictures but aside from the protection it offers I like the warm look it gives the edge.
As you can see I settled for a three sided colouring.
The front edge was the worst to work on the looks the messiest. I was sloppy about the sanding there, but I’m still happy enough with it. Considering I didn’t even do a test run to check if this gauffering-colouring-sanding-colouring combo would work at all.
Also here is what the spine area looks like just backed and sanded. The triangle (mine is not even so I, and now you too, can see I didn’t back very evenly) is completely normal for backed books. Part of it will be covered up by endbands later on.
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Spent way too much time yesterday trying to figure out if this book’s cover was real ivory or fake ivory (ie celluloid). The time period it was made (1890s) lands it smack in the middle of when both could be equally possible options. I have a known celluloid photograph album to compare it to, but nothing made of real ivory so at this time I am still on the fence about its veracity…
But dang I love the gilded gauffered edges and clasps!
Judging a book by its cover? How about judging a book by its edges? 😍 I definitely bought this 1853 book of common prayer for its fabulously gauffered edges✨ Gauffering is done by pressing a heated tool onto the edges of the textblock to create an indentation 📚 Fun fact: the term “gauffering” comes from the French word gaufre, which means… waffle! 🧇
Ava1lable now! There are three of these, ready to sh1p. Asymmetrical (depending on perspective) tooling, with gilt top edge and gauffering. Marbled endpapers by @jemmalewismarbling . . . #McCallCo #bookbinding #lostarts #goldtooling #finebinding #booklust #lovebooks #leatherjournal #bookstagram #bibliophile #bookworm #booklover #bookporn #journal #bespoke #edgegilding #gaufferededges https://www.instagram.com/p/Ck_TNHVpn01/?igshid=NGJjMDIxMWI=
no thing defines a man like a love that makes him soft
by coolpointsetta
“I made a vow, to be so tough, that he could never call me soft again.”
Jamie promised that to himself, and he’s done a damn good job of keeping that promise. He could probably properly keep that promise too, if it wasn’t for his fucking dad, or this new fucking gauffer from the States, or his fucking team that just wants to love and accept him, or the fucking grumpy old man Jamie just wants to love.
Title from Noah Kahan's Strawberry Wine
Words: 13353, Chapters: 1/?, Language: English
Fandoms: Ted Lasso (TV)
Rating: Explicit
Warnings: No Archive Warnings Apply
Categories: M/M
Characters: Jamie Tartt, Roy Kent, Phoebe (Ted Lasso), Isaac McAdoo, Colin Hughes, Dani Rojas (Ted Lasso), Sam Obisanya, Ted Lasso, Coach Beard (Ted Lasso), Trent Crimm, Leslie Higgins, Rebecca Welton, Keeley Jones, Greyhound Boys, James Tartt Sr.
Relationships: Roy Kent/Jamie Tartt, Jamie Tartt & Everyone, Ted Lasso & Jamie Tartt, Minor or Background Relationship(s), Trent Crimm/Ted Lasso, Colin Hughes/Michael, Bex/Keeley Jones
Additional Tags: Alternate Universe - Canon Divergence, Alpha/Beta/Omega Dynamics, Omega Jamie Tartt, Alpha Roy Kent, Fluff, Angst, Mutual Pining, Smut, Mating Cycles/In Heat, Found Family, Jamie Tartt Needs a Hug, Getting Together, oh my god there's only one bed, Enemies to Friends to Lovers, Bad Parent James Tartt Sr., Rupert Mannion is his own warning, Implied/Referenced Child Abuse, Past Child Abuse, Past Rape/Non-con, Verbal Abuse, Protective Roy Kent, possessive Roy Kent, Dom/sub Undertones, BAMF Keeley Jones, protective Greyhound Boys, mentions of mpreg
Tooling: Any form of hand decoration in bookbinding, typically using an engraved metal instrument that leaves an image, pattern or groove in the binding material. If the tool in use has been heated, it can be used to press gold leaf into the pattern, resulting in “gold tooling.” Silver tooling using silver foil and other variants also exist. If no material was used, then the resulting pattern is called “blind tooling.” Tooling done on the edges of the textblock is called gauffering.
gilding and colouring edges gone wrong, that’s what you get from being lazy
(pictures and description under the cut)
So I was learning how to gild edges with genuine leaf gold and picked the probably worst paper to work with. There were a lot of things going wrong to begin with. We sanded the edges from hand, but also with a belt sander, which actually a brilliant idea... if you are familiar using one, which was not.
So from sanding hollows and angles into the edge to polishing the gold too soon/ too late/ too lightly/ too firmly, I’m pretty sure I picked up every mistake and problem I could run into.
This blotchy and speckled looking edge was the best result I got in a row of much worse results, so I kept it.
There was also some smudging on the fore edge from gilding the head edge that still needed cleaning up (meaning sanding... I hate sanding the fore-edge because you have to do it by hand. There’s supposed to be a way using a cutting machine, but I don’t really know how to do that)
On a whim I decided, why not colouring the other edges to make it look a bit more exciting?
As I mentioned I’m lazy with sanding the edge, knowing the voluminous paper I had here I didn’t put as much effort and time in as I should have and this was the result
You can clearly see where I didn’t sand the edge smooth enough at the sides. The darker one here was the side I had on my side of the press so it was not as easy to apply pressure there. Not that one should apply more pressure in one direction than the other in the first place, but well...
(This is a picture from when I pressed the book in a second time for polishing (which one shouldn’t do either, but it was already fucked up anyway), not from the actual sanding and colouring process, hence the lack of paper to protect the press!)
Because it looked already uneven and sort of grunge I tried a wavy brush pattern which turns out to offer a nice moiré effect that I had not anticipated.
I ended up sanding the bottom edge even less and got ‘a not as smooth as I like but nicely coloured’ edge that has a nice sheen and touch after waxing and polishing it.
Tooling the gilded edge was surprisingly easy. I just printed a pattern I liked to fit the edge, placed it and traced the lines. The pattern wasn’t wide enough to cover all the messy parts of the edge and didn’t feel confident to add to the patter in a fitting pattern free hand so I just sort of blended in with some dots.
The cover-up had worked partially, I guess more uneven/ haphazard pattern might have been better than straight lines, but in general I’m pleased of how it turned out. The paper was shining off rather stark white and I toned it down a bit by smearing graphit from a pencil rub off on it.