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oliversrarebooks · 8 months

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The Rare Bookseller Part 22: Oliver's Auction

Masterlist

September 1925

TW: captivity, restraints, human auction

"There haven't been any vampires in the room for some time, sir," Oliver noted.

Miss Lily checked her fashionable wristwatch. "Oh, that's because the auction is about to start. But you won't be up until the end. We're to wait here until it's close to time."

"The auction's starting, sir?" said Oliver, with a lump in his throat and a knot in his stomach. At least while he was being presented to vampire after vampire, he felt as though he had a tiny bit of control of his fate. Now, it was out of his hands. Now, he was edging ever closer to being taken away to be a servant for a vampire -- or to live out the rest of his life mind wiped in an animal pen.

"You're thinking again, dear," said Miss Lily.

Oliver nodded vigorously.

"Would you like me to put you to sleep until the time comes?"

An easy decision. "Yes, please, by all means, sir, that would be very merci --"

When he woke up again, he was backstage, standing in the wings of an auditorium. In front of him, he could see a man kneeling on the ground, his hands cuffed behind him, his face expressionless. And the patter of the auctioneer was ringing in his ears...

"Two thousand, two thousand, do I hear twenty-five hundred? Twenty-five hundred, twenty-five hundred, I hear twenty-five hundred from the gentleman in the red hat, do I hear three thousand, three thousand, c'mon, gimme three thousand, lookit him, lookit the neck, do I hear three thousand -- three thousand, yes, to Miss Peacock Feathers, lovely hat miss, do I hear thirty five hundred..."

"Can I go back to sleep, sir?" he asked softly, his throat dry at the sight. He couldn't see the audience past the spotlight of the stage. All he could see was a poor, restrained man being auctioned like cattle. He thought he might faint. He thought he might be sick. Miss Lily was ignoring him, holding onto his leash and looking all business.

"Do I hear four thousand, do I hear four thousand? Going once, going twice, sold to the main in the red hat!" The hit of the gavel was as loud as a bomb going off.

"And now, the merchandise you've all been waiting for!" said the announcer. "The last lot of the evening, so dig real deep into your pockets for this one. Triple-A graded blood, finest we've had in this house for a long while, submissive in nature, takes well to thrall, expertly trained by our very own lovely Miss Lily -- Lot Seven, Oliver Pines!"

"Stand up straight. Walk in pace with me. Look docile. Don't say anything. Make me money," said Miss Lily, and she was striding onto the stage, and Oliver, unable to do anything but obey, walked after her in perfect pace, even though his knees felt like they would give out at any moment. The lights in his eyes blinded him as Miss Lily took him center stage. He still couldn't see anyone. Couldn't see who was there. Who was interested. Who was not.

"This is the kind of choice thrall you don't see every day, folks, so we're going to start the bidding at nine thousand big ones. He's worth every penny -- nine thousand, do I hear nine thousand --"

For a moment, Oliver couldn't decide what would be worse, being bid on or not being bid on --

"Nine thousand from our lovely lawyer extraordinaire. Do I hear ninety-five hundred, ninety-five hundred..."

Lawyer -- that was Miss Ruth -- and the bids began to fly. Ninety-five hundred from the woman in the pink dress, ten thousand from the woman in a pinstripe suit, and --

"I hear ten thousand five hundred from Lord Jameson! Do I hear eleven thousand?"

Cold fear ran through Oliver's veins. Lord Jameson had bid on him. Lord Jameson had bid over ten thousand dollars on him. Lord Jameson had bid ten thousand dollars for the chance to turn him into a mute, illiterate blood bag.

He found it hard to focus, numbers swimming in his head. Miss Ruth bid again. Lord Jameson bid again. Description he didn't recognize. Stranger. Miss Ruth. Stranger. Lord Jameson. Lady Jessica.

None of these descriptions sounded like Lord Alexander at all.

"And I hear fifteen thousand from Lord Jameson. Fifteen thousand five hundred, do I hear fifteen thousand five hundred, c'mon it's only money, lookit this thrall, you can smell his blood from here, do I hear fifteen thousand five hundred --"

Someone bid. Someone bid. Someone bid, please. Someone, anyone but Lord Jameson, please -- it doesn't have to be Lord Alexander -- it can be Miss Ruth or anybody --

"Going once -- and is that sixteen thousand? Sixteen thousand from Lord Alexander."

He could have collapsed in relief on the spot. He tried to see Lord Alexander in the crowd, but he was still blinded by the lights and woozy from terror.

"Seventeen thousand from Lord Jameson!"

Lord Jameson was still bidding. He was bidding seventeen thousand dollars just to drink his blood.

He could feel Miss Lily discreetly grabbing the back of his dress, trying to keep him upright, correctly concerned that he might faint at any moment.

"Eighteen thousand from Lord Alexander! Nineteen thousand from Lord Jameson! Do I hear twenty -- twenty thousand from Lord Alexander!"

"You're insane!" The sound of a chair being violently turned over accompanied the yell. "You'd pay twenty thousand for a stinking thrall?"

"You're welcome to stop bidding." That was unmistakably Lord Alexander's voice.

"Twenty thousand is a goddamned joke! I could buy three faefolk for that price!"

"Then buy three faefolk," said Lord Alexander.

"Fine!" yelled Lord Jameson. "Take your lousy thrall and enjoy him while you can."

The auctioneer, who had paused for this bit of juicy drama, resumed. "So we have twenty thousand from Lord Alexander, the highest price ever paid for a human thrall in this venue. Do I hear twenty-one thousand? Twenty-one thousand? Going once, going twice, sold to Lord Alexander!"

The gavel sealed Oliver's fate.

He now belonged to Lord Alexander.

Miss Lily caught him as he finally did faint.

Part 21 >> Masterlist >> Part 23

Thanks for reading this story about a man whose life has been forever altered.

@d-cs @latenightcupsofcoffee @thecyrulik @dismemberment-on-a-tuesday-night @wanderinggoblin @whumpyourdamnpears @only-shadows-dwell-where-we-are @pressedpenn @pigeonwhumps @amusedmuralist @snakebites-and-ink @sl33py-pup @diamond-blade-blog @ivycloak @irregular-book @whumpsoda @mj-or-say10 @pokemaniacgemini @whumpshaped @whumpsday @morning-star-whump @shinyotachi @silly-scroimblo-skrunkl @steh-lar-uh-nuhs

#whump #whump writing #whumpee #vampire #mind control #vampire whumper #captivity #vampire auction #rare bookseller #oliver #lily #jameson #alexander

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nephilimsss · 4 months

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𝘁𝗼𝗼 𝗯𝗮𝗱, 𝘀𝗼 𝘀𝗮𝗱 ! michael langdon

PAIRING ➨ michael langdon x brides of dracula inspired ocs GENRE ➨ fiction SUMMARY ➨ shortly after the apocalypse happens, survivors go into hiding in outposts that are set up around the world. outpost 3, however, doesn't realize that three of the people that have taken up residence in their walls are vampires, feeding on the others whilst they are asleep. all they know is that they are finding bite marks on them, and have little to no recollection as to how they are getting them. when michael langdon makes his way into outpost 3, the vampires are keen on making him the fourth in the relationship. WARNINGS ➨ maybe some smut in later chapters, death, manipulation, vampires, blood, it's michael, so there might be a few satanic references, though i am not one myself, the end of the world. the title is taken from the song IYDKMGTHTKY (gimme that) by type o negative, but it's mostly due to the vibes of the song. it's dark, sexy, and it always reminds of michael and the brides of dracula from van helsing (2004). MAIN MASTERLIST SERIES MASTERLIST

the voice of coco st. pierre vanderbilt was annoying, to say the least. to aleera, marishka, and verona, it was worse than nails on a chalkboard, which was surprising because they had a heightened sense of hearing than the rest of the residents of the outpost they stayed in. whenever she began complaining, they would find a way to sneak out of the room she was in, going back into the room they shared against venable's wishes. "why can they wear that," coco points an accusing finger towards the three vampires standing together in the corner of the room, "and we have to wear this? it's not fucking fair!"

"aw," marishka placed her hands on her knees, which were clothed with the thin white fabric which shone brightly with small encrusted diamond dust, and tutted her tongue. "too bad. so sad!" she flashed her brilliant teeth, which, for some reason, always put coco on edge. she hated whenever the three women showed their pearly white teeth, something about the action seemed dangerous and wrecked her nerves. marishka was the only one of the three to wear pants, the other two opting for dresses of the same fabric and edging, the same concepts but different designs being put to good use.

coco never had clothing like that before the nuclear apocalypse. she crossed her arms, wishing she had spent her money beforehand to create something as beautiful as the three women were wearing.

venable stayed quiet. she never knew why she allowed the women to wear their own clothes instead of the purple dresses every woman was required to wear here in outpost three. something about them had set her on edge, and she never outright said anything to them about breaking the rules. yes, she hated the fact that they were not following her rules or the dress code she had put in place, but she did not dare say so. she just allowed her disgust show on her face, and that was all. she could not bear to go against them, for whatever reason. coco opened her mouth to say something snarky, but seeing aleera, standing to the right of marishka, made her snap her mouth shut and simply say a small, "hmph" while crossing her arms and looking toward the fireplace. no one dared to answer coco's question. they were all uneasy, being watched by the three women, which they had little knowledge as to why, and the news that had come to them that morning, that the perimeter had been breached.

who came close to the outpost? what did they want? were they inside the building now? here to hurt any of them if they were to come out any day soon?

everyone sat in silence for the emergency meeting venable had called for, the purples, the greys, all sitting or standing as they waited for any word. footfalls in the distance make them raise their heads, wondering who had been missing from the room, and verona, the vampiress with the dark hair, raised her head as she breathed in deeply. a smell of sulfur and death began coming closer to the dining room, a smell she hadn't come from anyone else but her and her wives. aleera grabbed onto verona's sleeve, looking excited at what's to come. what other unimaginable creature of the dark had come to the outpost? this one with the smell of death and sulfur, all but missing the scent of iron and blood that they carried themselves? marishka merely stared at the entryway, brown eyes gauging at whoever was going to come through them.

a man with long, straight blonde hair appears, hands behind his back as he wears a look that screams he is unimpressed. the smell became stronger once he stepped in, and the vampiresses stared down at his clothing. expensive fine black fabric covered him from head to toe. a long trenchcoat went down to his claves, his shirt made of silk and his shoes of expensive black leather. the inner corners of his eyes had been highlighted with a red eyeshadow, and the clear blue eyes that adorned his fine face swept across the room.

they fell on venable, and as he walked along the right side of the room when he smelled blood and death to his right, he ripped his vision away from the cane-using woman at the head of the table. they landed, instead, on the vampiresses who stared at him with wonder rather than the fear the others were staring at him with. they flashed smiles at him, grasping onto each other's sleeves as they continued to gauge him. like him, they were something other than human.

he continued his walk and looked away from them once he reached the spot venable stood in. he stopped an inch away from her, his face coming near her cheek as he stared her down, daring her to do anything other than move. venable turned to face him with a proud smile, but his glare upon her was unnerving, forcing her to look down and walk away, her cane echoing in the silent room.

"my name is langdon and i represent the cooperative," he began, sweeping his eyes across the faces that stared back at him. fear, determination, curiosity, and with the three curiosities standing in the corner, excitement. "i won't sugarcoat the situation. humanity is on the brink of failure." one of the women giggled, covering her smile with her hand. "my arrival here was crucial to the survival of civilized life on earth. the three other compounds - in syracuse, new york, beckley, west virginia, and san angelo, texas - have been overrun and destroyed." marishka shook aleera's shoulder as she continued to giggle uncontrollably. mr. gallant scoffed and looked back at them, angry that they were finding the doom of humanity hilarious.

"we've had no contact from the six international outposts, but we are assuming that they, too, have been eliminated."

"what happened to the people inside?" one of the men asked.

"massacred," michael says the word as if were a love letter, and tilts his head to the right as he looks down at gallant's grandmother. she looks uneasy, happy that she was one of the few that was still alive here in the outpost. "the same fate that will befall almost all of you."

"almost alll?" mallory can't keep her mouth shut, standing in the back by the entryway, her glasses reflecting the light of the fire behind michael's body.

michael sighs, hating that he was being interrupted again. "in the knowledge that this very moment might occur, we built a failsafe - the sanctuary." he brings his arms from behind his back and large rings, with what looked to be onyx stones set into them, glittered in the firelight.

"the sanctuary?" venora rolled her eyes at coco.

"the sanctuary is unique," michael was beginning to get angry at the people of the outpost, but was still in surprise of the same three standing women. "it has certain security measures that will prevent overrun."

"excuse me, sir, what measures?" ms. mead interrupts, but michael could not be angry at her. "why weren't we given them?"

"that's classified," he waves her off, however, having to keep up pretenses that he did not know her. "all that matters is that the sanctuary will. . . survive so that the people populating it will survive, so humanity will survive."

"who are the people who are populating it?"

"also classified," michael points both pointer fingers in his hands. "however. . . i have been sent to determine if any of you are worthy and fit to join us." murmuring begins to come across the room, people wondering who will go and who will stay. "the cooperative has developed a particular and rigorous question technique we like to call. . . cooperating." he shifts his focus to the wives. "i will then use the information gained to determine if you belong."

"what is this, the hunger games?" coco exclaims, hating over the fact that they were being plucked as if prize horses in a show. "this is bullshit. i paid my way in here, and that is the only cooperating i plan on doing."

"that's no longer a viable option, coco," the accented voice of marishka forces everyone to look at her. "the governments are all over with. banks, homes, and important places that were once the standpoint of our lives are gone. you, like everyone else who survived the nuclear fallout, are broke. money is no longer an influential power. everyone here is starving, the people still outside are starving. your best bet is to give food away for your spot, but oh!" she gasps, looking over to verona, placing a hand over her heart. "we have none. we are down to half a gelatinous cube a day, and you have zero control over it. so you, like everyone else here, are going to get questioned, and you will wait in line for your answer!" her eyes flashed, and a different look came over them. instead of the brown they once were, they became a white iris with a ring of red and black covering part of the sclera.

#michael langdon #michael langdon imagines #michael langdon series #american horror story #american horror story apocalypse #ahs: apocalypse #ahs fandom #cody fern #cody fern's avacados

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vulturedimension · 2 years

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season 4 guillermo

[text reads: "Gimme, gimme some of that vampire money, come on!" end id]

#no one on twitter appreciated this one :(#mine #wwdits #guillermo de la cruz

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uhuraisgay · 1 year

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5 no skip albums

lore @megafaunatic tagged me.................Well let’s see what we’re working with here

this is in no particular order and also very subject to change like i may look back on this and be like wow nah what was i thinking. and i reserve the right to do that at any time. also i dont think it necessarily reflects All Of My Music Taste or whatever. if i am being too defensive it’s because i know my answers will be boring and or cringe

lord huron strange trails ... this album was my puzzle doing album through the whole pandemic ... by this i mean i would sit in my dad’s basement and do puzzles for like 6-7 hour stretches while listening to this album on repeat and allowing no thoughts to enter my brain. if i still enjoy listening to every song on it after all that? it’s a keeper

mcr danger days. THEE middle school / early high school no skips all bangers album. gimme gimme some of that vampire money CMONNNNNN. honestly even in that part in goodnite dr death when it screeches and holds that sound for a good like 2 seconds and blasts my ear drums i don’t skip. so that says a lot about me

fleetwood mac self titled. the girlies in the 70s knew this was a no skips album....and i carry on their legacy. also every time i hear landslide i cry at least a little bit sorry it’s just who i am

waxahatchee saint cloud. i think she is a good lyricist and i love every song on this album...it gets me through sooo many commutes and long car rides and got me through so many long shifts at the cafe i used to work at when i just needed a good album to make the time pass smoother. if you get real close to the ending ... i hope you know i did what i could .... we try to give it all meaning ... glorify the grain of the wood ... tell ourselves what’s beautiful and good...

(5 albums is not enough)

florence atm ceremonials. i think this is the last one....i was teetering between a bunch but this is an album i come back to again and again when im writing when i’m sad when i need something familiar but still inspiring...i remember getting the cd and listening to nothing else for weeks when it first came out in 2011 until it was burned onto my brain forever

Ummm i tag @lesbianlizzybennet @filmnoiress @whatisthiswitchcraft @jimkirkisgay @yankeeclapdoctor ONLY IF YOU WANT but this was fun i love random info sharing ask games lol

#honorable mention to taylor swift self titled which is NOT a no skips album she has skips on every album.#but i wore that cd out in my walk man when i was like 8 or 9 or however old i was.#MONTHS on end. nothing else. just our song #sorry for not saying hozier. andrew i love you #i ran out of room and florence has been with me longer #did none of these tags work....fml

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literaturezombie · 2 years

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I don't want a hot girl summer I want a Danger Days summer. overthrow the government. run around the desert in sick neon outfits. wear a gas mask. do our talking with a laser beam. be louder than God's revolver and twice as shiny. be undefeatable (yeah) so unbelievable (yeah). take the money and run. die with your mask on if you've got to. run away with me anytime you want. hear the music when your heart begins to break. sparkle like Bowie in the morning sun. gimme gimme some of that vampire money (come on!)

#mcr #this came to be while i blasted danger days trying not to have a complete mental breakdown for the 6th day in a row.#i needed to lay off tlt musical soundtrack so it wouldnt end up on my Spotify wrapped #and this is the only other way i feel alive

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lifeintheworldtocome · 11 months

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WHEN YOU WANNA BE A MOVIE STAR COME ON PLAY THE GAME AND TAKE THE BAND REAL FAR COME ON PLAY IT RIGHT AND DRIVE A VOLVO CAR COME ON PICK A FIGHT AT AN AIRPORT BAR KIDS DONT CARE IF YR ALRIGHT HONEY PILLS DONT HELP BUT IT SURE IS FUNNY GIMME GIMME SOME OF THAT VAMPIRE MONEY COME ON!!!!!!!!!!

#rattles the bars of my cage

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quillsink · 1 year

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ARE YOU READY RAY YEA I AM HOW BOUT YOU FRANK YWA IM THERE BABY HOW BOUT YOU MIKEY FUCKIN READY WELL I THINK IM ALRIGHT 1 2 3 4 321 WE CAME TO FUCK EVERYBODY PARTY TIL THE GASMAN COMES SPARKLE LIKE BOWIE IN THE MORNIN SUN GET A PARKIN VIOLATION IN LA BREA TIL ITS DONE HAIR BACK COLLAR UP JET BLACK SO COOL SING IT LIKE THE KIDS WHO ARE MEAN TO YOU!! WHEN YOU WANNA BE A MOVIE STAR COME ON PLAY THE GAME AND TAKE THE BAND REAL FAR!! COME ON PLAY IT RIGHT AND DRIVE A VOLVO CAR!! COME ON AND PICK A FIGHT IN AN AIRPORT BAR!! THE KIDS DON’T CARE IF YOU’RE ALRIGHT HONEY THE PILLS DON’T HELP BUT IT SURE IS FUNNY GIMME GIMME SOME OF THAT VAMPIRE MONEY COME ON!!!!!!!!!!!!

#aryan talks #this fucking SONGGGGGGG

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thick-black-ooze · 10 months

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gimme gimme some of that vampire money come on

#twilight.txt

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xxsasukelover69xx · 4 years

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#vampire money #wordart #gimme gimme some of that vampire money come on #my chemical romance #mcr #mcr quotes #danger days

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whatisgoingonpaul · 3 years

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Looking at the deleted scenes

so my last post looking into a scene to hear what they said was a deleted scene and that honestly got me on a kick now about looking though them all. This one is mainly going to be just taking about them/details more then a what I heard post. So here we go.

1- fighting over rooms

This was in the script and the book but never made it into the film, Sam was in the room Michael wanted and they fought for it. So this scene is the context behind Sam bolting down the stairs “MOM PLEASE! Ma! You gotta help me!” “S o o n”

Sam’s got a serious comic collection, which he organises(I see the hulk but no Batman)

Sam mumbling the song he later sings in the tub!! (Ain’t got no home)

“oh no no no, this is MY room. You, spidey and richie rich and the rest of the boys are outta here.” Michael I love you.

“My way or the highway bud” Sam I love you

Michael: I’ll flip you for it *LITERALLY PICKS SAM UP AND FLIPS HIM UPSIDE DOWN*

Sam bites this man in the leg- Michael also notably mumbles ‘lil shit’ as his brother rushes away laughing

Y’all I am in LOVE they are literally just siblings

2- Kitchen that night

This was also script/book. I mean duh because it’s a deleted scene. Basically just talking after dinner

Lucy has two big pictures of her mother ‘hi mom’

Sam is trying to fix the stereo but it keeps popping also Sam wearing the bandana! Cutie lmao

The stereo starts playing lost in the shadows (also like how when Dwayne hits it, it plays good times)

Michaels “sammmmmmm”

Michael just “I dunno if I’m going back to school” he dead ass went ✨I wanna drop out✨

Sam swoops in and starts dancing with Lucy it’s to cute I’m gonna explode

Sam and Lucy dragging him in , Sam straight up head locking Mike and Lucy’s dance is gonna

3- extension of Michael following star

Honestly this should have stayed in. It gives star a bit more character and it also makes Michael slightly less creepy in his actions. THIS IS WHERE THE PHOTO OF LADDIE COMES FROM!

Star: are you following me?*laugh*

Michael, confidently: yea, I am

Star:

How star is laughing and smacking gum watching this dork

Laddie like :0 the whole time

The way she says “well, talk” In a half laugh

SAM ACTUALLY CUTS THEM OFF FROM THEIR CONVO WITH “moms here” that’s why she goes off

LADDIE NOTICING SAMS VAMPIRES EVERYWHERE COMIC!!

“She wants me , all of me” - Sam Emerson 1987

4- Michaels job

Self explanatory, honestly I think this scene should have been kept in for little more past actually establishing that the movie is longer then a few days. Really it’s more like a few weeks

The drunk dude laying on the beach left over from the night before

Hhhhhhhh shirtless Michael hhhhhh

SAM AND THE FUN TUBE I REMEMBER THIS FROM THE BOOK

This kid is trying to read a comic in the ocean

Sam gets splashed by the surf nazis

Michael gets tricked by hair lmao

5- video store that afternoon

Weird note but Maria is called Marie? However in all media she’s called Maria??

Marie gives her little backstory, how she owes max

Max is busy during the day you see

Lucy is such a sweetie “there’s my boys! :D” “my sons my sons”

Michael trying to give Lucy his left over Christmas money and all that 🥺

Sams “bye mike!”

6- talking again

Second night extended talks

They used to come spend summers in Santa Carla

M: where’s your little brother?

S: hes not my little brother

The audio cut out :(

Grandpa asks Lucy about her boss “oh you know him?” “Oh I’ve seen him around”

GRANDPA WHAT DOES THAT MEAN

“Yea if i knew I was gonna live this long I woulda taken better care of myself”

8- morning

Sam watching the stuffed mountain lion

Nanook going after the rears of the stuffed hunting dogs- sir-

“Chill out Nanook”

Sam gets noosy and looks in on the Taxidermy and Grandpa chooses to gross him out lmao

“Nanook, this is my life , I come from a broken home. My mom works all day, my brother SLEEPS all day and my grandfathers possibly a alien who stuffs chipmunks” SAM I LOVE YOU

Sam sneaks a bit of grandpas weed

I’m going to sob I’m gonna sob it’s like a bit of the leaf! Sam baby never change

Grandpa walks in- Sam gets offended and tells him to stop with the Indian walk (this implies that he just straight up sneaks up on Sam non stop lmao I love him)

This blends into the “let’s go to town” scene

9- Michaels “morning after

The video I’m watching titled it this and I’m losing my shit so I’m keeping it. ALSO AGAIN THE MAGGOTS AND THE BRIDGE SCENE ARENT ON THE SAME NIGHT. THIS SHOULD HAVE BEEN KEPT IN TO ESTABLISH THAT

Michael not being able to lift his weights

“I can’t remember to much, not after the Chinese food that looked like maggots” Sam slowly putting down his apple lmao

“Hey mike, you think grandpas a alien?”

Mike “mom and I didn’t wanna tell you two early” lmao

Nanook and Michaels salty feet. I still don’t get this part

“That was some pretty funky Chinese food”

MICHAEL IS NOT WEARING ANYTHING UNDER THE ROBE AND HE HAS FUCKING TIGHTY WHITIES

Mike just placing his full hand over sams face

10-

Went over this last night

Max having thorn sit shot gun

His baseball cap that’s it just his hat

11- max and Lucy date pre phone call

Again for character development , like star. Like he doubles as a love interest and villain you think they’d leave the little parts with him in it in the movie

Max saying “I know what it’s like to be alone”

He says protecting mother in Latin(I think?) then English - NERD

“Lioness with her Cubs” she laughs THEYRE REALLY CUTE- STOP

“I think my mothering days are just about over” “well, they don’t have to be” SUBTLE

Max trying to show off with a fancy order shsisososososos

Max goes all out and spoils with the expensive order and Lucy is all !!! ☺️ no one touch me

They’re actually really cute and it makes me so mad they cut out moments like this for him and star? Because even with these they don’t get that much time but they get that much more character

13- Mike they’re here! Introductions

Should have been kept simply because there’s a huge gap

“This guy looks more like a zombie”

“Should I run him though?”

MICHAELS EYELINER

Mike is so sarcastic

“David! It’s David isn’t it?! He’s the leader! David ansisosososoos” mikes deflated “yea”

In conclusion these all should have stayed in the film and I am still upset over this. Also if there’s any more or any one that I missed: gimme

#the lost boys #the lost boys 1987 #deleted scenes #star the lost boys #max the lost boys #grandpa emerson #lucy emerson #sam emerson #Michael Emerson #laddie Thompson #david the lost boys #marko the lost boys #paul the lost boys #dwayne the lost boys

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lucifersresources · 3 years

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as always, feel free to alter/change pronouns/etc to fit!

look alive, sunshine/na na na.

" the future is bulletproof. "

" the aftermath is secondary. "

" i'll take what i want from your heart. "

" keep your apology. "

" kiss me you animal. "

" everybody wants to change the world. "

" no one wants to die. "

" make no apology. "

" it's death or victory. "

" crash and burn, young and loaded. "

" i'd rather go to hell than be in purgatory. "

" let this world explode. "

bulletproof heart.

" i'm who i've got to be. "

" these pigs are after me. "

" run away, like it was yesterday. "

" i got a bulletproof heart. "

" got a photograph dream on the getaway mile. "

" let's blow a hole in this town. "

" everybody knows you don't ever wanna come back. "

" let me be the one to save you. "

" i'm shooting out of this room. "

" i sure don't like the company. "

" stop your preaching right there, coz i really don't care. "

" get me out of my head. "

" i know how much you hate this. "

" are you gonna be the one to save us? "

" will you mean it when the end comes reeling? "

" hold your heart into this darkness. "

" i ain't gonna be the one left standing. "

" this world is after me. "

sing.

" you've got to be what tomorrow needs. "

" use your voice every single time you open up your mouth. "

" sing about everyone that you left behind. "

" you've got to make a choice. "

" raise your voice every single time they try and shut your mouth. "

" sell it till your last days. "

" buy yourself a motivation. "

" generation nothing, nothing but a dead scene. "

" wrote it for the ones who want to get away. "

" keep running. "

planetary (GO!)

" if my velocity starts to make you sweat then just don't let go. "

" heaven ain't got a vacancy. "

" truth is now acceptable. "

" fame is now injectable. "

" faith is unavailable. "

" i can't slow down, i won't be waiting for you. "

" i won't be waiting for you. "

" i can't stop now. "

" this planet's ours to defend. "

" ain't got no time to pretend. "

" don't fuck around, this is our last chance. "

" just leave the party with me and never go home. "

" you ruin everything. "

" let's ruin everything. "

" (this is) the sound of my vendetta against the ones who planned it. "

" you keep eternity. "

" we're taking back control. "

" light up the effigy. "

" take the money and run. "

" i've got nothing to lose, you've got nothing to say. "

" i think i better go now. "

the only hope for me is you.

" remember me. "

" where will you stand when all the lights go out? "

" where were you when all of the embers fell? "

" i still remember them covered in ash. "

" i still think of all the bombs they build. "

" if there's a place that i could be, then i'd be another memory. "

" can i be the only hope for you? "

" you're the only hope for me. "

" we'll have to make it on our own. "

" face all the pain, and take it on. "

" what have we learned? "

" what have we learned? other than people burn in purifying flame. "

" though you can see me smile i still think of the guns they sell. "

" the only hope for me is you alone. "

jet-star & the kobra kid/traffic report & party poison.

" keep your gun close. "

" die with your mask on if you've got to. "

" everybody pay attention to me. "

" i got the answer. "

" hide your eyes. "

" we're gonna shine tonight. "

" i gotta shout this out so everybody knows. "

" this ain't a party. "

" here comes the gang war. "

" we'd be killing ourselves by sleeping in. "

" ain't nobody gonna take my life. "

" ain't nobody gonna get the best of me. "

save yourself, i'll hold them back.

" i'm coming for you now. "

" i hope you're ready for a firefight. "

" the devil's got your number. "

" we're never leaving this place alive. "

" we'll never die. "

" get off the ledge and drop the knife. "

" not a victim of a victim's life. "

" this ain't a room full of suicide. "

" we're believers, i believe tonight. "

" we can leave this world, leave it all behind. "

" we can live forever if you've got the time. "

" save yourself tonight. "

" i'll tell you all how the story ends. "

" the good guys die and the bad guys win. "

" this ain't about all the friend you made but the graffiti they write on your grave. "

" salute the dead and lead the fight. "

" who gives a damn if we lose the war? "

" let the walls come down, let the engines roar. "

" i'm the only friend that makes you cry. "

" you're a heart attack in black hair dye. "

" save yourself, i'll hold them back tonight. "

S/C/A/R/E/C/R/O/W.

" make a wish when your childhood dies. "

" we're all alone tonight. "

" hold your breath. "

" i'll keep you safe inside. "

" never mind about the shape i'm in. "

" leave a dream where the fallout lies. "

" love won't stop this bomb. "

summertime.

" when the lights go out, will you take me with you? "

" will you take me with you and carry all this broken bone? "

" you pick me off the ground. "

" if you stay, i would even wait all night. "

" i would even wait all night, or until my heart explodes. "

" how long till we find our way in the dark and out of harm? "

" you can run away with me. "

" you can run away with me anytime you want. "

" terrified of what i'd be. "

" people try and put the pieces back together, just to smash them down. "

" you stopped the noise. "

" don't walk away. "

the kids from yesterday.

" this could be the last of all the rides we take. "

" hold on tight and don't look back. "

" we don't care about the message or the rules they make. "

" i'll find you when the sun goes black. "

" you only live forever in the lights you make. "

" when we were young we used to say that you only hear the music when your heart begins to break. "

" you only hear the music when your heart begins to break. "

" are are the kids from yesterday. "

" they only care if you can bleed. "

" here we are and we won't stop breathing. "

" yell it out till your heart stops beating. "

vampire money.

" we came to fuck. "

" sing it like the kids that are mean to you. "

" kids don't care if you're alright, honey. "

" pills don't help. "

" gimme some of that vampire money. "

" you look like somebody i used to know. "

" get your finger on the trigger. "

we don't need another song about california.

" give up or give it a shot. "

" money's all you got. "

" stop and stare at the accidents and stars that bore you. "

" we don't dare to sing another song for california. "

" everybody hears but no one needs to try. "

" fake your life. "

" the city lights are hopeless for you. "

zero percent.

" i don't like being alone. "

" synthetic animals like me never have a home. "

" i'm not the one you will be walking through. "

" if you kill him for me, well, then i'll kill him for you. "

" kill him for me. "

" i'll meet you down at the metro station. "

" i'm gonna show you how much i love you. "

" i hope you die. "

" if heaven wants to take us they can try. "

" i'm so glad right now. heartbreak, heartbeats got the eyes on you. "

" i got something to prove. "

" i got a knack for elimination. "

#rp meme #sentence starters #rp sentence starters #lyrics rp meme #mcr rp meme #mcr lyrics rp meme #my chemical romance rp meme

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springtidesnowfall · 2 years

Note

∞∞∞∞∞∞ love youu <3

love you too <3

seventeen / peach pit

there's something dark hangin' over my head i'm seventeen, don't hold your breath

vampire money / my chemical romance

the kids don't care if you're alright, honey pills don't help, but it sure is funny gimme, gimme some of that vampire money, come on!

27 / fall out boy

you're a bottled star The planets align, you're just like mars you shine in the sky

piece of your heart / mayday parade

you are the fire in my sleep, you are the reason i dream and just for when we’re apart i’ve got a piece of your heart

boys don't cry / i dont know how but they found me

but i just keep on laughing hiding the tears in my eyes 'cause boys don't cry

transparent soul / willow

smile in my face, then put your cig out on my back if you ever see me, just get to runnin' like the flash

#asks!#courtroomdrama #piece of your heart is so nice . idk why i never thought about it before #(definitely have before . probably? sorry remembering is . hard right now)#boys dont cry... ouch .#its a lotright now !

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final-servamp-banter · 3 years

Text

White Day Event: Gear

We stan the werewolf on this blog, his route gives me all the feels.

Gear: [Your name]? It’s me.

Gear: Tomorrow’s White Day, right? I’ll come pick you up from your place, so wait for me.

Gear: ……What? You’re in Japan, so that’s difficult?

Gear: You worry about small things, don’t you? That’s not an issue, so don’t worry about it.

Gear: All right, see you tomorrow.

(He hangs up)

You: (“Small things”, huh……)

~ 3/14 – in London, with Big Ben in the background ~

Gear: It’s evening already. We walked around quite a bit. Are you tired?

You: (Gear-san took me to a lot of places he likes…)

Player Choices (Note: Causes a split until after the next choice):

1: It was fun

2: I’m a little tired

Option 1:

Gear: I see, that’s good. That means working on this plan for a week without sleep was worth it.

You: (Eh?!)

Player Choices:

1: O-One week?!

2: Without sleeping at all?!

[Both options lead to the same dialog]

Gear: That was a joke. That’s just how enthusiastic I was.

Gear: That you were so surprised means it was worth telling that joke, too. Reminds me of how Youtarou was when he was younger.

Gear: Back then, he’d take every little thing I said seriously, but he’s grown up in the blink of an eye. Now he just says “Yeah, yeah” and brushes off whatever I say. Seriously.

Gear: I don’t want to forget that honesty of Youtarou’s, either.

Gear: ……? What are you getting sullen for? It sounds like I’m looking down on him?

Gear: I didn’t say that. I’m praising him. I’m the type who fundamentally praises humans.

------------------

Option 2 – “I’m a little tired”:

Gear: … I see. Sorry for not considering that. I don’t really get tired unless something outstanding happens.

Gear: I’ll consider that for our next date.

You: (D-Date…)

Player Choices:

1: So today was… A date, too?

2: So there’ll be… A next one?

Option 1:

Gear: I didn’t say that… Was that what you think I’d say? If not a date, what did you think it was? I don’t think there’s a man who can put together a date course as perfectly as I can.

Gear: Awkward humility isn’t good. It’s lonesome to not have confidence in yourself.

Option 2:

Gear: Of course. Depending on your schedule, since humans are usually much busier than I am.

Gear: It’s not like I have nothing to do. I’m busy, too. There’s a lot of new games and books that have piled up, after all.

[Rest is the same]

Gear: There wasn’t much time for shopping today, so next time, let’s make a department store the main part of our date.

Gear: I like to go shopping, but whenever I’m looking at home appliances, Youtarou soon says “I’m tired, I’m tired”. So we take a break and eat some ice cream.

Gear: And that’s although Youtarou looks around for ages if we’re in a clothes store. He only complains that we’re taking way too long if we’re shopping for me.

------------------

[Merge for the “It was fun”/”I’m a little tired” branch]

Gear: Well then, today we had lunch at a museum, afternoon tea… And we came here after enjoying a staple full course meal.

Gear: Your White Day Present is here.

You: (……?)

Player Choices:

1: …… Here?

2: Is there something here…?

[Both Choices lead to the same dialog]

Gear: It’s different from Valentine’s Day, isn’t it?

You: (…… Eh?! If I look closely…)

Player Choices:

1: Th-That clock tower…!

2: Big Ben…?!

3: It’s not under restoration…?!

[All options lead to the same dialog]

Gear: Yeah, Big Ben is under restoration. They’re not done working on the restauration yet.

Gear: You were disappointed when you couldn’t see Big Ben on Valentine’s Day.

Gear: So I thought I’d show you… “The appearance from a little while ago”.

You: (W-Wait a second…!)

Player Choices:

1: From a little while ago…?!

2: We went back in time?!

[Both choices lead to the same dialog]

Gear: From just before you couldn’t see it because they covered it in scaffolding for the restauration work.

Gear: Who do you think I am? I can do that much.

Gear: … Asserting that like this would be bad. Today is special. It’s not like I do this all the time. It’s not like I can do it all the time.

Gear: It’d be a problem if you thought I could do it, and it’d be a problem if there were rumors I could. So what I did today will be our secret, okay?

Gear: It’s especially a secret from Youtarou. He’d get angry at me and ask what I was doing. Maybe.

Gear: It’s like a special production just for today. It would be good if you could think of it as an illusion or a mirage. As a service just for here.

Gear: Time is transient and never returns. So doing this breaks the rules.

Gear: I just thought I wanted to give you the greatest surprise I could.

Gear: Objects decay, but emotions remain. No, I suppose in the short lifespan of humans, objects are what remains.

You: (For a White Day Gift…)

Player Choices:

1: An object might have been good

2: I prefer memories

Option 1:

Gear: Is that so? In that case, I’ll do that next year. My wish is to do something that makes you happy.

Gear: It’s wonderful to cherish tangible things in the limited amount of time they have.

Gear: I like that you can also use the object as a cue to think about your partner, or look at it to remember the time you spent with them.

Gear: … Even though that idiot didn’t seem to understand that. Ash, I mean.

Gear: I think of that promise while watching the starry sky through the hole in the roof. That way, I can think of someone far away.

Gear: The time spent thinking of others is lovely.

Gear: Unfulfilled promises may someday turn into sadness and anger, but… My life is too long to make something an “unfulfilled promise”.

Gear: That means, in short, that I’m patient.

Gear: Well, what I just said about Ash doesn’t matter. The promise we made was finally fulfilled, after over 100 years.

Option 2:

Gear: I see. That’s good.

Gear: I hope I’ve left even a small impression deep within you. Even if it’s an illusion like a dream and becomes vague once you wake up.

Gear: I hope that you’ll think, this definitely, without a doubt “happened”.

Gear: I’ll keep you within me, too. Time spent with your loved ones is irreplaceable.

Gear: I could see both your surprised and your happy face today. I’m as happy as I can be.

[Rest is the same]

Gear: In the end, living beings live for themselves. For their own joy. I’m glad that I need you for my joy.

Gear: Currently, my joy in life is made by you, Youtarou, Ash, that house, this town, and old dreams.

Gear: Thanks to you, my joy increased again. How could I not thank you for that?

Gear: Joy is the companion of living. Even the sadness of parting is a companion of living. That’s not just humans… Me and vampires like Ash are no exception.

Gear: I’m proud if I can be part of the joy in your life, too.

Gear: Give me your hand. We’ll cross that bridge together.

You: (He’s… holding his hand out to me…)

Player Choices:

1: Take his hand

2: Be overwhelmed

Option 1:

Gear: The illusion will stay until we cross that bridge hand in hand. Don’t let go of my hand on the way.

Gear: Let’s cross as slowly as possible. I want to remember your temperature, too.

Option 2:

Gear: … Ah, in that case, let’s just walk next to one another.

Gear: Even if we’re not touching, that doesn’t mean we don’t understand one another. We can be by each other’s side and love one another. That’s enough.

Gear: Well… I’d like you to allow me to at least look at your face in profile. All right, let’s go.

[Rest is the same]

Gear: Thank you for today, [Your Name].

[End]

----------------------------------

T/N: When the player goes “Eh?!” after Gear says he hasn’t been sleeping for a week, there’s still Gear’s name and avatar on there. Which I know is a bug I just find it kinda funny lmao

“It reminds me of Youtarou when he was younger” is more literally “It reminds me of the old Youtarou”/”The Youtarou from long ago”, but I’m pretty sure he means Smol Youtarou.

From the “It sounds like I’m looking down on him” to “I’m praising him”, it’s not really clear whether he means Youtarou or the player - I went with Youtarou because he was the one Gear had been talking about, but the player might as well have felt that Gear was looking down on/making fun of them (by comparing them to Kid!Youtarou), or humans in general.

When he talks about the companions of life, there’s the “that’s not just humans” bit - He may also mean that it’s something beings that are not human feel while humans don’t, but then he says he and vampires are not exceptions, which is why I included humans (After all, if it meant non-humans, Gear wouldn’t have to specify again that non-humans feel it, too)

Gear is just,,,, so precious 🥺 Like “I was looking forward to seeing you so much I wanted to plan without sleeping” PLEASE SIR KNOW I LOVE YOU.

Also. Y’know, Nicco (yes I’ll do him soon-ish) already goes all-out, but Gear just goes and breaks the rules of the space-time-continuum for you. Like, that’s commitment.

I hated having to pick “I’d rather have something tangible” ;_; Dude BREAKS THE SPACE-TIME-CONTINUUM for you and you just go “Yeah nah gimme something worth money” that’s just MEAN!

Sorry for the long T/N I just have a lot of things to say and A LOT of emotions about Gear. Like, with the vampires, it’s so easy to forget how eternal they are, that they’re immortal. Theoretically, if a Servamp decides they want to keep someone around, they can make them into a vampire. Gear can’t. Gear has been around longer than the Servamps, and since he keeps making friends, choosing to make friends, he has lost so, so many people, and it’s just, you can tell that he functions on a scale vastly different from humans. But does he decide to harden his heart, to not meet new people to avoid the heartbreak? No, he sees it as a part of life, and while it’s sad, it’s worth it to him, and I just-- 🥺🥺🥺😭😭😭😭

#Servamp #Gear Servamp #Servamp Gear #Neugear Hatiwelt #Tanaka Box #Translation #White Day Event #Servamp White Day Event #Gear's Insta Account spells his name right at least #His insta name is ''wolf.neugier''#I love him a lot #He won my heart with his Valentine's Route and this just. ALL the feels.#Stan the wolf with me please 🥺🥺🥺

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